The Dirty Seven (1982) User Reviews

Another unofficial unofficial Emanuelle film.

[BA_Harrison · 4/10 · 21 March 2010]

Once again we have a case of a random Laura Gemser movie being retitled to cash in on the success of the 'unofficial' Emanuelle series, although whoever gave this film the AKA 'Emanuelle Queen of the Desert' was clearly having a bit of a laugh: the film is not set in a desert (it looks hot, but is obviously Mediterranean countryside); and Gemser's character is quite clearly named Sheila (and judging by her unladylike behaviour, she's definitely not royalty).

La belva dalle calda pelle AKA The Dirty Seven AKA Emanuelle Queen of the Desert is essentially a revenge drama, with Gemser avenging the rape and murder of a young woman by a team of soldiers who have become stranded in the *ahem* desert after their mission goes awry; as things go from bad to worse for the mercenaries, the men begin to fight among themselves, giving Sheila the opportunity to exploit their weaknesses (usually starting by flashing her goods at them).

And speaking of exploitation and weaknesses, this film has its fair share of both: there is some of nudity (of course), a smattering of sex, and plenty of violence, but also lots of poorly executed action, dreadful dialogue, tiresome drama, and laughable plot development—and with Gemser not even making an appearance until halfway though the film, I imagine that even the most ardent fans of the lovely lady will find this film a struggle to sit through.

Pretty terrible

[gridoon · 3/10 · 21 February 2006]

In the 569th case of misleading marketing I've come across, the DVD version of this movie is called "Emanuelle, Queen of the Desert" even though the only thing it has in common with the Emanuelle movies is that Laura Gemser stars, and she gets naked; however she plays a totally different character. There is the germ of an interesting story here - Gemser as a mysterious, almost ghost-like avenger - but the film is too badly made to have much impact. The flashback in the middle serves a purpose - it shows you what pigs some of these characters are and why they deserve what they get - but it shouldn't have gone on for so long (35 minutes). When it's over, the movie has only 10 minutes left! Also, beware of the DVD picture and sound quality, it's pretty poor. (*)

Cold hearts and hot skin in Nowhere Land

[unbrokenmetal · 8/10 · 11 January 2008]

„La belva dalle calda pelle" (literally: „The Beast With Hot Skin") is a movie which is marketed to the wrong audience, I'm afraid. At least I have no better explanation for the low average rating here. Having a sex symbol like Laura Gemser at number one of the cast plus stills showing grim mercenaries with machine guns surely appeals to people looking for a „fast food" sex and violence flick, but writer and director Bruno Fontana clearly had ambitions beyond that. In the beginning, we see Sheila (Laura Gemser - not „Emanuelle" here despite the American title) leading one soldier into a trap and kill him. Then she meets 4 of his comrades and sweetly offers to guide them to the border. We don't know which country it is (seemingly African, but actually shot on Cyprus island), who the soldiers fight for or why they are lost. At this point, the movie is an excellent trip into the Heart of Darkness echoing „Apocalypse Now", and it is not far fetched to presume that was an important influence on „La belva dalle calda pelle" which was shot shortly afterwards.

Sheila awakens anger and frustration in those men who try and rape her, or jealously attack each other. She causes adoration slowly turning into fear. „You are a tigress and I am a lion", says the leader of the mercenaries. „We have a lot in common." More than he thinks at the time... Interior monologue and manic close-ups are increasing the tension. After 40 minutes, the metaphysical qualities of the movie are hampered by a long flashback, though, which neatly explains the story: how the mercenaries got there, what Sheila's motivation is, who this guy without a uniform (Gabriele Tinti) is and so on. This certainly is a lack of elegance in the movie way of story telling, maybe because the first-time director was a writer in the first place and thought in chapters rather than a flow of pictures. Composer Paolo Rustichelli (son of the famous Carlo Rustichelli who scored countless movies, too) provides one of his earliest works, a deliberately synthetic soundtrack like it was used in science fiction movies of the 1980s, certainly en vogue at the time, but it adds a sense of weirdness and uneasiness to the movie which obviously isn't SF, but occasionally existentialistic. In my personal view - despite the flaws in the middle - a movie waiting to be rediscovered.

Rape and revenge in the desert with Laura Gemser

[The_Void · 6/10 · 17 August 2008]

The Emanuelle franchise was obviously very popular in Italy during the seventies and eighties; and as a result of that, just about every film that Laura Gemser has been involved in since bears the Emanuelle name, even if the films actually have nothing to do with earlier entries in the series. Emanuelle: Queen of the Desert is yet another example of an annoying Emanuelle cash-in, although to be fair; this film actually isn't all that bad. The plot is rather simple and focuses on a bunch of red blooded soldiers that rape a girl before having her thrown out of the window. They then go on the run in the desert; before running into Gemser's 'Tigress' character who takes revenge on them all. So we've basically just a rape and revenge set in the desert with Laura Gemser starring. The plot is rather well done and the characters are interesting enough to hold the audience's attention for at least a little while. Laura Gemser gets top billing but isn't really the star of the film; despite stealing it once she does arrive. She gets naked a couple of times and her revenge on the soldiers is fun enough. Naturally, the film doesn't give the audience anything to come away with; but it's a decent hour and a half of sex, violence and Laura Gemser and better than most of the other fake Emanuelle films.

A Strong Voyeuristic Film

[Antiknown · 10/10 · 6 June 2000]

As I turned on the movie, I didnt expect anything more than a weakly pieced together story with blatant excuses to throw sex and nudity into a no brained story. Ironically enough, the movie started out on that foot. During the first 10-15 minutes you are just thrown into a story that doesnt seem that it will have any promise or realism...and then it slowly hooks you.

Bruno Fontanna (who wrote and directed this movie) cleverly chisels out realistic characters put into engrossing situations. You never know what their motivations are or what they have in mind until the moment comes through. The acting shows strength and the story itself keeps changing perspective, keeping you off balanced and wondering where the next turn will lead.

Another thing I admired was the directing. The movie looks to have been originally shot on maybe 16mm film and gives you the impression of being a voyeur looking in on the intimate lives and thoughts of the characters.

When I turned on the movie, I was laying down comfortably, almost asleep. By the time the movie came to an end, I was literally on the edge of my seat. In my opinion, this was a great film considering a low budget and basically a no name acting crew. Besides the gorgeous Laura Gemser who no one has really ever taken as a serious actress anyways.

Not alot of nudity (if thats what you are looking for), but smart film making worth checking out - if you can find a copy of this Out Of Print title. 10/10

The Dirty Seven vs. Emanuelle, Queen of the Desert

[kenneymljken · 6/10 · 18 June 2010]

The reviews so far on IMDb seem to be split down the middle regarding "La belva dalle calda pelle," also known as "The Dirty Seven" and "Emanuelle, Queen of the Desert." The majority of the negative reviews seem to base their criticisms on the fact that it is clearly not an official Emanuelle film (Laura Gemser is in fact called Sheila in the movie) and a flashback sequence that is over thirty minutes long, while the positive critiques make no mention the flashback, which is absent in the version known as "The Dirty Seven." This and the original Italian title make no allusion to Emanuelle. In this form the film is much more linear with only one very brief flashback where Sheila finds the dead body of her sister, thus establishing her motive.

It should also be noted that Gemser is not introduced into "The Dirty Seven" until a substantial amount of time has past, where in the "Queen of the Desert" she appears almost immediately.

I contend that the former is director Bruno Fontana's actual vision and that the "Emanuelle" version was re-edited (by someone other than Fontana) to cash in on Gemser's "Black Emanuelle" status.

While I may be stating the obvious, I wish to appeal to those negative critics and let them know that this film exists in two entities, under two different titles and to think twice before blaming Fontana for "Emanuelle, Queen of the Desert," it's slapped-on title and its shoddy chronology.

No simple exploitation film this...

[Leofwine_draca · 8/10 · 25 June 2016]

A simple grade C Italian thriller with sex and violence becomes an A-picture thanks to an excellent script, strong acting and fine direction by Bruno Fontana, who also wrote the novel on which the film is based. At first glance the plot seems to be nothing new and the presence of Laura Gemser seems to indicate another EMMANUELLE-type adventure, set this time in the desert. Fans looking for cheap exploitation will find themselves with a whole lot more, as this gripping psychological study of the mental deterioration of a group of stranded soldiers is an excellent little movie and one of the best of its type I've seen. In fact it owes more to the gruelling Italian war epics of the '60s such as THE RED BERETS than the sleazy sexploitation drama into which it has been slotted. Despite lacking a budget, any stars (aside from Gemser in a relatively small role), gore, or special effects, this is a uniquely-crafted and utterly engrossing story of the lowest depths to which mankind will fall.

Things begin rather predictably with a team of soldiers infiltrating an enemy base and shooting dead a wanted man. Unfortunately they are double-crossed by their contact and their captain is fatally wounded. Lost in a country they have no knowledge of and worn down by a lack of provisions and the searing heat of the desert, the group quickly descends into mindless bickering, and power struggles for the leadership emerge when the captain dies. Along their journey they pick up a mysterious guide known as Bony and rest at a remote house. At this point the film hits us with a nasty gang-rape sequence which is pretty brutal and nihilistic, seeing as the girl commits bloody suicide as a result of the violation. After this nothing stays the same and one realises that this will be an intense, downbeat, and definitely adult film.

As more members of the party die and spirits dwindle, into the picture steps Laura Gemser as a mysterious sexual traveller who lures one man to his doom. What follows is a chronicle of sexual jealousy, leadership rivalry, and lots of violent murder as the remaining soldiers struggle to contain their feelings and eventually lose the remnants of their consciences. The outcome is predictable but oddly unmissable and its difficult to turn the film off once you've started watching. One thing it has in spades is atmosphere, with the sweaty Cyprus locations adding to the strong realism of the production and a lack of noticeable music/directorial flourishes adding to the feel of the film, making it seem almost documentary-like.

The acting is very good from just about the entire cast; of course the strongest and most interesting characters last the longest. Angelo Infanti (a George Eastman lookalike) is particularly good as the hateful brutish rapist who takes over leading the soldiers when the rightful captain dies. Giovanni Brusadori also excels as the innocent soldier who struggles to cope when his companions turn to rape and violent murder and who eventually descends into madness. Genre regular Gabriele Tinti deserves mention as the cool, mysterious "Bony" character, whilst Laura Gemser has a great role and gets to act for a change as well as shedding all of her clothes when necessary. The action sequences are well-staged and generally exciting but it's the human drama which makes this so watchable. Despite an element of predictably to the narrative (you can see pretty much from the start where its going) this remains a strong, challenging and important little movie and surprisingly better than you would imagine.