A group of young misfits called The Goonies discover an ancient map and set out on an adventure to find a legendary pirate's long-lost treasure.A group of young misfits called The Goonies discover an ancient map and set out on an adventure to find a legendary pirate's long-lost treasure.A group of young misfits called The Goonies discover an ancient map and set out on an adventure to find a legendary pirate's long-lost treasure.
- Awards
- 4 wins & 7 nominations total
Curt Hanson
- Mr. Perkins
- (as Curtis Hanson)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'The Goonies' is cherished for its nostalgic charm, adventurous spirit, and strong camaraderie among the young cast. The film is lauded for its fun, energetic plot and memorable characters that evoke a sense of childhood wonder. However, some critics note issues like loud dialogue, unrealistic plot elements, and exaggerated performances. Despite these drawbacks, the movie is frequently appreciated for its heartwarming themes of friendship and adventure.
Featured reviews
The Goonies, what a fun movie. I will admit Richard Donner's direction was a little too leisurely and there are some parts in the middle half that are too slow and falls dangerously into cloying sentimentality. Still this childhood favourite of mine is great fun from beginning to end. No matter how thin the story is, it has an intriguing premise and Donner and Chris Columbus keep the action going strong and the adventure fun enough for the younger audience. The script is funny and affectionate, the music is memorable and in general the special effects are good. The image of the pirate ship was mind blowing and the cinematography and costumes are very well done. The performances are very good; while Sean Astin and Corey Feldman are the standouts of the child cast, it is Anne Ramsey who steals the show as Ma Fetali in a effortlessly over the top and deliciously evil performance, very like Diana Dors in The Amazing Mr Blunden. All in all, a fun adventure yarn. 8/10 Bethany Cox
Just prior to graduating with a degree in Film Studies a lecturer asked us, "So what's your favourite film now?" Whilst my peers spouted out Goddard films and obscure German expressionist shorts I sat quietly thinking; my favourite film has been My Favourite Film since I was seven... So when it came to me and I mumbled "The Goonies", I was expecting scorn, ridicule and possibly minor injury, but instead was met with concurring shouts and whoops and cries of "Hey you gu-uys!" from the rest of the class. You see this is the unifying thing about The Goonies; mention it in a room full of twenty-somethings and they'll whell up and utter "Sloth loves Chunk" or adopt a harassed Chinese tone "Thats what I said...Booty traps!". And if that room happens to be a pub, several chairs will scrape back and semi-inebriated grown men will lift their shirts, shake their bellies and revel in the truffle shuffle. People may say it's an Indiana Jones wanna-be I think that is the defining beauty of it all. When we first watched The Goonies it was like watching our dreams come true on screen! We'd loved seeing Indiana's adventures and escapades and in The Goonies we saw kids like us actually doing it! They got to be just like the mini-Indies we imagined ourselves to be in the playground. But its not just the adventure that makes us love the film, we love those Goonies themselves. They were like our friends. We got annoyed with them sometimes, and we wanted to protect them, and we laughed at their jokes and cheered when they had a brilliant plan. Identifying with those kids was what we loved and why, as adults, we quote them and 'become' them when talking about the film. I still want to be like Andy, having a perilous adventure sliding down tunnels and facing the bad guys on a huge pirate ship... but of course also making time to kiss Brand AND Mikey! I also think that this is why Goonies 2 is such a relevant and exciting concept. We've all grown up together and I'd love to see how the guys are doing now...I just hope it doesn't disappoint... So if you've not seen it do it right now, and if you have kids sit them down, hold their hand through the scary bits and enjoy! They'll thank you in twenty years time!
Well,well,well.......this film has became one of my all-time favorite movie!The first time i watched the movie i just couldn't help myself wishing I was there with them.The movie is so full of adventure!But what really bothered me was the exact date it was filmed!Oh my gosh it was dated back in 1985!I was not even born by that time.....But hey they did a pretty good job!I wish i could owned this in DVD so i can watched anytime & show this to my children.But it was so hard to find. So i guess i just had to stick to our cable.
It was amazing to see Sean Astin(Mikey)so young and active.You could certainly see the difference he is now in Lord of the Rings trilogy. The story isn't like any...it was so unique!The place and view are awesome and was actually filmed in the City of Astoria.
My favorite character is Mikey and Josh.They are two brothers who wants to help their parents.So Mikey,being the youngest wants to find that treasure to save them from Troy's dad.My favorite lines were.... "When you look in the sky,it will be another town,when you see your friends,it will be in another school".
It's kinda touchy and sentiment....but good!I remember the new album of Ataris(So long Astoria)where it became one of their song.I was reading the lyrics and there was a similarity in the movie.The last part goes like this,
"So long Astoria,i found a map to buried treasure and even if we come home empty-handed we still have our stories of pirate ships & wounded hearts,broken bones and the best of friendships.& when this hourglass out its final grain of sand.I raised my glass to the memories we had.This is my wish,i'm taking them back,I'm taking them all back."
I remember mouth said the last lines when they were trapped inside the cave.I guess the band members of Ataris saw the movie in their childhood years and like them,we were spell-binded by its great story.
So long The Goonies,you will be remembered as one of the most amazing movies we had.Just like the movie,"The relics of remembrance are just like shipwrecks only they're gone faster than the smell of the rain."
But for now,you became a resurrected memories from ashes in our childhood dreams.......
It was amazing to see Sean Astin(Mikey)so young and active.You could certainly see the difference he is now in Lord of the Rings trilogy. The story isn't like any...it was so unique!The place and view are awesome and was actually filmed in the City of Astoria.
My favorite character is Mikey and Josh.They are two brothers who wants to help their parents.So Mikey,being the youngest wants to find that treasure to save them from Troy's dad.My favorite lines were.... "When you look in the sky,it will be another town,when you see your friends,it will be in another school".
It's kinda touchy and sentiment....but good!I remember the new album of Ataris(So long Astoria)where it became one of their song.I was reading the lyrics and there was a similarity in the movie.The last part goes like this,
"So long Astoria,i found a map to buried treasure and even if we come home empty-handed we still have our stories of pirate ships & wounded hearts,broken bones and the best of friendships.& when this hourglass out its final grain of sand.I raised my glass to the memories we had.This is my wish,i'm taking them back,I'm taking them all back."
I remember mouth said the last lines when they were trapped inside the cave.I guess the band members of Ataris saw the movie in their childhood years and like them,we were spell-binded by its great story.
So long The Goonies,you will be remembered as one of the most amazing movies we had.Just like the movie,"The relics of remembrance are just like shipwrecks only they're gone faster than the smell of the rain."
But for now,you became a resurrected memories from ashes in our childhood dreams.......
Every kid has imagined what it would be like to go on great and glorious adventures. Pirate ships, police chases, treasure chests full of gold and surrounded by human skeletons with patches over the eyes, the inherent excitement in the possibility of a cavernous wonder world beneath the very streets where they live. The Goonies is about a group of kids who have grown up together and are about to be torn apart because their parents are being forced to sell their homes. In the attic of one of their houses (Mikey, played by Sean Astin), they find an endless supply of fascinating things - treasure maps, paintings, cryptic writings in strange languages. They find a map that sounds promising, and decide to see if it has any value, hoping to be able to find enough treasure to prevent their parents from losing their homes.
Not only was The Goonies a brilliantly written, directed, and acted movie, but it was also so much FUN! The adventures of these kids through the underground world, while being chased by the despicable villains known as the Fratellis, are fascinating to watch. The Goonies is a great cinematic experience. It has everything that anyone who was ever a kid could ever want. Even the elaborate sets are very convincing.
The sense of adventure and hope that are presented in The Goonies is very uplifting and inspiring. The lovable characters are perfectly developed and endlessly entertaining. Many of them, particularly Sean Astin and Corey Feldman, delivered the best performances of their future careers right here in this early adventure film. This movie can be enjoyed by virtually anyone, which is one of its best values. It is truly timeless, and it should not be missed.
Not only was The Goonies a brilliantly written, directed, and acted movie, but it was also so much FUN! The adventures of these kids through the underground world, while being chased by the despicable villains known as the Fratellis, are fascinating to watch. The Goonies is a great cinematic experience. It has everything that anyone who was ever a kid could ever want. Even the elaborate sets are very convincing.
The sense of adventure and hope that are presented in The Goonies is very uplifting and inspiring. The lovable characters are perfectly developed and endlessly entertaining. Many of them, particularly Sean Astin and Corey Feldman, delivered the best performances of their future careers right here in this early adventure film. This movie can be enjoyed by virtually anyone, which is one of its best values. It is truly timeless, and it should not be missed.
It was in 2001 or thereabouts that I watched and listened to the audio commentary track that is on the DVD version of The Goonies. Nostalgia is a wonderful thing, and seeing how the principal cast had aged (or hardly aged in Josh Brolin's case) was worth the price of admission on its own. But this is just one of The Goonies' selling points. Despite what the IMDb's ratings would have you believe, it is an immortal classic that warrants repeated and frequent viewings. It is not a coincidence that many of its cast and crew have repeatedly appeared in all sorts of productions before and since. Indeed, this was probably the first film that introduced me to the reality that the same actor will often play ten different parts in ten different films when I realised that Jonathan Ke Quan was the same brat that made parts of Indiana Jones And The Temple Of Doom so amusing. Seeing him in the video-enhanced commentary of the DVD nearly two decades later was a surprise and a half.
The film revolves around a group of children and adolescents who live in the poorer, less trendy part of a beachfront town. Unlike an episode of Barney, every member of this principal group is given a background and a string of differences from their castmates. You will not see the teenaged Brand responding to the same situation in the same manner as the ten year old Mikey, and that is where a major part of the film's strength is derived. The only weakness in the characterisations is with Martha Plimpton and Kerri Green, who join the adventuring boys a little way into the film. Exactly what they are doing other than giving the character of Brand something similar to himself to bounce his more adult-oriented lines from is anyone's guess, but they do work in their limited capacity. It is just a pity that Chris Columbus' screenplay did not give them a little more to do, other than defuse one fiendish trap towards the end of the ride.
Speaking of fiendish traps, the adventurers journey from one puzzling location to the next with barely a stop for breath. It works because unlike similar adventure films where the director expects us to be impressed by a fiendish-sounding name, the specific places that are visited by the Goonies have function. The bone piano shown in one such sequence, for example, would appear in the nightmares of children learning a regular piano for years after the film's theatrical release. It also gives Corey Feldman a good chance to act out a character who speaks very fluent Spanish. And while I am on that subject, who could forget the immortal scene early on in the film where Mouth deliberately loses something in the translation when Rosalita is shown around? But the prize for scene-stealing goes to John Matuszak, who plays the unofficial eighth Goonie, Sloth, with a weird aplomb that may well scare the willies out of parts of the intended audience. But then, in 1985, scaring the intended audience a little was considered a healthy part of making a film for those in the age ranges depicted here.
They say you cannot have a good protagonist without a good antagonist to bounce off. Robert Davi, Joe Pantoliano, and Anne Ramsey provide antagonists so good that they utterly hose the rule about not working with animals or children. The Fratellis work so well here because they are working with children. The late Anne Ramsey played her part so well that the mere thought of watching her in anything scared the willies out of me for years. Nowadays, as I have fully realised the mechanics behind film for some years, I am keen as mustard to see some of her other work in such pieces as Throw Momma From The Train (now there's a title that brings images to mind) or Meet the Hollowheads. That a performance can produce two entirely different reactions in the same person at different stages of their life should tell you all you need to know about its quality. Robert Davi and Joe Pantoliano are somewhat overshadowed here, but the manic, cackling quality of their introductory act also left quite a lasting impression.
You might have noticed that I have so far only mentioned the special effects in passing while heaping praise upon the acting. This is because unlike films such as the recent Star Wars prequels, the effects complement the acting rather than overshadow it. From what I am able to tell, all of the effects in The Goonies are practical, and some of them quite inventive. There is no use of blood squibs, which may disappoint some viewers, but there are enough mechanical sets and air vents to fill three films. Some of these effects did not turn out so well and were cut from the final film (the squid sequence being the most famous example), but unlike a lot of films that depend on special effects for a crucial element, everything shown in the final cut is in perfect sync here. Suspension of disbelief is never an issue, which is just as well considering some of the preposterous things that roll by the screen with a certain nonchalance.
I gave The Goonies a ten out of ten. Like Superman or the original Lethal Weapon, it shows that Richard Donner knows how to make a classic. Now that it is twenty years old, it stands forever as a relic of a time when the world of those under the age of eighteen was far less oppressive. If you have not introduced your children around the age of ten or greater to its joys and moments, then shame on you.
The film revolves around a group of children and adolescents who live in the poorer, less trendy part of a beachfront town. Unlike an episode of Barney, every member of this principal group is given a background and a string of differences from their castmates. You will not see the teenaged Brand responding to the same situation in the same manner as the ten year old Mikey, and that is where a major part of the film's strength is derived. The only weakness in the characterisations is with Martha Plimpton and Kerri Green, who join the adventuring boys a little way into the film. Exactly what they are doing other than giving the character of Brand something similar to himself to bounce his more adult-oriented lines from is anyone's guess, but they do work in their limited capacity. It is just a pity that Chris Columbus' screenplay did not give them a little more to do, other than defuse one fiendish trap towards the end of the ride.
Speaking of fiendish traps, the adventurers journey from one puzzling location to the next with barely a stop for breath. It works because unlike similar adventure films where the director expects us to be impressed by a fiendish-sounding name, the specific places that are visited by the Goonies have function. The bone piano shown in one such sequence, for example, would appear in the nightmares of children learning a regular piano for years after the film's theatrical release. It also gives Corey Feldman a good chance to act out a character who speaks very fluent Spanish. And while I am on that subject, who could forget the immortal scene early on in the film where Mouth deliberately loses something in the translation when Rosalita is shown around? But the prize for scene-stealing goes to John Matuszak, who plays the unofficial eighth Goonie, Sloth, with a weird aplomb that may well scare the willies out of parts of the intended audience. But then, in 1985, scaring the intended audience a little was considered a healthy part of making a film for those in the age ranges depicted here.
They say you cannot have a good protagonist without a good antagonist to bounce off. Robert Davi, Joe Pantoliano, and Anne Ramsey provide antagonists so good that they utterly hose the rule about not working with animals or children. The Fratellis work so well here because they are working with children. The late Anne Ramsey played her part so well that the mere thought of watching her in anything scared the willies out of me for years. Nowadays, as I have fully realised the mechanics behind film for some years, I am keen as mustard to see some of her other work in such pieces as Throw Momma From The Train (now there's a title that brings images to mind) or Meet the Hollowheads. That a performance can produce two entirely different reactions in the same person at different stages of their life should tell you all you need to know about its quality. Robert Davi and Joe Pantoliano are somewhat overshadowed here, but the manic, cackling quality of their introductory act also left quite a lasting impression.
You might have noticed that I have so far only mentioned the special effects in passing while heaping praise upon the acting. This is because unlike films such as the recent Star Wars prequels, the effects complement the acting rather than overshadow it. From what I am able to tell, all of the effects in The Goonies are practical, and some of them quite inventive. There is no use of blood squibs, which may disappoint some viewers, but there are enough mechanical sets and air vents to fill three films. Some of these effects did not turn out so well and were cut from the final film (the squid sequence being the most famous example), but unlike a lot of films that depend on special effects for a crucial element, everything shown in the final cut is in perfect sync here. Suspension of disbelief is never an issue, which is just as well considering some of the preposterous things that roll by the screen with a certain nonchalance.
I gave The Goonies a ten out of ten. Like Superman or the original Lethal Weapon, it shows that Richard Donner knows how to make a classic. Now that it is twenty years old, it stands forever as a relic of a time when the world of those under the age of eighteen was far less oppressive. If you have not introduced your children around the age of ten or greater to its joys and moments, then shame on you.
Storyline
Did you know
- TriviaAccording to Sean Astin, he was allowed to keep the treasure map used in the film. Several years later his mother Patty Duke discovered it, thought it was just a crinkled piece of paper, and threw it in the bin.
- GoofsWhen the Goonies are arguing in the basement of the restaurant, Mikey calls Josh Brolin by his actual name (Josh) instead of "Brand," his character's name.
- Crazy creditsThe Warner Bros. Logo In The Beginning Fades Into A Skull With Crossbones On A Black Background Until The Camera Zooms Into The Skull's Eye.
- Alternate versionsAlthough the UK cuts were fully restored by the BBFC in 2004 following the certificate upgrade to a '12' some early issues of the DVD featured the cut version and a lack of commentary, despite the latter being listed on the menus. The 2nd issue DVD corrected this and the two can be identified by the following..... 1. If the DVD states 2.0 Surround in the Audio Box on the reverse of the sleeve then this is the cut version and the commentary does not work. 2. If the DVD states 5.1 in the Audio Box on the reverse of the sleeve then this is the uncut version with the working commentary.
- ConnectionsEdited into The Goonies: Deleted Scenes (2011)
- SoundtracksThe Goonies 'R' Good Enough
Performed by Cyndi Lauper
Produced by Cyndi Lauper and Lennie Petze
Written by Cyndi Lauper, Steve Lunt (as Stephen Broughton Lunt) and Arthur Stead
Courtesy of Portrait Records
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Los Goonies
- Filming locations
- Cannon Beach, Oregon, USA(truck rally in the opening)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $19,000,000 (estimated)
- Gross US & Canada
- $63,711,145
- Opening weekend US & Canada
- $9,105,913
- Jun 9, 1985
- Gross worldwide
- $64,536,286
- Runtime1 hour 54 minutes
- Color
- Aspect ratio
- 2.39 : 1
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