- 5 wins & 7 nominations.
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Photos and Videos
Cast verified as complete
John Getz | ... |
Ray
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Frances McDormand | ... |
Abby
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Dan Hedaya | ... |
Julian Marty
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M. Emmet Walsh | ... |
Private Detective
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Samm-Art Williams | ... |
Meurice
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Deborah Neumann | ... |
Debra
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Raquel Gavia | ... |
Landlady
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Van Brooks | ... |
Man from Lubbock
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Señor Marco | ... |
Mr. Garcia
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William Creamer | ... |
Old Cracker
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Loren Bivens | ... |
Strip Bar Exhorter
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Bob McAdams | ... |
Strip Bar Senator
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Shannon Sedwick | ... |
Stripper
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Nancy Finger | ... |
Girl on Overlook
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William Preston Robertson | ... |
Radio Evangelist (voice)
(as Rev. William Preston Robertson)
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Rest of cast listed alphabetically: | |||
Holly Hunter | ... |
Helene Trend (uncredited) (voice)
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Barry Sonnenfeld | ... |
Marty's Vomiting (uncredited) (voice)
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Directed by
Joel Coen | ||
Ethan Coen | ... | (uncredited) |
Written by
Joel Coen | ... | (written by) and |
Ethan Coen | ... | (written by) |
Produced by
Daniel F. Bacaner | ... | executive producer |
Ethan Coen | ... | producer |
Joel Coen | ... | producer (uncredited) |
Mark Silverman | ... | associate producer |
Music by
Carter Burwell |
Cinematography by
Barry Sonnenfeld | ... | director of photography |
Editing by
Ethan Coen | ... | (as Roderick Jaynes) |
Joel Coen | ... | (as Roderick Jaynes) |
Don Wiegmann |
Editorial Department
Victor Concepcion | ... | negative cutter |
Peggy Connolly | ... | location editor |
David Diliberto | ... | restoration consultant: directors cut |
Sheri Eisenberg | ... | theatrical mastering colorist |
Edna Ruth Paul | ... | editorial consultant |
Casting By
Julie Hughes | ||
Barry Moss |
Production Design by
Jane Musky |
Costume Design by
Sara Medina-Pape |
Makeup Department
Jean Ann Black | ... | makeup artist |
Paul R. Smith | ... | prosthetics / special effects makeup |
Second Unit Director or Assistant Director
Steve Love | ... | second assistant director |
Deborah Reinisch | ... | first assistant director |
Shannon Wood | ... | third assistant director |
Art Department
Jeffrey Michael Adams | ... | art department assistant (as Jeff Adams) |
Kathy Baker | ... | art department assistant |
Shirley Belwood | ... | property master |
Marcos E. González | ... | property assistant |
Nancy Griffith | ... | set dresser |
Michael Peal | ... | art department assistant |
Dave Pearce | ... | art department assistant |
Beth Perry | ... | special graphics designer |
Steve Roll | ... | assistant to production designer |
Robert A. Sturtevant | ... | art department assistant (as Bob Sturtevant) / carpenter |
David Wander | ... | photo retouching |
Kirk Hunter | ... | art department assistant (uncredited) |
Sound Department
Lewis Goldstein | ... | sound effects: new (directors cut) (as Lew Goldstein) |
Bradford L. Hohle | ... | consultant: Dolby (directors cut) |
Peter F. Kurland | ... | boom |
Blake Leyh | ... | sound effects: new (directors cut) |
Skip Lievsay | ... | sound editor |
Michael R. Miller | ... | sound editor |
Jun Mizumachi | ... | special sound effects |
Lee Orloff | ... | sound mixer |
Fred Szymanski | ... | special sound effects |
Mel Zelniker | ... | re-recording mixer |
Special Effects by
Loren Bivens | ... | special effects coordinator |
Michael O'Sullivan | ... | special effects: mechanical (as Michael K. O'Sullivan) |
Camera and Electrical Department
Richard Creasy | ... | best boy |
Joey Forsyte | ... | gaffer |
David J. Frederick | ... | assistant camera / focus puller (as David Frederick) |
Julie Gant | ... | second electric |
Don Kirk | ... | clapper loader |
Blaine Pennington | ... | special stills |
Tom Prophet Jr. | ... | key grip |
John Shaw | ... | electrician |
Angelo Louis Suasnovar Jr. | ... | third grip (as Angelo Suasnovar) |
Don Wiegmann | ... | electrician |
Casting Department
Edith M. Clark | ... | casting: Austin |
Phil DiMaggio | ... | casting associate |
Peter Golden | ... | casting associate |
Costume and Wardrobe Department
Chelle Coleman | ... | wardrobe assistant |
Location Management
Edith M. Clark | ... | location manager |
Don Hartack | ... | location coordinator |
H. Harris Willcockson | ... | location auditor |
Music Department
Murri Barber | ... | music production |
Todd Kasow | ... | music editor: director's cut |
Script and Continuity Department
Andreas Laven | ... | script supervisor |
Transportation Department
Joseph Lockwood | ... | driver / transportation |
Additional Crew
Ben Barenholtz | ... | presenter |
Lizanne Brazell | ... | dialogue coach |
Van Brooks | ... | production assistant |
Melanie Hecht | ... | production assistant |
Darrell Kreitz | ... | production assistant |
Alma Kuttruff | ... | production office coordinator |
Webster Lewin | ... | production assistant |
Marty Mahoney | ... | dog trainer |
Shawn Malone | ... | production assistant |
Tom Martin | ... | production assistant |
David McGill | ... | production assistant |
Jim Pedas | ... | presenter |
Ted Pedas | ... | presenter (as Ted) |
Dan Perri | ... | title designer |
Adam Smith | ... | production assistant |
Ingrid Weigand | ... | production assistant |
John Woodward | ... | production assistant |
Richard Woolsey | ... | production assistant |
Bruce Campbell | ... | budget consultant (uncredited) / stand-in: Dan Hedaya (uncredited) |
Sam Raimi | ... | budget consultant (uncredited) / car provider (uncredited) |
Thanks
Ivan Bigley | ... | special thanks |
George Majesski | ... | special thanks |
Earl Miller | ... | special thanks |
Hilary Nye | ... | special thanks (as Hilary Ney) |
Ron Seres | ... | special thanks |
Production Companies
- River Road Productions (producer)
- Foxton Entertainment
Distributors
- Circle Films (1985) (United States) (theatrical)
- Parafrance Films (1985) (France) (theatrical)
- CP Entertainment (1985) (Norway) (theatrical)
- I.D Films (1985) (France) (theatrical)
- Metropol-Filmverleih (1985) (West Germany) (theatrical)
- New Vision Films (1985) (Australia) (theatrical)
- Palace Pictures (1985) (United Kingdom) (theatrical)
- MFA+ FilmDistribution. (2000) (Germany) (theatrical) (re-release) (director's cut)
- USA Films (2000) (United States) (theatrical) (re-release) (director's cut)
- Mars Distribution (2000) (France) (theatrical) (re-release) (director's cut)
- United King Films (2000) (Israel) (theatrical) (re-release) (director's cut)
- Asociace Ceských Filmových Klubu (ACFK) (2000) (Czechia) (theatrical) (re-release) (director's cut)
- Kinetique (2000) (Japan) (theatrical) (re-release) (director's cut)
- Finnkino (1987) (Finland) (theatrical)
- Independent Films (2000) (Netherlands) (theatrical) (re-release) (director's cut)
- Les Acacias (2018) (France) (theatrical) (re-release) (restored version) (director's cut)
- Odeon Films (2000) (Canada) (theatrical) (re-release)
- Pan-Canadian Film Distributors (1985) (Canada) (theatrical)
- Skouras Pictures (1985) (Non-US) (theatrical)
- Summer Classics (2023) (Greece) (theatrical) (re-release)
- Svensk Filmindustri (SF) (1985) (Sweden) (theatrical)
- Tekuma Film (1987) (Japan) (theatrical)
- Yeni Tual Film (Turkey) (theatrical)
- 20th Century Fox Home Entertainment (2008) (Canada) (DVD) (director's cut)
- Audio Visual Enterprises (1986) (Greece) (VHS)
- Bridge Entertainment Group (2002) (Netherlands) (DVD) (VHS) (director's cut)
- Columbia TriStar Home Video (2001) (United States) (DVD)
- De Volkskrant (2011) (Netherlands) (DVD) (Complete Coen Brother Collection)
- Divisa Home Video (2017) (Spain) (DVD)
- Europa Filmes (2005) (Brazil) (DVD)
- Europa Filmes (2005) (Brazil) (VHS)
- European Video Corporation (EVC) (Netherlands) (VHS)
- F.J. Lucas (Brazil) (VHS)
- Front Row Filmed Entertainment (2008) (United Arab Emirates) (DVD) (Middle East)
- Future Film (2021) (Finland) (Blu-ray)
- Geneon Entertainment (2003) (Japan) (DVD)
- HBO Max (2020) (United States) (video) (VOD)
- Kinowelt Home Entertainment (2008) (Germany) (DVD)
- Kinowelt Home Entertainment (2008) (Germany) (DVD) (director's cut)
- Kutonen (2015) (Finland) (tv)
- MCA Home Video (1985) (United States) (VHS)
- MCA/Universal Home Video (1996) (United States) (VHS)
- MGM Home Entertainment (2008) (United States) (DVD) (director's cut)
- MGM Home Entertainment (2010) (United States) (Blu-ray) (DVD) (director's cut)
- Nordic Video (1988) (Finland) (VHS)
- Palace Video (1985) (United Kingdom) (VHS)
- Panorama Distributions (2009) (Hong Kong) (DVD)
- PolyGram Video (United Kingdom) (VHS)
- Roadshow Home Video (1986) (Australia) (video) (under the "Premiere Home Entertainment" label)
- Sony Pictures Home Entertainment (2001) (Germany) (VHS) (director's cut)
- StudioCanal UK (2006) (Australia) (DVD)
- TV5 (2016) (Finland) (tv)
- The Criterion Collection (2016) (United States) (DVD)
- Universal Pictures Finland (2006) (Finland) (DVD)
- Universal Pictures (2006) (Sweden) (DVD)
- Universal Sony Pictures Home Entertainment (2018) (Australia) (DVD)
- Universal Studios Home Video (2001) (United States) (DVD) (director's cut)
- VPS Video (1986) (West Germany) (VHS)
- Video Rondo (1989) (Poland) (VHS)
- Yleisradio (YLE) (2014) (Finland) (tv)
Special Effects
Other Companies
- Abel Stationers (special thanks to)
- C. Wilson Interiors (special thanks to)
- Computerland of Austin (special thanks to)
- Dolby (in selected theatres)
- DuArt (Color by)
- Renaissance Pictures (special thanks to)
- Roundabout Entertainment (post-production facilities) (theatrical mastering)
- Sound One Corporation (post production services)
- Spera Corporation (post production services)
- Sundance Film Festival (festival)
- Texas Film Commission (special thanks to)
- Texas Motion Picture Service (location editing services)
- The Optical House (opticals by)
- Toronto International Film Festival (festival)
Storyline
Plot Summary |
Texas bar owner Julian Marty, who is generally regarded as not a nice person, hires shady private detective Loren Visser, who is able to obtain what Marty requests evidence - in this instance, photographic - that his wife, Abby, and one of his bartenders, Ray, are having an affair. As Ray and Abby realize that Marty has found out about them, it allows them to plan for their future away from Marty, while being up front with Marty about the situation. Marty, in turn, decides to hire Visser once again, this time to kill Abby and Ray, and dispose of their bodies so that they won't be found. The out-in-the-open affair and the contract hit lead to some actions based on self-interest and a standoff of sorts between the four players, which is compounded in complexity by some wrong assumptions of what has happened, with an innocent bystander, another of the Marty's bartenders, Meurice, potentially, and unwittingly, adding to the scenario. Written by Huggo |
Plot Keywords | |
Taglines | The first film by Joel and Ethan Coen (2016 Re-Release) See more » |
Genres | |
Parents Guide | View content advisory » |
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Additional Details
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Box Office
Budget | $1,500,000 (estimated) |
Opening Weekend United States | $42,971, 09 Jul 2000 |
Did You Know?
Trivia | On the advice of Sam Raimi, the Coens went door-to-door showing potential investors a two minute 'trailer' of the film they planned to make. They ultimately raised $750,000 in a little over a year, enough to begin production of the movie. See more » |
Goofs | The box of shells from which Abby dumps three live rounds is clearly labeled "blanks" and .32 caliber. Abby said earlier that the gun her husband gave her is a .38. See more » |
Movie Connections | Featured in Vision Quest/Turk 182/Blood Simple/Mischief (1985). See more » |
Soundtracks | It's the Same Old Song See more » |
Crazy Credits | Opening credits list the main cast, but none of the crew. All of the crew credits are at the end of the film, starting with Joel Coen as director. See more » |
Quotes |
[first lines]
Private Detective Visser: [narrating] The world is full o' complainers. An' the fact is, nothin' comes with a guarantee. Now I don't care if you're the pope of Rome, President of the United States or Man of the Year; somethin' can all go wrong. Now go on ahead, y'know, complain, tell your problems to your neighbor, ask for help, 'n watch him fly. Now, in Russia, they got it mapped out so that everyone pulls for everyone else... that's the theory, anyway. But what I know about is Texas, an' down here... you're on your own. See more » |