A Day Without Policeman (1993) Poster

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7/10
Ultra violent and nihilistic action from Hong Kong
Bogey Man23 May 2002
A Day Without Policeman is one of the stronger Category 3 movies I've ever seen. It is pretty unknown and I know only couple of people who have actually seen it. It is directed by a new comer (?) Johnny Lee and it stars Simon Yam. The story involves a AK47 armed gangs who terrorize a small village in an island. They terrorize police and destroy the whole police station and no villager is safe. So the few survived cops and villagers have to fight back in order to stay alive and return the peace to the village. The plot is very confusing so it may be that I missed some parts of it but the structure is as mentioned. Simon Yam plays a cop who has bad traumas about AK47 rifles and can't stand them and shocks every time he sees them. He is very scary and almost wimpy in this film so this won't be another psycho role for him, and the strongest and bravest characters in the film are females. There is no actual point in the film so what's there is incredibly violent gun battles, graphic rapes and non stop mayhem, so CAT III rating is guaranteed. There is no limits for the violence in A Day Without Policeman, but they should have added some theme or content to the film, too. Now it is pretty empty movie, but should please the Hong Kong action lovers and fans of extreme and nihilistic cinema.

The film seems to be made with pretty large budget because the film doesn't seem dull or low budgeted. The film looks very gorgeous because the camera angles and movements are very inventive and the director is definitely a talented one. The shadows and sunbeams in the forest look magnificent and the film is very beautiful at times. Also, the action scenes are over the top well made with incredible editing and feel of danger. It is incredible what these Oriental film makers can make with edits and fierce use of camera. Even mediocre films from Hong Kong are exciting to watch because of the intensity of the films and originality when compared to Western movies. So even though this film is pointless in my opinion, it is still very great viewing experience because of the visuality and creativity of the film.

The violence is brutal and often off putting, and these things would never be shown in American movies or mainstream movies. There is one particular stabbing scene in this film that is very disturbing and I could actually feel the blade going into my flesh and inside the back. This film can be recommended only for experienced viewer and fans of challenging Oriental cinema. In fact, this is one of the most violent films I've witnessed for a some time. I wonder how this film succeeded in box office. I've read couple of reviews and all the reviewers hated this and gave it as bad ratings as possible. This is pretty hard to like because the imagery is so off putting and there are no particular explanations for the mayhem we see. The tone is little apocalyptic but there definitely should have been some point or message in this film. But due to wonderful look of the film, this is not a bad film, it is just empty in content.

Simon Yam is pretty wimpy here and fans of his won't tolerate it. He is not hero here or not even psycho. He is guided by a strong female character who tries to help Yam get over his traumas. The way, how they kill the main gangster at the end, is again something that can be found in HK cinema only. Over the top is perhaps the right phrase to describe the finale, and also the whole movie. The film runs also pretty long (approximately 110 minutes, I think) but I didn't feel myself bored because the film has all the time something going on, and there are no chances to rest or take a breath. This is pretty much like the superb Big Heat (by Andrew Kam and Johnnie To), without its message and infernal tone. But as a "mayhem films", these two are pretty close to each other, and as achievements of "mayhem cinema" these two films are pretty unmatchable and only seldom equaled. Just watch some Die Hard and compare it to Big Heat, A Day Without Policeman, Long Arm of the Law or Full Contact and you'll see what is the difference between Eastern and Western film makers and contents in their films.

I give a Day Without Policeman 7 out of 10 due to the visual style and the non-stop, brutal, grisly and horrific nature, action and insanity presented in the film. Unforgettable, but many will only hate this for the reasons described and mentioned above. This would have probably been one of the greatest achievements in Hong Kong action cinema ever, if they only had added some point, theme and message here. But as I mentioned, I'm not disappointed, even though this is not a masterpiece like the mentioned Big Heat, for instance.
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7/10
A flawed, anarchic, nihilistic cut above
fertilecelluloid7 January 2005
Warning: Spoilers
Accordimg to director Johnny Lee, "A Day Without Policeman (sic)" is equal to one hundred and ten minutes of leering sleaze, gratuitous nudity, relentless violence, arty pretentiousness and exaggerated performances -- in other words, it is not a day wasted on the broad-minded, forgiving viewer.

For acutely sensitive viewers prone to Knee-Jerk Reaction Syndrome, avoid this rough-edged gem.

The plot is inexplicably disjointed, perhaps due to editing compromises, perhaps due to general ineptitude. A gang of AK47-brandishing psychos (some in police uniforms) takes over a small island for low rent holidaymakers. The only policeman available to fend them off is Simon Yam. Unfortunately, Yam is experiencing flashbacks to a violent event in his past that has rendered him impotent in the face of conflict. As a result, the gun-toting psychos are raping and murdering their way across the island with impunity while Yam hides from them like a bullied schoolboy.

Eventually, Yam's estranged wife, the sexy, energetic Li Yu, encourages her traumatized husband to act against the miscreants.

The nihilism of this film reminded me of Billy Tang's dark action-drama RUN AND KILL (also starring Yam). The set-up serves as a clothesline to hang innumerable, gleefully directed atrocities from. The rapes have a raw, powerful edge. The murders show a potent indifference for human life.

The opening twenty minutes is unusually anarchic, even for a Hong Kong film. It establishes an unrelenting pace that rarely lets up.

It is important to note, however, that cinematic (there is a difference) action/gore/rape fans expecting adroitly staged action, gore and rape may be disappointed. Some of the action scenes are sloppily edited and not well staged. Several fight scenes are handicapped by half-baked choreography where we clearly see punches and kicks missing their intended victims by miles. The gore is fairly light, though Lee does not back off on the squib hits. The rape scenes, which have none of the dark sheen of violent masterworks such as RED TO KILL, DAUGHTERS OF DARKNESS or THE UNTOLD STORY, are still reasonably effective and deliciously sleazy.

The general anarchy, nihilism and purposelessness exhibited by this minor gem place it a cut above other late 80's/early 90's HK Category 3'ers.
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5/10
Gun! I hope not AK-47!
JohnSeal6 July 2008
Warning: Spoilers
Like many Chinese-language films distributed on home video by Tai Seng, A Day Without Policeman features some hilariously mis-translated and grammatically incorrect English subtitles. If you rely on the subtitles to keep track of the story, you'll be baffled--but if you just watch the visuals and ignore the story, you'll probably be able to figure things out. Well--maybe. Simon Yam stars as police Sergeant Chan Wai, whose unfortunate encounter with an AK-47 has left him unable to work without the help of both Budweiser and bud. The film is suffused with flashbacks rendered all the more confusing thanks to the almost Lynchian efforts of director Johnny Lee, who blends shots of scantily clad, curvaceous women with a dissonant, Butthole Surfers style score. Of course, the film ALSO features extended use of disco classic A Fifth of Beethoven, so it's hardly an art-house flick. Warning: though the film is quite beautifully shot (the burial scene is a standout) there are some very unpleasant rape scenes that are not for the faint of heart.
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And the award for the most disjointed plot of all time goes to...
Liquid_Nuke9 August 2006
A Day Without Policeman, for sure.

The first third of this movie or so is absolute insanity. Not in an over the top good way, but in terms of absolute incoherence. Hard as I tried, I couldn't get more than a rudimentary grip on what was going on. Maybe the literally dozens of characters who we're supposed to magically know one thing or another about as they're paraded in and out of scenes with no real rhythm or reason had something to do with it. It kind of felt like one of those 70's chop socky Kung-Fu flicks where two movies were edited together to make one very confusing and usually crappy film.

Thankfully, the cinematic epileptic seizure ended eventually and the movie started to slowly but surly got itself together. Don't get me wrong, it's by no means great or even solid in my opinion, but it crawled out of the hole it was in.

Incoherent plot, villains with next to no motivation, sub-par acting, shoddy fight scenes, a few near comical scenes in a movie that's supposed to be the epitome of nihilism (A guy blocking bullets with two bricks in the middle of a huge firefight where innocent people are being killed by the dozen) and a "hero" who is too cowardly and incompetent. I can understand him being crippled by his fear... But come on... It gets asinine when the film makers literally rub your face into that fact constantly.

Speaking of incompetence, every "hero" in this film is incompetent. It was almost funny at times. They set elaborate death traps for the villains, and then innocent people are killed in them. Whoops! Didn't seem to be a very big deal either.

Ah, how did I forget this until now... The subtitles are the absolute worst I have ever seen. Peroid. Look at some of the other films I've reviewed and you'll see I'm no stranger to foreign films. They're almost all I watch, so it's not like I'm a stranger to bad subtitles... But this movie... My god. It literally looks like an eight year old did them. Sentences, a good majority of the time, are completely and totally incomprehensible. That coupled with the good sum of this movie being already very confusing, and you've got a cinematic peyote trip. I kid you not. You'll laugh out loud at some of the insane subtitles.

But, it wasn't all bad. It's far from the worst CAT III film out there. Had some scenes which mounted tension nicely, some good squibs, a very mean edge to the whole affair... It just could of been a whole lot more if there was some actual direction in the project.

That's my two cents. Spend them wisely! A 6, maybe a 6.5 out of 10 if I was feeling generous.
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8/10
Category III Cinema: A Day Without Policemen.
Captain_Couth23 August 2005
A Day Without Policemen (1994) was another category III film that starred genre favorite Simon Yam. He's a rural police officer who spends his days looking over is small island jurisdiction. A few years ago, he was a big city cop who's had a very nasty experience with a criminal that was armed with an A.K.-47. Watching his buddies getting ripped to shreds by this nasty assault rife has deeply scarred him for life. He prefers his new quiet assignment and doesn't complain. One day, some criminals decide to hide out on the island from the law. They cause trouble for the island residents. The cop freaks out when he hears the familiar sounds of that dreadful A.K.-47. Can he over come his fears and become the officer he once was? Will he take charge and defend the people? What will happen on that day that there were no policemen?

Highly recommended film. It's very never wracking and realistic. Unlike most of the category III genre.
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