Sherilyn Fenn and husband Whip Hubley arrive at the Sunset Motel in Anaheim. He's there for a toy convention. She's there to see Disneyland, which has just opened. They fight constantly. He hires psychotic beatnik David Hewlitt to spy on her. She's sleeping with David Johansen. She starts having strange lapses in memory. He dies during one of those lapses. This rather lame noir homage with shades of David Lynch feels designed to be a cult film, and is generally as lame as those kinds of movies are. One of the few bright spots is Paul Bartel who plays the motel manager. This film has the most idiotic and poorly handled twist ending I have seen in many years.
7 Reviews
The Title Is Better Than The Film
ccthemovieman-118 November 2005
The movie was an attempt at film noir and while it succeeded visually, it failed story-wise.
For most of the film, the viewer is too confused, particularly in two of the scenes where time and space seem to totally change, and one of the main characters (played by Sherilyn Fenn) has no idea what is going on. We don't either. The film also is too talky. It desperately needs a bit more action.
On the plus side, the colors in here are nice and the characters are strangely reminiscent of the ones you would see in David Lynch's "Twin Peaks" television series (in which Fenn also starred.) Fenn, by the way, is easy on this male's eyes!!
The 1950s lingo and references were fun (Davy Crockett cap, '50s products such as 20-mule team borax, beatniks, etc.).
All in all, however, the best part of this film was the title.
For most of the film, the viewer is too confused, particularly in two of the scenes where time and space seem to totally change, and one of the main characters (played by Sherilyn Fenn) has no idea what is going on. We don't either. The film also is too talky. It desperately needs a bit more action.
On the plus side, the colors in here are nice and the characters are strangely reminiscent of the ones you would see in David Lynch's "Twin Peaks" television series (in which Fenn also starred.) Fenn, by the way, is easy on this male's eyes!!
The 1950s lingo and references were fun (Davy Crockett cap, '50s products such as 20-mule team borax, beatniks, etc.).
All in all, however, the best part of this film was the title.
A disaster.
gridoon5 March 2003
A few eye-filling bikini shots of Sherilyn Fenn are not reason enough to sit through this self-conscious, forced, artificial, illogical film noir "homage". Roughly half the dialogue is gibberish in desperate need of translation; perhaps the characters were inventing a new form of space language or something. It's one of those rare films where absolutely NOTHING works, and after about 20 minutes you'll be ready to give up on it. (*)
Pulp Fiction Before Quentin Came Along
bricotrout23 October 2016
Warning: Spoilers
I saw this film when it first came out. It has taken me years to track it down again (I recalled it being named Murder At The Sunset Hotel). I loved it back then and with some of the plot bending twists I wanted to see it again to get a better grasp of things. Yes, it does indeed leave you confused in a few scenes but it is engaging throughout. both visually and thru its dialogue and unique & intricate plot. The feel is gritty yet sleek. Ugly yet beautiful. It leaves you with a taste in your mouth that you wonder is it pleasant or not. Spoiler: Pay attention to the very first dialogue exchange between the main characters.
Fenn shines as always
BrokenQuill13 February 2002
Sherilyn Fenn shines (as she always does) in this off beat dark comedy about black mail, amnesia, and misguided love. It has sharp, quick-witted dialogue. Strange plot twists. Great cinematography. Great choice of cast and crew. It's one of the most watched movies in my video collection and will continue to be...
A sumptuous experience
ulfras5 April 2003
This is a wonderful film, rich in imagery and layered dialogue. The cinematography is beautiful, the script clever and full of twists and homages. The music is wonderful and haunting. The acting is superb, and includes the only film appearance of David Johannson (Buster Pointdexter), that I'm aware of.
Great film, one of my favorites. See it!
Great film, one of my favorites. See it!
Very cool and entertaining ... but not for the shallow
mike-206414 February 2005
Desire and Hell at Sunset Motel is one of those few and far between movies that are truly artful without being at all pretentious. The refreshingly original plot is not too complicated or deep, but the film is entertaining and clever in it's simplicity nonetheless. It's funny, it's sad, it's smart, and it's cool, but it's probably best suited for a slightly left of center personality. Unfortunately, the average movie goer probably won't get the point, but there's much more to this film than a few really nice bikini scenes. In a nutshell, "Desire and Hell ..." makes the relatively well-visited-in-cinema statement that "underneath their (shiny plastic veneer) exteriors, most things aren't what they seem " ... but the essence of this film is the wonderful "radioactive electric-toaster Disneyland bomb shelter daddy-O McCarthyism Americana" way in which it expresses the idea. If that was all gibberish to you, you probably won't understand or enjoy this film ...
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