With Loving Vincent, the directors Dk and Hugh Welchman attempted something that had never been done before: to create and edit together 65,000 oil paintings into a feature-length film. The result—which was the labor of 125 painters and numerous actors over the course of six years—was a unique amalgam of flesh, paint, and animation that earned the duo one of the top prizes at Berlinale as well as an Academy Award nomination. But that painstaking process, didn’t discourage the couple one bit. On the contrary, it inspired them to test the limits of filmmaking once again, as their latest film, The Peasants (which not only entailed the same artistic problems but was also interrupted in production by Russia’s invasion of Ukraine), unquestionably proves. Ahead of the January 26 release, the new trailer for Poland’s Oscar entry has now arrived.
Adapted from Władysław Reymont’s beloved four-volume novel of the same name,...
Adapted from Władysław Reymont’s beloved four-volume novel of the same name,...
- 1/5/2024
- by Oliver Weir
- The Film Stage
For Italian writer-filmmaker and national cinema mainstay Nanni Moretti — a veteran whose first film dates back to 1976 and whose 2001 drama, “A Son’s Room,” took the Palme D’Or at Cannes — the familiarity of his themes and fascinations may be a balm to some, but is also possibly verging on the tiresome. In “A Brighter Tomorrow,” Moretti once again stars as a version of himself — playing a character called Giovanni, his own full name — as an aging, curmudgeonly film director in contemporary Italy attempting to make a new film and scuppered at every turn by an untrustworthy financier (Mathieu Almaric), an unhappy wife of forty years and a combative cast.
The film-within-a-film that Giovanni is making is a parable about the Italian Communist Party circa 1956, and the fraught decision of a couple of L’Unita newspaper journalists to either remain loyal to their Soviet masters or to break with them for...
The film-within-a-film that Giovanni is making is a parable about the Italian Communist Party circa 1956, and the fraught decision of a couple of L’Unita newspaper journalists to either remain loyal to their Soviet masters or to break with them for...
- 5/24/2023
- by Christina Newland
- Indiewire
Ramin Bahrani, Oscar-nominated writer/director of The White Tiger, discusses a few of his favorite movies with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
The White Tiger (2021)
Man Push Cart (2005)
Chop Shop (2007)
99 Homes (2015)
The Boys From Fengkuei (1983)
The Time To Live And The Time To Die (1985)
The Killing Of A Chinese Bookie (1976)
Bicycle Thieves (1948)
La Terra Trema (1948)
Umberto D (1952)
Where Is The Friend’s Home? (1987)
Nomadland (2020)
The Runner (1984)
Bashu, the Little Stranger (1989)
A Moment Of Innocence a.k.a. Bread And Flower Pot (1996)
The House Is Black (1963)
The Conversation (1974)
Mean Streets (1973)
Nashville (1975)
Aguirre, The Wrath Of God (1972)
The Enigma Of Kaspar Hauser (1974)
Paris, Texas (1984)
Cléo from 5 to 7 (1962)
Vagabond (1985)
Luzzu (2021)
Bait (2019)
Sweet Sixteen (2002)
Abigail’s Party (1977)
Meantime (1983)
Fish Tank (2009)
Do The Right Thing (1989)
Malcolm X (1992)
Nothing But A Man (1964)
Goodbye Solo (2008)
The Spook Who Sat By The Door (1973)
Dekalog (1989)
The Double Life Of Veronique...
Show Notes: Movies Referenced In This Episode
The White Tiger (2021)
Man Push Cart (2005)
Chop Shop (2007)
99 Homes (2015)
The Boys From Fengkuei (1983)
The Time To Live And The Time To Die (1985)
The Killing Of A Chinese Bookie (1976)
Bicycle Thieves (1948)
La Terra Trema (1948)
Umberto D (1952)
Where Is The Friend’s Home? (1987)
Nomadland (2020)
The Runner (1984)
Bashu, the Little Stranger (1989)
A Moment Of Innocence a.k.a. Bread And Flower Pot (1996)
The House Is Black (1963)
The Conversation (1974)
Mean Streets (1973)
Nashville (1975)
Aguirre, The Wrath Of God (1972)
The Enigma Of Kaspar Hauser (1974)
Paris, Texas (1984)
Cléo from 5 to 7 (1962)
Vagabond (1985)
Luzzu (2021)
Bait (2019)
Sweet Sixteen (2002)
Abigail’s Party (1977)
Meantime (1983)
Fish Tank (2009)
Do The Right Thing (1989)
Malcolm X (1992)
Nothing But A Man (1964)
Goodbye Solo (2008)
The Spook Who Sat By The Door (1973)
Dekalog (1989)
The Double Life Of Veronique...
- 4/20/2021
- by Kris Millsap
- Trailers from Hell
Library deals, remake rights deals, movie production — Spanish film sales agents are diversifying in multiple ways to battle the uncertainty of current times.
The coronavirus pandemic has added another wrinkle to an already complex landscape, with sales agents at the crossroads between traditional distribution and streaming platforms.
In February, as the shock waves of the Covid-19 crisis threatened to reach the Berlinale, Spanish sales companies were rapidly doing business. But deals were already impacted by the impending pandemic.
“Everything was rushed after Berlin,” says Iván Díaz, head of international at Filmax, who at the European Film Market clinched several territory-by-territory sales on David Victori’s psychological thriller “No matarás” (“Cross the Line”), toplining Spanish star Mario Casas.
Mainly acquired for theatrical release, the film’s buyers include Wild Bunch in France, Russian Report for Cis, Cai Chang for Taiwan and Dexin for former Yugoslavia. Further contracts negotiated at the Efm were signed several weeks after.
The coronavirus pandemic has added another wrinkle to an already complex landscape, with sales agents at the crossroads between traditional distribution and streaming platforms.
In February, as the shock waves of the Covid-19 crisis threatened to reach the Berlinale, Spanish sales companies were rapidly doing business. But deals were already impacted by the impending pandemic.
“Everything was rushed after Berlin,” says Iván Díaz, head of international at Filmax, who at the European Film Market clinched several territory-by-territory sales on David Victori’s psychological thriller “No matarás” (“Cross the Line”), toplining Spanish star Mario Casas.
Mainly acquired for theatrical release, the film’s buyers include Wild Bunch in France, Russian Report for Cis, Cai Chang for Taiwan and Dexin for former Yugoslavia. Further contracts negotiated at the Efm were signed several weeks after.
- 6/23/2020
- by Emiliano De Pablos
- Variety Film + TV
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