Bewitched (1981) User Reviews

Moral: Don't Jilt Your Thai Girlfriend

[ChungMo · 7/10 · 23 November 2007]

The first film of Kwei Chih-Hung I ever saw was the indescribable Mo (Boxer's Omen) so working backwards I just had the chance to watch his previous outing into the world of Thai black magic.

A policeman investigating the horrid death of a five-year old girl is led to Thailand where he encounters black magic and eventually a series of horrible curses are placed on him to prevent his solving the mystery. That description makes the film sound reasonable if not a bit boring but believe me it's not boring! We are witness to lots of sights including, a six inch nail being pulled from the corpse of a five year old girl, an extended spell battle between a monk and a sorcerer, a séance with floating skulls and twigs that write plus exploding bats. We also learn many useful things such as how to extract oil from the rotting corpse of a pregnant woman, or that eating maggots gives you super evil powers, or that if you discover a loved one is eating raw pork liver at night, all may not be well. All this commotion is because a callous Hong Kong tourist didn't come back to his Thai lover by a certain date. She happily causes the death of several people and is willing to kill more so her ex-lover dies a protracted death. And strangely she somehow convinces a black magic priest to go along with this despite the pain and danger he goes thru when a Buddhist priest volunteers to fight back.

It's quite an experience but it falls apart by the final third and the ending looks like they ran over budget and Mona Fong said, "You have one night to finish this film and send those Thai actors back!". So they shot the ending in a HK airport terminal. Regardless, the film looks quite good at times with interesting art direction and photography. There's a bit of nudity when the Thai girlfriend goes for a slow motion swim, but most of the film is just silly looking but gross effects.

Fun but "Mo" is more fun.

Absolutely Revolting HK Horror..!!

[samxxxul · 7/10 · 15 August 2020]

Hong Kong supernatural horror film directed by Chih-Hung Kuei (Hex after Hex, Curse of Evil, Corpse Mania, Devil Fetus). The movie stars Fei Ai, Melvin Wong and Fanny Fen-Ni. A prequel to Boxers Omen, BEWITCHED is a full throttle as Hex Trilogy. The plot revolves around a detective in charge of hearing a statement and investigates the death of a girl, only to find out that the perpetrator is her father who was cursed by a Shaman. The action shifts to a battle between good and evil that includes worms, possessions, surreal spells between monks which works as a whole package for lovers of the genre. In other words, Bewitched is an explosion reel in its purest form, which when it comes to this genre means lots of crazy antics. If it were made today Bewitched would be mentioned alongside French extremity delights, such is the nature of its content, but it was made in 1980, when special effects were cheap, production quality was low and it was a little too early to sit alongside other HK horror movies. It's a dirty and grotesque film with lot to offer for those craving for twisted sense of humour it is one of those bizarre cult films you really should see. Among all the horror and witchcraft films made by the Shaw Brothers, BEWITCHED (1981) stands out. '80's horror at its finest and purest form! It's weird, disgusting but yet also strangely amusing. Make your choice

Enjoyable and unique, but in some ways suffering from lack of care and polish

[I_Ailurophile · 6/10 · 10 September 2023]

This is a strong contender for the strangest film that the Shaw Brothers ever produced, and in some ways, maybe one of the least polished. One must note straightaway that this immediately comes off as more than a little gawky and clunky in its lot development. It's extraordinarily swift and curt generally in its editing, a quality that is continuous throughout its length, and even in how individual scenes are orchestrated. In the first ten minutes or so it blazes through a substantial number of plot points in exposition, so many that there is quite literally a risk of blinking and missing a great deal. Yet all that is but prelude for a lengthy flashback that constitutes the meaningful beginning of the plot, a flashback that will round out the rest of the first thirty minutes. Meanwhile, many other scenes to follow are very long and drawn out, a variability in pacing that belies how curiously thin the story actually is. The connective threads between certain characters and story ideas are frail and barely cohesive; if one does actually miss the underlying motivations for the plot, bewildering as they seem to be, our assumptions are confirmed at the very end when a voiceover imparts the morals of the tale. Then, too, at the same time that blunt dialogue seems to indicate at times that the characters know exactly what is going on, there are other points when there is no specific explanation for the precise course of events, such as who a person is and why something associated with them is critical as a spell component.

That latter point is an important one where 'Bewitched' is concerned, and not just because the premise portends black magic. For all the rough patches in how the story is told and the footage spliced together, these aren't even the most significant oddities of this 1981 flick. Nor are the present-day setting (as opposed to the period pieces the Shaw Brothers are best known for), or the unremarkable sets and costume design. Nay, what really sets this apart is an element that is so unusual that it took me half the runtime to realize that the foremost facet of these 100 minutes was just that, and not a diversion. Where the average title from this studio would give us narrative advancement adjoined to or interspersed with kung fu action, the core factor of this picture is the preparation and conduction of spells and rituals, and to a slightly lesser degree, the resulting effect on the person they target. All those minutes that would elsewhere give us a flurry of martial arts wizardry instead gives us, in this case, a wizardry meeting the more typical definition. Once one realizes what it is that writer On Szeto and director Chih-Hung Kuei are doing here the inclusions go from sluggish sidesteps to a fascinating centerpiece, and one wishes they had become aware of their nature sooner - indeed, may other viewers be more wise than I am. With that being said, though, I still think one needs to be a patient and open-minded viewer to indulge in these long scenes that broadly have less going on in them than one expects.

In fairness, those practical and special effects that we do see look pretty swell, including blood and gore, special makeup, and some gruesome props; would that, perhaps, we got more of all of these, and more visualization of what the spells achieved than how they were cast, for that would have distinctly helped to give the proceedings a shot of adrenaline. Those stunts and action scenes that we do get come off well, and overall this is well made. I'm also a fan of the original music of Jen-Hou Su and Eddie Wang, a collection of far-out themes that in their own way match the peculiar tenor of the movie. And while 'Bewitched' is in no small measure not what I was expecting, I did enjoy it, and I think the concept is unique, imaginative, and worth exploring. I also think this was in considerable need of more careful craftsmanship and writing, for the initial headlong rush turns into a bit of a slog, and all the while the plot itself is less than convincing or satisfying. True, the writing isn't necessarily the most integral aspect of many Shaw Brothers productions, but it seems extra weak here. With this, and more of a gnarly spectacle taking advantage of the dark tone and potential for special effects, the end result could have been more memorable, and more of an achievement. I still think that 'Bewitched' is worth checking out if you come across it, but one maybe shouldn't go out of their way for it, and it's best suggested for those viewers who are open to all the wide possibilities of cinema and who will be best equipped to endure the more stagnant or undeveloped parts of the film.

The cutest bat

[BandSAboutMovies · 6/10 · 9 October 2021]

Detective Wong King Sun is investigating the horrific and violent death of a little girl at the hands of her father, who claims that he was under the influence of a wizard. This takes the detective all the way to Thailand to learn more and, as happens in films such as this, to be cursed by a powerful magician named Magusu, who was supposedly played by an infamous Malay sorcerer. That's what the credits say and who are we to deny the words of Shaw Brothers or any exploitation studio when you get right down to it?

Wong King Sun decides to fight black magic, he needs a white magic monk. What follows is an entire movie of one-upmanship battles over whose magic is strongest, including a gut-churning moment when the evil magician grabs that pause that refreshes. Except that we're not talking about Coca-Cola. This dude likes to sip from a big urn filled with unborn children and blood.

If that last sentence made you wince, turn back now. Bewitched is a ride through absolute chaos. It's gorgeous, it's frenetic and it's also unafraid to try and make you throw up throughout its running time. And if this one seems like it's going to be too much, its sequel, The Boxer's Omen, goes even further. Director Chih-Hung also made the equally blood and madness-filled Corpse Mania.

We all know that old Chinese chestnut of advice, right? Don't take the virginity of village women, ghost them and then just move on or you'll be covered in body hair, unable to get it up and eventually hammering a spike into your daughter's head so that she stops being possessed and attempting to kill you.

"The moral of the story is to admonish people against casual sex and to be on guard against witchcraft." That's what the end says. As for me, I'm all about movies with neon colors, glittery bats that come to animated life and actual black magic rituals being used to entertain audiences.

Kuei Chi Hung's nasty tale of black magic revenge

[venoms5 · 8/10 · 17 October 2007]

A detective investigates the death of a little girl by her father. The man claims he was under the influence of a wizard's spell. He recounts the story to the detective who, through a series of bizarre events, travels to Thailand to learn the secrets of the supposed black magic rituals. He ends up learning more than he bargained for. After his return to Hong Kong, he learns in a most painful way that he has multiple spells placed on him by a powerful wizard learned in the black arts. A monk proficient in white magic, who has battled the evil wizard before, travels to Hong Kong for a final showdown.

Kuei Chi Hung's excellent horror tale is a spooky character piece punctuated by some gruesome scenes of gore and two elaborately staged duels between a monk and the evil wizard. Kuei was inarguably the best HK director for horror films. He was an acolyte of Chang Cheh and his gritty crime thriller, THE DELINQUINT (1974) was a precursor to his later grim output.

Ai Fei is the swaggering tourist on vacation in Thailand who meets up with a beautiful Thai girl. Feigning interest in her, he manages to steal her virginity before heading back to Hong Kong. Before he leaves, the girl gives him a necklace to remind him of his return a year later. Only he has no intention of returning. One night, an oily liquid seeps from the necklace beginning a terrible revenge exacted on the lying and cheating man. He murders his own daughter in a vicious, brutal scene where he bashes her over the head with a pipe. This entire piece is told in flashback to the detective (Wong) after Fei's character is condemned to hang. Hanging would be a blessing as his body begins to sprout many pimple-like sores that ooze a greenish pus. At one point, he is completely wrapped in gauze, his stomach swelled like a balloon. He then pukes up hundreds of maggots before stabbing himself repeatedly in the gut.

When the detective goes to Thailand to learn about the black arts, he invites trouble on himself and he, too is cursed after the monk does battle with the wizard who barely manages to escape the monk's powers. The wizard follows the detective back to Hong Kong where he places a series of nasty spells on him and his wife. Ultimately, the monk traces the wizard to Hong Kong to save the detective.

There are two duels of magic in the film. The first one is a staggering 10 minute sequence pulled off admirably by director Kuei. It's filled with creative back and forth exchanges of various magical counter moves including a nasty one in which the wizard drinks blood from a giant vase containing dozens of unborn babies and viscera.

Melvin Wong turns in a good performance here as the detective. He usually appears in martial arts films and seldom ever got a big role but he does here. He studied law in America before joining Shaw Brothers and he spoke fluent English.

Also of note is in the credits it is apparent that Kuei researched black magic arts for the production as well as a credit for 'the participation of noted sorcerer Hussein Bin Abu Hassan'! He would be the villain whose body erupts in a spectacular display of melting goo and abusive bladder effects the likes of which were seen in the American horror film, THE BEAST WITHIN (1982).

Director Kuei was an unusual and odd director. He had some interesting, sometimes brutal quirks. He would often go to extremes to get the right reaction for a scene. Extremes that often matched the subject matter. Chang Cheh remarked that Kuei once demanded his actors eat rotten food to elicit the proper response for the scene. He also refused to allow an actor to go to the emergency room after a failed motorcycle stunt until he caught the accident on camera! Kuei, regardless of his methods, was an extremely talented director who failed to capitalize on his success by emigrating to America after Shaw Brothers closed film production in the mid 80s to focus on television programming.

The film was a hit in HK and two years later Kuei returned to black magic territory to direct a sequel entitled THE BOXER'S OMEN (1983) or MO, which means 'Demon' in Chinese. The difference between the two films is that BEWITCHED contains much character and story development but also contains a lot of gruesome bits that would be pushed to the max in the sequel. The story takes a back seat in the sequel to the elaborately staged magic duels and scenes of totally outrageous gore. There are also evocative and surreal sets unlike anything seen in any HK horror picture. BEWITCHED is the better movie in terms of film-making prowess and story but BOXER'S OMEN is best for its ballsy attitude to shock with one gross-out scene after another.

The poster for BEWITCHED is OTT and promises nutty thrills. Actually, everything on the poster is in the movie, but not in quite the manner presented on its advertising. What's funny is that the sequels poster masks the zany, totally freakish and often psychedelically insane movie it promotes. In between BEWITCHED and its sequel, Kuei would direct an elusive and rare horror flick, CURSE OF EVIL (1982). A recommended and highly enjoyable horror romp for different reasons than its more outlandish sequel.

100 mins of pure mumbo jumbo trash. Why the poor bat always has to b the epitome of evil?

[Fella_shibby · 3/10 · 14 May 2019]

I saw this for the first time few days back. Got enticed aft reading glowing reviews. I shud hav been careful regarding the only four reviews as of now. This film is ridiculous with unnecessary gross scenes. The lead villain is always shown in bat-like/Dracula-like attire, he sneaks in n out of places as if he is some sorta ninja with high skills. The effects r laughable n why does the poor bat always has to be the epitome of evil? Ther is some nudity, the initial police investigation is kinda intriguing but it all boils down to what did I jus watch. Without any sex operation, a man suddenly turns into an old hag. Now that is some super duper mumbo jumbo technology.

Hong Kong Horror Gem!!

[Movie-Misfit · 8/10 · 21 June 2020]

Sex, horror and exploding bats are the main ingredients for this early 80's Shaw Brothers thriller from director Kuei Chih Hung, the man who brought us the fantastic horror film, Hex, The Boxer's Omen, Killer Constable and many more. It stars Ai Fei, from the Shaw classics House Of Traps, Human Lanterns and Death Duel, as a man arrested for the murder of his daughter, having claimed that she was possessed, and that he himself, had a spell put on him after meeting a Thai girl and leaving her jilted. The first shock of the film comes pretty quick as a kid playing ball comes across the grossly, realistic body of his daughter in the woods - complete with 6 inch nail driven into the top of her head that forcefully gets removed. Its the first of many moments that will make you wince through the atmospheric and fun, Bewitched...

Told in flashback (in part) from the jail cell to officer Melvin Wong, Ai Fei's stories convince Wong to head to Thailand to learn more about the black magic rituals, leading to a crazy run of events, leaving him with much more than he bargained for!

I like Bewitched! It's something a little different and has some pretty cool tricks going on that keeps viewers entertained right through. These include graphically disturbing corpses, a séance with floating skulls and twigs that write alone, evil wizards versus good wizards, reanimated bodies, a possessed child munching down on raw meat, brutal car accidents, levitating knives and much, much more.

Director Kuei keeps things tense as the story rolls along with some incredible visuals and darkly wild atmosphere throughout. There's a rawness to Bewitched that just seems to keep you gripped, along with its ominous music and sound effects that just add to the experience. Its beautifully shot for the most part, capturing some wonderful shots of Thailand (including its fantastic, giant movie posters on the buildings), with some incredible lighting which makes it look amazing and very nice to watch. This is also aided by the incredibly clean, crisp and colourful print, 88 Films have provided here allowing us to see the ultimate version of this classic...

The great Melvin Wong does a wonderful job, as do most of the cast, with real-life wizard Hussein Hassan playing the dark villain of the piece. He gets to take part in an extended battle with a good wizard, attacking each other with spells that gets violent and bloody, that leads to the evil wizard drinking the blood from a (shockingly graphic) barrel of dead babies and internal organs for more power!

It's really quite disgusting.

The final half hour sees Wong return to Hong Kong to follow-up his case. Its here that he finds his Ai Fei in the prison hospital, wrapped from head-to-toe in bandages, violently throwing-up worms, and slashing his stomach open! And it only gets worse for him, with the detective now finding himself suffering the same problems and pains that first plagued his prisoner...

Bewitched certainly isn't boring, and I'd go as far to say that it definitely put a lot of people off going to Thailand upon release. With some great use of practical FX for its time, solid direction, and plenty of WTF moments to keep you entertained, this little gem should please any fan of horror. Kuei Chih Hung was one of the finest horror directors in Hong Kong of that period, so I'd suggest checking out some of his other titles and giving this one a go.

Overall: Mad, gross, shocking and beautifully made, Bewitched is a crazy piece of Hong Kong cinema that deserves a watch!

Utterly fantastic HK black-magic effort

[kannibalcorpsegrinder · 10/10 · 2 March 2017]

Following the discovery of a dead body, a police detective who helped solve the case finds that the spirit who caused the murderer to embark on his killing spree has now possessed him and turns to a devout priest to before the necessary rituals in order to protect himself.

There was quite a lot to like with this one. One of the many positives of this one is the fact that there's such a deranged and wild atmosphere present in this one due to the black magic cursing involved. The way the spells are enacted in here are quite intense and often creepy, being that they're carried about in the one room where all the different black magic relics are shown from the skulls, black candles, strange jars lining the walls and the different pots and containers featuring all the ingredients to make their spells come to life. The way they include all the different objects here, from the silver bells on the strings of the ceramic boxes to carving out the writing with the special tree-branch and the special altar where they reside over during all the special ranting and enacting their spells, all combine together to give this one a rather creepy and frightening atmosphere which is what makes the film work as it does. This as well carries over into the rather fun curses that actually get played out here, from the black marks on the body that continually spread across them to the different artifacts turning into animals and other objects being turned into lethal and rather dangerous elements to attack their victim that it becomes all the more effective even before adding in the requisite vomiting up worms and maggots that is included in here. Once it finally gets to the spectacular spiritual battle between the two sorcerers at the end, there's just such an insanely wild and fun time here with the frenetic action enabling the two sides to engage in the battles against each other as we get to see the dueling priests throughout here fire some truly outrageous spells at each other. Cursing pictures in order to cause painful sores to appear on the body, causing their equipment to crumble into dust at the merest touch, bringing objects in the room to attack the other and other activities, there's such a wild and crazy assortment of black magic featured here that the film becomes a highly visceral experience on that alone. Even the other finale, from his battle to get free and how he reacts while under that control, makes this one quite fun and rather fun. What makes all this sorcery at the end work is the fact that the build-up exploring what happened to him here, from his relationship with the girl that's quite fun and innocent to the strained way he interacts with his daughter amid the slow-building realization of his curse, the set-up to this one manages to work quite nicely and gives this one the burgeoning storyline necessary to really fuel the rest of this one rather nicely. The only thing that doesn't really work here is the fact that there's the second affliction in the final moments rather than built up so that it really makes a rather strange inclusion. Otherwise, there's not much to dislike here.

Rated Unrated/R: Graphic Violence, Full Nudity and Language.

Raw, visceral terror

[Leofwine_draca · 8/10 · 8 November 2015]

The sub-genre of Hong Kong horror films enjoyed its heyday in the late '70s and early '80s, one of my favourite eras for cinema in general. The emphasis on these films, whose titles ranged from BLACK MAGIC to THE BOXER'S OMEN, was on gory black magic rituals and the effects of said rituals on the unfortunate victims. Imagine people spewing insects, suffering from bursting pustules and generally becoming possessed, and you'll have the general idea. BEWITCHED is the archetypal Hong Kong black magic flick, a well made effort full of originality. That's the main draw for the Western viewer.

My only real problem with this movie is the pacing in the first half. To be honest, after an arresting maggoty-corpse opening, it's slow, more of a police procedural than anything else. A suspect in custody ends up telling what seems to be his life story, a mini narrative that takes forty minutes to play out. There's some gratuitous slow-motion beach nudity thrown in, in an obvious effort to sustain the viewer's interest, but the main question will be "where's the magic?". Well, the good news is that the second half of this film is where it gets good.

It's packed full of evil rituals, fights of wizardry and the participation of real-life wizard Hussin Bin Abu Hassan playing a very scary villain. Possessed people eat raw meat and kill one another, knives levitate to stab their victims and there are some extremely nasty moments, like when the bad guy drinks from a vat of foetuses. Seemingly, directors always liked to throw in one extended magic fight into these films. The one here is pretty nifty, incorporating some great effects (a little bat-creature is my favourite), flashing lights, weird bloodshed and a generally spooky atmosphere.

Melvin Wong, whose career seems to have been based on policeman roles, does well in the film and the rest of the cast are enjoyable too. I especially liked the virtuous monk, whose presence at an airport at the film's climax makes for an unforgettable showdown. Fun is also to be had from the random deaths, like when a chauffeur is dragged under a car, his face torn off. The film is really memorable, though, for those queasy moments that go far beyond the boundaries of good taste. One such moment sees the black magician examining the rotting corpse of a pregnant woman before drawing black oil from her nostrils – one of the most nauseating moments in the whole flick. There are more, though, especially the various spells that come up subtitled on the screen. The worst is probably the 'worm spell', which is pretty self-explanatory and, genuinely, the stuff of nightmares. Director Kwei Chih-Hung really knows his stuff and creates a frightening atmosphere of dread throughout the movie, what with the ominous music and the 'what the hell's going on?' storyline. This is raw, visceral terror on a level with HOSTEL.

When a simple twitch of the nose is not enough.

[BA_Harrison · 8/10 · 24 January 2021]

Towards the end of the Shaw Brothers' rein over kung fu cinema, the studio branched out into other genres, enjoying some success in the supernatural horror market. Much of their horror output was typified by black magic storylines with gross-out special effects, Bewitched being one of the best examples.

The film opens with the discovery of the decomposed body of a little girl, a nine-inch spike having been hammered into her skull. A police investigation leads to the arrest of her father, Stephen Lam Wai (Fei Ai) who admits to the murder, but claims that he was under the influence of a spell. Sentenced to death by hanging, the man tells his story to policeman Bobby Wong King-Sun (Melvin Wong), and begs the cop to find out what drove him to kill.

According to Lam Wai, the trouble began when he wooed a pretty young woman, Bon Brown (Lily Chan), while on holiday in Thailand. After several days of being romanced by Stephen, Bon gave her new beau an amulet and made him swear to return to her by June 30th. When Stephen returned home to Hong Kong, he boasted about his holiday romance to his work colleagues (no doubt telling them about Bon's topless sprint across the beach, which is shown in slow-motion), but neglected to keep his promise to return. That's when the crazy stuff started to happen: the amulet caused a large stain on his chest, which sprouted hair, he became impotent, and his daughter began to act very strangely indeed. An old woman told him that he had been possessed and that the person closest to him would try to kill him and the only way to stop them would be to hammer a large nail into their head.

Bobby doesn't believe a word of the killer's crazy story, until he too experiences a scary supernatural phenomenon. Now convinced, he travels to Thailand to investigate, learns that Bon had a spell put on Stephen (the magic involving oil extracted from the corpse of a pregnant woman), and attempts to remove the curse with the aid of an old witch (who performs a ritual with some bad flute playing, a levitating skull, a twig and what looks like a small Wade figurine of a frog). When this fails, he visits a monk, who enters into a supernatural battle with the wizard who cast the spell. Cue lots of yuckiness, including the villain drinking blood from a vat full of dead babies, his face oozing pus, and a nail slowly pushed through the palm of his hand.

Unfortunately, the monk is unable to defeat the powerful wizard, and needs a week to recover before he can try again. During these seven days, Bobby is subjected to a variety of spells cast by the miffed magician, which leads to more madness, including the cop developing an appetite for raw pork liver, a bout of heart trouble caused by a lemon, Bobby's wife being stabbed by a flying knife, and a guy getting dragged under a moving car. Director Chih-Hung Kuei also sees fit to throw in those mainstays of the genre, maggot eating and worm vomiting. Meanwhile, Bobby also has to contend with an escaped lunatic who is causing havoc, having got his hands on a cop's gun (in the film's most shocking moment, the madman shoots a child several times in the chest).

The entertaining ending sees the return of the monk, refreshed and ready for round two, in which he successfully desiccates the wizard, forcing a bat demon to fly out of his mouth!

Revenge is a dish best served with an extra portion of gastric slime!

[Weirdling_Wolf · 8/10 · 18 June 2023]

Revenge is a dish best served with an extra portion of gastric slime in the Shaw Brothers sordidly Satanic, morbidly maggot-infested Black Magic body shocker 'Gu'. Once holidaymaker, Stephen (Fei Ai) returns from his sojourn in sultry Thailand, he grimly discovers that he brought back more than spicy snapshots of, Bon Brown (Lily Chan), his beauteous, yet bizarrely vengeful, beach-frolicking lover! Plagued with mad visions of his daughter's increasingly malign nature, Stephen is arrested, summarily sentenced to death for the brutal slaying of his child. The once cynical cop, Bobby (Melvin Wong) stoically exposes those cruel instigators of the curse that evilly compelled, Stephen to commit such a monstrous act of infanticide!

Kaleidoscopically garlanded in grisly, dayglo-dripping necromancy, 'Bewitched' remains a hallucinatory, fascinatingly visceral example of vintage HK Body Horror. Director, Chi-Hung proves himself singularly adept at staging nauseating scenes of luridly flesh corrupting sorcery! Mean-spirited, and visually striking,'Gu' is steeped in stomach churningly graphic manifestations of blasphemous Black Magic maleficence! While disturbing, Bewitched is aesthetically sublime, the exquisite Thai locations are dazzling, and our Black Magic beleaguered protagonist's gruesome travails climaxes in a hyperbolic, mythically mental, monk vs sorcerer showdown. Far-flung, far out, but far from formulaic, the queasy far Eastern shocker 'Bewitched' casts a wickedly captivating spell that cannot be broken!

The Best Occult Movie Ever - A Must Watch

[P3n-E-W1s3 · 9/10 · 13 April 2022]

Greetings And Salutations, and welcome to my review of Bewitched. Before we get into it, here are my ratings:

Story - 2.00 Direction - 1.75 Pace - 1.50 Acting - 1.50 Enjoyment - 1.75

TOTAL - 8.5 out of 10

On Szeto, the writer of Bewitched, delighted me today with his story. I usually go on about missed opportunities in story concepts. But today, I can keep my gob shut on the subject. The tale of Bewitched, though simple, is complex, intriguing, and enthralling. What made this occult revenge horror flick special was the amount of detail. Once we know about the curses affecting Stephen Lam, we are then shown every detail of their creation. As we are with the subsequent spells against detective Bobby Wong and the Monk, he's asked for help. I particularly liked The Lemon Spell. Be warned that some of the black magic spells are pretty gross. Like the dead fetuses stewing in a pot of their blood, which the evil sorcery drinks - Ugh!

Chih-Hung Kuei directed this battle of Good V's Evil superbly. It is near perfect. He has a skilled eye for using light, shade, and colours to build and sustain an atmosphere. And his talent for controlling the film's tempo is evident in his action sequences. For the most part, the story trots along, but when we get to the exciting scenes, it builds to a cantor or an all-out gallop. Now I said near perfect; the opening scenes are the worst. They chop through the backstory with excessive speed and may leave your head in a spin. But stay with it, and you'll get your just deserts - the best occult movie ever made.

The cherry on top of this mystical cake is the special effects. All of which are excellent. Even the simple ones like pulling the nine-inch nail from the child's head made me squirm. Bewitched is not a film for the squeamish.

The cast is acceptable in their roles. However, I find that early Oriental films like their actors and actresses to ham it up on occasions. And there are a few sections in Bewitched where this happens, especially with the loony who keeps stealing uniforms from coppers. But if you've watched a few of these films, you become inured to them.

So not only would I highly recommend this film to all the horror fans out there, but I would state this is a Must-Watch movie.

Please visit my Absolute Horror list and see where I ranked Bewitched.

Take Care & Stay Well.