Directed by
Richard Franklin |
Writing Credits
Ron Koslow | ... | (teleplay) |
Ron Koslow | ... | (story) and |
Robert J. Avrech | ... | (story) (as Robert Avrech) |
Cast (in credits order) verified as complete
Kim Cattrall | ... | Christina / Delilah | |
Billy Zane | ... | Paul | |
François Guétary | ... | Lucas | |
Yorgo Voyagis | ... | Alec Kasharian | |
Diana Rigg | ... | Judith | |
Michael Francis Clarke | ... | Operative #1 | |
Dawn Comer | ... | Language Lab Technician | |
Rob LaBelle | ... | Watcher | |
Marilyn McIntyre | ... | Barbara | |
Philip Moon | ... | Technician #2 | |
Quentin O'Brien | ... | Operative #2 | |
Philip Sokoloff | ... | Iraqi Scientist | |
Eric Stone | ... | Liaison | |
Richard Topol | ... | Technician #1 | |
Victor Touzie | ... | Security Guard #1 |
Produced by
Mel Efros | ... | producer |
Ron Koslow | ... | executive producer |
Steve Oster | ... | associate producer |
Music by
Lee Holdridge |
Cinematography by
Ellery Ryan |
Editing by
Andrew London |
Casting By
Judith Holstra |
Production Design by
Francis J. Pezza |
Art Direction by
Jack Jennings |
Set Decoration by
Jeannie Gunn |
Costume Design by
Molly Tippe |
Makeup Department
Howard Barr | ... | hair stylist |
Doug Drexler | ... | special makeup effects |
Antonella Renyer | ... | makeup artist |
Production Management
Thomas H. Brodek | ... | executive in charge of production |
R. Anthony Brown | ... | unit production manager |
Jim Painten | ... | production supervisor |
Second Unit Director or Assistant Director
Jerry Fleck | ... | first assistant director |
Joseph J. Kontra | ... | second assistant director |
Cynthia Riddle | ... | second second assistant director |
Art Department
Jeffrey Moore | ... | property master |
John Deall | ... | special props (uncredited) |
Sound Department
Doug Davey | ... | re-recording mixer |
Wilson Dyer | ... | supervising sound editor |
Alfred T. Ferrante | ... | adr/foley mixer |
Chris Haire | ... | re-recording mixer |
Richard L. Morrison | ... | re-recording mixer |
Ashley Harvey | ... | dialog & adr editor (uncredited) |
Guy Tsujimoto | ... | sound editor (uncredited) |
Special Effects by
Eric Allard | ... | special effects supervisor |
Philip Bartko | ... | special effects foreman |
Garry Elmendorf | ... | special effects coordinator (as Gary Elmendorf) |
John Deall | ... | special effects crew (uncredited) |
Dan Frye | ... | special effects technician (uncredited) |
Visual Effects by
Elan Soltes | ... | visual effects supervisor |
Adam Howard | ... | digital compositor (uncredited) |
Stunts
John Meier | ... | stunt coordinator |
Pat Romano | ... | stunts |
Birgit K. Schier | ... | stunts (uncredited) |
Camera and Electrical Department
Erik L. Brown | ... | first assistant camera |
Dante Cardone | ... | gaffer |
Cranston Gobbo | ... | key grip |
Daniel L. Turrett | ... | camera operator (as Dan Turrett) |
Sean Cohen | ... | electrician (uncredited) |
Linda Field | ... | best boy electric (uncredited) |
Casting Department
Carol Dudley | ... | additional casting (as Carol L. Dudley) |
Nikki Valko | ... | casting associate |
Costume and Wardrobe Department
Jennifer Day Young | ... | set costumer (uncredited) |
Editorial Department
John Ganem | ... | assistant editor |
Location Management
Antoinette Levine | ... | location manager |
Sandrine Ageorges | ... | location manager (uncredited) |
Nicolas Foulatier | ... | assistant location manager: Paris (uncredited) |
Music Department
Carl Swartz | ... | music editor |
John Patitucci | ... | bass (uncredited) |
Script and Continuity Department
Robin Anderson | ... | script supervisor |
Transportation Department
Bruce Hauer | ... | transportation coordinator |
Additional Crew
Helene Forman | ... | production accountant |
Will Levine | ... | assistant to executive producer |
Lynne White | ... | production coordinator (as Lynne Kalbfleisch) |