52
Metascore
9 reviews · Provided by Metacritic.com
- 88Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertIrreconcilable Differences is sometimes cute, and is about mean parents, but it also is one of the funnier and more intelligent movies of 1984, and if viewers can work their way past the ungainly title, they're likely to have a surprisingly good time.
- 67The A.V. ClubNathan RabinThe A.V. ClubNathan RabinDifferences would have benefited from a more cerebral lead actor, but O’Neal does a good job of capturing Bogdanovich’s ingratiating passion for cinema and his fatal hubris, and the script scores some clever jabs at the vapid self-absorption of show-biz types.
- 60TV Guide MagazineTV Guide MagazineShyer's direction was on the money most of the time but was just a little flabby occasionally--perhaps because he cowrote the script with Meyers and hated to lose a precious word.
- 50Chicago ReaderDave KehrChicago ReaderDave KehrOnly the engaging lightness of the two lead performances prevents the film from falling into utter treacliness.
- 50Christian Science MonitorDavid SterrittChristian Science MonitorDavid SterrittDirected by Charles Shyer, who brings much imagination to the first half but loses all momentum in the homestretch. [04 Oct 1984, p.27]
- 40The New York TimesJanet MaslinThe New York TimesJanet MaslinMr. Shyer has no idea how to frame this material, let alone make it funny. Most of Irreconcilable Differences is terribly flat; the camerawork is dim and unflattering, the sets are bare even when they're supposed to look lived in and some of the dialogue is simply beyond the actors.
- 40Washington PostTom ShalesWashington PostTom ShalesThe film aspires to some sort of commentary about the modern problems of career-minded spouses. Shyer and Meyers are trying to tap a modern vein but they don't know where to put the needle; all they get is water. This is a film with Perrier in its veins. [28 Sep 1984, p.C4]
- 38Miami HeraldMiami HeraldIf you liked the meat of Kramer vs. Kramer, the reasoning goes, this movie should be the sauce. Too bad. Irreconcilable Differences, the latest comedy by the husband-and-wife writing team that simmered away schmaltzily in Private Benjamin, has its seasonings awry. [28 Sep 1984, p.B1]