Deep in My Heart

I stumbled across the opening of "Deep in my Heart" one afternoon on the True Movie channel here in the UK. I think it was at the end of a recording I made of another movie. Anne Brancroft's monologue captivated me. I couldn't forget her character's story of how she was attacked as a young married woman, walking home late one night from a movie, the first night she left the house after having a baby, now four months old. "They said there must have been another man, and there was... his name was Elvis". I was also captivated by her character's proud statement that she wasn't just another Boston Irish... she was part French. It's unfortunate that the movie has a title that suggests it's sentimentalized and cliché ridden. What could have been a sensationalized, melodramatic "true life story" reveals the life of the child that was born after the attack, with sympathy for all the main characters. The series of monologues of each of Barbara Ann's mothers works well to give their viewpoints, reveal their characters, their hopes, and how each sought to do the best they could to give her a good life. The last monologues by Gloria Reuben as the adult Barbara Ann are poignant as they depict how she learns about her origins, finds her birth mother, comes to terms with her estranged adopted mother, and strives to come to terms with her heritage from her white biological family and the issues that affected the direction of her first years. My parents grew up in Boston in the 1930s and 1940s, and I often visited the city's neighborhoods and suburbs on family trips (I grew up in Florida, where my parents moved in the 1950s). "Deep in my Heart" reminded me of what the city was like when my cousins and I were young. Cara Buono's performance as the young Gerry made me cry. I was deeply moved by her courage to stand up to the racism of the era. I knew from my parents' stories of what happened to their old neighborhoods that many areas of Boston were torn apart by racism, riots, urban renewal, and manipulation by real estate sellers. My parents once drove through Roxbury with me during one of our visits and my father pointed out the areas that he knew as a child, that were once seen as well off and now were deprived and neglected.

I was riveted too by Lynn Whitfield's portrayal of Corrine and her love for her foster child. I felt deeply for her when she was denied the possibility of adopting Barbara Ann, and when Barbara Ann had to leave her care for adoption in Wisconsin. I found the social agency's thinking hard to understand. I suppose they believed that Barbara Ann would be better off with professionals as parents in the Midwest rather than living with other foster children in a poor family in Roxbury, an area that became known for crime and violence.

I felt for Alice Krige's Annalise, who wanted to give a loving home to a needy child. She was caring but was let down by her husband deserting her and their adopted child- Albert Schultz shows the husband's flaws and his inability to put the child's needs first without making him look like a complete jerk or a villain. I empathized with Annalise and Gloria Reuben's teenage Barbara Ann: I could see how Annalise struggled to make a better life for both of them, and how Barbara Ann, feeling lonely and abandoned, cold shouldered her, believing that the time Annalise spent studying and working was an indication of her indifference, and turned to her boyfriend for the love she missed, longing for Corrine.

The movie ends with a four handkerchief family reunion scene that does seem idealized- I wondered why Annalise was attending a reunion party of the Cummins family in Boston, when she and Barbara Ann hadn't communicated in decades. The highlighting of Barbara Ann's three mothers at the event is a little cheesy, especially at a gathering for the entire Cummins family.

But overall "Deep in My Heart" considers the difficult and complex issues of racism, the civil rights struggle, single mothers, discrimination of lower income families, and the changing attitudes towards them without allowing them to dominate the movie or allowing the characters to be determined simply by their response to them. I wish more of the movies based on real life stories would reflect their eras and the history behind him as respectfully and thoughtfully.

I love the way that they portrayed the husband of the natural mother (Geraldine). He was as compassionate as any character I have ever seen and made me proud to be part of the human race. Holding his wife blameless for the rape (which wasn't necessarily the norm during the 50s and 60s); willingness to accept his wife's decision about what to do with the black child--even encouraging her to keep her baby ("it's just a baby"); saving clues of the child's whereabouts for the birth mother, which she found after his death. Truly a touching story and a laudable portrayal. I hope the real life character was equally as compassionate.

This is a really emotional yet fascinating movie, and it was based on a true story! It was made for television in 1999, but it could easily be remade today for theatrical audiences (so the running time could be longer) as all the key issues are still relevant for modern audiences.

Told in interview-style flashbacks, we learn the story of a white woman who was raped by a black man and gave her baby up for adoption. Cara Buona (a great likeness to her older counterpart, Anne Bancroft) was married during her attack, and her husband Kevin O'Rourke was extremely supportive. Not only did he support her throughout the entire pregnancy, suggesting that they wouldn't be positive the baby wasn't his until after the birth, but after he found out it didn't belong to him, he offered to keep, raise, and love the child if Cara wanted to. Cara chose adoption because she didn't want her daughter to live through cruelties by her peers because she didn't look like her parents. She thought it would be best for the little girl to be raised by people who looked like her, an interesting and thoughtful choice during the 1960s (the time of the birth).

Cara and Kevin take their little bundle to Lynn Whitfield's foster home and are treated with contempt. Once again, Kevin shows his support by standing up to Lynn: "You might be used to this, but we're not." Through the years, Lynn forms an intense motherly bond with the little girl (who grows up to be Gloria Reuben), but everyone's hopes and dreams are crushed when she finally gets adopted. . . by a white couple.

That's just the start of the twists and turns of this very interesting story. I wish it were a book so I could find out even more about Gloria's life. If you missed this one when it aired on television, rent it.

A search for a woman's natural mother, turns up not one mother, but three. The search was started to secure medical history for her children, but turned out to be a release of her deep-set emotions. I liked this movie for many reasons. It was based on actual events and shows the value of not giving up, although I felt her search for the truth was "a bit too easy".

A touching telepic, this was perfect for it's original Mother's Day debut. It stars Gloria Reuben (of ER) as woman who grew up in a foster home and now, with her own family life bustling, becomes ever more curious about her biological mother. Flashbacks help the story unfold, from the early '60s where a white woman gives up a black child conceived after a rape. For most of the period that follows, this child lives with a black foster mother (Lynn Whitfield) and grow fond of each other. As a teen, she is adopted by a well meaning but woefully unprepared white liberal (Alice Krige) who gains a black daughter but loses her skittish boyfriend in the process. The young black woman rebels, and eventually runs away, never to return. Now as as she yearns to know the truth and to find her mother, she revisits her foster mother and has a chance encounter with her adoptive mother. Anne Bancroft is superb in a Emmy winning performance as the now aged biological mother. Ruben shines in the lead, and Whitfield and Krige lend fine emotional support. While there are some tear jerking moments in the end, the film itself is more the story of a quest than a simple tearjerker melodrama. Strictly a TV movie, but a very fine one.