Directed by
| Barry Peak | ||
Writing Credits
| Barry Peak | ... | (screenplay) & |
| Sylvia Bradshaw | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
| Phillip Dwyer | ... | executive producer (as Phillip J. Dwyer) |
| Chris Kiely | ... | producer |
Music by
| Allan Zavod | ||
Cinematography by
| Malcolm Richards | ||
Editing by
| Ralph Strasser | ||
Casting By
| Ian McWha | ||
Production Design by
| Paddy Reardon | ||
Costume Design by
| Anna Jakab | ||
Makeup Department
| Karla O'Keefe | ... | make-up created by |
Production Management
| Ray Pond | ... | production manager |
Second Unit Director or Assistant Director
| Ross Hamilton | ... | first assistant director |
| Hugh McLaren | ... | second assistant director |
Art Department
| Jan Hing | ... | props buyer |
| Brian Lang | ... | standby props |
Sound Department
| Stephen Haggerty | ... | boom operator (as Stephen Haggarty) |
| David Harrison | ... | sound mixer |
| Chris Roland | ... | boom operator |
| John Rowley | ... | sound recordist |
Special Effects by
| Jeff Little | ... | special effects technician |
| Brian Pearce | ... | special effects supervisor |
Camera and Electrical Department
| Rosie Cass | ... | clapper loader |
| Mike Mato | ... | gaffer |
| Orv Mudie | ... | key grip |
| John Ogden | ... | assistant camera |
| Nick Payne | ... | best boy (as Nicky Payne) |
| Simon Stewart | ... | grip |
Costume and Wardrobe Department
| Kerrie Barnhill | ... | stand-by wardrobe |
| Rachel Nott | ... | stand-by wardrobe |
Editorial Department
| Catherine Angelico | ... | assistant editor |
| Bruce Braun | ... | lab liaison |
| Meg Koernig | ... | negative cutter |
Script and Continuity Department
| Barbara Bishop | ... | script editor |
| Salli Engelander | ... | continuity |
Additional Crew
| Janette Deason | ... | production secretary |
| Maree Mayall | ... | production accountant |
| Angelo Sartore | ... | runner |
