Four children live with their terminally ill mother. After she dies, they try to hold things together. In their isolated house, they begin to deteriorate mentally, whilst they hide their mom... Read allFour children live with their terminally ill mother. After she dies, they try to hold things together. In their isolated house, they begin to deteriorate mentally, whilst they hide their mom's decomposing corpse in a makeshift concrete sarcophagus.Four children live with their terminally ill mother. After she dies, they try to hold things together. In their isolated house, they begin to deteriorate mentally, whilst they hide their mom's decomposing corpse in a makeshift concrete sarcophagus.
- Awards
- 2 wins & 3 nominations total
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Storyline
Did you know
- GoofsWhen Jack brings in the tray to his mum, when she's in her room, he draws back the curtains to let some light in. However, the light obviously comes not from outside, but from a source of light somewhere above (not visible).
- Quotes
Julie: Girls can wear jeans and cut their hair short, wear shirts and boots, because it's OK to be a boy, but for a boy to look like a girl is degrading, because you think that being a girl is degrading. But secretly you'd love to know what it's like, wouldn't you? What it feels like for a girl?
- ConnectionsEdited into Screen Two: The Cement Garden (1996)
The story takes place during a hot summer in a bleak, impoverished district of an unnamed British inner city. The children's house, a grim Modernist building, is one of the few remaining in an area marked out for redevelopment, and is surrounded either by soulless tower blocks or by derelict, rubble-strewn wasteland. Their father dies while trying to lay concrete over the garden, one of the few islands of green in the area, hence the title.
The book was published in 1978 and in many ways reflects the mood of Britain in the late seventies, a time of economic recession, of industrial unrest, of unemployment, of concern about declining public services and the condition of the inner cities. (The period also saw some of the hottest summers of recent decades). The book was also highly controversial because of the incestuous relationship which develops between Jack and Julie, something which possibly explains why it had to wait until 1993 to be adapted for the screen. Although the seventies were a period of increasing permissiveness in Britain, there was a limit to what the British Board of Film Censors would permit, and incest still seemed to be off-limits. This relationship, however, is an important part of the story; it can be seen as both the ultimate expression of family solidarity and as a conscious rejection of the taboos and conventions of the adult world, so an adaptation which omitted this relationship would not have worked.
Another controversial theme of both book and film is what might be called the confusion of gender identity. Tom, who loves to dress as a girl, is presented as a budding transvestite, and both Charlotte Gainsbourg and Andrew Robertson are here made to look remarkably androgynous; her hair is short and his long. Although their characters are named Julie and Jack, they could just as easily be Julian and Jackie.
The film was directed by Andrew Birkin, the brother of Jane and therefore Gainsbourg's uncle. (Another family member, Birkin's son Ned, was cast as Tom). Birkin is better known as a screenwriter than as a director, and this is one of only two feature films he has directed. Nevertheless, it is an accomplished piece of work, and the director is able to elicit some excellent performances from his young cast. McEwan's book, despite its desolate urban setting, is not a work of social realism. It can be seen as a modern development of the "Gothic" tradition, abandoning the supernatural elements and exotic settings beloved of Georgian and Victorian Gothic authors, but retaining their fascination with death, decay and the macabre and their emphasis on the darker side of human nature. It is a highly atmospheric piece of writing, and Birkin succeeds well in capturing its eerie, hallucinatory quality; not so much a midsummer night's dream as a midsummer nightmare. This is a film about British working-class life which stands outside the mainstream "kitchen sink" tradition. 8/10
- JamesHitchcock
- May 24, 2012
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Details
- Release date
- Countries of origin
- Language
- Also known as
- El jardín de cemento
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $322,975
- Opening weekend US & Canada
- $23,410
- Feb 13, 1994
- Gross worldwide
- $322,975
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