Directed by
| Rolf de Heer | ||
Writing Credits
| Marc Rosenberg | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
| Rolf de Heer | ... | producer |
| Giorgio Draskovic | ... | executive producer / producer |
| Marie-Pascale Osterrieth | ... | producer |
| Marc Rosenberg | ... | producer |
Music by
| Miles Davis | ||
| Michel Legrand | ||
Cinematography by
| Denis Lenoir | ||
Editing by
| Suresh Ayyar | ||
Production Design by
| Judith Russell | ||
Art Direction by
| Françoise Benoît-Fresco | ... | (as Françoise Benoit-Fresco) |
| David McKay | ||
Set Decoration by
| Denise Goudy | ||
Costume Design by
| Clarissa Patterson | ||
Makeup Department
| Egon Dahm | ... | hair stylist / makeup artist |
| James Finney | ... | hair stylist / makeup artist |
| Philippe Houvet | ... | hair stylist |
| Ellin La Var | ... | hair stylist (as Ellin Lavar) / makeup artist (as Ellin Lavar) |
| Irène Ottavis | ... | makeup artist (as Irene Ottavis) |
Production Management
| Dixie Betts | ... | production manager |
| David Lightfoot | ... | unit manager |
Second Unit Director or Assistant Director
| Christian Faure | ... | first assistant director |
| Connie Mercurio | ... | third assistant director |
| Michael Mercurio | ... | second assistant director |
Art Department
| André Fonsny | ... | assistant art director |
| Clinton Morgan | ... | art department assistant |
| Kelvin Sexton | ... | stand-by props |
| Sue Vivian | ... | props buyer |
| Laurence Wardman | ... | props buyer |
Sound Department
| James Currie | ... | chief mixer / sound mixer |
| Ashley Grenville | ... | sound editor |
| Robert J. Kral | ... | foley artist (as Robert Kral) / foley recordist |
| Henri Morelle | ... | sound |
| John Simpson | ... | foley artist |
| Pete Smith | ... | music mixer (as Peter D. Smith) |
| Frank Struys | ... | boom operator |
Visual Effects by
| Roger Cowland | ... | visual effects |
Camera and Electrical Department
| Brian Bosisto | ... | key grip |
| Marcus Bosisto | ... | assistant grip |
| Craig Bryant | ... | gaffer |
| François Hernandez | ... | focus puller |
| Ian Jones | ... | steadicam operator |
| Jacques Monge | ... | steadicam operator |
| François Tille | ... | key grip |
| Skip Watkins | ... | still photographer |
Costume and Wardrobe Department
| Jane Johnston | ... | costume supervisor |
| Anita Seiler | ... | costume standby |
Editorial Department
| Arthur Cambridge | ... | grader |
| Olivier Fontenay | ... | color timer |
| Shawn Seet | ... | assistant editor |
| Danielle Wiessner | ... | first assistant editor |
| Denise Wolfson | ... | laboratory liaison |
Location Management
| David Lightfoot | ... | location manager |
Music Department
| Kevin Braheny | ... | music recording engineers |
| Chris Danley | ... | music recording engineers |
| Tim Hood | ... | composer: additional music / musician |
| Pete Smith | ... | music mixer (as Peter D. Smith) |
| Vince De Rosa | ... | musician: french horn (uncredited) |
Script and Continuity Department
| Barbara Constantine | ... | continuity |
Additional Crew
| Richard Blackadder | ... | production runner |
| Sally Browning | ... | production secretary |
| Deb Copeland | ... | production coordinator |
| Richard Dumas | ... | stills photographer |
| Luke Hura | ... | dog trainer |
| Marie-Christine Malbert | ... | unit publicist |
| Clint Morris | ... | publicist |
| Trudy Talbot | ... | camp manager |
Thanks
| Sharon Cartwright | ... | special thanks |
| Moya Iceton | ... | special thanks |
| Walter Partos | ... | special thanks |
| Fiona Paterson | ... | special thanks |
| David Rawlinson | ... | special thanks |
| Saturday Rosenberg | ... | special thanks |
| Phaedon Vass | ... | special thanks |
