Above: The Apple
The celebratory attitude at the True/False Film Festival in Columbia, Missouri, speaks to the healthy state of nonfiction filmmaking at present. True to its name, the festival spotlights new films that incorporate elements of both fiction and documentary (and sometimes blur the line between the two), yet even the selections that resemble more traditional investigative reporting uphold a certain standard of artfulness. More impressively, the festival organizers make a point of incorporating the Columbia community into the celebration. Somewhere between 700 and 900 residents of the town and surrounding areas volunteered at the fest this year, and many businesses I encountered seemed happy to get in on the act too. (“Don’t be fooled by False advertising,” read my favorite sandwich board. “Try our True Thai cuisine!”) Roughly half of the screenings took place in locations not usually reserved for movies—a rock venue, a couple of churches,...
The celebratory attitude at the True/False Film Festival in Columbia, Missouri, speaks to the healthy state of nonfiction filmmaking at present. True to its name, the festival spotlights new films that incorporate elements of both fiction and documentary (and sometimes blur the line between the two), yet even the selections that resemble more traditional investigative reporting uphold a certain standard of artfulness. More impressively, the festival organizers make a point of incorporating the Columbia community into the celebration. Somewhere between 700 and 900 residents of the town and surrounding areas volunteered at the fest this year, and many businesses I encountered seemed happy to get in on the act too. (“Don’t be fooled by False advertising,” read my favorite sandwich board. “Try our True Thai cuisine!”) Roughly half of the screenings took place in locations not usually reserved for movies—a rock venue, a couple of churches,...
- 3/24/2014
- by Ben Sachs
- MUBI
Clio Barnard's The Arbor charted the troubled life of working-class playwright Andrea Dunbar. Her new film, The Selfish Giant, about two boys who scavenge to survive on a Bradford estate, has been called 'a Kes for the 21st century'. Here she talks about the appeal of the margins
Back in 2010, when Clio Barnard was shooting her first feature film, The Arbor, on the Buttershaw estate in Bradford, a young local lad caught her eye. "I first saw him when he was just 14, when I went to Buttershaw to do a workshop at a school," she recalls. "There was just something about him that was different from the other lads I met. He was a bit volatile, but enigmatic too and he really made his presence felt. When I went to Brafferton Arbor [the street on which The Arbor is set] for the first time, there he was, wearing his rigger boots and really dirty clothes. It was pure attitude,...
Back in 2010, when Clio Barnard was shooting her first feature film, The Arbor, on the Buttershaw estate in Bradford, a young local lad caught her eye. "I first saw him when he was just 14, when I went to Buttershaw to do a workshop at a school," she recalls. "There was just something about him that was different from the other lads I met. He was a bit volatile, but enigmatic too and he really made his presence felt. When I went to Brafferton Arbor [the street on which The Arbor is set] for the first time, there he was, wearing his rigger boots and really dirty clothes. It was pure attitude,...
- 10/12/2013
- by Sean O'Hagan
- The Guardian - Film News
The Iranian director will be joined by Scottish actor Kevin McKidd and film critic Derek Malcom.
Iranian director Samira Makhmalbaf will chair the Michael Powell Best British Feature Film Competition Jury at the upcoming Edinburgh Film Festival, which runs June 19-30.
Makhmalbaf became the youngest director in official selection at the Cannes Film Festival 1988 with her first feature The Apple, for which she won the London Film Festival’s Sutherland Trophy. Her second film The Blackboard and third, At Five in the Afternoon, both received the jury prize at Cannes.
She will be joined on the jury by Scottish actor Kevin McKidd, who starred in last year’s Eiff closing night gala Brave, and chief film critic at the Evening Standard, Derek Malcolm.
British films competing for the Michael Powell Award include Justin Edgar’s We Are The Freaks, Paul Wright’s For Those In Peril, Jamie Chambers’ Blackbird and John Hardwick’s Svengali.
The jury will...
Iranian director Samira Makhmalbaf will chair the Michael Powell Best British Feature Film Competition Jury at the upcoming Edinburgh Film Festival, which runs June 19-30.
Makhmalbaf became the youngest director in official selection at the Cannes Film Festival 1988 with her first feature The Apple, for which she won the London Film Festival’s Sutherland Trophy. Her second film The Blackboard and third, At Five in the Afternoon, both received the jury prize at Cannes.
She will be joined on the jury by Scottish actor Kevin McKidd, who starred in last year’s Eiff closing night gala Brave, and chief film critic at the Evening Standard, Derek Malcolm.
British films competing for the Michael Powell Award include Justin Edgar’s We Are The Freaks, Paul Wright’s For Those In Peril, Jamie Chambers’ Blackbird and John Hardwick’s Svengali.
The jury will...
- 6/19/2013
- by sarah.cooper@screendaily.com (Sarah Cooper)
- ScreenDaily
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