Considering that this sexploitation comedy of manners about a scoundrel dweller of a low middle class apartment in Copacabana, which developped into a romantic comedy, is a chaotic sequence of jokes about sexual harassment, homossexuality and burps, it could have been much worse. Much of the neighborhood issues and window snooping in a decaying building are not enough to make this film a Rear Window, Medianeras or Edifício Master, but saves it from disaster. The inintended funniest moment is when Cécil Thiré's character Tatá says: "It will be possible to stay in the party only until two o'clock; at four a bald man will come." (I never saw Cécil Thiré with so much hair before; he developped a long career as a bald bearded actor).
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