Willow

I attended a screen writing class once, and the teacher said that the worst movie ever made was "Willow" ... he also defended "White Chicks" (in the same class) as being some sort of underrated theatrical gem.

What an idiot. Obviously, this man has no soul.

Anyway, it must have been this sort of "I'm too good for that" attitude that killed "Willow" in the theaters. I remember seeing previews for it when I was a kid, and there was nothing more in the world that I had wanted to watch. I was raised on "The Neverending Story," "Legend," "Krull," "The Beastmaster," and "The Dark Crystal." So, sure, I loved fantasy. It was my favorite genre. And even though many will say that "Lord of the Rings" is better, I have to disagree. "The Lord of the Rings" is a good melding of drama, real-life struggle and fantasy, but's it not fun to watch. "Willow," on the other hand, is a blast to watch.

The music from Horner's great ... I can still whistle the adventure theme song, and often do sometimes. Val Kilmer as Madmartigan was a great rogue hero, who had plenty of great lines, laughs. Sorcia was by Joanne Whalley, was hot as hell ... a fiery redhead who just refused to be ordered or commanded. General Kael (who was supposedly based on one of Lucas' critics) is awesome. His look spawned an entire decade of me thinking that people with skull masks were horribly cool. The woman who played Fin Razel (sp?) was great. The Brownies were hysterical. And last but not least, give it up for Billy Barty and Warwick Davis, little people with big roles. I think little people probably thank Mr. Lucas and Ron Howard for making them stars for once, for giving them a showcase piece. Davis really had no better role in his life than this one. And he shined in it.

Well, if that particular teacher is reading this by any chance, I hope you go back and re-watch this as a kid. For me, and obviously many others on this website, the movie was more than a fun, little escape ... it was almost a genre-leading film. If there's one thing that pre-prequel George Lucas was good at, it was at giving the audience a good time ... Indiana Jones, Willow, Star Wars ... the best adventure/fantasy films ever to come out. Each of them with charming heroes, obvious bad guys, magic, swords, and humor.

"Pirates of the Carribbean" resurrected this sort of cinema, I think, and the American public responded to it with verve. I still remember hard-nosed critic Lisa Schwarzbaum giving "Pirates" a D rating in Entertainment Weekly. I bet she about choked on her own vomit when she saw how much fun everyone had with the film.

And "Willow" is the same thing. It's pure magic. Pure escape. Especially good for children, but good for the adults, too. If you can't have fun with this one, than you better go get your laughs from movies like "White Chicks" ... just don't be surprised when the kids come out making jokes about d*cks and p*ssies afterward.

(At least I do, every time I see it.) I first watched this movie a long time ago, and have seen it several more times over the years (it pops up on TV somewhat frequently). I have enjoyed it with each viewing, mainly because I just take it for what it is to me – namely, just a fun, escapist fantasy flick that whisks you away to a magical kingdom where all kinds of mystical, cute, clever, and at times even sinister things are happening, all against a backdrop of remarkably beautiful scenery. Oh, yeah: you also get to see Val Kilmer (Madmartigan) step squarely into a fresh pile of troll poop – truly a classic moment in cinema history!

I noticed that other reviewers herein went to great efforts to point out glaring similarities between Willow and Star Wars, and these similarities apparently ruined the movie for them (or at least, they just didn't *like* Willow). Well, to each their own… As for me, I won't even begin to compare Willow to Star Wars, because: (drum roll please...) I've never even seen Star Wars. Not even once. So there!! ("You've never seen STAR WARS!!" I can hear the collective gasp of all you moviegoers out there. Yeah, okay, so just shoot me already!). But similarities shmimilarities! As Bill Murray said in Meatballs, "It just doesn't matter! It just doesn't matter! It just doesn't matter!..."

Anyway, if you haven't seen Willow, then I would recommend you see it at once and enjoy it for what it is: a fun, escapist fantasy movie that (heaven knows, current events and all...) we could all use a little more of in this day and age. If you have already seen it and love it, well, go see it again! And finally, if you have seen it but don't like it because of annoying similarities between it and Star Wars, well, what can I say? I would hazard that, all things considered, Willow nevertheless DOES have its own special charms that you probably won't find in Star Wars. At the very least I haven't heard that Madmartigan's counterpart in Star Wars, Han Solo, stepped in a big wet pile of troll poop!

Well, I'm glad I got all this off my chest. I feel BETTER!!

For its day, Willow was one of the better fantasy movies. The effects look a little dated now (especially the two-headed beastie) but it has enough humour and action to keep most satisfied. It's no LOTR, but then it was made 14 years ago.

Warwick Davis plays Willow, a Nelwynn, a race of hobbit-sized folk who don't have anything to do with "The Big People" as they call humans. Basically, it's the Shire transplanted into this movie, but without the budget. Billy Barty is the village's wizard and basically plays the character Gweldor again (from Masters of the Universe) but without the silly make-up and stupid musical key.

Val Kilmer is Madmartigan, a human warrior who befriends Willow and helps him on his journey with varying degrees of ulterior motive.

The acting is all reasonably good. Warwick Davis was only 18 when this film was released so his performance is very good considering his age and lack of experience (prior to this he'd played a goblin in Labyrinth and an ewok in Return of the Jedi). It's also interesting to see Pat Roach here. Pat was a former wrestler and has carved out a little niche for himself playing villains and tough guys. Here he plays General Kael, the right-hand henchman of Queen Bavmorda, played with gusto by Jean Marsh. That woman is truly frightening.

It's all good fun and the two funniest characters in the movie are Franjean and Rool, two Brownies, who "help" Willow regardless of the latters wishes. They have the funniest double act and reminded me more than a little of Merry and Pippin in LOTR.

All in all well worth a watch if you want some pure, and somewhat silly, entertainment.

When Neil Armstrong set foot on the Moon in 1969, the whole world paused; now such things are second nature to everyone, veritably taken for granted as more and more science fiction becomes reality every day. In 1977, when George Lucas made `Star Wars,' it turned the cinematic universe on it's ear with it's scope and vision, offering things neither seen nor experienced by anyone before; now his accomplishments are virtually taken for granted, his vision dismissed by many with a shrug. But in this original story by Lucas, that vision is captured once again and proffered to the world via the magic of the movies, in `Willow,' directed by Ron Howard.

A long time ago, in a galaxy perhaps far, far away, a baby comes into the care of the elvish Willow Ufgood (Warwick Davis) and his wife, Kaiya (Julie Peters). The infant bears the birthmark of the one prophesied to come who will put an end to the tyrannical rule of the evil Queen Bavmorda (Jean Marsh). But the Queen, too, knows of the prophecy and is seeking the baby bearing the telltale mark. For the sake of his village, as well as the safety of the child, it falls to Willow to transport the baby to a safe haven beyond the boundaries of his land and the reach of Queen Bavmorda. So Willow sets out upon his journey, and along the way finds an ally-- maybe-- in the person of the self-proclaimed `World's greatest swordsman,' Madmartigan (Val Kilmer), and together (sort of) they embark upon an adventure that will ultimately lead them to a final confrontation with the evil Queen herself.

With some help from George Lucas, Ron Howard delivers this highly imaginative tale-- which bears that unmistakable Lucas touch-- with a touch of magic of his own. A showcase of special F/X-- it pioneered the `morphing' technique so vital to the success of films like `The Abyss' (filmed one year after this one) and `Terminator 2: Judgment Day' (1991)-- it is nevertheless decidedly not a `special F/X' movie. The F/X, though a big part of the film, to be sure, do not supersede the story. And because of that, it makes that necessary emotional connection with the characters possible, and takes the whole film to a higher level. A big part of what has made Lucas and Howard so successful, in fact, is that innate ability of being able to tap into the humanity of any given story (With Lucas, for example, his `American Graffiti' and even `THX-1138,' and Howard's `Parenthood,' `Night Shift' and `Apollo 13') and knowing how to convey it to their audience. It's the difference between being a true filmmaker, and just someone to whom an opportunity is handed who simply hasn't the insight or sense of human nature to know what to do with it (Like Adam Shankman with `The Wedding Planner,' Jeff Franklin's `Love Stinks,' Nick Gomez with `Drowning Mona' or Peter Ho-sun Chan's `The Love Letter.' All movies that suffered greatly because of their director's inability to do what Lucas and Howard do so proficiently and seemingly with facility).

In the title role, Warwick Davis does a good job of bringing Willow to life, as does Val Kilmer in the flashier role of Madmartigan. Joanne Whalley does a decent turn as Sorsha, daughter of the evil Queen, but is overshadowed by the deliciously sinister rendering of Bavmorda by Jean Marsh, whose wickedness is shamefully delightful.

In a supporting role, however-- and with extremely limited screen time-- it is Julie Peters who really captures the attention with a sincere and affecting performance as Kaiya. She has such a pure and natural manner that it's hard to believe this is an actor playing a part; the realism she achieves, in fact, can be compared to that of Harriet Andersson in any one of a number of Ingmar Bergman's films. Her ability is a true gift that endows her with a quality and a presence that would make her an asset to any film, as she certainly is here. And it's a shame she has apparently never been afforded the opportunity of plying her craft more-- `Willow' is her only feature film. It's a singular success, however, and one of which she can be proud. Her portrayal of Kaiya goes far in demonstrating the positive effect a supporting role can have on a film, especially when it's this well acted.

The supporting cast includes Patricia Hayes (Fin Raziel), Billy Barty (High Aldwin), Pat Roach (General Kael), Gavan O'Herlihy (Airk), David Steinberg (Meegosh), Mark Northover (Burglekutt), Kevin Pollak (Rool), Rick Overton (Franjean) and Maria Holvoe (Cherlindrea). With an intelligent screenplay by Bob Dolman and original music by James Horner, `Willow' is an entertaining, enlightening film, rich in characterization and metaphor, with a subtle message and a moral that unobtrusively makes a statement about diversity and the value of an individual's contributions to the society of which he is a part; as well as the fact that one person can, indeed, make a difference. Visually stunning, too, it's a transporting experience truly filled with magic, and a journey definitely worth taking. I rate this one 9/10.

When Willow was released in 1988, I was in my mid-teens and though I think I did see it not long after that and have watched it once or twice in the years since, it's not a film that had stuck in my memory or affections. However, with an imminent new Disney+ sequel series, I thought I'd give it another shot and was pleasantly surprised to find more to like than I'd recalled.

The story, written by George Lucas, is a pick-'n'-mix of fantasy genre staples. We have evil sorceror Queen Bavmorda, played by Jean Marsh as though she's in panto, who is seeking a new-born child prophesied to become empress Elora Danan and end her evil reign. We see the baby placed in a river and found by the children of farmer and aspiring sorceror Willow (Warwick Davis), who sets out on a quest to return her to her people, encountering on the way swordsman Madmartigan, who is a kind of fantasy Han Solo played by Val Kilmer, sorceress-turned-possum Raziel (Patricia Hayes), Bavmorda's daughter and general (Joanne Whalley), and some irritating if occasionally amusing brownies (Kevin Pollak and Rick Overton).

But while the story elements aren't original, the film is self-aware enough to realise this and have fun with the tropes. It's not as comedic in intent as near-contemporary fantasy classics The Princess Bride (1987) and Labyrinth (1986), but nor does it take itself seriously, and it has heart in bucketloads.

Warwick Davis, who was 17 during filming, is way too young to play a convincing father of two, and it's a slightly puzzling decision to make him one when apparently the role was written with him in mind after George Lucas had been impressed by his performance in The Return of the Jedi. But I guess I can see dramatic reasons for such a choice, and Willow's journey from farmer to a sorceror who has the courage, if not necessarily the skill, to face Bavmorda is compelling. His relationships with mentor Raziel, reluctant hero Madmartigan and baby Elora Danan feel authentic and are the heart of the film.

Madmartigan is a scoundrel and selfish womaniser and, like Joanne Whalley's Sorsha, you'd quite like to kick him in the face in the early parts of the film. But he's played with such charm by Val Kilmer that, also like Sorsha, you can't help falling in love with him. Whalley herself is great as Sorsha, ruthless and strong but still showing us vulnerability and torn loyalties. There are also some memorable minor characters, such as as Willow's friend Meegosh (David Steinberg) and Madmartigan's sort-of-friend Airk (Gavan O'Herlihy).

Some of the special effects have held up reasonably well but others have dated, and by today's standards the production values are a bit shoddy. And while the film has a sense of humour, it's not quite witty enough to carry off its rather clichéd premise.

Despite this, it's a charming, heart-warming adventure that is still worth a watch, particularly if you're planning to follow the Disney+ series that picks up the story a couple of decades later.