Füge eine Handlung in deiner Sprache hinzuAngie, Mary and Laura are tired of the same old 50s suburbia routine. The 3 guy-crazy girlfriends take to the road in a stolen car, trying to track down one of their ex-lovers before he leav... Alles lesenAngie, Mary and Laura are tired of the same old 50s suburbia routine. The 3 guy-crazy girlfriends take to the road in a stolen car, trying to track down one of their ex-lovers before he leaves for the Navy, ending up in a heap of trouble.Angie, Mary and Laura are tired of the same old 50s suburbia routine. The 3 guy-crazy girlfriends take to the road in a stolen car, trying to track down one of their ex-lovers before he leaves for the Navy, ending up in a heap of trouble.
- Jimmy Rusoff
- (as Paul Stephen Rudd)
- Mrs. Alex Gordon
- (as Dee Wallace Stone)
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** 1/2 (out of 4)
Good girl Mary (Holly Fields) finally gives in to her boyfriend's need for sex and sure enough she gets pregnant. After telling him the boyfriend runs off to join the Navy for three years so Mary and her two girlfriends go after him. In the 90s all sort of AIP films from the 1950s were being remade but most of them were in-named only remakes, which is where this one falls. Joe Dante obviously likes to pay homage as films like THE HOWLING and GREMLINS proved this and he does the same sort of thing with the juvenile delinquent genre. I found this film to be a bit uneven because they have it taking place in the 50s but it never feels like the real decade because there's so many spoofs going on. It seems as if Dante constantly has a wink for the viewer and while some of the comedy works, the majority of it doesn't. Still, I think fans of those AIP films should at least get a few kicks out of this and especially by the fact that Dante fills this thing up with some fun cameos. The "new" actors are all pretty good in their roles and this includes Fields as the virgin turned pregnant girl and we also have Paul Rudd in an early role. The cameos include Dick Miller playing a detective, Dee Wallace and Christopher Stone playing bad parents, Roger and Julie Corman pop up and we also have Fabian, Cathy Moriarty and even Sam Arkoff. The soundtrack includes some great classic tunes and I will admit that the set design was quite good for a low-budget film. RUNAWAY DAUGHTERS isn't a masterpiece but then again neither was the original.
Joe Dante does it again, making a fun little picture that captures the spirit of the b-picture. He dopes this like no one else. Not every film he has made is incredible, but this really deserves more attention than it has received (likely because it was buried as a television episode).
We have some great Dante regulars and new faces: Dick Miller, Robert Picardo, Dee Wallace, Belinda Balaski, Paul Rudd, Roger Corman, Sam Arkoff and Courtney Gains. This works as a companion piece to Dante's "Matinee" taking on the 1960s.
Ho - hum. After 40 minutes I say to myself, "ya know, any movie that takes 40 minutes to set up the back story, the exposition, really has taken too long.
Here's the whole plot: nothing happens.
This is one of those movies that seems to be nothing but an excuse to showcase a collection of odd-ball characters (i.e. Roger Corman) in cameo roles. That formula can work, as in It's a mad mad mad mad world. But in an 84 minute, made for TV movie, it doesn't cut it. BTW Bowen & Rudd are in one brief scene together making the DVD cover-art highly misleading. You can skip this one. Certainly don't pay $20 for it.
WUSSTEST DU SCHON:
- WissenswertesTwo of the runaway daughters' parents are played by actual married couples: Roger and Julie Corman and Christopher and Dee Wallace Stone.
- Zitate
Mr. Nicholson: [over loud speaker at drive-in theater] Snack bar is closing in five minutes. Just five more minutes for those shrimp rolls. They're shrimply delicious!
[takes a bite of one, chews, then grimaces]
- Crazy CreditsSputnik beeping and a man speaking Russian can be heard at the end of the credits.
- VerbindungenFeatures Der Tod hat schwarze Krallen (1957)
- SoundtracksLet the good times roll
Written by Shirley Goodman and Leonard Lee
Performed by the The Neville Brothers
Courtesy of A&M Records Inc
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