Directed by
| Ken Russell | ||
Writing Credits
| Oscar Wilde | ... | (play) |
| Vivian Russell | ... | (translation) |
| Ken Russell | ... | (writer) |
Cast (in credits order) verified as complete
Produced by
| Penny Corke | ... | producer |
| Dan Ireland | ... | executive producer |
| Robert Littman | ... | co-producer |
| William J. Quigley | ... | executive producer |
| Ronaldo Vasconcellos | ... | associate producer |
Cinematography by
| Harvey Harrison | ||
Editing by
| Timothy Gee | ||
Casting By
| Rebecca Howard | ||
Production Design by
| Michael Buchanan | ||
Costume Design by
| Michael Arrals | ||
Makeup Department
| Yvonne Coppard | ... | makeup artist |
| Sallie Evans | ... | assistant makeup artist (as Sally Evans) |
| Pat Hay | ... | makeup chief |
| Pay Hay | ... | chief makeup artiste |
| Sula Loizou | ... | assistant makeup artist |
| Liz Michie | ... | hair stylist |
| Mark Nelson | ... | assistant hair stylist |
| Maureen Stephenson | ... | assistant makeup artist |
| Daphne Vollmer | ... | hair stylist |
Second Unit Director or Assistant Director
| Jerry Daily | ... | second assistant director |
| Mike Gowans | ... | first assistant director |
| Trevor Puckle | ... | third assistant director |
Art Department
| Ron Allett | ... | property master |
| Ella Cottrell | ... | production buyer |
| Derek Ede | ... | stagehand |
| Steve Ede | ... | construction manager |
| Ken Evans | ... | carpenter |
| Laura Goulding | ... | Assistant Art Department |
| Christopher Hobbs | ... | set designer |
| James Hunt | ... | scenic artist |
| Colin Lovering | ... | painter |
| Denise Ruben | ... | set dresser |
| Steven Sallybanks | ... | scenic artist |
| Paul Turner | ... | stand-by prop |
Sound Department
| Ray Beckett | ... | sound mixer |
| John Chandler | ... | boom operator |
| Martin Culverwell | ... | sound maintenance |
| John Ireland | ... | sound editor |
| Simon Manley | ... | assistant sound editor |
| Andy Nelson | ... | dubbing mixer |
| Brian Saunders | ... | assistant dubbing mixer |
| Jean Sheffield | ... | footsteps editor |
Visual Effects by
| Peter Covey | ... | titles and opticals |
Camera and Electrical Department
| Dennis Brock | ... | gaffer |
| Clive Coote | ... | still photographer |
| Mark Ellis | ... | camera grip |
| Mike Evans | ... | focus puller |
| Tommy Finch | ... | best boy |
| Gareth Hall | ... | assistant camera |
| Richard Harris | ... | rigger |
| Dean Morrish | ... | clapper loader |
Costume and Wardrobe Department
| Catherine Halloran | ... | wardrobe assistant |
| Michael Jeffery | ... | wardrobe supervisor |
| Dianne Murphy | ... | wardrobe assistant |
Editorial Department
| Keith Lowes | ... | first assistant editor |
Music Department
| Richard Cooke | ... | conductor |
| Sean Cotter | ... | assistant music mixer |
| Dick Lewzey | ... | music mixer |
| London Philharmonic Orchestra | ... | music performed by (as The London Philharmonic Orchestra) |
| David Nolan | ... | leader: The London Philharmonic Orchestra |
| Richard Cooke | ... | music consultant (uncredited) |
Script and Continuity Department
| Laura Goulding | ... | script supervisor |
| Melinda Rees | ... | script supervisor |
Additional Crew
| Nicky Bowen | ... | assistant accountant |
| Peter Ettedgui | ... | assistant to director |
| Arlene Phillips | ... | choreographer |
| Wanda Rokicki | ... | assistant choreographer |
| Tracey Sheffield | ... | footsteps assistant editor |
| Ronaldo Vasconcellos | ... | associate to producer |
| Rebecca West | ... | assistant to producer |
| Winnie Wishart | ... | production coordinator |
