Directed by
| Harvey Hart | ||
Writing Credits (in alphabetical order)
| Charles S. Haas | ... | (as Charlie Haas) |
Cast (in credits order)
Produced by
| Christopher Dalton | ... | producer |
| David Daniels | ... | associate producer |
| David Daniels | ... | associate producer |
| Wayne Fenske | ... | producer |
| Charles S. Haas | ... | associate producer |
| Kenneth Kaufman | ... | executive producer |
| Michael Lepiner | ... | executive producer |
| Mark Tarlov | ... | executive producer |
Music by
| Gil Goldstein | ||
Cinematography by
| René Verzier | ||
Editing by
| Tony Lower | ||
Casting By
| Liz Ramos | ||
Art Direction by
| Gerry Holmes | ||
Makeup Department
| Roger Dalgliesh | ... | hair stylist |
| Linda Preston | ... | makeup department head |
Production Management
| Marjorie Kalins | ... | executive in charge of production |
| Gordon Robinson | ... | production manager |
Second Unit Director or Assistant Director
| Reid A. Dunlop | ... | trainee assistant director |
| Otta Hanus | ... | first assistant director |
| Jeff Powers | ... | third assistant director |
| Kim H. Winther | ... | second assistant director |
Art Department
| Ken Beaudry | ... | assistant props |
| Andrée Brodeur | ... | assistant art director |
| Debra Deeks | ... | set dresser |
| Jackie Field | ... | props |
| Barry Kemp | ... | assistant set dresser |
Sound Department
| David Appleby | ... | re-recording mixer |
| Charles Bowers | ... | sound editor (as Charlie Bowers) |
| Michele Cook | ... | assistant sound editor |
| Douglas Ganton | ... | location sound mixer (as Doug Ganton) |
| Joe Grimaldi | ... | re-recording mixer |
| Andy Malcolm | ... | foley artist |
| Reynald Trudel | ... | boom operator |
Camera and Electrical Department
| Richard Allen | ... | gaffer |
| Raymond Brounstein | ... | assistant camera: second unit (as Ray Brounstein) |
| Tom Fennessey | ... | generator operator |
| Bryan Forde | ... | electrician (as Brian Forde) |
| Brian Gedge | ... | clapper loader |
| Denis Gingras | ... | first assistant camera |
| Martin Harrison | ... | best boy |
| Mark Hroch | ... | camera trainee |
| Miklós Lente | ... | camera operator: second unit |
| Michael O'Connor | ... | second grip |
| John Phillips | ... | still photographer |
| Norman Smith | ... | key grip |
| Lee Wright | ... | third grip |
Casting Department
| Peter Lavender | ... | extras casting |
Costume and Wardrobe Department
| Lorraine Carson | ... | wardrobe mistress |
| Elayne O'Byrne | ... | wardrobe assistant |
| Kathy Vieira | ... | wardrobe |
Editorial Department
| Andy Attfield | ... | second assistant editor |
| Rev Neal | ... | first assistant editor |
Location Management
| Jesse Cohoon | ... | location manager |
Script and Continuity Department
| Kathy Downey | ... | continuity |
Transportation Department
| Sebastian Salm | ... | transportation captain |
Additional Crew
| Ani Baravyan | ... | production assistant |
| Jill Boniske | ... | assistant to producers |
| Patricia Cahill | ... | production coordinator |
| Skip Chasey | ... | assistant to producers |
| Doreen Davis | ... | production auditor (as Doreen Krost) |
| Cynthia Gillespie | ... | production assistant |
| Brian Kaulback | ... | utility stand-in |
| Janice Kaye | ... | unit publicist |
| Joanna Kidd-Hart | ... | assistant to production auditor |
| Charlotte Rose | ... | assistant to production coordinator |
| Jane Shanab | ... | craft service |
| Linda Van Evera | ... | stand-in: Tess Harper |
