Directed by
| Jerry London | ||
Writing Credits
| James Clavell | ... | (novel) |
| Eric Bercovici | ||
Cast (in credits order) complete, awaiting verification
Produced by
| Eric Bercovici | ... | producer |
| Ben Chapman | ... | associate producer |
| James Clavell | ... | executive producer |
| Kerry Feltham | ... | associate producer |
Music by
| Maurice Jarre | ||
Cinematography by
| Andrew Laszlo | ||
Editing by
| James T. Heckert | ||
| Bill Luciano | ||
| Donald R. Rode | ||
| Jack Tucker | ||
| Benjamin A. Weissman | ||
| Jerry Young | ||
Casting By
| Tatsuhiko Kuroiwa | ||
| Maude Spector | ||
Art Direction by
| Joseph R. Jennings | ||
Set Decoration by
| Tom Pedigo | ||
Costume Design by
| Shin Nishida | ||
Makeup Department
| Masato Abe | ... | makeup artist |
Production Management
| Ben Chapman | ... | unit production manager |
| Shinji Nakagawa | ... | unit production manager: Japan |
| Keisuke Shinodo | ... | unit production manager: Japan |
| Kazuo Shizukawa | ... | unit production manager: Japan |
| Wallace Worsley Jr. | ... | unit production manager |
Second Unit Director or Assistant Director
| Phil Cook | ... | first assistant director |
| Masahiko Okumura | ... | assistant director: Japan |
| Charles Ziarko | ... | first assistant director |
Art Department
| Ed Charnock | ... | painter |
| Al DeGaetano | ... | construction coordinator |
| Phill Norman | ... | graphic designer |
| Marty Wunderlich | ... | property master |
| Shoichi Yasuda | ... | set decorator: Japan |
| Hideo Yoshioka | ... | construction coordinator: Japan |
Sound Department
| Howard Beals | ... | sound editor |
| John Glascock | ... | sound mixer |
Special Effects by
| Bob Dawson | ... | special effects (as Robert Dawson) |
Stunts
| Shinpachi Miyama | ... | stunt coordinator: Japanese crew |
| Glenn R. Wilder | ... | stunt coordinator (as Glenn Wilder) |
| Stephen K. Hayes | ... | stunt double: John Rhys-Davies (uncredited) |
Camera and Electrical Department
| Chuy Elizondo | ... | camera operator |
| Ken Johnson | ... | key grip |
| Vern Matthews | ... | key grip |
| Sal Orefice | ... | gaffer |
Costume and Wardrobe Department
| Toshiaki Manki | ... | wardrobe |
Editorial Department
| Maureen O'Connell | ... | assistant editor |
Music Department
| John La Salandra | ... | music editor |
| Garry Ulmer | ... | music recordist |
Script and Continuity Department
| Larry K. Johnson | ... | script supervisor |
Additional Crew
| Chiho Adachi | ... | consultant / interpreter |
| Chris Bartlett | ... | foreign production coordinator |
| Luca Bercovici | ... | dialogue coach |
| Frank Cardea | ... | production executive |
| Rosa Gonzalez | ... | assistant production accountant |
| Banjuro Hemura | ... | consultant / production services |
| Don Henry | ... | production accountant |
| J. Steven Hollander | ... | auditor |
| Fred Ishimoto | ... | special consultant |
| Anna Mills | ... | assistant: Eric Bercovici |
| Umeo Minamino | ... | advisor: Jerry London |
| Chiyo Miyakoshi | ... | script supervisor: Japan |
| Valerie Nelson | ... | assistant: James Clavell |
| Phill Norman | ... | title designer |
| Alicia Rivera Frankl | ... | production accountant (as Alicia Alon) |
