Directed by
| Baz Luhrmann | ||
Writing Credits
| Baz Luhrmann | ... | (original idea) |
| Baz Luhrmann | ... | (earlier screenplay) and |
| Andrew Bovell | ... | (earlier screenplay) |
| Baz Luhrmann | ... | (screenplay) and |
| Craig Pearce | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
| Antoinette Albert | ... | executive producer |
| Tristram Miall | ... | producer |
| Jane Scott | ... | line producer |
Music by
| David Hirschfelder | ... | (original music by) |
Cinematography by
| Steve Mason | ... | director of photography |
Editing by
| Jill Bilcock | ||
Casting By
| Faith Martin | ... | (casting) |
| Fiona McConaghy | ||
Production Design by
| Catherine Martin | ||
Art Direction by
| Martin Brown | ||
Costume Design by
| Catherine Martin | ... | (street costumes) |
| Angus Strathie | ... | ballroom costume designer |
Makeup Department
| Rebecca Simons | ... | hair assistant / make-up assistant |
| Lesley Vanderwalt | ... | make-up designer |
| Paul Williams | ... | hair designer |
Production Management
| Fiona McConaghy | ... | production manager |
| Justin Plummer | ... | unit manager |
| Fifa Riccobono | ... | executive in charge of production |
Second Unit Director or Assistant Director
| Sue Andrews | ... | assistant director |
| Keith Heygate | ... | 1st assistant director |
| John Martin | ... | 3rd assistant director |
| P.J. Voeten | ... | 2nd assistant director |
Art Department
| Mary Baumont | ... | construction: Rob Ricketson Design |
| Tony Campbell | ... | art department runner |
| Rebecca Cohen | ... | props buyer / set dresser |
| Alan Craft | ... | scenic artist |
| Peter Grady | ... | construction: Radar |
| Bill Marron | ... | associate production designer / props buyer / set dresser |
| Terry Matthews | ... | constructor |
| Julieanne Mills | ... | art dept. co-ordinator |
| Elizabeth Mary Moore | ... | art department attachment |
| Michael Philips | ... | draughtsman / model maker |
| Lynn Rowland | ... | scenic artist: East Coast Signs |
| Steve Smith | ... | scenic artist |
| Duncan Stemler | ... | draughtsman / model maker |
| Justine Thompson | ... | props buyer / set dresser |
| George Zammit | ... | standby props |
| Guy Chapman | ... | construction assistant (uncredited) |
| Jonathan Clouston | ... | props (uncredited) |
Sound Department
| Bruce Brown | ... | sound effects mixed by |
| Steve Burgess | ... | foley recording |
| Julius Chan | ... | effects editor |
| Michael Costa | ... | sound tools editing |
| Stuart Cottom | ... | sound dept. attachment |
| Andy Duncan | ... | boom operator |
| Jack Friedman | ... | playback operator |
| Antony Gray | ... | dialogue editor |
| David Grusovin | ... | assistant editor |
| Phil Judd | ... | mixed by |
| Gerry Long | ... | foley artist |
| Ian McLoughlin | ... | mixed by |
| Ben Osmo | ... | sound recordist |
| Wayne Pashley | ... | effects editor |
| Paul Pirola | ... | foley recording |
| Roger Savage | ... | mixed by |
| Simon B. Sheridan | ... | assistant engineer |
Visual Effects by
| Roger Cowland | ... | opticals |
Camera and Electrical Department
| Leah Ashenhurst | ... | clapper loader |
| Ross Berryman | ... | 2nd camera operator |
| Alan Dunstan | ... | electrics |
| Reg Garside | ... | gaffer |
| Stephen Gray | ... | electrician |
| Al Hansen | ... | assistant grip (as Alan Hansen) |
| Gary Hill | ... | best boy |
| Ian Jones | ... | steadicam operator |
| Philip Le Masurier | ... | stills photographer |
| Andrew McLean | ... | 2nd camera operator |
| John Platt | ... | focus puller |
| Paul Thompson | ... | key grip |
| David Woodward | ... | steadicam operator |
| Calum McFarlane | ... | additional focus puller (uncredited) |
Casting Department
| Faith Martin | ... | extras casting |
Costume and Wardrobe Department
| Lyn Askew | ... | standby wardrobe |
| Kym Barrett | ... | wardrobe assistant |
| Peter Bevan | ... | wardrobe supervisor |
| Kym Bywater | ... | costume detailing |
| Christopher Essex | ... | costumier |
| Melissa Harrison | ... | costume detailing |
| Nola Lowe | ... | costumier |
| Anthony Phillips | ... | costumier |
| Suzette Waters | ... | costume detailing |
| Kym Barrett | ... | wardrobe buyer (uncredited) |
Editorial Department
| Arthur Cambridge | ... | grading |
| Nick Cole | ... | 2nd assistant picture editor |
| Jane Moran | ... | first assistant editor |
| Adrian Hauser | ... | telecine assistant (uncredited) |
Location Management
| Lisa Hennessey | ... | locations |
Music Department
| Ric Formosa | ... | additional orchestration |
| Phillip Hartl | ... | concertmaster |
| David Hirschfelder | ... | musical direction |
| Gerardo Matos Rodríguez | ... | composer: tango "La Cumparsita" |
Script and Continuity Department
| Jo Weeks | ... | continuity |
Transportation Department
| Jonathan Clouston | ... | vehicle rig |
| Jeremy Hutchinson | ... | unit driver |
Additional Crew
| Geoff Abadee | ... | logistics (uncredited) |
| Sue Andrews | ... | nurse |
| Trish Cameron | ... | producer's secretary |
| Roger Cowland | ... | titles design |
| Michele D'Arcey | ... | production accountant |
| John Faithfull | ... | caterer |
| Dina Gillespie | ... | unit publicist |
| Christine Gordon | ... | production secretary |
| Amanda Higgs | ... | production assistant / runner |
| Sonia Kruger | ... | ballroom advisor |
| Claude Lambert | ... | safety officer |
| Bill Marron | ... | titles design |
| Catherine Martin | ... | titles design |
| Ray Mather | ... | assistant choreographer / ballroom tutor |
| Tania McGuinness | ... | double: Liz Holt |
| Paul Mercurio | ... | additional choreography |
| John O'Connell | ... | choreographer (as John 'Cha Cha' O'Connell) |
| Ian Russell | ... | laboratory liaison |
| Nicole Sheridan | ... | copyright clearance |
| Rowena Talacko | ... | production co-ordinator |
| Antonio Vargas | ... | flamenco dance tutor |
| Catherine Lavelle | ... | unit publicist (uncredited) |
Thanks
| Ted Albert | ... | this film is dedicated to |
| Bill Marron | ... | Baz Luhrmann acknowledges the special contribution in the development of this film |
| Catherine Martin | ... | Baz Luhrmann acknowledges the special contribution in the development of this film |
| Rob Murphy | ... | also special thanks to (as Robert Murphy) |
