It was a had film to make. I had to rewrite the original script only six weeks prior to principal photography due to budgetary changes. In a lot of ways the film paid the price for being a first in Australia. It was the first film to be shot employing digital live sync sound and thus pathed the way for others. Sons of Steel was shot at night, at times a mile or more underground Sydney in World War II bunkers (Gen. McArthur's). It was a tough eight week shoot and in retrospect an difficult task for a first time director. I'm proud of what we tried to do with as little funding as we had. We put a lot of quality up on the screen. Those who I was fortunate enough to work with gave the film a first class look and me first class experience. Some find the story hard to follow and that would be because so much of it wasn't shot because of bad scheduling and plenty ended up on the edit floor for one reason or another. I'm sure that's generally taken as a directors excuse for a flawed film, perhaps so, but then again maybe I'm right. I did live through the experience of not only writing it a number of times but raising the finance, writing much of the music, directing it and selling it around the world. And for that experience I am eternally thankful.. I hope I can improve with the next picture and I hope those who see Sons of Steel are entertained enough to appreciate it and perhaps look out for my next film.
