Iron Monkey (1993) Poster

(1993)

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8/10
It is THE martial arts film to see -- it is about young Wong Fei-hung, before Tsui Hark-Jet Li's "Once Upon A Time In China" period.
ruby_fff4 November 2001
Hong Kong film director and martial arts expert Yuen Woo-ping is absolutely outstanding. In "Iron Monkey," one scene I admire most is the poetically quiet, beautiful interaction of fluid movements in graceful progression: as Dr. Yang and Miss Orchid close shop (the clinic), a whiff of wind blows the papers (written prescriptions) up in the air, and Yang (who's actually Iron Monkey) elevates himself up into the air to catch the flying papers, while Orchid, with a few agile movements and glides, catches the balance of the flying papers. It's like a short interlude - a silent romantic song with punctuated accents - with a slight kick from Miss Orchid, a stool plops into place upside down as it should be on another neatly ends the piece. I actually relish this quiet segment much more than the awe-struck extensive finale scene, which is truly an amazing display of exquisitely choreographed martial art movements of three masters (two good forces tenaciously team up against one skillful evil monk) on multiple wooden poles with inferno-like fire a-dancing below. Fantastic performances from Donnie Yen as Wong Kei-ying, father of Wong Fei-hung, who's deftly portrayed by a young girl Tsang Sze-man, and Yu Rongguang as Dr. Yang/Iron Monkey, with Jean Wang as Miss Orchid, to the upstanding police chief, the devastating evil monk and all.

Iron Monkey is essentially a film about the legendary Shaolin kung-fu master (also known as drunken master) Wong Fei-hung when he was young. In fact, the alternate title is "Siunin Wong Fei-hung tsi titmalau," literally: Young Wong Fei-hung's iron monkey.

Follow this up with Jet Li's "Once Upon A Time In China 2" ("Wong Fei-hung ji yi: Naam yi dong ji keung" 1992, literally: Wong Fei-hung #2 - young man should be self-sufficiently strong) and the adult Wong Fei-hung portrayal will be better understood: why he's so good at his knowledge and practice of Chinese medicine, why he acted so restrained and coy with Aunt Yee, whom he very much loves but won't express so - all due to the austere teachings from his father as noted in "Iron Monkey." We also learn that he lost his mother at a tender young age - though from Jackie Chan's "The Legend of Drunken Master" (2000 USA, "Jui Kuen 2" 1994, literally: Drunken fist 2), we can see he has quite a wonderful stepmother - smart and wittily portrayed by Anita Mui! See it if you want another excitingly fun, martial arts action-packed drama about the adult Wong Fei-hung.
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8/10
Splendid
henry-girling7 July 2003
Films like this I can watch again and again, unlike an over inflated Hollywood blockbuster. There is a continuing trend for far eastern film makers to work in the west, like Jet Li, Tsui Hark and Yuen Woo Ping but their best work was done in Hong Kong and China. This film is a good example.

With gorgeous photography, lively martial arts and a great cast this can't help pleasing. Yu Rong Guang is relaxed and charming as Dr Yang and Jean Wang as Orchid Ho is sublime and spirited. Donnie Yen brings his usual intensity to contrast with the other two. It is that ancient story of the mysterious hero robbing the rich and giving to the poor but the plot keeps one interested while the action goes on.

My favourite scene is not a martial one but when a sheaf of papers is blown about and Dr Yang and Orchid collect the sheets up. It is a short scene but full of grace and beauty and quiet humour, a million miles away from Hollywood. Nothing in 'Matrix Reloaded' sticks in my mind like that scene.

A splendid film!
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7/10
Great martial arts drama
briancham199419 June 2020
This film has everything you'd want in a good martial arts film - characters, story, setting and of course, martial arts. The comparison to Robin Hood is apt as it centres on vigilante justice.
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9/10
Awesome Monkey
AwesomeWolf1 May 2005
Version: Universal Studios / Hong Kong Legends R4 DVD release. Cantonese / English subtitles.

I first saw 'Iron Monkey' on an old, poor-quality VHS release with dodgy English subtitles placed underneath really big and bright Chinese subtitles that took up half of the screen space. You know the type I'm talking about. Even then, my immediate reaction was "AWESOME WOW AWESOME".

The corrupt officials of a Chinese province find themselves the target of Iron Monkey (Rongguang Yu), a sort of Chinese Robin Hood. When Wong Kei Ying (Donnie Yen) and a young Wong Fei Hung (Sze-Man Tsang) arrive in town, Kei Ying is forced to help the corrupt authorities track down Iron Monkey. Naturally, things get complicated when a group of Shaolin rebels arrive in town. Led by Hin Hung (Yee Kwan Yan) these evil Shaolin Monks and Nuns have been paid take out our heroes, leaving Iron Monkey, Kei Ying, Fei Hung, and Miss Orchid (Jean Wang) to kick many an evil-doers arse.

The story in 'Iron Monkey' serves only as a device to allow for more fighting. Things that might usually be kept secret are revealed nearly straight away, just to avoid any major plot twists and allow for more kung-fu time. In fact, in 'Iron Monkey', kung-fu time occurs much more frequently then plot-development time, and whenever a plot-development moment comes along, it usually accompanied by kung-fu time. Awesome.

We all know that Donnie Yen and Rongguang Yu are awesome. They spend a good deal of time putting on some awesome fight scenes. Jean Wang and Sze-Man Tsang (who, in Monkey Magic style, is actually a girl) pull of some really cool action sequences. Granted, most of it is grounded in fantasy, much like 'Crouching Tiger, Hidden Dragon' and friends, but it still looks really cool, and a few of these fights are easily some of my favourite fight-scenes ever. Also, the technique names rule. I wish I could perform a no-shadow kick or a King Kong palm.

'Iron Monkey' is nearly nothing but martial arts fantasy. Fans of Hong Kong wuxia movies will get a kick out of this, as will action fans in general. Fans of 'Crouching Tiger, Hidden Dragon', 'Hero', and 'House of Flying Daggers' should see this to see how wuxia should be done, but they may not like it. Fantastic action movie - 9/10
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10/10
Great Entertainment
lu_morning19 January 2004
This is by far one of the top 10 martial art movies of all time.

This movie has beautiful scenery and atmosphere. It transport me back to a place long ago and far away where life is cruel and government officials are corrupt but all is not forsaken for heroes are out there with heart of pure goodness, body of iron armor, and spirit of courage and valor. This movie made me believe in this world where human can train their body and mind to do inhuman feats like leaping onto roof tops and shattering cement blocks two feet thick. It invoked memories of my childhood dream of becoming a martial art master able to kick butt but also the restraint and pathos for helping those less fortunate. Both Dr Yang and Wong Kei-Ying plays a martial art hero that possess these traits. They are well rounded individuals that posses other admirable skills. Dr Yang for example is a highly skilled doctor, a flashy cook, and a musician. I love one of the breath taking scenery in which he was playing this Chinese instrument out in the court yard on a golden autumn day. It's very nostalgic for me for some reason. Orchid, Dr Yang's assistant is wonderful in this movie as well. She brought beauty and depth to this movie. The young Wong Fei-hung character was great as well. These wonderful characters on top of the amazing fight sequences makes this movie transcend martial art movies and rival any movies genre ever produced in terms of sheer entertainment value. I have read review about the bad/simple plot or fake wire-fu in this movie. That's not the point, the mastery of mood and texture in this movie is sheer enjoyment. How much plot can one develop in a 90 minute martial art movie?...or any movie really...it's all about the human conditions some more complex than other often recycled over and over through the years and placed in a different setting and different context. Great movies capture the human imagination and touches a spectrum of human emotions. Great movies also flow smoothly and do not go into a lull. For me this movie did that and more. Hopefully you'll want to watch it again and again like I did.
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Awesome
writermage15 June 2004
Note that this movie's subtitle is "The Young Wong Fei-Hong."

This isn't so much a movie about a Chinese Robin Hood/Zorro figure, or a strict martial arts hero - it's a movie about a young boy and the people who influence who he will become. It's poignant in parts - such as when Fei Hong tries to grab his father's hand and is scolded for it - and hilarious in others - "My kung-fu is pretty good!" exclaims a surprised Fei Hong in one scene.

While much of the movie is focused on the concerns of the adults around him, Fei Hong is also the audience's conduit to the subtle messages of the movie as a whole. It's not all about kick-ass fight scenes - that's just how they keep our attention. The world portrayed in IRON MONKEY admires intellect and wit as much as martial arts ability. Woven into the whole is a lesson in honor, the balance between discipline and recklessness, and the need for affection and love.

Fans of CROUCHING TIGER, HIDDEN DRAGON will love this movie because of one simple fact - the plot is linear, with short flashback sequences as needed, and despite its intricacy, it's not too involved. CTHD would be like riding in a Rolls-Royce: beautiful to look at, enjoyable to drive; but IRON MONKEY is like a Porche, fast, sleek and dangerous. CTHD may be visually superior as far as cinematography goes - and in a lot of ways, it is - but IRON MONKEY moves along in ways that CTHD does not.

Also look for Tsang Sze Man, who had the potential to be what Haley Joel Osment is here in America. Pity Man didn't do any more martial arts films.

Film fans must see this movie; kung fu fans probably should see this movie. But if subtitles scare you (the dubbed version isn't quite as good) and guys in robes and braids are "gay," keep away. Go rent DUMB AND DUMBER or something.
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7/10
A Cliché, But.....You Have To See To Believe It!
ccthemovieman-111 October 2006
This was a surprise, being more entertaining than I expected. Like most Hong Kong action films, this mixes comedy in with all the martial arts violence. When I saw this in 2002, I could safely say no film - among the thousands I have seen - has action scenes quite like this! It was the wildest kung-fu/Crouching Tiger- type action I had ever seen....and plenty of it. In fact, too much. At least the film was short at 85 minutes but, man, it still needed some lulls in here.

This is so cartoon-like, it could have been labeled such, especially with the dubbed in version in which the voices and dialog just don't seem to add up. It's so corny, so bad, that it's hilarious!

And those action scenes? Well, you just have to see them to believe it.
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10/10
Yuen Woo Ping on speed
InzyWimzy19 June 2002
I have three words for this movie: Yuen Woo Ping.

This movie is action packed with Ping's trademark unique fighting sequences. Whether it's bodies slamming through tables, hopping from roof to rooftop, there's so much action, then story, then more action!!! Donnie Yen's martial arts is impressive and his character is very straight to the point, but very noble. Guang as Dr. Yang is heroic as well and plays his dual role very well. Most of best battles have both men sharing the screen with lightning speed quickness!! Tsang is good as young Wong Fei Hung and the beautiful Jean Wang is visually pleasing to watch as Miss Ho (who can also whoop butt). Master Fox provides funny moments too.

Overall, the main emphasis here is the martial arts. The bad guys are very bad (including one deadly renegade monk) and the action is intense. Besides "shadowless kicks" and "King Kong fists", weapons used vary from staffs & swords to umbrellas, benches, and very sharp tacks (OUCH!) The finale is mind-blowing and is like nothing I've ever seen before.
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6/10
a short and fun exponent
thisissubtitledmovies14 January 2011
excerpt, full review at my location - Tales of folk heroes and legends saturate the fabric of Chinese history and culture. Re-released and discovered by a wider audience after Yuen Woo-ping's astonishing success choreographing Crouching Tiger Hidden Dragon, Iron Monkey is a notable addition to the extensive list of historical legends committed to film. Directed by The Matrix choreographer and action master, and featuring Hong Kong and China's most vaunted action star of the moment, Donnie Yen, Iron Monkey proves to be a short but well-crafted story.

Iron Monkey may not be amongst the best of Yuen Woo-ping's enviable filmography, nor of the ever-growing list of historical hero endeavours, but it is a short and fun exponent of the historical hero genre.
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9/10
Awesome!
daan_de_geus21 April 2007
The amazing Iron Monkey! This movie has a legendary status amongst martial arts fans, and for good reason!

Iron Monkey is the Chinese robin hood and he owns in this totally cool martial arts flick directed by Yuen Woo Ping. The action is super fast paced (again, it's like a Donnie Yen movie trademark) and filled with wires and unrealistic stuff like that. But Donnie and Rongguang excel and shows true ass kicking moves. T he story is not really special or anything, but it suffices and the acting is good. I think about 70 % of the movie consists of fight scenes, 25% dialogue and acting and 5% classic Chinese actors making funny face at the camera. If you like unrealistic and speedy martial arts flicks, then this is the movie for you.
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7/10
Fun
barberoux3 April 2002
Iron Monkey was a typical martial arts type movie. The plot was reminiscent of Zorro or Robin Hood, that is, the good guy steals from the rich and powerful and gives to the poor. As is usual for these movies the plot was almost childish and silly in places and interspersed with scenes of violence. You must understand what type of movie you're getting involved in when you see it or you'll be disappointed. It was fun and paced well and as deep as a dew. Good mindless entertainment.
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10/10
One of the greatest martial arts movie ever !!
Ash-8919 April 1999
Donnie Yen and Yuen-woo ping team up again to bring us one of the best kung fu movies ever. The fight choreography is perfect and the fighting style includes the animal styles such as the crane and the snake. Donnie Yen plays Wong-kai-ying, the father of Wong-fei-hong(who is curiously played by a girl!!), and they have to face in their adventure villains such as the witch, who has powerful hand grip and great double sword of lo-han style of fighting, and the governor who possesses his famous king-kong palm and his flying sleeves. But Wong-kai-ying also has a powerful move :it is the no-shadow kick (style that we can see in the once upon a time in china series of movies). The end fight is the one of the three best I have ever seen!! A must see. 10/10
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7/10
Has a Robin Hood Theme Going For It
eric2620037 July 2014
Warning: Spoilers
I'm not the greatest expert when it comes to Chinese folklore or whether such incidents depicted here ever existed. If so the issues faced are quite convincing and may hold a place in the annals of Chinese history and literature. The history goes back to mid 1850's when the rich kept getting richer and the poor were become more deprived of any financial gain. To me it the story has a Asian equivalent to the greatest English character in ancient folklore, Robin Hood. The time period was different, but the motives between Robin Hood and Iron Monkey are very similar as both rebels try to outsmart a corrupt government by committing criminal acts for a good cause.

In a rather poor slum in China, refugees in the area are being overruled by corrupt governor (James Wong). An incognito hero donning a mask who only goes by the name Iron Monkey (Rongguang Yu) is willing to overthrow this Governor by robbing from him and all the other rich people to give to the impoverished villagers. Governor Cheng lines up possible suspects who may be this mysterious anti-hero. In the middle of this conundrum include a monk Wong Kei-Ying (Donnie Yen) and his young son Wong Fei-Hung (Sze-Man Tsang). Cheng demands Wong to search for Iron Monkey while he holds his young son hostage. Through trials and tribulations, father and son lead themselves to the abode of Dr. Yang (Rongguang Yu) and his assistant Nurse Orchid (Jean Wang). It's quite clear that Dr. Yang is indeed Iron Monkey. This clearly pointed out once the character is introduced.

The story is simple and easy to follow through. However it skips through scenes at times which makes the movie feel a bit awkward at times. One minute there's bickering if or if not Fei-Hung may have a roast duck and segues to Dr. Yang and Kei-Ying joining forces to bring down Shaolin Monk Hiu Hing (Shi Kwan Yen) We're familiar with this character and lengths he went through so there's nothing new to inform us about here.

Sure the story might be thin and there's a lot of fighting, but that's what you expect to see in an action film. Aside from that the plot of the story actually stands out pretty well. The legend of Iron Monkey has been mentioned in many stories and folklore as he fights corruptions from the Governor who's trying to gather enough money to support his nine wives. The corrupt Monk does unorthodox tricks up his sleeves (literally) that can break through anything. You wonder if these individuals are insured. Like in superhero and police dramas, there will be a lot of property damage and it affects innocent bystanders. One provocation and we all suffer. In a rare occurrence one bystander gets some restitution while the antagonists get what's given to them. The refugees won't expect much left after watching stuff getting destroyed.

To me, I felt a little bit of Jackie Chan and Jet Li folded into one package. On the visual format, it's vintage Li. But action wise it has a Jackie Chan flare to it. Sure there's wirework involved and Chan (with the exception of the crappy "The Medallion") refrains from using cheap wirework to his advantage. The set pieces at the end will really set your souls on fire. Knowing that this is a fictional period piece film, that's classic Jet Li. The little girl in the film was adorable, but I'll just stay out of her way when it comes to battle. Let her have her duck.
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2/10
Two kung-fu styles which just conflict...
Gu23 October 2001
I have forever been a fan of the old Wu-Tang and Shaolin kung fu movies. They relied on incredible martial arts and flashy moves, and achieved greatness in their simplicity. Crouching Tiger, Hidden Dragon captivated audiences with its involving and meaningful story line, while also backing it with aeronautic kung-fu. Iron Monkey tries SO hard to mix these two movie styles, but falls short...way short. Take the kung-fu by itself and you have a terrific movie. Rongguang Yu has feet faster than any I have ever seen, which made for exciting battles. However, even though the storylines of the old Wu-Tang/Shaolin movies weren't rock solid, the dialogue was intense! Iron Monkey's dialogue was cheesy as best, and the plot of a pseudo-Robin Hood hero is lost after the first 20 minutes, from then on its just a free-for-all. Iron Monkey is a decent kung-fu movie if you want to see some leg-action, but if you want a true old style kung-fu movie, I suggest The Mystery of Chessboxing!
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The movie I watch again, again, again
Zack_Hobson10 December 2003
Iron Monkey (Siunin Wong Fei-Hung tsi titmalau), released in North America on the coat-tails of Crouching Tiger, Hidden Dragon, was actually made in Hong Kong in 1993. Plenty of special effects augment the fight choreography, which brings to mind Matrix and Crouching Tiger, but this film, in its simplicity, is more enjoyable to me than either of these.

I didn't realize how much I liked this movie until it came on digital cable and I watched it every chance I could get. This movie is eye candy. It's not bothersome or preachy or heavy. It's just fun to watch. And the utter absence of Hollywood is like a cool breeze on a hot summer day.
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9/10
He's pretty young
ericstevenson29 August 2018
I know that action movies do well around the world because they focus less on dialogue and don't have to translate as much. It looks like Chinese movies that come to our country apply to the same rule. This is another film of the literally dozens of Wong Fei-Hong movies. I think only ten or so of them made it to the United States. This movie features a repressed town being helped by a costumed figure known was the Iron Monkey. Wong Fei-Hong is held captive so his father can find the Iron Monkey's identity.

I don't know how you can really call this a franchise in the strictest sense as I believe Wong Fei-Hong was a real person. Anyway, this is probably one of the best in the series as it has the best and most creative action. It can be hard to keep up with the story but this has a good time doing it. It's always great to learn about other cultures. It seems fitting as China has four times as many people as us! Wong Fei-Hong is seen as a child but he does get to fight some. ***1/2
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10/10
One of the greatest martial arts movies in the world
drngor5 September 2000
Yuen Woo-Ping and Donnie Yen, in yet another collaboration together, have brought forth one of the greatest kung fu movies in existence. The story involves a Robin Hood-esque martial artist named the Iron Monkey teaming up w/ Wong Kei Ying to battle government corruption. The movie itself is a prequel to the OUATIC series, and in many ways is better than most of the entries in it. Thematically, this film deals with friendship, greed, corruption, and family relationships.

However, this is a martial arts movie. The fight scenes are choreographed by Yuen Woo Ping. He was nominated for the Best Choreography award and it's a shame he didn't win. Donnie Yen, Yu Rong Gwong, and the rest of the supporting cast show off a vast display of martial arts. My favourite fight is when Donnie Yen battles the evil monks and the nun. His footwork is simply awesome, one of the best kickers in the business. All leads up to an impressive finale, where Donnie Yen and Yu Rong Gwong battle their foe on the top of a forest of burning poles. It must be seen to believe.

Excellent film. There's a story. There are themes and morals. And there's some of the greatest fights one will witness. A true classic.
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7/10
Robin Hood meets Zorro...
poe42615 April 2011
Warning: Spoilers
While IRON MONKEY boasts some outstanding production values, it's this budgetary largesse that seems most to blame for the film's shortcomings. Well laid out (in the fashion of ROBIN HOOD or ZORRO or THE SCARLET PIMPERNEL, et al), with some beautiful cinematography and special effects, IRON MONKEY nonetheless falters when it comes to its very reason for being- the martial arts sequences themselves. Reality never rears its ugly head (it rarely even comes close): the mechanically-enhanced martial arts mayhem blatantly defies the laws of physics to an astonishing degree. This undermines the solid all-around performances by the actors. The final battle, for instance, reminded me of the lyrics from a song: "They swing through the air with the greatest of ease- those daring young men on the flying trapeze." Instead of a realistic, nail-biting hand-to-hand battle, we end up with cgi-enhanced acrobatics. Again. (I saw this one first on DVD, then again during its theatrical run- but it wasn't until I saw it again just recently that the over-the-top action called to mind The Big Top itself.) Had the martial arts sequences been better done, I would've had no compunctions about rating IRON MONKEY a ten.
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9/10
Miramax butchers very enjoyable film!
film-critic1 February 2005
After watching films like Crouching Tiger, Hidden Dragon and Shaolin Soccer and immensely falling for them, I had some hesitancy with this film. With Tarantino's name attached to the previews, I had this growing concern that Hollywood had gripped this film a bit too hard, thus squeezing out any remaining value or originality. I had heard of the stories of Harvey "Scissorhands" and his ability to really do a number on these Asian films that find their way into our cinemas. I have heard that if you ever really want to fully enjoy one of these films, do not touch those with the name Miramax stamped anywhere. With this in mind, I believe you can see where the hesitancy was coming from, but I need to be honest, this wasn't a horrible film. Using a pre-Wachowski brothers technique of wires instead of "bullet-time" effects, Iron Monkey quickly transformed from your average Shaolin film (if there is such a thing), to a very humorous, creative, and original film.

For some strange reason this film caught my eye and never let go. The strong blend between action and comedy rivals that of most modern Hollywood big-budget features. The impeccable timing of the actors, the perfection of each of the dance-like fights, and its ability to transcend from one genre to another is what really gave this film a big boost in my eyes. While I was expecting a notorious film full of girth and power, I was not in any way expecting this prize-winning, genre-jumping, symposium of pleasure. Everything from the balloonish characters to the simple, yet structured, story pushed this film beyond others of similar nature. I cannot express how impressed that I was with Iron Monkey and how it helped bring the martial arts film back into American homes.

Another element that I enjoyed immensely in this film was the mystic forces behind the characters. The different Shaolin techniques impressed me and helped give the characters a masked depth to them. Being relatively new to this genre, I am constantly impressed by the power, creativity, and ingenuity of the basic moves that Shaolin implies while in battle. In this film, it was the "Buddha Palm" that made me utter the infamous Keanu line, "Whoa". While this film wasn't perfection in a nutshell, it was enjoyable to go back to some of these "classics" and see where our now-modern films are borrowing their style. It is good to see the strength and ability of someone fresh instead of Hollywood Jackie Chan in these roles. Asian cinema is one of the most impressive genres in film, and continually it proves that it can break old molds and stereotypes by revamping them while still paying homage to the originals. It is a genre, unlike Hollywood, that actually pays honest respect to the proceeding films that gave them this opportunity, and while Iron Monkey isn't Criterion-esquire, it does provide several hours of countless fun and mind-challenging action.

Finally, you cannot talk about a film like this without mentioning the action. I grew up in a house that prided itself on the popularity of the action film, and while my tastes have changed considerably over the years, it is always a pleasure to revisit in my mind those childhood days. Now, when I go back to visit my family, I take films like Iron Monkey and Shaolin Soccer to bring a new style of action into the home. It continues to be an instant hit. This film was no different. From the quick hand and leg combat, to the creative use of nearly every random inanimate object around, to the different elements of nature that are brought in to bring more thrill to the table, this film had everything and kept the enjoyment level high. That says a lot for a little Asian film that found itself corrupted by America.

Overall, I was very impressed with this film. With my growing infatuation with this genre of film, I cannot wait to get my hands on more. While I wish that Miramax would not try to take these films to the butcher's block, they still provide several hours of enjoyment and plenty of action. In intensity and insanity of the actors help create a world where you believe in the impossible kung-fu move and allow even more punches to follow. This was a great film that should be enjoyed with subtitles (never dubbing) and without the Tarantino introduction. Check it out, I do not think it will bring disappointment.

Grade: **** out of *****
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6/10
A Chinese Zoro!
EpeeBill25 November 2002
If you are fan of Kung Fu movies, this movie probably offers nothing ground breakingly new. But it does have some nice fight scenes and some decent comic relief to make this movie an enjoyable watch.

If you're not Kung Fu movies, it might make for a good introduction to the genre as it is very much like the more Western theme of Zorro. Both films feature a corrupt, but stupid goverment, a upstanding citizen secretly defying the system and plenty of gratuitous fight scenes as the powers that be seek to capture the rebelous saboteur.

Once you get you head around the genre's convention that studying Kung Fu can grant people ability to perform super human feats, you kind of realize that, except for the subtitles, this movie could be Zorro or Schwatzenegger or the Matrix.

As one last note, this movie actually brings together some characters from Chinese folklore, so there is little introduction to them, much as a Western movie wouldn't spend much time introducing Zorro or Robin Hood.
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10/10
Either the Hong Kong or U.S.version is great
wingthwong14 December 2018
Apparently the English (U.S. release) version did a bit of editing that took away from the Hong Kong version. I saw the English dub a while back and just now watched the Hong Kong with subtitles version. Anyway, it is a really good action piece based on actual history of turn of the 20th century China. Although Donnie Yen doesn't always get the same accolades as Jackie Chan, Jet Li, or even Bruce Lee, of which he is equally talented , if not more so in many cases, as these, he shines, as always in this period piece. Graced with a better script, a superb supporting cast, and more realistic fight scenes, this offering of Iron Monkey is by far better than most of the period kung fu pieces before or after. It breaks away from the Kung Fu action genre of the 70s and 80s where crazy fighting and techniques were overflowing from beginning to end for no other reason than just to show them, with flimsy plots. It doesn't get into the hardcore blood fest and rawness of newer kung fu movies. It can stand alone on a strong and well acted story interlaced with a little humor, a little drama, and a whole lot of action, filled with believable fight sequences. An interesting bit, that I find made it so much more entertaining, is that Angie Tsang superbly plays the part of folk hero Wong Fei-Hung, the son of Wong Kei-Ying (Donnie Yen). Being only 13 at the time of it's release in 1993, her fight scenes are intense yet believable. One of the best kung fu artist of both male and female in a very brief period that has sadly retired from acting. Ronquang Yu, another not as well known martial artist/actor, who is also sadly overshadowed, does a pretty good job as the Iron Monkey. Truly an all out good show that rivals Donnie Yens later outings as Ip Man.
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6/10
A little puzzled
Quinoa198420 October 2001
Iron Monkey, re-released after being released in China in 1993, comes to America to amaze audiences (er). The story, a typical Robin Hood type one that isn't needed to be expanded on here, is really a base-line for a number of well stage fight scenes (the best with poles above fire). The performances are decent and I suppose people that are really hardcore in the genre will be delighted. However, I have my squables with the film I want to get off my chest.

I'm not sure if everyone will agree with me on this notion, but I'm not sure if the direction martial arts movies seem to be taking is the greatest thing since CGI came about. Am I the only guy who enjoys classic Bruce Lee and Jackie Chan films where the guys fight without jumping on roofs and hopping like Ninja Turtles, without fighting at a speed a bullet wouldn't catch up with, and without having to divert your attention from the action because of subtitles (say what you will about dubbing, but it is effective in these movies in the most part)? I'm not saying that the new type of stylizing (shown here in Iron Monkey and also in last years smash Crouching Tiger, Hidden Dragon) is a really bad thing, a good amount of the time the martial arts scenes are exciting and cool. But it might be prudent to not forget the originality and awesomeness that came with people like Lee and Chan and go forever into the abyss of visual effects and subtitles.

That being said, I definately didn't mind seeing Iron Monkey in giving some decently entertaining 90 minutes of film, but just remember for those entering not familiar to proceed with some form of caution (maybe in knowing Chinese maybe). B-
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10/10
Quite possibly the greatest martial arts movie ever made
ab-213 October 2001
Iron Monkey is in my opinion quite possibly the greatest martial arts film ever made. The plot is a Hong Kong variation on Robin Hood. The corrupt officials of a Chinese village are continually robbed by a masked bandit know as "Iron Monkey" named after a benevolent deity. When all else fails, the Govenor forces a traveling physician (Donnie Yen) into finding the bandit. The arrival of an evil Shaolin monk, brings the Physician and Iron Monkey together to battle the corrupt government. This movie had 3 great things: 1. Acting 2. Good plot and 3. Great fight sequences. I recommend this movie mainly to martial arts fans because they would really prefer this movie.
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6/10
Good for its martial arts
lingmeister7 December 2002
Given that is was made in 1993, its martial arts is impressive. Its story line is simple, yet effective, providing humor, fun and suspense all at once, which is not atypical of movies from Hong Kong. It cannot be compared to Crouching Tiger since the directing is so different and the martial arts has progressed quite a bit.

Some people thinks the martial art is over the top, but there are so many disciplines of martial art, including some that emphasize their ability to be light on their feet. Whether they could perform such acts, I cannot answer, but many of those incredible stuff they did have roots in Kung Fu.

Anyway, it is still a fun film.
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1/10
Absolute utter stupidity
marshmellowbuda20 April 2002
I was ready for a Crouching Tiger style movie and all I got was the worst movie i've seen in years. It was almost as bad as Baron Von Munchhuasen. Dead script. Dead acting. Dead everything.

Granted there was some good fight scenes but the positive side ends there. If this movie arrives in your house run screming to a phone and dial 911 and say, "Please help there is a movie in my house meant to force people to commit suicide"
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