TEENAGE TRAMP is one of those 'does what it says on the tin' type of movies. A Z-grade exploitation effort from the early 1970s, it's a downbeat and misogynistic adventure following the adventures of a wayward teenage girl and the rough crowd of drug pushers that she ends up falling in with. Mostly it plays out as a cheap skin flick, with a minimum of effort and largely wooden performances from the cast members. There are regular snippets of nudity but little in the way of plot, although this becomes a home invasion thriller of sorts at the climax with the introduction of an evil drug dealer and his violent tendencies.
5 Reviews
Fab Alisha Fontaine in an unsettling roughie
lor_20 January 2011
I saw TEENAGE TRAMP at a Cleveland drive-in showing back in the '70s and forgot all about it until recently watching a video revival - it is a rather unsettling look at clashing life styles in America, here depicted violently for the exploitation fans. After all these years it still carries a wallop.
Anton Holden is a journeyman filmmaker, whose three features as director are all decidedly downbeat. Whether this was his world view, happenstance or a result of "taking it out on the audience" syndrome we'll never know, but TRAMP is bleak, indeed.
Fontaine and her extremely unsympathetic (in an underwritten role) boy friend are introduced on the lam -turns out he's a draft dodger and they're headed for the Canadian border. Film's clumsy opening scenes have them getting a ride from a truck driver, who proceeds to fondle and rape Alisha in the front seat while her b.f. sits in the back. His "so what's the big deal" response when she relates the horrible incident to him later sets the tone for the misogynistic exercise to come.
Fontaine is heading back to her estranged sister's home, in search of a grubstake to get them to Canada. Sis, very well played in soap opera acting fashion by top-billed Robin Lane (I wasn't surprised to find in IMDb just now that she indeed was a soap vet, of the estimable "Dark Shadows" series), has become rich as an art dealer. She has an egotistical young artist (Lane is styled as a MILF) who she's backing and sleeping with but who won't commit to marrying her as yet.
All hell breaks loose when Fontaine arrives on Lane's mansion doorstep. A few minutes later she's swimming and diving in the olympic size pool, coming on to sis' boy friend and trying her darnedest to extort cash from Lane. Meanwhile, her dodge-the-draft guy is hiding out in the woods nearby.
Film becomes a harrowing experience with the arrival of Manson-esque cult/gang leader Maury (extremely well played by David Sawn, who also penned the film's story). He resembles the latter-day look of Tim Curry, now that the ROCKY HORROR star has morphed into a suitable middle-aged TV villain (I'm thinking of his recent scary appearances on "Criminal Minds").
Sawn has been tracking Fontaine ever since she split, insisting that she rejoin his hippie gang as his main squeeze and preemo drug dealer. Sawn literally moves into Lane's mansion unannounced, dragging along with him a dozen or more gang members who, bongo drums in tow, start snorting drugs, dancing around, stripping and having sex, and otherwise drive Lane crazy.
Film, which has been bleak right from the outset (when the truck ride was accompanied by doom & gloom road movie visuals) heads straight toward purgatory as Sawn terrorizes both sisters. Not since Peter Collinson's classic THE PENTHOUSE, the ultimate in non-porn house invasion movies, have I seen such a hopeless & helpless depiction of a woman (Suzy Kendall) under the thumb of a ruthless baddie as shown here. In the porn world, I would say Michael Gaunt vs. Kim Pope & Lynn Bishop in THE INTRUSION is still the ultimate.
The most harrowing sequence, slowly paced a la Sam Peckinpah's classic and still controversial Susan George rape scene in STRAW DOGS, has Sawn relentlessly forcing more and more drugged liquor down Lane's throat, trying to kill her and make it look like suicide. That must have been quite a day on the set -looks like Lane's career never recovered. Holden's script from Sawn's story is not very convincing on why the police are never called in to fumigate the place of hippies and other vermin, but as played it is scary cinema.
Final plot twists and action scenes are way over the top, but about as nihilistic as you can get in a nihilistic genre. As the end credits rolled I was literally worn out, and soon brought back to reality thinking that with a lot more care (especially regarding the psychology and characterizations of BOTH boy friends) this could have been a classic.
I was an Alisha Fontaine fan back in the '70s, but had forgotten about her until seeing this showcase again on video. Her high water mark was co-starring in FRENCH QUARTER (widely available on DVD), one of the best indies I ever saw at a drive-in, but completely ignored back when it was new.
Anton Holden is a journeyman filmmaker, whose three features as director are all decidedly downbeat. Whether this was his world view, happenstance or a result of "taking it out on the audience" syndrome we'll never know, but TRAMP is bleak, indeed.
Fontaine and her extremely unsympathetic (in an underwritten role) boy friend are introduced on the lam -turns out he's a draft dodger and they're headed for the Canadian border. Film's clumsy opening scenes have them getting a ride from a truck driver, who proceeds to fondle and rape Alisha in the front seat while her b.f. sits in the back. His "so what's the big deal" response when she relates the horrible incident to him later sets the tone for the misogynistic exercise to come.
Fontaine is heading back to her estranged sister's home, in search of a grubstake to get them to Canada. Sis, very well played in soap opera acting fashion by top-billed Robin Lane (I wasn't surprised to find in IMDb just now that she indeed was a soap vet, of the estimable "Dark Shadows" series), has become rich as an art dealer. She has an egotistical young artist (Lane is styled as a MILF) who she's backing and sleeping with but who won't commit to marrying her as yet.
All hell breaks loose when Fontaine arrives on Lane's mansion doorstep. A few minutes later she's swimming and diving in the olympic size pool, coming on to sis' boy friend and trying her darnedest to extort cash from Lane. Meanwhile, her dodge-the-draft guy is hiding out in the woods nearby.
Film becomes a harrowing experience with the arrival of Manson-esque cult/gang leader Maury (extremely well played by David Sawn, who also penned the film's story). He resembles the latter-day look of Tim Curry, now that the ROCKY HORROR star has morphed into a suitable middle-aged TV villain (I'm thinking of his recent scary appearances on "Criminal Minds").
Sawn has been tracking Fontaine ever since she split, insisting that she rejoin his hippie gang as his main squeeze and preemo drug dealer. Sawn literally moves into Lane's mansion unannounced, dragging along with him a dozen or more gang members who, bongo drums in tow, start snorting drugs, dancing around, stripping and having sex, and otherwise drive Lane crazy.
Film, which has been bleak right from the outset (when the truck ride was accompanied by doom & gloom road movie visuals) heads straight toward purgatory as Sawn terrorizes both sisters. Not since Peter Collinson's classic THE PENTHOUSE, the ultimate in non-porn house invasion movies, have I seen such a hopeless & helpless depiction of a woman (Suzy Kendall) under the thumb of a ruthless baddie as shown here. In the porn world, I would say Michael Gaunt vs. Kim Pope & Lynn Bishop in THE INTRUSION is still the ultimate.
The most harrowing sequence, slowly paced a la Sam Peckinpah's classic and still controversial Susan George rape scene in STRAW DOGS, has Sawn relentlessly forcing more and more drugged liquor down Lane's throat, trying to kill her and make it look like suicide. That must have been quite a day on the set -looks like Lane's career never recovered. Holden's script from Sawn's story is not very convincing on why the police are never called in to fumigate the place of hippies and other vermin, but as played it is scary cinema.
Final plot twists and action scenes are way over the top, but about as nihilistic as you can get in a nihilistic genre. As the end credits rolled I was literally worn out, and soon brought back to reality thinking that with a lot more care (especially regarding the psychology and characterizations of BOTH boy friends) this could have been a classic.
I was an Alisha Fontaine fan back in the '70s, but had forgotten about her until seeing this showcase again on video. Her high water mark was co-starring in FRENCH QUARTER (widely available on DVD), one of the best indies I ever saw at a drive-in, but completely ignored back when it was new.
All hail Alisha Fontaine's big nostrils.
BA_Harrison27 August 2018
Warning: Spoilers
Wayward teenager Kim (Alisha Fontaine) and her draft-dodging boyfriend hitch their way west, to the home of Kim's uptight big sister Hilary (Robin Lane), where they hope to lay their hands on some much needed bread (that's money to all you squares, you dig?). Kim quickly makes herself at home, stripping off for a naked swim in the pool and seducing Hilary's artist boyfriend Adam (Anthony Massena), but Hilary's problems have only just started, for hot on Kim's trail is her mean ex-lover, drug dealer Maury (David Sawn), and his tribe of loyal hippie followers.
According to the opening credits, Teenage Tramp features astrodelic sound effects. No, I don't know what they are either. Teenage Tramp also features a lot of female nudity, much of it from Fontaine, although Lane also gets topless, and a few of the hippie chicks gyrate in the altogether during a wild party that moves to the far out beat of the bongo. Hideous fashion, folk songs, wanton drug use, and attempted murder ensue, the film ending abruptly with an unexpected car crash (well, unexpected unless you read this review before seeing the film). It's not the greatest exploitation film ever made, but with a title like Teenage Tramp, how can you resist?
According to the opening credits, Teenage Tramp features astrodelic sound effects. No, I don't know what they are either. Teenage Tramp also features a lot of female nudity, much of it from Fontaine, although Lane also gets topless, and a few of the hippie chicks gyrate in the altogether during a wild party that moves to the far out beat of the bongo. Hideous fashion, folk songs, wanton drug use, and attempted murder ensue, the film ending abruptly with an unexpected car crash (well, unexpected unless you read this review before seeing the film). It's not the greatest exploitation film ever made, but with a title like Teenage Tramp, how can you resist?
A choice chunk of vintage bleak 70's drive-in trash
Woodyanders14 November 2011
Warning: Spoilers
Wayward and uninhibited young runaway Kim (a solid and credible performance by lovely blonde Alisha Fontaine) has fallen in with a bad crowd. Kim decides to flee said crowd and goes to the west coast to reunite herself with her uptight and neurotic estranged older sister Hilary (sharply played by Robin Lane) so she can collect some of the inheritance left behind by their deceased parents. However, evil and cunning drug dealer Maury (superbly essayed with conviction and seething menace by David Sawn, who also wrote the grim story) and his flock of degenerate longhairs follow Kim to Hilary's house. Writer/director Anton Holden relates the sordidly engrossing story at a steady pace, delivers a handy helping of tasty gratuitous female nudity, maintains a powerfully downbeat and seamy tone, and vividly depicts the foul and unpleasant underbelly of the dark, dangerous, and depraved hippies-gone-to-seed early 70's youth scene. The strong chemistry between Lane and Fontaine as the two radically contrasting siblings holds the picture together; they receive sturdy support from Anthony Massena as Hilary's struggling artist boyfriend Adam, Eric Jay as the wimpy Eric, and Jack Garner as a leering pervert truck driver. Moreover, this film warrants extra praise for the way it presents the decadent and hedonistic youth of the period in an extremely ugly, damning, and negative light. Jacques Demarecaux's rough cinematography gives the picture a suitably gritty look. The funky music by Joe Dein and Steve Seltzer and the groovy folk-rock soundtrack both hit the right-on spot. The startling bummer ending packs a pretty harsh punch. Recommended viewing for 70's exploitation cinema aficionados.
Fontaine Makes the Film
Michael_Elliott29 August 2018
Teenage Tramp (1973)
** 1/2 (out of 4)
Young and sexy Kim (Alisha Fontaine) is a runaway who finds herself hitchhiking with her boyfriend. After being sexually assaulted by a truck driver, Kim finds her way to house of her older sister HIlary (Robin Lane). Before long Kim is trying to seduce her boyfriend but things take a dark turn when someone from Kim's past comes back.
The title and poster for this film tries to pass it off as a sexploitation picture and while there's plenty of sex and nudity, there's also no question that the film is more drama than anything else. The picture certainly has its sleazy moments but it seems that the director was really wanting to do a character study of this young female character who falls in with the wrong people.
The main reason to watch this film is due to the performance of Fontaine. Looking through her IMDB credits you will see that she didn't have very long of a career and most people are probably going to remember her for a certain Burt Reynolds movie. With that being said, I thought she was quite good here as she managed to make you believe the character you're watching and there's no question that she perfectly nails the more sexual aspect of the film.
The film runs a very fast-paced 75-minutes and with such a short running time there's nothing wasted. There aren't any boring subplots or anything like that. There are countless sex scenes in the picture, a bunch of hippie stuff and you also get plenty of nudity, which helps sell the dirtier side of the film. The drama of the main character was handled well enough and there's no question that TEENAGE TRAMP is entertaining for what it is.
** 1/2 (out of 4)
Young and sexy Kim (Alisha Fontaine) is a runaway who finds herself hitchhiking with her boyfriend. After being sexually assaulted by a truck driver, Kim finds her way to house of her older sister HIlary (Robin Lane). Before long Kim is trying to seduce her boyfriend but things take a dark turn when someone from Kim's past comes back.
The title and poster for this film tries to pass it off as a sexploitation picture and while there's plenty of sex and nudity, there's also no question that the film is more drama than anything else. The picture certainly has its sleazy moments but it seems that the director was really wanting to do a character study of this young female character who falls in with the wrong people.
The main reason to watch this film is due to the performance of Fontaine. Looking through her IMDB credits you will see that she didn't have very long of a career and most people are probably going to remember her for a certain Burt Reynolds movie. With that being said, I thought she was quite good here as she managed to make you believe the character you're watching and there's no question that she perfectly nails the more sexual aspect of the film.
The film runs a very fast-paced 75-minutes and with such a short running time there's nothing wasted. There aren't any boring subplots or anything like that. There are countless sex scenes in the picture, a bunch of hippie stuff and you also get plenty of nudity, which helps sell the dirtier side of the film. The drama of the main character was handled well enough and there's no question that TEENAGE TRAMP is entertaining for what it is.
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