Yi jian mei (1931) Poster

(1931)

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7/10
A weird experience
suchenwi11 August 2008
Warning: Spoilers
First, this is no easy-watching popcorn movie, in 2008. It's silent (and really silent, no background music at least), but intertitled in Chinese and English. However.. the intertitles are cut off at left and bottom, so you need some detective work just to read the English. Several scenes, mostly outdoors, are just fading into white, making it hard to see anything.

And as if that wasn't enough, a big center part was mounted the wrong way. I was surprised when in a crucial scene, people wrote with their left hands, and the intertitles came all mirrored for some 20 minutes (two reels) or so... (I watched the version in the 120 Classics box, not sure whether there's better ones about).

And still, this weird movie had many interesting moments. At times feeling like a Peking opera (but without the soundtrack), at others it displayed modernity of those days (people traveling by train/car/biplane).. but most often on horseback.

The tragic-famous Ruan Lingyu stars as "Proteus"' fiancée, and "Valentine"'s sister. You get the classic story of a dishonored officer joining the bandits (showing up briefly as a caped crusader, throwing darts with moral messages attached..) What a ride. I was surprised by the female ordnance soldiers, and even more by Julia commanding her army.. though she then travelled to Canton in traditional attire, to find out about her brother.

If these rather random observations still haven't deterred you, just watch it yourself. I'm not saying it's good, but very fascinating. A museum piece, of course, but with so thrilling moments (one more example, Valentine in the bandits' cellar). A weird (but good) experience... :^)
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8/10
Before corruption lost its innocence.
heliotropetwo13 August 2006
What a ride! Multiple betrayals. Chases on horseback. Scenes out of Schiller. Bad guys identified with mustaches. Good guys with beards or clean shaven. Heroic women. Dastardly villains. Silly villains. Even a disgruntled sidekick for comic effect. A rare chance to see Ruan Ling-yu, whose short life and cruel death gave Stanley Kwan his film, Center Stage.

We see lovers and friends betraying and betrayed, a society whose corruption has a Felix-The-Cat simplicity, a bureaucracy flawed by nepotism and cruel whim. It is China in 1931 as interpreted by a Hollywood-influenced Chinese film industry. If we look between the frames we can see a piece of the future as one would wish it to be, with goodness sleeping somewhere in every human heart.

But we cannot help but know better. It is before Manchukuo, before the civil war, before Nanking, before the Great Leap Forward, before The Cultural Revolution.

The film is mostly just escapist fun, but the context, and we can sense the context, and the future, from Ruan Ling-yu's suicide to China's half-century of unimaginable suffering, make this moment of fun worthy of reverence.
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8/10
An Absorbing Drama
crossbow010623 September 2008
This film stars the incredible Lily Yuen as Julia, who falls in love with Proteus, while her brother, sent to Canton for the military, falls in love with Silvia (Cho-Cho Lam). The story is basically a chronicle of the two relationships, but it actually is more than that. You get a feel for the military regime at that time and you get elements of betrayal. The film is very watchable, but remember it is a silent film. To me, that makes no difference, but to some it might. Just seeing any film with Lily Yuen, who tragically took her own life in her 20's, is worth your time. She was a great actress and thankfully her films are at least somewhat available (you have to see the film "Goddess", its amazing). I've never seen Cho-Cho Lam before, and her career ended early, but she was very good as Silvia. The male leads are not as interesting, but this is by design. This film, with some technical problems (it is probably the best print available, it must have been shown in Asian communities in the United States) is worth watching solely because it still exists. Its available on DVD, so its easy to find. Not my favorite Lily Yuen film, but it holds your interest and that is enough of a reason to check it out.
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10/10
Yi Jian Mei meets Shakespeare ^^
vk_li11 November 2016
Yi Jian Mei meets Two Gentlemen of Verona

Military cadets Hu Luting (Valentine) and Bai Lede (Proteus) are mutual friends, both with aspirations to serve their country. After graduating, Hu Luting (Valentine) leaves for Guangdong where he has a post as captain of headquarters. Bai Lede (Proteus) stays in Shanghai with Hu Luting's (Valentine's) younger sister Hu Zhilu (Julia), and the two are engaged.

In Guangdong, Hu Luting (Valentine) and the general's daughter Shi Luohua (Sylvia) fall in love...

This is a story of true love, transcending history and cultures. It includes bandits and women-soldiers (exciting!), all portrayed in the refreshingly clean style of 1930's silent black-and-white film.
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The Seattle International Film Festival and The San Francisco Silent Film Festival, David Jeffers for SIFFblog.com
rdjeffers28 May 2010
Warning: Spoilers
Stratford-upon-Yangtze

Sunday May 30, 4:30pm, SIFF Cinema (Nesholm Family Lecture Hall), Seattle

Friday July 16, 2:00pm, The Castro, San Francisco

Two military cadets, friends since childhood, graduate and return home to pursue their lives. Hu Luting/Valentine (Jin Yan) diligently follows his career, while Bai Lede/Proteus (Wang Chilong) is infatuated with Valentine's sister Hu Zhuli/Julia (Ruan Ling-Yu).

Produced by the Lianhua Film Company as a showcase for it's two biggest stars, Yi Jian Mei/A Spray of Plum Blossoms (1931), is to date the only screen adaptation of William Shakespeare's play, The Two Gentlemen of Verona. Ambitious in scope, the treatment is more melodrama than farce with thrilling equestrian elements, swashbuckling banditry, fickle ardor and set design reminiscent of Erté. Presenting a challenge to viewers, the film suffers from its technical shortcomings, while surviving print quality and preservation is only fair at best. But where film surpasses the stage, by the intimacy of the close-up and the breadth of landscape, Yi Jian Mei is magnificent. Ohhhhhh, but where is that dog?
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