Dark Harbor (1998)
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- R
- 1h 36min
- Thriller, Drama
- 31 Dec 1999 (Spain)
- Movie
A couple, trying to get the last ferry to their island, help a young drifter out of the rain with a ride. They later meet him again and invite him home. The much younger wife spends time with the drifter. Twists follow.
Director:
Writers:
Stars:
Award:
- 1 nomination.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Alan Rickman | ... |
David
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| Polly Walker | ... |
Alexis
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| Norman Reedus | ... |
Young Man
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Janet Mecca | ... |
Alexis Sr.
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Lewis Flagg | ... |
Minister
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| Sasha Lazard | ... |
Funeral Singer
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Directed by
| Adam Coleman Howard | ||
Written by
| Adam Coleman Howard | ... | (writer) |
| Justin Lazard | ... | (writer) |
Produced by
| John Hart | ... | producer |
| Justin Lazard | ... | producer |
| Al Munteanu | ... | associate producer |
| Rachel Peters | ... | associate producer |
| Peter Popp | ... | associate producer |
| Jeff Roda | ... | associate producer (as Jeffrey Roda) |
| Katie Roumel | ... | line producer |
| Jeffrey Sharp | ... | producer (as Jeff Sharp) |
Music by
| David Mansfield | ||
Cinematography by
| Walt Lloyd | ||
Editing by
| Annette Davey | ||
Editorial Department
| Regan Avery | ... | assistant editor |
| Jed Cohan | ... | post-production assistant |
| Ethan Higbee | ... | post-production assistant |
| Janna Israel | ... | post-production assistant |
| Lawrence Kim | ... | post-production assistant |
| Seyi Peter-Thomas | ... | post-production assistant |
| Karen Weintraub | ... | assistant editor |
Casting By
| Kerry Barden | ||
| Suzanne Crowley | ||
| Billy Hopkins | ||
Production Design by
| Markus Canter | ||
Art Direction by
| Humberto Cordero | ||
Set Decoration by
| Josh Outerbridge | ||
Costume Design by
| Kevin Donaldson | ||
| Erin Flanagan | ||
Makeup Department
| Jenn 'Jorge' Nelson | ... | makeup department head |
Production Management
| Lys Hopper | ... | unit production manager |
| Jon Marcus | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Michael Lerman | ... | second assistant director |
| Kelly McKaig | ... | first assistant director |
| Meryl Stavitz | ... | second assistant director |
Art Department
| Laura Ballinger | ... | property master |
| Mark McClellan | ... | set dresser |
| Dudley Merritt | ... | carpenter |
| Morgan Miller | ... | on-set dresser |
| Jim Reitz | ... | carpenter |
| Ian Scheibel | ... | property master |
| Michael Van Der Leek | ... | swing |
| Shannon Hart | ... | scenic (uncredited) |
Sound Department
| Louis Bertini | ... | foley editor |
| Jennifer Blum | ... | audio post coordinator |
| Marko A. Costanzo | ... | foley artist (as Marco Costanzo) |
| Steve Earnhart | ... | adr editor |
| Tom Eichler | ... | additional sound recordist |
| John Gare | ... | re-recording mixer |
| Marshall Grupp | ... | supervising sound editor |
| Robert Janiger | ... | sound mixer (as Rob Janiger) |
| Judy Karp | ... | sound mixer |
| Richard Q. King | ... | dialogue editor (as Richard King) |
| Bryan Klump | ... | dialogue editor |
| Don Peebles | ... | assistant dialogue editor |
| Mark Raskin | ... | assistant sound editor |
| Jaime Reyes | ... | boom operator |
| Clete Ritta | ... | foley engineer |
| Jamie Sulek | ... | re-recording mixer |
Special Effects by
| James Bonnell | ... | special effects assistant |
| Owen Dorr | ... | special effects assistant |
| Paul Dorr | ... | special effects assistant |
| Drew Jiritano | ... | special effects coordinator |
| John Stifanich | ... | special effects assistant |
Stunts
| Bennett Ellison | ... | stunt double: David |
| Janet Paparazzo | ... | stunt double: Alexis |
| David Shumbris | ... | stunt double: David |
| Manny Siverio | ... | stunt coordinator |
Camera and Electrical Department
| Ruark Behan | ... | best boy grip |
| David Bryant | ... | key grip |
| Elizabeth Casinelli | ... | additional grip (as Libby Casinelli) |
| Caswell Cooke | ... | key grip |
| Robert Finton | ... | additional grip |
| Barney Fisher-Turner | ... | grip production assistant |
| Jeff Graham | ... | first assistant camera |
| James Harker | ... | dolly grip |
| Learan Kahanov | ... | gaffer |
| Justin Keith | ... | key grip |
| Eric Lee | ... | still photographer |
| Jayson Lobozzo | ... | additional grip |
| Michael Maley | ... | gaffer |
| Christos Moisides | ... | camera loader |
| Derek Murphy | ... | best boy electric |
| Duney Bear Paul | ... | key grip |
| Cliff Weisner | ... | third electrician |
| Josh Gundling Williamson | ... | second assistant camera (as Josh Gundling) |
Casting Department
| Mark Bennett | ... | casting assistant: New York |
| Debra Lord Cooke | ... | local casting (as Dee Cooke) |
| Deborah Maxwell Dion | ... | casting assistant: Los Angeles |
| Jennifer McNamara | ... | casting associate |
Costume and Wardrobe Department
| Cornelia Erpf | ... | stylist |
| Vicki Farrell | ... | wardrobe supervisor (as Victoria Farrell) |
| Victoria Philips | ... | costume assistant |
| Mary Jane Schepers | ... | seamstress |
Location Management
| Missy Anderson | ... | location scout |
| Stephen Cobb | ... | marine coordinator |
| Andrew C. Keeter | ... | location manager |
| Diane Lee | ... | location scout |
| Maury Wray | ... | assistant location manager |
| Jon Zeidman | ... | location manager |
Music Department
| John Caper Jr. | ... | music supervisor |
| Jessie Glass | ... | music editor |
| Tracy McKnight | ... | music supervisor |
| John Moses | ... | musician (uncredited) |
Script and Continuity Department
| Gena Bravos | ... | script supervisor |
| Gretchen Hayduk-Wroblewski | ... | script development |
| Cara Hill | ... | script supervisor |
Transportation Department
| Patrick Robison | ... | transportation coordinator (as Patrick J. Robison) |
Additional Crew
| Norman Bernard | ... | production assistant |
| Marc Bruni | ... | production assistant: New York |
| Gwendolyn Cooper | ... | production assistant |
| John 'JR' Craigmile | ... | production accountant |
| Jason Farrar | ... | office production assistant |
| Andrew Gohn | ... | production assistant |
| Matthew Hale | ... | unit production assistant (as Matthew D. Hale) |
| Joanna Herrington | ... | stand-in |
| Nikos Karabetsos | ... | production assistant |
| Shira Kelly | ... | production assistant |
| Chris Shawn Mace | ... | stand-in |
| Gregory Maxey | ... | assistant to executive producer |
| Cynthia McDonnell | ... | stand-in |
| Adam Purington | ... | stand-in |
| Jonathan Silver | ... | assistant production coordinator |
| Franses Simonovich | ... | assistant: Mr. Howard (as Frances Simonovich) |
| Brian Slocum | ... | production coordinator |
| Chris Stout | ... | stand-in |
| Jennifer Struk | ... | stand-in: Polly Walker |
| Haley Sweet | ... | production coordinator |
| Alysa Tenenbaum | ... | production assistant: New York |
| Peter Thurrell | ... | production assistant |
| Sol Tryon | ... | production assistant |
| William VonTobel | ... | on set magic consultant |
| Jung-Min Yoon | ... | production assistant |
Production Companies
Distributors
Special Effects
- D. Rez Hollywood (digital effects)
Other Companies
- Axium Entertainment Group (payroll services)
- Business Express (film shipment)
- Clinton Recording Studios (score recording facility)
- D.R. Reiff & Associates (insurance)
- Delta Dash (film shipment)
- Excalibur International (film shipment)
- Laura Cabot Catering (catering)
- Locus Weather (weather services)
- Magmasters Sound Studios (adr recording facilities)
- Maine Coast Photo (stills processing)
- Marshall/Plumb Research Associates (legal research)
- Medallion-PFA Film & Video (re-recording facility)
- Noëlle Penraat (negative cutting)
- Paris Studios (grip and lighting equipment)
- Paul Smith (Alan Rickman's wardrobe)
- Paul Smith (Polly Walker's eyewear)
- Pink Noise (audio post-production facility)
- R.G.B. Color Lab (stills processing)
- REI Media Group (titles and opticals)
- Reels on Wheels (film shipment)
- Soundtrack New York (score mixing facilities)
- Tribeca Henninger Editing Tools (avid system)
Storyline
| Plot Summary |
A bickering couple speed through a downpour, trying to catch the last ferry to their island retreat. Suddenly, they spot a crumpled body lying at the side of the road. After much argument, the couple stop to aid the battered and bruised young man. Their offer of summoning the police firmly rejected, the couple help the young man as best they can - although it certainly means missing their ferry. - This begins a tale of twisted sexual attraction and ulterior motives. Written by Anonymous |
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| Parents Guide | View content advisory » |
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Did You Know?
| Goofs | When Alexis is in the red dress in the kitchen, she leaves the kitchen and her mark in red tape on the floor can be seen. See more » |
| Soundtracks | Go Slow See more » |
| Quotes |
Young Man:
It's funny. Your worst nightmare always seems so far away. Then, all of a sudden, there it is, like a monstrous tidal wave. You try to escape, but you can't. You struggle and you struggle and you struggle, your desperate cries unheard. Then, something strange happens, you stop struggling. Your cries take flight. You forget you're drowning. See more » |