Die Kinder werden von ihrer verschwörerischen Mutter und Großmutter auf dem Dachboden versteckt.Die Kinder werden von ihrer verschwörerischen Mutter und Großmutter auf dem Dachboden versteckt.Die Kinder werden von ihrer verschwörerischen Mutter und Großmutter auf dem Dachboden versteckt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
- Cory
- (as Ben Ganger)
- Narrator
- (Synchronisation)
- (as Clare C. Peck)
- Window Washing Maid
- (Nicht genannt)
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A decent but semi-disturbing film, "Flowers In The Attic" is a strange movie. Keep in mind I haven't read the novel that the film was based upon, so I have no reference between the two (although I've heard numerous times that the film did the book not an ounce of justice). So, without comparing the film and the novel, I thought this movie was pretty effective. The storyline is nicely written here, it's an obscure plot for sure. The script was decent as well, and again I'm not sure how it correlates with the original book. Atmosphere and claustrophobia is consistent in the film as well, it isn't your typical bloody horror flick. Everything has a very Gothic, depressing tone, and the mood here fits everything very well. It's an eerie film, mainly because of the disturbing subject matter and the gloomy atmosphere that is present throughout. The film deals with some heavy issues as well (including incest, among other things), so you may want to be aware of that.
As far as the acting goes here, I thought it was very good. Louise Fletcher (who garnered an Oscar for her stunning performance in the film classic "One Flew Over The Cuckoo's Nest") is terrifying in her performance as the abusive, psychotic grandmother of the children. As if her character isn't scary enough, Fletcher is a very tall woman as well, and her stature and attitude adds to the menacing nature of her character. I thought she carried the film in way of the performances and more notable than the others, but everyone else was good here too. A young Kristy Swanson plays the eldest daughter Cathy, and Victoria Tennant plays the manipulative and evil mother of the four kids. The ending of the film consisted of some good old bittersweet revenge, it's definitely one of those endings that you're likely to remember.
Overall, "Flowers In The Attic" is a good movie. I haven't read the novel, so I don't personally know how it compares to the book. Based on other reviews here, the book apparently blows the film away, but since I've yet to read it, I'm just judging my review on the film alone. It's a decent psychological Gothic horror story about abuse, abandonment, human relationships, and revenge. Personally I thought it was an alright film, and worth watching if it sounds like your cup of tea (although, judging from what I've heard, if you've read the novel, you may be disappointed with it). 6/10.
The story revolves around a family who at one time was very happy indeed. However as this movie shows they hit hard times. I won't say how because that would give away major plot points for you. After these unhappy turn of events they, I mean the four children and their mother, all have to return in poverty and destitution to their grandmother's home for help. The mother has a plan to win back her father's love to inherit a fortune the likes the kids had never dreamed. When the group enters the grounds of the ornate mansion we are treated to the main villain of the movie....Grandmother, and her bodyguard/servant John The Butler. Needless to say Grandmother is less than thrilled to see her daughter after umpteen years and bringing four unwanted "Spawn of the Devil" with her. This, sadly is what she refers to them as.
Grandmother, as she is called is played wonderfully by Louise Fletcher. Granted I'm a fan of Kristy Swanson, but this is a movie made before she really got good roles such as Buffy. However this movie has only Mrs. Fletcher to lean back upon as the ONLY person who really CAN act.
Grandmother makes life hell for the children, and punishes the mother for leaving with her husband years earlier. Eventually Mother as she is referred to tells the children of an attic above their room. For months they use this place to escape the harsh reality around them. As time continues pressing on they realize Mother doesn't love them as much as they had originally thought, and decide its time once and for all to make a break for it.
The movie is very depressing, and I think this is what the film is supposed to do. I believe the director wanted you to feel as they did, hopeless and trapped in that attic as the kids were. For that I give it a 5/10, because in some areas it does succeed, and Mrs. Fletcher's acting really does get you angry at her character. Otherwise I count off for bad-acting, scenes which made no sense at times, and plot points which were utterly useless (the list of rules which was never expounded upon, certain other key moments as well) if you watch you'll understand what I mean. Also the time frame for which these events took place also seem out of order, which if I remember correctly were very detailed in the book.
To me its good for a one time watch but there are better movies which succeed at doing what this one tries to do. I re-watched it the other day and remembered it being very good when I was younger. However now it seems more like a straight-to-video diatribe which I could've easily bypassed completely.
Bloom's adaptation of Andrews' popular novel of the same name illicitly exudes gothic aesthetics and a haunting score that are regrettably unable to masquerade the butchering of its source material. Originally a suspense thriller infamous for its explicit incestuous relationships and child abuse, Bloom, whom largely blamed producers and studio interference for cutting the suggestive elements (albeit retaining insinuations), removed the vast majority of metaphorical endeavours to settle for a straightforward flat narrative that lacked the required motivation from its characters. The sanctimonious virtuosity of the radically religious and their inner hyperbolic inhumanity.
Fletcher, whom consistently portrays a conniving antagonist with superb efficiency, is unforgivably under-utilised. Locking the children away, starving them, and occasionally checking up on them before smacking their life force or cutting their hair. The grandmother was the catalyst for the evil within the manor, yet Bloom randomly decided to shift the villainous focus to the mother, whom was admittedly a background presence in the novel. She still remains lurking in the corridors, rarely making an appearance to convey the children's eventual abandonment, but consequently the altered third act rarely made an impact due to her narrative absence. Her exaggerated inhumanity perpetuating the greed for wealth and luxury was, to say the least, less characterised than the dilapidated interior of the attic itself.
The children, with the two oldest notably played by an appropriately aged Swanson and the far too old Stuart Adams (looked like he could be married to the mother!), held much of the story together with some genuine onscreen chemistry. The acting ranged from maturing cheddar cheese to blatant mediocrity, however their relational strengths were in full bloom. Unfortunately, the unsubstantial plot progressed at a glacial pace, forcing their shenanigans to be nothing more than menial distractions. When the most "thrilling" scene revolves around crafting paper flowers to decorate the attic, you just know something is missing.
That's the inherent problem with Bloom's adaptation. It's missing the vital controversial components that shaped the novel's legacy. Whilst this adaptation is shrouded in a clumsy watchability factor, due to it being a viable product of its time, it confusingly avoids watering its incestuous seeds and therefore prevents its thrilling story from growing. Forgettable. Those cookies sure looked delicious though...
Now this film was re-shot and re-edited without the directors approval. The producers harmed the narrative of the story because the test audience was appalled by the incest theme-however that is what drove the book sales and made it almost mandatory reading for the JR High Set.
Now the original version did "Stick close" to the source material. However when they tested the the film to girls around 13 they hated the scenes with incest themes. THE FILM SHOULD OF BEEN FILMED AS A R RATED FILM. Well that is understandable but the book had already been around for over 5 years and the girls that first read the book were now old enough to see an R RATED FILM.
For years people have wanted to see the original directors cut. What is not known is who owns the film now? New World Cinema? MGM? Now if they own the film do they own the outtakes? Most importantly if a company wants to fund the restoration of the directors cut can they? Is the footage still around?
WUSSTEST DU SCHON:
- WissenswertesVirginia C. Andrews: the author of the novel appears as a maid cleaning a window, just after 0:44:23. She died before the movie's release. Tribute is paid to her in the end credits.
- PatzerWhen Cathy throws herself on the floor in her attempt to catch the ballerina figure, she is wearing knee pads.
- Zitate
Cathy: Why are you just standing there, Mother? Cory needs to be taken to a hospital. There is no other decision to make!
[the mother just stands there looking and quivering]
Cathy: What's wrong with you, Mother? Are you going to just stand there and think about yourself and your money while Cory lies there and dies? Don't you care what happens to him? Have you forgotten that you're his mother?
Mother: Always, it's you.
[slaps Cathy]
Cathy: [slaps her mother back]
Chris: Cathy!
Cathy: [shouts] Damn you to hell, Mama, if you don't take Cory to a hospital right now! You think you can go on doing whatever you want with us and nobody will ever find out? If Cory dies, Mama, you'll pay for it! One way or another, I will find a way. I promise you that.
- VerbindungenFeatured in Troldspejlet: Folge #1.6 (1989)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Flores en el ático
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 15.151.736 $
- Eröffnungswochenende in den USA und in Kanada
- 5.020.317 $
- 22. Nov. 1987
- Weltweiter Bruttoertrag
- 15.151.736 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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