I've reviewed many sketch films in these pages, but this one stands out for mediocrity and pretentiousness. Thankfully I'll be able to forget most of these trifles quickly. I salute Maxi Cohen for making the only good segment 'Anger'. There are some memorable people in this one, especially the two painters: they've got to split up, but they just can't.
Not one of the better films in the Criterion Collection.
Not one of the better films in the Criterion Collection.
