Captures the vulnerability and aimlessness of its unfortunate characters with a heart-in-your-throat rawness that recalls some of the more poignant moments of Italian neo-realist cinema.
50
New York PostLou Lumenick
New York PostLou Lumenick
Disappointing.
40
TV Guide MagazineKen Fox
TV Guide MagazineKen Fox
The best parts of the film come when he (Doillon) just lets the camera roll and lets the kids be kids.