A man raised by gorillas must decide where he really belongs when he discovers he is a human.A man raised by gorillas must decide where he really belongs when he discovers he is a human.A man raised by gorillas must decide where he really belongs when he discovers he is a human.
- Won 1 Oscar
- 11 wins & 23 nominations total
Tony Goldwyn
- Tarzan
- (voice)
Minnie Driver
- Jane
- (voice)
Brian Blessed
- Clayton
- (voice)
Glenn Close
- Kala
- (voice)
Lance Henriksen
- Kerchak
- (voice)
Wayne Knight
- Tantor
- (voice)
Alex D. Linz
- Young Tarzan
- (voice)
Rosie O'Donnell
- Terk
- (voice)
Jack Angel
- Monkey
- (voice)
Joseph Ashton
- Ape Boy
- (voice)
Bob Bergen
- Vincent Snipes
- (voice)
- (as Robert Bergen)
Billy Bodine
- Baby Ape
- (voice)
- (as Billy Warden Bodine)
Hillary Brooks
- Female Gorilla
- (voice)
Rodger Bumpass
- Elephant
- (voice)
- (as Roger Bumpass)
Lily Collins
- Baby Ape
- (voice)
Featured reviews
Animated Disney films always seem to be the same in hindsight. It's only when the directors get the inclination to try something bigger that the films achieve a legendary status. It's been ten years since this new Disney renaissance began with "The Little Mermaid", the new "Tarzan" represents exactly what is wrong and what is so very right with the Mouse House's approach to the animated features.
During these last ten years, the studio has learned what's worked, and what doesn't. Disney always plays it safe. The "Tarzan" opening is very similar to the mega-successful "The Lion King". They compress the entire backstory into a 10 minute opening, and it works like a charm. We all have to admit that Phil Collins hasn't done anything substantial in the last ten years as well, yet his songs for this new film are spot on. They narrate the film and guide the audience perfectly through this loose adaptation of the Edgar Rice Burroughs novel. Having been weaned on poor character songs throughout the years, it's deliciously blasphemous to not have to sit through 5 or 6 god awful musical numbers that even the composers don't seem to like. It brings an unexpected freshness to this well-known material. With "Tarzan", Disney is taking on a character and story that has gone through countless adaptations. This animated approach seems to fit just right. By not having to rely on a physically impressive (but poorly expressive) actor, the animators have created the most believable Tarzan yet. He glides through the jungle with ease, dragging behind his the well worn knuckles of an ape-man. It's probably one of Disney's most impressive creations, even though it is one so renowned. Tony Goldwyn brings the voice of Tarzan to life with unexpected sweetness. While used sparingly, Goldwyn manages to capture the character with ease. I also enjoyed Minnie Driver's spunky voice for Jane, making her the most palatable animated heroine since Lady. Rosie O'Donnell is about as grating as you might suspect and Glenn Close is perfect as Tarzan's ape mother. It's the villain that Disney needs to work on. While watching "Tarzan" you can easily feel that the addition of the bad guy is superfluous. He's just there because the filmmakers think we can't go without it. They're dead wrong. The flick is filled with lush visuals (courtesy of the more prominent GCI work), grand music, and a strong story. We don't need forced conflict. The conflict within is what "Tarzan" is all about. The rogue brings the film down more than it should. Coming out of "Tarzan" I had feelings I haven't felt from a Disney production in some time. I was moved by the material, shockingly filled with emotion. I came out of the theater humming the music, not an easy thing in the years of "Mulan" and "Hunchback". I also came out impressed that Disney might be making baby steps to a new and brighter future of animated films. I look forward to it. ------------ 7
During these last ten years, the studio has learned what's worked, and what doesn't. Disney always plays it safe. The "Tarzan" opening is very similar to the mega-successful "The Lion King". They compress the entire backstory into a 10 minute opening, and it works like a charm. We all have to admit that Phil Collins hasn't done anything substantial in the last ten years as well, yet his songs for this new film are spot on. They narrate the film and guide the audience perfectly through this loose adaptation of the Edgar Rice Burroughs novel. Having been weaned on poor character songs throughout the years, it's deliciously blasphemous to not have to sit through 5 or 6 god awful musical numbers that even the composers don't seem to like. It brings an unexpected freshness to this well-known material. With "Tarzan", Disney is taking on a character and story that has gone through countless adaptations. This animated approach seems to fit just right. By not having to rely on a physically impressive (but poorly expressive) actor, the animators have created the most believable Tarzan yet. He glides through the jungle with ease, dragging behind his the well worn knuckles of an ape-man. It's probably one of Disney's most impressive creations, even though it is one so renowned. Tony Goldwyn brings the voice of Tarzan to life with unexpected sweetness. While used sparingly, Goldwyn manages to capture the character with ease. I also enjoyed Minnie Driver's spunky voice for Jane, making her the most palatable animated heroine since Lady. Rosie O'Donnell is about as grating as you might suspect and Glenn Close is perfect as Tarzan's ape mother. It's the villain that Disney needs to work on. While watching "Tarzan" you can easily feel that the addition of the bad guy is superfluous. He's just there because the filmmakers think we can't go without it. They're dead wrong. The flick is filled with lush visuals (courtesy of the more prominent GCI work), grand music, and a strong story. We don't need forced conflict. The conflict within is what "Tarzan" is all about. The rogue brings the film down more than it should. Coming out of "Tarzan" I had feelings I haven't felt from a Disney production in some time. I was moved by the material, shockingly filled with emotion. I came out of the theater humming the music, not an easy thing in the years of "Mulan" and "Hunchback". I also came out impressed that Disney might be making baby steps to a new and brighter future of animated films. I look forward to it. ------------ 7
Tarzan (1999) - is the final movie in the Disney Renaissance and it certainly was a great note to leave on. The story is very basic and easy to follow but they allow so much to happen when it comes to character development and showing off the incredible surroundings of the jungle. All the characters are very memorable and I especially love the way they work Tarzan and Jane's relationship. I love how each of them work of each other and how Jane helps Tarzan understand the ways of the human life. The gorillas also have their moments of tenderness and I do like how each of their views of Tarzan are well understandable. I kinda will admit that the villain is sort of weak but he still acts as a major threat to Tarzan even though it's kinda obvious how Disney is hiding the fact that he's really a villain and not a good guy. The way they work the animation is absolutely incredible. it is just mind blowing and how they manage to combine hand-drawn animation with CGI effects. It makes the look of the jungle feel so immersive and lifelike. The action scenes definitely are proof of how great the animation is and it moves at such a fast and steady pace. it's probably some of the most action pack stuff I've ever seen in a hand drawn film. The overall music score is great for setting the mood and any type of scene. Whether there's a heartfelt scene or an action-packed sequence, the music is always there to accompany whatever is happening on screen. Phil Collins wrote and performed a few songs for the movie and I think all of them are heartfelt and catchy. They are all greatly separated from one another and they play their part whenever the moment is right. I love this movie for a lot of reasons but overall, it's just an outstanding piece of magic to behold.
From 1989 to 1999, Walt Disney studios created some of the most amazing, mind-blowing animated movies of all time. From the little mermaid to beauty and the beast, from Aladdin to the lion king, from Pocahontas to Hercules, and finally, Mulan to Tarzan, these movies still hold their staying power to today. However, Tarzan was the last of these films, from the period known as the Disney Renaissance. Disney remains a popular animation studio in the public eye, but no one could deny how popular they were throughout the 1990s.
Tarzan itself is based upon the novels by Edgar Rice Burroughs and the movies from the 1930s. Tarzan is a baby who loses his parents, and is adopted by a family of gorillas, who raise him up as their own.
For a Disney film, this one is one of the best. For a renaissance film, It's not the best of them. I still like to say that the first 2 (The Little Mermaid & Beauty and the Beast) were the best. I know that some Disney fans would chew on me for not saying The Lion King, but that's just my personal preference.
I still think it's a great movie, worthy of being part of the collection of Disney's best.
9/10
Tarzan itself is based upon the novels by Edgar Rice Burroughs and the movies from the 1930s. Tarzan is a baby who loses his parents, and is adopted by a family of gorillas, who raise him up as their own.
For a Disney film, this one is one of the best. For a renaissance film, It's not the best of them. I still like to say that the first 2 (The Little Mermaid & Beauty and the Beast) were the best. I know that some Disney fans would chew on me for not saying The Lion King, but that's just my personal preference.
I still think it's a great movie, worthy of being part of the collection of Disney's best.
9/10
The true measure of a family film is to watch a child's reaction. My (normally jumpy) three-year-old sat with enraptured glee through this movie and was able to articulate the plot back to me with amazing detail. That's not a parent's rambling, its a credit to a brilliant movie. Tarzan ranks just below Beauty and the Beast and Little Mermaid in the list of the best of Disney's new films.
Disney formula (rogue orphan, evil villain pretending to be a friend, whacky sidekick, neurotic friend and lots a snappy tunes) has never been more apparent, but it works perfectly. But the real joy of this movie is its breathtaking beauty and the message of living without prejudice.
Don't expect anything new from Disney, and do not expect a detailed retelling of the original novel. But do expect to see their product refined even further and at its best since Beauty and the Beast. This is a kid's movie, but any grown-up can like it. Minnie Driver and Wayne Knight provide the best voice overs.
As my six-year-old daughter told me once, "I like movies with scary beginnings, silly middles and happy endings." Needless to say, she loved Tarzan. **** out of ****.
Disney formula (rogue orphan, evil villain pretending to be a friend, whacky sidekick, neurotic friend and lots a snappy tunes) has never been more apparent, but it works perfectly. But the real joy of this movie is its breathtaking beauty and the message of living without prejudice.
Don't expect anything new from Disney, and do not expect a detailed retelling of the original novel. But do expect to see their product refined even further and at its best since Beauty and the Beast. This is a kid's movie, but any grown-up can like it. Minnie Driver and Wayne Knight provide the best voice overs.
As my six-year-old daughter told me once, "I like movies with scary beginnings, silly middles and happy endings." Needless to say, she loved Tarzan. **** out of ****.
I found this surprisingly good because not only was animation well done - which they all seem to be in the past decade - but an involving, action-packed story that was interesting start-to-finish. The action is not overdone, however. The color in here is magnificent and it looks spectacular on DVD.
The film turned out to be a good combination of drama, action, comedy and romance. I would think this would be a little too frightening, however, for little kids, for those wondering about that. The only negative I had was listening to the grating voice of Rose O'Donnell. That, and her New York City, accent, is definitely not appealing. Otherwise, I have nothing but good things to say about this film.
The film turned out to be a good combination of drama, action, comedy and romance. I would think this would be a little too frightening, however, for little kids, for those wondering about that. The only negative I had was listening to the grating voice of Rose O'Donnell. That, and her New York City, accent, is definitely not appealing. Otherwise, I have nothing but good things to say about this film.
Storyline
Did you know
- TriviaThe signature "Tarzan yell" is provided by Brian Blessed, the voice of this movie's villain Clayton. because after noticing that Tony Goldwyn could not make a convincing scream, Blessed went to one of the producers to tell him that he could do it, the producer refused at first but after he yelled in front of him, he accepted.
- GoofsThe noises the gorillas make are sounds of chimpanzees. Gorillas' vocalizations are mainly roars, growls, and grunts.
- Crazy creditsDuring the Walt Disney Pictures opening logo, the background turns into that of a jungle.
- Alternate versionsIn most foreign prints of the movie (specifically the European Spanish and German versions), "Son of Man" and "Strangers Like Me" replace "You'll Be In My Heart" and "Two Worlds", respectively, in the credits.
- ConnectionsEdited into Zenimation: Discovery (2020)
- SoundtracksTwo Worlds
Music and Lyrics by Phil Collins
Produced and Arranged by Phil Collins and Mark Mancina
Performed by Phil Collins
Orchestra Conducted by Mark Mancina
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Tarzán
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $130,000,000 (estimated)
- Gross US & Canada
- $171,091,819
- Opening weekend US & Canada
- $34,221,968
- Jun 20, 1999
- Gross worldwide
- $448,192,603
- Runtime1 hour 28 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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