Directed by
| Jan Oxenberg | ||
Writing Credits
| Jan Oxenberg | ||
Cast
Produced by
| Michael Bergmann | ... | co-producer |
| Jon Davis | ... | associate producer |
| Kathie Hersch | ... | co-producer |
| Lindsay Law | ... | executive producer |
| Jan Oxenberg | ... | producer |
| James Schamus | ... | co-producer |
| Nancy Sher | ... | associate producer |
| Y. Sue Thorpe | ... | associate producer |
| Marc Weiss | ... | executive producer |
Music by
| Mark Suozzo | ||
Cinematography by
| John Hazard | ... | director of photography |
Editing by
| Lucy Winer | ||
Casting By
| Judy Claman | ||
Production Design by
| Pamela Woodbridge | ||
Art Direction by
| Kelly Reichardt | ||
Costume Design by
| Ellen Lutter | ||
Makeup Department
| Jennifer Aspinall | ... | makeup artist |
| Ali Cole | ... | makeup artist |
| Theo Mayes | ... | hair stylist (as Theodore Mayes) |
| Nina Port | ... | makeup artist |
Second Unit Director or Assistant Director
| Louise Barlow | ... | first assistant director (uncredited) |
Art Department
| Susan Carbery | ... | art department |
| Patrick Dillon | ... | art department |
| Jennifer Gallagher | ... | second unit art director |
| Ginger Legato | ... | art department |
| Jeanne McDonnell | ... | second unit art director (as Jeanne McDonnel) |
Sound Department
| Leslie Harkness | ... | sound recordist |
| Piero Mura | ... | sound designer / supervising sound editor |
Camera and Electrical Department
| Peter Abraham | ... | steadicam operator |
| Bobby Bukowski | ... | additional cinematography |
| Mel Cannon | ... | dolly grip / key grip |
| Jean DeSegonzac | ... | additional cinematography |
| Anthony Forma | ... | documentary camera |
| Sally Heckel | ... | documentary camera |
| James Heyman | ... | additional cinematography |
| Judy Irola | ... | documentary camera |
| David C. Lawson | ... | second assistant camera |
| Anastas Michos | ... | steadicam operator |
| Carlo Ontal | ... | slide sequence and still photography |
| Melvin Pukowsky | ... | gaffer |
| Claudia Raschke | ... | additional cinematographer |
| Nancy Schreiber | ... | additional cinematography |
| Sandi Sissel | ... | documentary camera |
| Alicia Weber | ... | documentary camera |
Editorial Department
| Jessica Bendiner | ... | contributing editor |
| Iris Cahn | ... | contributing editor |
| Anastasia Cipolla | ... | restoration colorist |
| Quincy Z. Gunderson | ... | assistant editor |
| Nancy Kennedy | ... | co-editor |
| Peri Muldofsky | ... | contributing editor |
| Stan Salfas | ... | contributing editor |
| Sarah Stein | ... | contributing editor |
| Gloria Whittemore | ... | contributing editor |
Location Management
| Eddy Collyns | ... | location scout |
Additional Crew
| Paula De Koenigsberg | ... | cutouts |
| Frank de Mita | ... | production coordinator |
| Charlie Vogel | ... | production accountant |
Thanks
| Herman Abrahms | ... | thanks |
| James Biberi | ... | thanks |
| Judith Cummings | ... | thanks |
| Brenda Goodman | ... | special thanks |
| Robert Grillo | ... | thanks |
| Sally Heckel | ... | special thanks |
| Lynn Holst | ... | special thanks |
| Jeanne Laberge | ... | special thanks |
| Selma Levenson | ... | thanks |
| Rose Weber | ... | special thanks |
