Permanent Midnight

Not bad, though not particularly memorable or resonant. So-so script with terse, witty dialogue - David Veloz never wants for a good one-liner. I was never bored, but it would be an overstatement to say I cared about the character Jerry Stahl, either. It's hard to imagine, though, anyone bringing him to life more fully or entertainingly than Ben Stiller. He is compulsively watchable, and without him I think this one might've been DOA. I guess it boils down to this: Is it just me, or is a guy who scores prime writing jobs and prime women while he's a hopeless smack addict inherently unsympathetic? (And the impression I get from the writing and casting is that we are very much meant to feel in some way for Jerry.)

Poor little rich kid, Jerry Stahl, an actual TV screenwriter in 1980s Hollywood, p***es all his good fortune away through a hefty heroin habit. Jerry then hits bottom, recovers, and writes his autobiography. "Permanent Midnight" chronicles Jerry's fall from Hollywood hotshot to junkie bum. Besides such an unpleasant subject, and an equally unsympathetic main character, "Permanent Midnight" still entertains, in a morbid sort of way. It's told in flashback (at the beginning of the movie Jerry's just finished rehab and is about to return to his old LA haunts), so we kind of know where the movie will take us. There's no mystery, we're going to watch Jerry's self-destructive crash and burn in close-up. We're a little in the dark about what will happen after the movie catches up with itself, but there's really not a lot of tension. It's like watching a car wreck in very slow motion.

Ben Stiller does an excellent job portraying Jerry, with his craving for the drug rising above, and then destroying, all that's good in his life. It's quite a frightening portrayal. Elizabeth Hurley, as his girlfriend, is a bit of a stretch for both her acting talent and in the casting. But the rest of the cast does fine work. I think the major detriment to this movie is that the audience knows beforehand how it will all end. This is a very dramatic subject, but with no drama in the screenplay. And that is a drag.

Ben Stiller was extremely convincing. His portrayal of man who is distracted by his addiction at all times is excellent.

Unfortunately, that's the only redeeming thing about this film (aside from the chance to stare at Elizabeth Hurley, of course.)

I read in an above commentary that the viewer is never shown that Jerry is brilliant. I couldn't agree more. I want to think of him as a tortured genius, but it's tough to do when I'm given no reason to believe that he's anything more than a lowlife junkhead.

One thing I was impressed with was the scene in which Jerry and Redfoot (whatever his name is in this thing) are bouncing off of the windows, several stories above the street. Impressive filmwork, good use of Prodigy, etc.

Disappointing, to say the least.

Probably one of the best movies about drugs that I've ever seen. An excellent performance by Ben Stiller in one of his most serious roles. If you want to see a movie that portrays the life-style associated with drugs accurately, watch this movie.

Permanent Midnight, while certainly not the best film ever made about heroin addiction, is a very solid film that was largely over looked by both critics and the public. The brightest jewel in this film's crown is Ben Stiller's performance as Jerry Stahl. I found it interesting that while Stiller got loads of attention for getting his "package" caught in his zipper in "There's Something About Mary" (which is a very funny moive) hardly an eye was blinked when he gave the performance of his career in "Midnight." I think this film proves the theory that often comedic actors give the best dramatic performances. Do yourself a favor and rent it.