Apocalipsis

Prior to the release of It, The Stand was my favourite King novel. It's a gargantuan effort which weaves a huge cast of disparate characters into an epic tale of the struggle between good and evil on the eve of Armageddon. I used to think about what kind of a movie could be constructed from the novel, even going so far as to pick a cast, but I always knew in my heart that the sheer magnitude of the undertaking would undoubtedly make an effective translation to screen impossible.

My worst fears were realised when I walked into my local video store one fine day last year and saw a poster for its upcoming release. The words "teleplay" struck instant fear into my heart, having been burned before by the made for TV adaptation of It, and when I scanned the cast list I nearly started screaming. Molly Ringwald?!! Rob Lowe?!! As Nick Andros?!! It was horrible, just horrible, and I resolved never to subject myself to the nightmare which I knew waited inside that double-cassette cover.

But one day I got bored, a few hours to kill before I went out on the town, so I figured what the heck, might as well give it a go, I can always drown my sorrows after it's over. I took the video home, made myself a strong cup of coffee, and sat down to partake of the carnival of horrors which had patiently waited to entrap me.

The film runs for a tad under six hours. I watched nearly five that day, and only left the last hour until the following day because the sun had set and fellow partygoers were banging on my door. This scene has been repeated by virtually everybody I know who has hired the film, and with good reason.

The Stand is a tour de force, a film which proves that a good story well told with a capable cast can overcome any censorship restrictions television cares to impose. I just don't know where to begin in my praise of this masterwork. I could praise those concerned for enticing King himself to write the teleplay, thereby ensuring it followed the novel almost to the letter, allowing the characters time to grow, to become real people, people we can love or hate, people we can root for or hiss at. Every major scene is there, lovingly recreated for our viewing pleasure, and it proves that King can claim a keen eye for the visual medium amongst his many talents.

I could praise the casting, which is as damn near perfect as you're ever going to get. There's Gary Sinise ("Lieutenant Dan" from Forrest Gump), who plays Stu Redman like he was born to the role. Molly Ringwald and Rob Lowe actually turn in stellar performances. The characters I'd known and loved - Tom Cullen, Lloyd, Glen Bateman, Larry Underwood - are all there, and when the movie was over I discovered that, however I had pictured them when I had read the novel, it was now impossible to imagine them as anything else. That's perhaps the highest praise which can be afforded an actor, and whoever the casting director was should have a statue erected in their honour. I would also like to mention the superb casting of Randall Flagg, "The Walkin' Dude". I couldn't believe it when he first appeared - "That's not him!" were the exact words which issued from my lips. The Walkin' Dude was supposed to be evil, fer chrissakes, and this guy looked liked he'd just stepped out of a Levis commercial. However, as the film wore on I realised just what a magical piece of casting had been wrought. Flagg is evil personified, sure enough, but he's also charismatic. After all, how many people, however blackhearted, would follow someone who actually resembled the evil he represented? So we have this good-looking, amiable dude who runs around recruiting his dark army, but there's always something not quite right about him, an edge to his smile, a flash in his eyes. Then, as things begin to fall apart, his true character reasserts itself, and it's even more shocking by virtue of the "nice-guy" image which he'd previously worn. Classic stuff, and it proved beyond a doubt why I'm an accountant, not a casting director.

I could praise the music, which unfailingly matches the mood, and which positively soars during the Wild Bunch-style scenes in which the four chosen ones commence their pilgrimage to Vegas. This is the kind of thing which doesn't take much to do, but which lends an epic quality to the proceedings.

And that's what really nails this film down as a classic - the little touches which ensure the film stays in the mind long after the credits have rolled. The slow degeneration of Ed Harris' general. Molly Ringwald's understated reaction to the death of her beloved father. Lloyd's realisation that things are falling apart, countered by his knowledge that he's committed, for better or worse. So much could have gone wrong in these six hours, so many cliché's enacted, and every potential obstacle is avoided with the expert skill of an Olympic slalom competitor.

I urge you to head down to your video store this weekend and rent this film. Take the phone off the hook, draw the blinds, stock up on Coke and munchies and settle in for six hours of unadulterated brilliance.

It *shines*, friends. I can say no more than that.

This mini-series begins at a secret government lab in California that accidently releases an extremely lethal modification of the flu into the air which quickly infects everybody within the vicinity. Realizing the danger that this virus poses to his family, a security guard by the name of "Charlie Campion" (Ray McKinnon) hurries out of the compound and--with his wife and small child--drives as fast as he can in order to put distance between them and this horrific contagion. Unfortunately, despite his best efforts the virus takes hold and in a state of complete exhaustion he eventually succumbs to the disease and crashes into a gas pump at a grocery store in East Texas. Naturally, this sudden development brings out all of those inside the building-which then exposes all of them to the virus as well. So, with containment no longer possible, the virus soon spreads to all parts of the country leaving most of the population dead within weeks. The small number of people who do survive become split up into two factions with the main characteristic being a specific vision that each of them have. Those who are essentially good dream of an old black lady by the name of "Abigail Freemantle" (Ruby Dee) who beckons them to join her in Nebraska. The other dream involves a sinister man named "Randall Flagg" (Jamie Sheridan) who urges his followers to come to Las Vegas and join him. And it's this split that results in the horrors yet to come. Now rather than reveal any more I will just say that, having read the book by Stephen King a couple of years prior to this film, I have to say that I was a somewhat disappointed overall in that it didn't quite capture the dark horror to its fullest extent. But then, more often than not, that's typically the case for films based on novels anyway. In any case, this movie still managed to combine enough of the original suspense with some decent acting all around and for that reason I have rated it accordingly. Above average.

It is cheesy at times but holds very true to the original story and was directed by someone competent which cant be said for the new one.

I have read the book and the extended version King released later and would suggest reading the original Stand he released first, then watch this movie.

Forget the 2020 remake even exists, much like 2020, its a dumpster fire.

I have to admit that I didn't start watching The Stand with great expectations.. but, surprisingly enough, I didn't find it all that bad. The acting definitely was done well, and considering that it must have been quite a chore to turn such a huge novel into a film, I must say that, despite a few little goofs, the directors have done a really good job.

Over-all I found 'The Stand' an acceptable TV-production. One couldn't be bothered with the length, esp. if you know the book.

Not very well casted but what would you expect from a 6-hour B-movie? The second part - the second 3 hours that is - I enjoyed more than the first. I guess it had to do with the thickening of the plot, even knowing the story by at least reading the book 3 times, the long version. Very nice to see a bit of 2 great stars like Kathy Bates and Ed Harris. (both uncredited) Their part might have been longer though, pity. I don't think choosing Jamie Sheridan for the role of RF was bad, but what would you say if a character like Michael Madsen had played this??? Anyway JS reminded me of MM somehow. Another good choice was Gary Sinise as Stu Redman. He made me think of Tom Hanks sometimes, good acting! Something that really bothered me was how Stephen King - who wrote the teleplay - messed up his own story. Rita Blakemoor being omitted is hardly acceptable for the viewers who also read the book, whatever version. (only one reviewer noticed it so far!) It certainly put Larry Underwood in a different situation and some others too, like Lucy Swann. On the other hand - if anyone had to be neglected - King could have left out the Joe-character as he did not add much to the movie. There were also pieces I could not remember from the book. The first one: a meeting between Abagail and Randall Flagg not far from the beginning, where the blood came gushing out of their hands. Another one was the shooting from a window by Julie Laurie when Tom and Nick left her alone. (comments anyone?) 6 out of 10 for this one.