Julie Darling (1982) Poster

(1982)

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7/10
With a Freud Like This, Who Needs Enemies
Hitchcoc8 December 2006
What a very disturbing film. I began by thinking "What a brat!" Now, I knew she was not a nice little girl, but her incredibly disturbed being didn't enter my mind. She has such a a fixation on her father like no other film I've seen. There are very disturbing scenes. This actress's face is so angelic, and yet the coldest of hearts beats behind it. This is a pretty explicit film with lots of very graphic scenes. There is real violence here. I guess it's really based on total psychosis, because our little heroin is bound to do anything to latch on to her daddy.

As a film there is a great deal of suspense. This happens because only we know this child. She also has had weapons training and is quite the hunter. Talk about arming the enemy. The father never has a clue. Gosh, in addition to losing his first wife, isn't it odd that his new stepson gets put in an old refrigerator. The young rapist/murderer, however, doesn't hold a candle to Julie, which is pretty amazing.
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6/10
Unpleasant yet satisfying ..........
merklekranz24 May 2012
Isabelle Mejias has the ultimate Daddy fixation, and Stepmothers who get in her way become expendable. The object of her attention, Anthony Franciosa, seems oblivious, clueless, or both, to his Daughter's unnatural behavior. The methods employed by Mejias to torment Stepmothers borders on sadism. While the script is sometimes clever, it also has a brutal amount of time wasted on small talk not relevant to the story. Sybil Danning and Isabelle Mejias give good performances, while Anthony Franciosa is so boring, you will almost cringe. "Julie Darling" is an effective thriller that could have benefited from some script tightening, however the extremely satisfying ending totally redeems any minor faults the film might have. - MERK
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7/10
Daddy's Little Monster.
BA_Harrison4 May 2020
There have been plenty of movies about evil children over the years, but Julie Darling distinguishes itself by being more perverse than most.

Isabelle Mejias plays cherubic teen Julie, who only has eyes for daddy (Anthony Franciosa), but isn't as innocent as she pretends to be. Her wicked streak is evident in the relish she takes in feeding live rats to her pet snake, her joy at shooting birds while hunting with her father, and the cruel pranks she plays on her long suffering mother Irene (Cindy Girling). Julie takes her callousness to a whole new level when delivery man Weston (Paul Hubbard) tries to rape her mother: even though she trains the sights of her gun on the man, Julie doesn't pull the trigger, her deliberate inaction resulting in the death of her mum, who hits her head on the stone floor during the struggle.

With her mum gone, Julie has dear daddy all to herself, or so she thinks: the girl is shocked to learn that her father has a mistress, Susan (sexy cult star Sybil Danning), and now, with his wife dead, he is free to marry her. Worse still, Susan has an irritating young son who is stealing daddy's attention. After Julie wakes to hear a noisy sex session between her pops and his sexy new spouse (during which it becomes very clear that the girl harbours incestuous desires for her father), she hatches a plot to get rid of her new stepmother.

Mejias (actually 21 at time of filming, but looking younger) puts in a commanding performance as the conniving minx, utterly convincing as a cold-hearted psychopath. Franciosa is less credible, especially when doting on stepson Dennis (Benjamin Schmoll), and Danning does what she does best: look sexy and remove her clothes (other gratuitous nudity comes courtesy of Girling, who takes a bubble bath, and Mejias, who is topless during her jaw-droppingly twisted Oedipal fantasy sex scene with Franciosa).

Director Paul Nicholas does a great job in keeping the suspense levels high, constantly surprising the viewer with Julie's lack of empathy: not only does the evil brat blackmail Weston into killing Susan ("And you can rape her all you want before you kill her"), but she also orchestrates the murder of her best friend Michelle. The brutal, bloody climax sees Susan beaten and thrown through a window, Weston stabbed in the crotch with a broken bottle (nasty!) before being blasted by Julie with a shotgun, and Susan proving that she wasn't lying when she said she would do anything to protect those she loves.
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Long overlooked bratsploitation gem.
EyeAskance1 July 2007
Isabelle Mejias, an under-recognized talent who deserved better material than she received during her brief acting tenure, performs strongly as Julie, a socially disunited young lady with a ravenous Electra complex. Julie harbors malicious and dangerous resentments toward anyone she feels is competing for her father's affections, or who might create a rift within her delusional fantasy world. Hapless potential-victims-to-be are her new step-brother and step-mom(Sybil Danning, upstaged once again by her extremely well-ventilated 36-C juggage). It's a minor B gem with a brisk pace, mounting suspense, and some pretty grim deaths...JULIE, DARLING was not a boxoffice success, and received a rather limited VHS release. This is a better quality picture than its relative obscurity might suggest, and ripe on the vine for rediscovery. 6/10
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7/10
Julie Darling
ryan-1007510 October 2019
Was quite surprised after my initial viewing of this Canadian film as it was really quite good. I was surprised because it is a harder to find horror film and don't think it was ever popular. I must say though that it may not be for all tastes.

Its really the twisted, weird and gets quite creepy story of a 16 year old girl named Julie (wonderfully played by Isabelle Mejias). She's a bit of a bad ass as she enjoys feeding rats to her pet snake, shooting Canada Geese and loves her Nestle Quik. It's really about her relationship with her father (Anthony Franciosa). She watched her mother (Cindy Girling) get killed, did nothing and now steps in the next woman named Susan (Sybil Danning). Guess who wants her dead?

If this does sound interesting I would suggest finding it and giving it a watch.
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6/10
A decent, low-budget 80's thriller/horror/drama flick...
jeremyfuller-1510520 December 2019
I was searching through lists of 80s horror/slasher movies because I am a big fan of that era's horror/slasher genre. Every now and then I like to watch those movies, especially one's that I've never seen. I found this and streamed it online and I thought it was pretty good.

Although lower budget, it is suspenseful and the little girl in it is pretty disturbed! It's almost a mix of a drama/horror/thriller movie all rolled into one. Acting is OK, especially the little girl's part. She is fairly convincing in her role as a spoiled, jealous, and downright evil kid. She seems to have a strong attachment to her father and doesn't like when others steal the attention away, let's just say! Some may find this movie dull and too low budget, but if you're a big 80s horror/slasher fan, I think you'll like it enough. It does have that made-for-TV feel a little, but it keeps you interested. It isn't necessarily the most believable plot, but how many movies are, right?! Interesting ending by the way, I think you'll like it. 6/10
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7/10
a real nail biter
johnc21414 June 2009
Im a big fan of Sybil Danning,she ruled the eighties,a real tough but sexy woman from Austria,i saw this one from the suspense classics 50 movie collection.and i can tell you its a real nail biter of a movie. sort of like the Macaulay culken thriller the good son.but this little girl is much more disturbed and evil.not to mention slick and calculating.she has a pet python and even locks her stepbrother in a refrigerator that is kept outside.why is it outside?? who knows.this thriller also stars late great Italian actor;Anthony Franciosca as dear old dad.the film is Italian/American made and in the beginning it shows the new york skyline showing the world trade center.I'm not giving any spoilers but ill tell you.nobody messes with Sybil Danning. and if you wanna see a good well made suspense flick,then Julie darling is the ticket.7 out of 10.
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6/10
Creepy, effective thriller (MINOR SPOILERS)
gridoon30 December 2001
Warning: Spoilers
This extremely obscure thriller (unavailable almost everywhere) is unpleasant and highly unsettling, but at the same time undeniably effective. The premise of an evil child is taken to extremes: teenager Isabelle Mejias (who delivers her lines like a pro and is frighteningly convincing) lies, blackmails, arranges for people to be killed and kills herself with cold, calm ease. The film also has some perverse scenes (let's just say it goes beyond merely suggesting incest) that will turn most people off, but you have to admit that what it does, it does well (and that includes a shock ending that, for once, DOES come as a shock - forget about "Friday The 13TH"). (**1/2)
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5/10
Julie likes daddy a little too much.
Greenzombidog15 October 2011
This is something of a strange one. Julie loves her daddy and wants him all to herself so when she witnesses a delivery guy attempting to sexually assault her mother she does nothing to help which ends in her mothers death. Now Julie has daddy all to herself and everything is perfect until her fathers mistress turns up with her son in tow. Julie doesn't want the competition so she goes about trying to get rid of the two usurpers.

I went into this hoping it was going to be a killer kid film along the lines of 'Bloody birthday' or 'Mikey' but it's not it's more of a thriller. I found it quite dull and with the exception of a disturbing incestuous daydream on Julies part I'd seen it all before. Some of the dialogue between Julie's father (Anthony Franciosa) and his lady friend (Sybil Danning) is pure cheese. At times I thought I'd started watching a Danielle Steele TV movie. The acting isn't that great even from the stars of the movie add to that some truly ridiculous plot developments and you end up with a film thats quite hard to take seriously.

For me the most disappointing thing was that Julie didn't do enough evil stuff. She wasn't a particularly likable character So I never found myself rooting for her. What the film does do well is maintain a creepy unsettling feeling around the father daughter relationship through out the movie. This was the only thing that kept me watching.

Julie Darling promises much at the beginning but fails to deliver.
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7/10
Non resolved Electra Complex.
Fella_shibby6 May 2020
I first saw this in the early 90s on a vhs. Revisited it recently. This movie was far ahead of it's time in depicting the sexual abnormality of a teenage girl, specially her attachment to her dad. Her day dream/visualization sequence may put off some viewers but it was necessary to establish her sick mind, including her voyueristic attitude.

If Damien form Omen is the epitome of evil n sinister, Esther from Orphan wickedly sly n a cold blooded killer, Rhoda Penmark a psychopath n manipulator serial killer, then meet Julie, the epitome of a pervert, amoral and sociopath teenager.

We have a Kevin Bacon lookalike who cries like a girl aft his assets gets slashed. I was never a fan of Sybil Danning n her nude scene wasn't titillating for me.
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5/10
Weird and Awkward yet entertaining
drumkit-5450325 August 2022
You couldn't make this today, Isabelle mejias is an interesting actress an overlooked gem of the 80's should of been bigger and more known but that's me, movie wise it works for what it sets out to do, she's not biggest fan of this movie and I can see some of her points when talks about in the DVD commentary. I'm 50/50 on it.
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8/10
She looks like an angel, talks like an angel
Coventry7 November 2011
I've been searching and waiting to see "Julie Darling" for quite a very long time, and now that I finally watched, I'm both pleased and upset. Pleased because it's one of the most intense and disturbing 80's thrillers I've seen in a very long time, and upset because it undeservedly became obscure and forgotten amidst the overflow of inferior slasher pictures in that same decade. "Julie Darling" can more or less be categorized as a so-called Bad Seed effort, or – in other words – (horror) movies dealing with evil, psychopathic and murderous children. But this awesome little gem qualifies as a lot more than just that as well. It's a psychological "family" drama with a thoroughly uncanny atmosphere, numerous controversial undertones and a handful of very efficient shock moments. Julie Wilding is a cherubic and well- educated adolescent girl with a rather unhealthy affection for her daddy. Her mother notices Julie's rivalry and possessive behavior and wants to send her to a boarding school. But then her mother gets raped and killed by the grocery delivery boy, and even though Julie witnesses the whole thing from atop of the stairs, she doesn't move a muscle. Just when Julie thinks to have her daddy all for herself, he reveals that he's been having a secret affair for many years and wants to raise a new family with the lovely Susan and her little son. Rather than to get her own hands dirty, Julie tracks down her mother's murderer and blackmails him into doing the same with her new step family. She even joyously adds the words "Oh, and you can rape her all you want…". If Sigmund Freud would have ever written a movie script, the result would look a lot like "Julie Darling". The film is literally stuffed with psychosexual references and disputatious elements, like incestuous, intercourse with minors and matricide. In spite of its obscure status, "Julie Darling" features quite a few famous (in the cult/horror business, at least) names. Writer/director Paul Nicolas was also responsible for the greatest Women in Prison exploitation flick ever made, namely "Chained Heat" released that same wondrous year 1983. Anthony Franciosa, known from Dario Argento's giallo classic "Tenebre" is excellent as the unsuspecting (?) father and many horror fanatics will be super enthusiast to see Sybil Danning stars as the lovely stepmom. The one true diva of the film, however, is young Isabelle Mejias as Julie. I always thought that Patty McCormack ("The Bad Seed" 1956) was the most devilish child star, but she's a church choir girl in comparison to Isabelle Mejias. She depicts a truly frightening, cold-hearted and malignant teenage psycho.
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6/10
This is a very unnerving movie.
Otkon15 June 2022
It is not flashy. It is not unbelievable. In fact, it is played very realistically.

And the actress who plays Julie is just creepy enough to make you think she is capable of being quietly psychotic. The character is a petulant little daddy's girl.

And that is the worst part. We all know kids like this. And this one loves chess. Hers is akin to a true crime tale indeed.

For those who remember The Love Boat, she does come across like Vicky Steuben - with an evil streak. And a rifle under her bunk.
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5/10
Disturbing
ethylester31 January 2002
This movie gave me the creeps. Why didn't the father realize how messed up his daughter was? I don't want to watch this movie ever again. I love horror movies, but not when they actually make me feel uncomfortable. Don't see it unless you are doing some kind of report on Freud.
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Surprisingly, this is pretty good
lazarillo13 June 2007
This movie is marketed as a Sybil Danning vehicle even though the erstwhile German-American sex symbol is really only in the last half of the movie, and the really memorable performance is by the unknown Isabella Mejia as a disturbed teenage girl whose infatuation with her father (Antonio Franciosa from "Tenebra")leads her to allow an intruder to rape and murder her own mother. She then blackmails the same guy into trying to do the same to her new stepmother (Sybil Danning). The disturbed girl at one point even locks her young step-brother in an old fridge in the middle of a junkyard.

I saw this film almost back-to-back with another, much more terrible Sybil Danning-starrer "They're Playing with Fire". But while that film was a horrid hybrid of a dumb 80's teen sex comedy and an idiotic 90's erotic thriller (featuring Sybil in the sack with the annoying kid from "Private Lessons", and the once great Andrew Prine flushing his career right down the toilet), this film does the burgeoning erotic thriller genre proud (or as proud as you can do that crappy genre). It has a real, if not necessarily highly believable, plot and pretty decent acting. Other reviewers have compared it to "The Bad Seed", but it is actually better than that stagey, melodramatic flick (which ends with the villain literally being struck down by lightning). I'd put it somewhere between that one and a truly deserving classic like "Pretty Poison" (with Tuesday Weld and Anthony Perkins).

This movie is certainly no classic, but it doesn't really deserve its current obscure status either. It's probably Danning's best (American)movie. Those who watch it just to see her take her clothes off for the zillionth time won't be disappointed of course, but I think they'll also be pleasantly surprised with the rest of the movie.
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6/10
"You don't know me but I know you. You killed my mother."
classicsoncall27 October 2012
Warning: Spoilers
Wow, this is creepy on so many levels I don't know where to begin. So let's begin with the biggie - young Julie (Isabel Mejias) has this serious Daddy (Tony Franciosa) fixation that goes all the way to fantasizing what a sexual encounter with her father might be like. Pretty twisted. This after seeing her mother raped and killed by a delivery man and actually getting some sick kind of enjoyment out of it. So what does she do but contact the same guy to take out her new stepmother (Sybil Danning) to make it a double header. Now I'm wondering who the worse character is, Julie or killer Weston (Paul Hubbard), because they're both now making a pact with the devil that's bound to end very, very badly.

You know, I'm glad I'm nearly at the end of my Mill Creek Mystery Collection of two hundred fifty films because this isn't the kind of flick I'd normally seek out. However I decided I'd watch and review each one some time ago and I hate to go back on a promise to myself. I'll be glad when I can just cruise the cable channels for something more suitable or order up recommendations from other reviewers here from my local library.

Anyway, back to Julie. Somehow I didn't like the kid right from the start. Part of that could have been the way the character was set up from the beginning, never liking her mother but we don't know why (except for the infatuation with the old man). I really don't want to believe there might be somebody like that out there but these story ideas come from somewhere. But since she was such a b---- on wheels, my gut reaction when Sybil Danning made the comeback for the finale was you go, girl! Good recovery too when Franciosa shows up and she goes with "She saved my life". That pretty much made the whole convoluted story worthwhile.
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6/10
I'm never having step kids!
BandSAboutMovies9 February 2018
Warning: Spoilers
Between Pin, Cathy's Curse and this film, what is it about Canadian families in horror films? Beneath a surface of politeness, is everyone this psychotic north of the border?

Julie (Isabelle Mejias, Scanners II: The New Order) just wants to play with her pet snake, hunt with her dad and, well, lie in bed with him. But when her mom takes away her snake, she just watches a delivery boy (Paul Hubbard, who played Flash Gordon in the deleted scenes in A Christmas Story) violate her and does nothing to save her life, even though she's holding a gun. It's a horrifying scene, as the man is shocked that he's knocked the woman's head so hard into the ground. He's more upset than Julie when he sees the blood seeping out of the back of her brains. Julie just watches, fascinated yet removed.

Julie thinks she has her father (Anthony Franciosa, Tenebre) all to herself, but he soon finds a new wife, the alluring Susan (Sybil Danning!). She brings sex appeal and a stepson. And because she may have been dating daddy before mommy died, maybe Julie's dad is taking advantage of the death she caused.

One thing he's definitely taking advantage of is the opportunity to make sweet, sweet love to Susan. He doesn't know that his daughter is watching the entire time and enjoying things way too much, imagining herself in bed with her father! Ugh!

And it gets worse and worse, as Julie does things like lock her stepbrother in a refrigerator, nearly killing him, and then brings the rapist who killed her mother back to the house to take out her new mom in a blackmail plot. Yep, she even tells him, "You can rape her all you want!" It all adds up to an ending that totally shocked me that I don't want to cheat you out of.

Yep. This is one rough little film, which makes sense when you realize it's by the writer and director of Chained Heat, Paul Nicolas (that movie also has Danning in it, plus Linda Blair, Henry Silva, Tamara Dobson, John Vernon and Stella Stevens for a movie that transcends the WIP genre).

It's not for everyone. But Mejias is great in it. And it's the kind of movie that you are amazed that exists and even more astounded as it plays in your DVD player (or streams over YouTube).
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7/10
Well-Done Evil Daughter Wants Daddy to Herself Melodrama
jfrentzen-942-20421110 February 2024
In this melodramatic variation on THE BAD SEED, Julie (Isabelle Mejias) is deeply in love with her surgeon father, Harold (Anthony Franciosa), and in essence will do whatever it takes to have him all to herself. Julie's tense relationship with her mother, Irene (Cindy Girling), is aggravated when she lets her pet snake loose around the dinner table, which freaks out Irene. Irene gets a grocery delivery man to take the snake away, which in turn angers Julie. When the grocery man returns and attempts to rape Irene, he accidentally kills her. Julie witnesses the attack but does nothing to stop it.

Assuming she and daddy can now live happily ever after, Julie is thwarted yet again when daddy brings home Susan (Sybil Danning), with whom daddy has been having an affair. This leads to a war of nerves between Susan and Julie that quickly escalates to attempted murder, when Julie locks Susan's young son in a refrigerator and the boy nearly suffocates.

The plot veers into implausibility when Julie blackmails her mother's rapist into killing Susan. This arrangement backfires on all concerned, in a clever twist ending.

Director Paul Nicholas provides a remarkably subdued and realistic atmosphere, and coaxes good performances his players, especially from Danning and Mejias. Given the incest theme, this even-handed approach keeps DAUGHTER OF DEATH from becoming a purely exploitative exercise.
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7/10
When One Mother Dies, Another Arrives - But Has She Counted On Julie And Her Oedipal Love?
P3n-E-W1s323 September 2022
Greetings And Salutations, and welcome to my review of Julie Darling; here's the breakdown of my ratings:

Story: 1.25 Direction: 1.25 Pace: 1.25 Acting: 1.50 Enjoyment: 1.50

TOTAL: 6.75 out of 10.00.

I'd say that Julie Darling is as close as Hollywood gets to the Italian Giallo thrillers. And that comes down to the incestuous storyline and the multiple twists and cunningness. Sadly, it doesn't feel as callow as the European films. And, it's this more polished approach that hinders the film slightly.

The writers, Paul Nicholas (who also directed) and Maurice Smith, skip merrily down the oedipal love path in this dark thriller. Julie is a cute sixteen-year-old with a screw or two loose. Like most teenagers, she has a crush. But it's not on the star quarterback or her English teacher, but on dear old daddy. As we observe them taking breakfast together, it becomes evident that the women are both vying for the man-of-the-house's attention. Furthermore, it's clear Julie's been pressing her mother's buttons. Ma is wired and verging on the brink of a nervous breakdown. She's attributed her mental state to Julie and is considering sending her daughter away to school. Of course, Julie is unimpressed with the idea and decides to behave and wait. Luck tends to favour the patient. And it does. The local delivery boy has taken a shine to her mother after he rids her of Julie's snake. He's not the type of man that takes no for an answer. Besides, she owes him. Julie hears her mother screaming for help and quickly grabs her hunting rifle. And though she has the kill shot on the assailing carnal courier, she doesn't squeeze the trigger. She waits. The man kills mom before he can get frisky and runs out of the house and out of the city. But for Julie, that's okay because he's gone, her mother's gone, she won't be sent away to school, and now she can set her mind solely to looking after daddy. But daddy has had a straying libido, and before one mother is cold in the grave, another is sitting at the table. And this supplemental spouse comes with a son. Now her plans have been scuppered, what is she to do? She waits - luck favours the patient. The one and only drawback to the story is dear old daddy. Nicholas and Smith write within him a naivety that is cringeworthily unbelievable. How he can't see his daughter's twisted affection as unnatural, beggar's belief. And when he lets her sleep with him after her mother's murder, it's mind-boggling. I know she's witnessed a brutal killing, but still, she's sixteen and your daughter. But apart from these little indiscretions in his character, the other characterisations are decent. Julie is an intriguing individual. On the surface, she's mild and sweet. However, under the surface, she's cunning, devious, and entertained by her dark machinations. And when mommy wannabe comes along, she finds a nemesis who may be as clever as she. There's a delightful chess scene between the pair where they're feeling each other out: Trying to comprehend each other better. And you realise, from this moment on, they're not only playing chess on the game board. Another bonus for the audience is the progression of the story. It's logical, devious, and cold-blooded. All the things a good thriller should be.

Because he possessed a marvellous story, Nicholas didn't have to go overboard with the camerawork. However, he still throws in some agreeable and engaging camera angles and light work to boost the picture's atmosphere at the correct times. Nicholas also didn't have to vary the tempo of the piece. He merely utilised every moment the brisk pace gave him. And, it works a treat to keep the viewers entertained and watching the screen.

As do the cast, for they are brilliant in their portrayals. I even have to give Sybil Danning a round of applause. In most movies I've watched with Danning starring, I can easily state they didn't hire her for her acting talent but for the other two prominent assets she purchased - Check out Howling II. But in Julie Darling, not only does she lose her clothes once again, but she acts, and acts well. In fact, I cannot believe I'm saying this, but she's the best actress in this movie - don't let that put you off because it's a solid performance, one of which to be proud. All the other cast members give a similar degree in their portrayals, adding to the film's sleekness.

I would happily recommend Julie Darling for a winter's evening watch. Cuddle up with your loved one next to a fire with a glass of your favourite tipple, and enjoy. Just make sure your daughter's not in the same room - uncomfortable.

Now we've saved your new brother from that locked freezer, let's take a gander at the IMDb list - Killer Thriller Chillers and see where he rated Julie Darling.

Take Care & Stay Well.
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3/10
Just Horrible
ron-318174 August 2020
Someone took what could have been an interesting story line and ruined it with terribly dry, dull, often cliche dialog.

But what really sinks this stinker is the acting - or lack thereof.

As someone who enjoys movies immensely and has watched thousands upon thousands during my time on this planet, I can honestly say that very few that I've seen have ever suffered from such god-awful acting.

Did no one involved stop to think that perhaps rehearsals might be in order? No it's OK. Just deliver you lines as if you're reading them for the first time right from a cue card. That's seriously just how bad this is.

This movie makes Troll 2 look like Oscar material.
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4/10
Good Movie
redmanmaa-892898 May 2024
I just watched this movie; I have never seen it before. I found it very interesting and suspenseful; and the ending surprised me. I give this movie 4 stars; it's a good one. I did find it disturbing when (Julie) was watching her father and his new wife making love, and she imagined that it was her with her father but, other than that; this movie was good. Julie was good at pretending to be a good girl even though she wasn't; she was only good with her father; a real (daddy's girl). I'm just happy and relieved that her new brother (Dennis) wasn't home at the time so, he didn't get hurt. Worth Watching !!
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8/10
Deeply Twisted
Steve_Nyland9 June 2009
Warning: Spoilers
Crackerjack thriller here, a deeply twisted film about a budding 12 year old psychopath's obsession with her own father and willingness to kill off anyone who comes between them. Tony Franciosa is good as the befuddled, utterly clueless father, Sybil Danning even better as the sex maven MILF single parent whom he is in love with, and the show is completely stolen by Isabelle Mejias as young Julie.

One thing I kept wondering about through the film: Does Julie know that her feelings for her father are twisted, and that her actions are wrong if not outright evil? The film scores points by not letting the viewer find out whether she actually knows right from wrong. Hitchcock would have been impressed by the plotting, especially the killing of a young child by a sex murderer who is rewarded for playing a part in young Julie's scheme by being set up for his own execution. The ending is also inevitable, or rather the only ending that was possible given the material. Anything else would have been a cop-out, and there is a knowing glint in someone's eye when it's all over to suggest that they didn't have a problem with how everything worked out.

One aspect of the film that's very interesting is the early 1980s polyester culture in which the film is set, which upon further research proves to be both Toronto, Canada and then West Berlin, Germany, seamlessly edited together into a strange, unwelcoming urban hell. Everything looks cold (the film is set in the winter), unhealthy (at one point a character stops by a Burger King to scarf down a Whopper on the run), impersonal (a key scene is set in a crowded shopping mall) and hopelessly tacky (the stairwell in Franciosa's mansion is festooned with a mass of framed pictures arranged in a way that makes them impossible to be seen individually) in a way that feels unique to the time period.

You also couldn't make this movie today. It's too sick, twisted, amoral and politically incorrect. Another commenter nails it perfectly when referring to the film as "Bratsploitation", and modern viewers will be hard pressed to equate the film with anything later than THE GOOD SON, which lacks the psycho-sexual tension that raises JULIE DARLING's quease level beyond mere camp. Recommended as a double bill with William Grefe's IMPULSE with William Shatner. Creepy.

8/10
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8/10
A disturbing and brilliantly entertaining 'Bad Seed' style thriller!
The_Void26 March 2007
This is an odd little film, as on the surface it would appear to be a rather light thriller; but bubbling underneath is a seedy interior that is more disturbing than most visceral horror! In 1956, Mervyn LeRoy taught cinema audiences that murderous young kids can be terrifying, and here Paul Nicholas has reinvented that lesson for trashy eighties horror - and has almost achieved the same effect. I say only almost more because this idea had already been done to perfection three decades earlier rather than because this film isn't good enough to portray it. Of course, Julie Darling isn't perfect and there are a number of plot holes - but the backbone of the film is strong, and that's what really matters. The film centres on a young girl named Julie. Julie is obsessed with her father, and after her mother is killed because she failed to take action, she finds herself in turmoil when her father takes a new wife and she's lumbered with a stepbrother. Naturally, she decides to take steps to ensure that they suffer a fate similar to her mother's...

Isabelle Mejias is most definitely the standout of the film. Her performance is completely cold - just how it should be - and it's because of her that this film makes for such uncomfortable viewing. I'd even go as far as to say that she rivals Patty McCormack on the murderous kid front. She is joined by Italian horror stars Sybil Danning (The red Queen Kills 7 Times, Eye in the Labyrinth) and Anthony Franciosa (Tenebre, Web of the Spider), who are both good in the 'grown up' parts. The best thing about this film for me was the way that the plot plays out. It's partly predictable - we always know that Julie is going to take some sort of action against her stepmother and stepbrother, but the way that she does it is well worked and always entertaining. There's not a lot of blood or nudity in the film; but as mentioned, it's the ideas at work that are important and scenes like the ones that implies incest are major standouts on this front. It all boils down to a furiously entertaining finale, which wraps up all the plot threads and even manages a bit of irony! Overall, this maybe won't appeal to everyone; but I found Julie Darling to be a brilliantly entertaining thriller and I certainly recommend it!
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"She's Just At A Very Difficult Age, That's All!"...
azathothpwiggins10 June 2021
In JULIE DARLING, Harold and his wife, Irene (Anthony Franciosa and Cindy Girling), are in conflict over their daughter, Julie (Isabelle Mejias). Harold spoils her, while Irene seems to be the only one that's aware of the girl's bad behavior. For her part, Julie prefers her pet Boa constrictor over human company. Her interests include hunting and surgery.

When it's decided to send Julie away to boarding school, mum uses the opportunity to get rid of the snake. She soon dies tragically. Julie and dad mourn for about three seconds.

Enter Susan (Sybil Danning), dad's new wife. Julie hates her and the fact that she has a young son. We know this because she eyes the boy like an owl looks at a field mouse! Harold is, as always, limply oblivious.

When Julie spies on Harold and Susan in bed, things really get weird! Let's just say that Julie's a little too fond of dad!

This is a decent, though rather tiresome thriller, saving most of its twisted action for the gonzo finale (aka: the last 14 minutes). However, it's worth the wait!...
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8/10
Little-known psycho-thriller with some fine acting
Leofwine_draca9 August 2016
Warning: Spoilers
This is one of those well-directed, slow burning horror/thrillers that seemed to proliferate in the late '70s/early '80s; it reminds me, favourably, of the likes of THE GODSEND, BUTCHER BAKER NIGHTMARE MAKER, and THE SILENT PARTNER off the top of my head. It's a slow moving film with little bursts of often shocking action, and not one for the modern multiplex audiences demanding a diet of chases and fist-fights every five minutes. Instead, those viewers with an interest in warped psychology and the human condition will find themselves having a ball with this one.

Julie is a sweet 16 year old girl, at least on the outside. In reality, she's far too much in love with her own father, even going so far as to fantasise having sex with him in the film's most shocking dream sequence. This means that anyone else demanding her father's love in the same household is at risk of death. The first incident, with Julie's mother, is a torrid chain of events including attempted rape and eventual murder; you can never quite see where it's going to end up, and the transformation of Paul Hubbard from likable sleaze into the major villain of the piece is an excellent one. Things move along nicely with an excellent set-up involving a kid's game of hide-and-seek that goes tragically wrong, and then we're moving towards the climax, where the twists come thick and fast.

This is definite horror territory with a fair number of kills and violent acts along the way. Julie proves to be a cold-blooded murderer at heart, and there's one infamous moment involving a broken bottle and a rapist that will have any male viewer squirming in their seats. The direction is superb throughout, and the music is fine, but the real strength of this movie lies in the acting. The unknown Mejias is perfect and unforgettable in the title role, delivering a totally frightening performance, while the adult likes of Franciosa, Danning (who unsurprisingly goes nude here) and Girling all do sterling work. I admit I was hooked throughout and not wanting it to end; the final result left me happy and satisfied, the mark of a great little film.
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