Salomé (1986) Poster

(1986)

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6/10
Salome
BandSAboutMovies14 March 2022
Warning: Spoilers
Unfortunately, I can't find this movie anywhere, but Cannon Month demands that every movie be covered in some way. So let's take a look at the info I can find on this film until I can find a way to watch this French-Italian movie.

What if John the Baptist's battles with Herod (Tomas Milian, Don't Torture a Duckling, The Four of the Apocalypse, Nico Giraldi in Bruno Corbucci's series of eleven crime comedies) and Salomé's (Jo Champa) seductive gyrations for the head of the prophet all took place during World War II? That's exactly what this movie is seeking the answers to. And oh yes, it's also a musical.

Directed by Claude d'Anna, who would make an opera version of MacBeth the following year, this played the 1986 Cannes Film Festival, during which we can assume that Menahem Golan and Yoram Globus were trying to sell Over the Top, Elmore Leonard's La Brava (never made and set to star Dustin Hoffman), Superman 4: The Quest for Peace, John Travolta in an unnamed project, Spider-Man directed by Joe Zito, Chuck Norris in a comedy called Kick and Kick Back, 52 Pick-Up, an untitled Roman Polanski project, Masters of the Universe, the unreleased Housekeeping, Street Smart, Duet for One, Rumpelstiltskin, Number One with a Bullet, a musical remake of Zorba the Greek with Anthony Quinn, the unmade The White Slave, the never made Journey to the Center of the Earth, The Texas Chainsaw Massacre 2 (the trailer simply has Leatherface oiling up his chainsaw with blood), American Ninja 2, a Michael Winner-directed Captain America that I wish had been filmed, Tough Guys Don't Dance, the Godfrey Reggio and Phillip Glass created, George Lucas and Francis Ford Coppola produced Powaqqatsi wich was called North South, Norman Mailer's King Lear directed by Jean-Luc Godard, a potential sequel to Joe titled Citizen Joe, a robot movie called Too Much, a Dolly Dots music movie called Give a Girl a Break that was renamed Dutch Treat and released by Cannon, Sinbad of the Seven Seas, a kaiju movie named It Ate Cleveland, River of Death and Ben, Bonzo and Big Bad Joe with Bud Spencer, which was made as Going Bananas with Dom DeLuise.
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8/10
High Camp Drama
Gore-Girl18 December 2008
I have rather a soft spot for this obscure slice of art house drama, having grown up on a diet of cult films and world cinema. Based on the stage play by Oscar Wilde, the plot follows the biblical tale of King Herod and Salome. As this tale has been told numerous times, the director tried to put a new spin on it by going the route of High Camp Drama. The plot follows King Herod in his declining years- impotent in every sense of the word, he is a burnt out ruler, desperately trying to keep power in his kingdom and find a way to regain his potency. His palace is a cesspool of decadence, ruled by a perverse queen. Salome is brought by a rival army to overthrow Herod. Extraordinary stark production designs, in black and silver, convey a cold, industrial atmosphere, along with a wonderful synth sound track by Bruno Carioti. The costume design in the same color scheme is part science fiction (think Dune, or Lexx) and part WW II. Once you can suspend your disbelief about jeeps and nazi uniforms in a biblical story, it all comes together in a grand epic along the lines of a glamorous Baz Luhrman musical! Viewers are entertained by handsome muscular ballet dancers and plenty of euro crumpet in various stages of undress. Casting is crucial in this kind of theatrical production, and there are outstanding performances from Italian actor Tomas Milian, (whom most people probably know only from a string of spaghetti westerns and carrabinierri films) and the British actors Pamela Salem and Tim Woodward, both theatre stalwards. Newcomer Jo Champa played the infamous Salome and rewards the viewer with a spicy dance of the seven veils of course. Produced by the Golan / Globus partnership, who made many best selling costume dramas in the 1980's, this particular offering did not do so well for them. I suspect the kind of audience that likes biblical tales would have been put off by the film's artsiness and copious amounts of nudity. The distributors tried to con the casual movie buyer/renter with a lurid cover of a cartoonish amazonian beauty! This film is only available on video but try to track it down if you like a bit of glam.
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