The House of Yes (1997)
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- R
- 1h 25min
- Comedy, Drama
- 10 Oct 1997 (USA)
- Movie
A mentally unbalanced young woman - who is convinced she is Jackie Kennedy - flies into a murderous rage when her brother returns home to reveal he is engaged.
Director:
Writers:
Stars:
Awards:
- 1 win & 6 nominations.
- See more »
Photos and Videos
Cast verified as complete
| Parker Posey | ... |
Jackie-O
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| Josh Hamilton | ... |
Marty
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| Tori Spelling | ... |
Lesly
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| Freddie Prinze Jr. | ... |
Anthony
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| Geneviève Bujold | ... |
Mrs. Pascal
(as Genevieve Bujold)
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| Rachael Leigh Cook | ... |
Young Jackie-O
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David Love | ... |
Young Marty (voice)
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| Rest of cast listed alphabetically: | |||
| John Connally | ... |
Self (uncredited) (archiveFootage)
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| Lady Bird Johnson | ... |
Self (uncredited) (archiveFootage) (unconfirmed)
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| Lyndon B. Johnson | ... |
Self (uncredited) (archiveFootage)
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| Jacqueline Kennedy | ... |
Self (uncredited) (archiveFootage)
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| John F. Kennedy | ... |
Self (uncredited) (archiveFootage)
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Directed by
| Mark Waters | ||
Written by
| Wendy MacLeod | ... | (play) |
| Mark Waters | ... | (adaptation) |
Produced by
| Robert Berger | ... | executive producer |
| Jeffrey L. Davidson | ... | co-producer |
| Beau Flynn | ... | producer |
| Scott Silver | ... | co-executive producer |
| Stefan Simchowitz | ... | producer |
| Mary Vernieu | ... | associate producer |
| Ron Wechsler | ... | co-producer |
Music by
| Rolfe Kent | ||
Cinematography by
| Michael Spiller | ||
Editing by
| Pamela Martin | ||
Editorial Department
| John M. Davis | ... | post-production executive: Miramax |
| Dan Duncan | ... | assistant editor |
| Chris Jacobson | ... | telecine colorist |
| Kirsty Kalkhoven | ... | assistant editor: avid |
| Jessica Landaw | ... | assistant editor |
| Mike Mertens | ... | color timer (as Michael Mertens) |
| Joan C. Morisaki | ... | assistant editor (as Joan Morisaki) |
| Anthony Santiago | ... | assistant editor: avid |
| Ed Santiago | ... | avid consultant |
| Mark Wilkins | ... | telecine colorist |
| Rob Williams | ... | on-line editor |
| Roger La Prairie | ... | telecine colorist (uncredited) |
Casting By
| Mary Vernieu | ||
Production Design by
| Patrick Sherman | ||
Art Direction by
| Andrew Max Cahn | ... | (as Andrew Cahn) |
Set Decoration by
| Debra Echard | ||
| Ann Shea | ||
Costume Design by
| Edi Giguere | ||
Makeup Department
| Daniel Curet | ... | additional hair stylist / additional makeup artist |
| Moe Green | ... | special makeup effects |
| Jason Rail | ... | key hair stylist / key makeup artist |
| Lana Sharpe | ... | special hair stylist |
Production Management
| Marjorie Chodorov | ... | production supervisor |
| Jeffrey L. Davidson | ... | unit production manager |
| Virginia Landis Albertson | ... | post-production supervisor (as Virginia Landis) |
| Michael Q. Martin | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Michael Alperowitz | ... | second assistant director |
| David Sage | ... | first assistant director |
| Patrick Yew | ... | second second assistant director |
Art Department
| Danny Bartholomew | ... | set painter |
| Nat Bocking | ... | property master |
| Jose Campos | ... | set painter |
| Daniel Cinnamon | ... | art department assistant |
| Francis B. DeAngelo Jr. | ... | art department assistant |
| Tally Duke Floyd | ... | assistant set decorator |
| Brenda Frye | ... | scenic artist |
| L. David Gordon | ... | draper |
| H. Craig Hannah | ... | portrait artist (as H. Craig Hanna) |
| Clifford Lecuyer | ... | scenic artist |
| Gerry Mullins | ... | set dresser |
| Bernard Nacion | ... | scenic artist (as Bernard S. Nación) |
| Matthew W. Plummer | ... | scenic artist (as Matthew Plummer) |
| Marvin A. Samayoa | ... | set painter |
| Robin Scovill | ... | swing gang |
| Francesco Signorini | ... | carpenter |
| Pete Washburn | ... | lead person |
| Neil Wyzanowski | ... | swing gang |
Sound Department
| Michael Barry | ... | sound mixer: New York |
| Kris Campbell | ... | adr supervisor / foley supervisor |
| Jed M. Dodge | ... | sound editor |
| Gerald Donlan | ... | supervising sound editor: New York |
| Dan Edelstein | ... | sound editor: New York |
| Thom 'Coach' Ehle | ... | stereo sound consultant: Dolby |
| Ken Ginnaty | ... | boom operator |
| Catherine Harper | ... | foley walker |
| Richard Q. King | ... | sound effects editor: New York |
| Warren Kleiman | ... | additional adr mixer |
| Daniel D. Monahan | ... | sound mixer (as Dan Monahan) |
| Christopher Moriana | ... | foley walker |
| Donald Murray | ... | dialogue supervisor (as Don Murray) |
| Eric Neufeld | ... | post-production sound engineer |
| Angela Organ | ... | assistant sound editor: New York |
| Steve Schwartz | ... | assistant sound editor: New York |
| Phillip Seretti | ... | re-recording mixer / sound supervisor |
| Dominick Tavella | ... | sound mixer: New York |
| Robert W. Vandling | ... | sound editor |
| Janja Vujovich | ... | post-production sound coordinator |
| Paul J. Zydel | ... | additional adr mixer (as Paul Zydel) |
Special Effects by
| Joe Quinlivan | ... | special effects |
| Larry Roberts | ... | special effects |
Visual Effects by
| Susanna Dileo | ... | henry artist |
| Eric Person | ... | digital compositor (uncredited) |
Camera and Electrical Department
| Pasquale Attanasio | ... | grip |
| Phil Aubrey | ... | second company grip (as Phil Aubry) |
| Damon Bain | ... | electrician |
| Michael Bonewitz | ... | electrician (as Mike Bonewitz) |
| Ronald Carr | ... | grip (as Ron Carr) |
| David Chameides | ... | steadicam operator (as Dave Chameides) |
| Nicholas Cochiolo | ... | grip |
| Carlos DePalma | ... | grip |
| Robert Ferrara | ... | chief lighting technician (as Robert J. Ferrara) |
| Scott Froschauer | ... | grip (as Scott Froschover) |
| Peter Gregg | ... | grip |
| Steven L. Henry | ... | grip (as 'Reno' Steve Henry) |
| David Irwin | ... | electrician (as David J. Irwin) |
| Adam Jones | ... | assistant chief lighting technician |
| Kevin J. Lanke | ... | assistant chief lighting technician |
| Grg Magidow | ... | camera loader |
| Michael Maloney | ... | grip |
| Wren Maloney | ... | still photographer |
| John McCormack | ... | electrician (as John P. McCormack) |
| Storn Peterson | ... | first assistant camera |
| Tom Piccirillo | ... | grip |
| Mark Pickens | ... | dolly grip (as Mark W. Pickens) / first company grip (as Mark W. Pickens) |
| Thoma Reavis | ... | electrician |
| Bradley Richard | ... | second assistant camera (as Brad Richard) |
| Scott Romsos | ... | electrician |
| David A. Santos | ... | grip (as David Santos) |
| Andy Shuttleworth | ... | steadicam operator |
| Robert W. Sterrett III | ... | grip (as Rob Sterrett) |
| Ken Sylvester | ... | assistant chief lighting technician |
| Frank C. Towers Jr. | ... | grip (as Frank Towers) |
| David C. Wright | ... | grip |
Casting Department
| Anne McCarthy | ... | casting associate |
| Debe Waisman | ... | extras casting (as Debe Walsman) |
| Alyssa Weisberg | ... | casting associate |
Costume and Wardrobe Department
| Melaine D. Lewison | ... | wardrobe supervisor (as Melanie Lewison) |
| Ángela Núñez | ... | assistant costume designer (as Angela Nunez) |
Location Management
| Catherine Budh-raja | ... | location manager |
| Patrick McIntire | ... | location scout |
| Anthony O'Connell | ... | location assistant |
| Sean Valla | ... | location assistant |
Music Department
| Tony Blondal | ... | conductor / orchestrator |
| Jérémy Constant | ... | concert master (as Jeremy Constant) |
| Leslie Ann Jones | ... | score mixer |
| Bob Levy | ... | assistant score mixer |
| Celest Ray | ... | music supervisor |
| San Francisco Studio Orchestra | ... | orchestra |
| Marc Shapiro | ... | composer: additional piano music / musician: piano solo |
| Greg Sudmeier | ... | orchestra contractor |
| Jeffrey Taylor | ... | composer: additional piano music |
| Kerry Wikstrom | ... | additional orchestrator / booth supervisor |
| Mike Williams | ... | composer: additional piano music |
Script and Continuity Department
| Wendy Dallas | ... | script supervisor |
Transportation Department
| Joe Barreras | ... | driver |
| Gary DeVoe | ... | transportation captain (as Gary Devoe) |
| Robert DeVoe | ... | driver (as Robert Devoe) |
Additional Crew
| Laura Amed | ... | set production assistant |
| Diana Austin | ... | post-production accountant (as Diana J. Austin) |
| Maxine Brooks | ... | studio teacher |
| Carrie Campbell | ... | office production assistant (as Carrie D. Campbell) |
| Scott Enyart | ... | video consultant |
| Harry Fitzpatrick | ... | set production assistant |
| Dexter Grey | ... | piano instructor |
| Jane Gurtiza | ... | assistant to producers |
| Gina M. Huffard | ... | craft service |
| Eric Kops | ... | publicist |
| Michael Lawson | ... | publicist |
| Claudine Magre | ... | production coordinator (as Claudine Magré) |
| Jennifer Molini | ... | office production assistant |
| Bethany Orlemann | ... | office production assistant |
| Jim Pinard | ... | video consultant |
| Mark Pogachefsky | ... | publicist |
| Jessica Pregnolato | ... | set production assistant |
| Anthony J. Rivard | ... | set production assistant (as Anthony Rivard) |
| Chris Scott | ... | office production assistant (as Chrys Scott) |
| Molly Stuart | ... | craft service |
| Jeffrey Taylor | ... | piano instructor |
| April Wood | ... | assistant production coordinator |
| Jaide | ... | assistant to executive producer (uncredited) |
| Amber Montervino | ... | production assistant (uncredited) |
Thanks
| Darren Aronofsky | ... | special thanks |
| Rebecca Baldwin | ... | special thanks |
| Bonnie Bernstein | ... | special thanks |
| Pam Bishop | ... | special thanks: PM Promotions |
| John Choplin | ... | special thanks: UPP |
| Lynda Clarke | ... | special thanks |
| Stuart Cornfeld | ... | special thanks |
| Keven Duffy | ... | special thanks |
| P. Holt Gardiner | ... | special thanks |
| Alan Grodin | ... | special thanks |
| Rand Holston | ... | special thanks |
| Helen Hortter | ... | special thanks: Davie Brown Enterprises |
| Mara Jacobs | ... | special thanks |
| Mickey Mayerson | ... | special thanks |
| Norrine McCune | ... | special thanks |
| Helen Merrill | ... | special thanks |
| Tracy Middendorf | ... | special thanks |
| David Miercort | ... | special thanks |
| Michael Nusinow | ... | special thanks: Premiere Services |
| Rob Schmidt | ... | special thanks (as Robert Schmidt) |
| Michael Schulman | ... | special thanks |
| Jeff Stanzler | ... | special thanks |
| Daniel Waters | ... | special thanks |
| Kathleen Waters | ... | special thanks |
Production Companies
Distributors
- Miramax (1997) (United States) (theatrical)
- RCV Film Distribution (1998) (Netherlands) (theatrical)
- RCV Film Distribution (1999) (Belgium) (theatrical)
- Cipa (2000) (France) (theatrical)
- RCV Film Distribution (Luxembourg) (theatrical)
- Akros (1999) (Japan) (VHS)
- Buena Vista Home Entertainment (2000) (United States) (DVD)
- Film1 (2011) (Netherlands) (tv) (limited)
- RCV Home Entertainment (1999) (Netherlands) (VHS)
- Walt Disney Home Video (1999) (United States) (VHS)
Special Effects
- Lightning Strikes (lightning effects)
Other Companies
- Post Sound Corporation (post-production sound services)
- Sound One Corporation (re-recording: New York)
- The Pogachefsky Company (publicity)
- Command Performance (catering)
- Entertainment Partners (payroll services)
- Weismann, Wolff, Bergman, Coleman & Silverman (legal services)
- AON/Albert G. Ruben Insurance Services (insurance)
- Barnes Studio Security (security)
- In Frame Inc. (negative cutting)
- Pacific Title (opticals)
- Cineric (additional digital opticals)
- Cineric (opening title sequence)
- Skywalker Sound (orchestra recorded at)
- Atumusica (music preparation)
- Hush Puppies (special thanks)
- Pepsi-Cola Company (special thanks)
- Bacardi. (special thanks)
- Jessica McClintock Inc. (special thanks)
- Synthesizer Rental Services (special thanks)
- UPP (special thanks)
- Premiere Entertainment Services (special thanks)
- PM Promotions (special thanks)
- Davie-Brown (special thanks)
- Los Angeles Film Office (special thanks)
- Otto Nemenz International (arriflex camera systems)
- Chapman/Leonard Studio Equipment (dolly)
- Cinelease (grip & electrical equipment)
- Wilcox Sound (walkie talkies)
- CBS News Archives (archive)
- John F. Kennedy Library Foundation (archive)
- Digital Cut Post Inc. (avid film composer provided by)
- 5 Guys Named Moe (additional post-production services)
- Encore (additional post-production services)
- Todd-AO Studios (East) (additional post-production services)
- EFILM (digital film recording)
- Sundance Film Festival (festival)
- Toronto International Film Festival (festival)
- Weintraub Tobin Chediak Coleman Grodin (legal services)
Storyline
| Plot Summary |
'Jackie-O' is anxiously awaiting the visit of her brother home for Thanksgiving, but isn't expecting him to bring a friend. She's even more shocked to learn that this friend is his fiancée. It soon becomes clear that 'Jackie-O's obsession is nothing compared to her obsession with her brother, as it also becomes clear she isn't the only member of the family with problems...
Written by Mike Myers |
| Plot Keywords | |
| Taglines | Enter at your own risk. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $1,500,000 (estimated) |
| Opening Weekend United States | $63,266, 12 Oct 1997 |
Did You Know?
| Trivia | Based on Edgar Allen Poe's "The Fall of the House of Usher." See more » |
| Goofs | The amount of wine in Jackie-O's glass varies improbably between shots while Marty is playing the piano. See more » |
| Movie Connections | Featured in Gattaca/The House of Yes/A Life Less Ordinary/FairyTale: A True Story/Sunday (1997). See more » |
| Crazy Credits | Some prints of the film feature the 1998 Miramax skyline logo at the beginning, while others have the older 1987 Miramax logo. See more » |
| Quotes |
Marty:
Are you being wise? Jackie-O: One day I woke up wise. Marty: One day I woke up stupid. Jackie-O: What'd you do? Marty: I went back to bed. Jackie-O: That was wise. See more » |