Guyana: Cult of the Damned (1979) Poster

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4/10
Mexican/Spanish production dealing with dramatization of the Jonestown tragedy where cult followers committed mass suicide
ma-cortes21 June 2015
Based upon the true story of Jim Jones , as it traces the steps of this peculiar Reverend , a highly charismatic, but profoundly paranoid clergyman , a self-proclaimed prophet of an independent church in the South American country Guyana . In the 1960s , he began as an idealist helping minorities and working against racism . After years of evangelism and good deeds , begins his own church in the mid-western United States . Later on , he increased his power and attention , and Jim Jones became focused on his belief in nuclear holocaust . When Jim Jones (Stuart Whitman) becomes increasingly obsessed with the belief that the CIA is "a wicked enemy" who is out to get him, he emigrates with his congregation to Guyana , where he plans to create an utopia . He had a loyal following of about 1000 people, who had donated their entire life savings to him to join his commune . Being accompanied by a team of advocates (Joseph Cotten , John Ireland) and fanatic supporters (Yvonne De Carlo , Bradford Dillman , Jennifer Ashley , Robert DoQui) . But Jim Jones' utopia consists of a society where he demands his followers turn their minds , bodies and possessions over to him one that is rife with torture of children , sexual relations between kiddies and adults , and other awful happenings . When possible illegal activities came to the attention of the authorities , Congressmen (Gene Barry) and reporters (Juan Luis Galiardo , Armando Calvo ,Hugo Stiglitz , Carlos East) , they started to investigate . Rather that faces the charges , Jim Jones committed suicide , and convinced virtually all of his followers to do the same . But not all of them follow him blindly and begin to think on their own.

This film titled Guyana: Crime of the Century" or "Guyana: Cult of the Damned" results to be a below average version about the real story of the Peoples Temple cult led by Rev. Jim Jones and the events involving its move to Guyana and its eventual mass suicide . It is a lack luster drama that explores the nasty activities carried out by Jim Jones , relying heavily on sensationalistic aspects , eerie images full of nudism and exploitation such as physical violence, orgies , mental torture , sexual abuse of children and many other things . Ultimately , Jim Jones' paranoia reaches a fevered pitch that culminates in him taking savage action against his own congregation . The dialogue used in the mass suicide/murder scene near the end of the film was taken almost word-for-word from an audio-cassette found in a portable tape recorder under Jim Jones' chair ; the tape recorder had weak batteries and was running at a much slower than normal speed, allowing the entire event to be recorded . The flick features many strong scenes , among them the preaching masses of Jones , a gloomy spectacle to watch when Jim Jones/Stuart Whitman is quite commanding in those last moments when the astonishing slaughter happens . Nice acting by Stuart Whitman as the priest who orders his followers to commit suicide , he gives an acceptable acting and captures the sinister evil that was Jim Jones . Support cast is pretty well , plenty of old Hollywood familiar faces such as Gene Barry , John Ireland , Joseph Cotten , Bradford Dillman , Yvonne De Carlo and Spanish actors such as Juan Luis Galiardo , Eduardo Bea , Armando Calvo , Nadiuska , among others .

This horrific retelling of the Guyana tragedy was regularly directed by Rene Cardona Jr . He was a Mexican director and writer, expert on all kinds of genres with a penchant for Terror , adventure and exploitation ; being especially known for The Treasure of the Amazon (1985) , The Bermudas Triangle (1978) , ¡Tintorera! (1977) , Cycone , Fantastic Balloon Voyage , Under Siege , The Night of a Thousand Cats , Survivors of Andes , Beaks , Carlos the terrorist and this : Guayana, El Crimen del Siglo (1979) . It was followed by another American rendition titled ¨Guyana Tragedy : The Story of Jim Jones¨ (TV , 1980) by William A Graham with Powers Boothe as Rev. Jim Jones , Ned Beatty, Diane Ladd , Diane Scarwid , Ron O'Neal , Irene Cara , Veronica Cartwright , Rosalind Cash , Brad Dourif and Meg Foster .
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5/10
Cardona Does Johnsontown
bensonmum21 March 2006
Warning: Spoilers
If you take a look at Rene Cardona Jr.'s credits, you'll quickly discover that he jumped on every bandwagon that passed by. Tintoera is his Jaws "inspired" film. Cyclone is his cash-in on the disaster movie boom. The Bermuda Triangle is his link to the unexplained mysteries craze of the 70s. And I'm sure you can find similarities between Cardona's The Treasure of the Amazon and either a Hollywood movie like Romancing the Stone or a watered-down Italian cannibal film. With Guyana: Crime of the Century, Cardona wasn't trying to rip a movie, but instead choice to latch onto the coattails of one of the biggest news stories of the 70s – Jim Jones and the People's Temple.

Compared with Cardona's other films I've seen, Guyana: Crime of the Century comes off as a much more serious work. Cardona appears to be going for fewer of the exploitation elements he loaded his other films with and, instead, is going for something more true to life and realistic. Don't misunderstand, there are scenes of exploitation in Guyana: Crime of the Century, they are just not played to the max the way they are in something like Tintoera. Being based at least somewhat on an actual event, Cardona was handcuffed by the reality of what actually took place in the jungles of Guyana. As a result, this movie is not as "fun" as Cardona's other films. Much of the first 2/3 of the film is very slow with little more to enjoy than the wild, crazed dialogues of the good reverend. The last 1/3 does pick up the pace, culminating with a satisfactory finale that is very well done by Cardona's standards. It's a moving and fitting end to the film.

In addition to comparing Guyana: Crime of the Century with his other works, I can't help but compare Cardona's movie with the 1980 TV movie Guyana Tragedy: The Story of Jim Jones. I haven't seen the TV movie in a decade or more, but I remember it being a better made film that probably sticks to the truth of what happened at Jonestown better than Cardona's movie. Also, the 1980 film stars Powers Boothe as Jim Jones. His portrayal of the crazed leader of the doomed cult is light-years ahead of Stuart Whitman's turn in the role. Boothe delivers an incredibly powerful (pun not intended) and believable performance.

Speaking of Stuart Whitman, Guyana: Crime of the Century is filled with over-the-hill, past-their-prime actors in most of the major roles. Whitman was the youngest at 53. Yvonne De Carlo was 57. Gene Barry was 60. John Ireland was 65. And Joseph Cotton was the oldest at 74. For Cotton, Guyana: Crime of the Century is about as far away from Citizen Kane as you can get.
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6/10
A Real Corker
Flixer195723 August 2002
Warning: Spoilers
**Possible Spoilers Ahead**

This flick opens with a disclaimer that "names have been changed to protect the innocent," then shifts to a scene where a reporter blows his brains all over a bathroom mirror. At that point, something told me this movie would be a real p***er. As the verbose "Reverend Jim Johnson", Stuart Whitman has more dialogue in the first ten minutes than in all his other movies combined. His attorneys are played by Joseph Cotten (who would hit rock bottom in HEAVEN'S GATE the next year) and John Ireland who looks mighty strange in a beard and horn-rimmed glasses. Gene Barry appears as congressman "Leo O'Brien," Yvonne DeCarlo is Johnson's liason with the real world and Robert Doqui and Jennifer Ashley are two of his disciples. Cardona regular Hugo Stiglitz is on hand as a reporter. Bradford Dillman is the resident doctor who mixes one mean Kool-Aid cocktail. This version leads us to believe that Reverend Jim was terminally ill and wanted to take about 900 people with him. Prior to that outrage, his followers punish a deserter by drugging him and leaving him on railroad tracks right before the next train roars through. Three boys steal food and are punished with snakes, water torture and shocks to the genitals. Two teenagers are caught doing the Featherbed Mambo; the cult leader hands the girl over to the biggest stud in "Johnsontown" and orders the boy to have sex with another man and all I can say is, thank God this discipline takes place offscreen. The original film runs 109 minutes that fly right by, if only because you can't believe what you're seeing. Universal cut it down to 90 minutes when they released it Stateside as GUYANA: CULT OF THE DAMNED. One thing I'll say for the Guyana Tragedy: you didn't hear many jokes about it. That's because the punch lines were too long.
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Not Nearly As Bad As Its Reputation
Michael_Elliott16 January 2015
Guyana: Cult of the Damned (1979)

** (out of 4)

Reverend James Johnson (Stuart Whitman) leads his church worshipers into the jungles of Guyana in South America where his cult begins to reach the views he had in plan. The only problem is politician Congressman Leo Ryan (Gene Berry) who sees something wrong with this group but before anything can be done tragedy strikes.

GUYANA: CULT OF THE DAMNED was the first attempt at telling the tragic story of Jim Jones and his church members, which led to a mass suicide in Jonestowan. This film comes from director Rene Cardona Jr. who also had his hand involved in other "true story" films like SURVIVE and THE BERMUDA TRIANGLE. This film here was released in America in a cut version, which added narration but I viewed the uncut version that clocked in at 115-minutes. I can't comment on the American version but I will say that this here appears to be a little bit better. Having read reviews of both, it's clear this film is hated by most and many violently attack it for exploiting the real people by trying to make a quick buck.

I understand where people would see this as exploitation but the film itself really isn't as bad as many make it out to be and not nearly as graphic as its reputation. In fact, for a film that has the reputation of being an exploitation movie, I'd say this is incredibly tame. Yes, there are scenes of torture but none of them are graphic and in fact they're less graphic than something you'd see in a PG-13 movie of today. The mass suicide at the end really just shows people getting shot or falling to the ground. Again, nothing too graphic. The attacks about the vile nature of the movie isn't from anything we see on the screen but I think it comes from people simply protesting that a "cheap" movie was made about such a tragic event.

As for the film itself, I'd be lying if I called it good. There's no question that the entire film has a very rushed feel to it. There's also no question that Cardona just wanted to get anything on the screen no matter if it was the truth, a lie or somewhere in between. The story structure is what really kills the movie because the first time we see Jones (named Johnson here) he's already a raving maniac so it's hard to believe that, by looking at him, anyone would follow him into a jungle. Had the film showed whatever character he had to talk people into following him then I think it would have paid off a lot better instead of having him be a maniac throughout. The film, in its uncut form, also runs a bit too long with too many repeat scenes of Jones just rambling.

There are some good moments in the film that are often overlooked and this includes the final twenty-five or so minutes once the Congressman arrives on the scene with the media. The final moments of the story are quite entertaining, although many of the death scenes are handled so poorly that it was hard to get any real impact from them. Another good thing was the performance of Whitman. I thought he was actually quite believable in the role and it's too bad he didn't get to play this character with a better screenplay. Berry was also good in his supporting role and there's never a bad time when you get to watch Joseph Cotten and John Ireland.

GUYANA: CULT OF THE DAMNED has been overshadowed by other, more graphic films from the director as well as a made-for-TV movie that followed. Still, on its own terms, the movie isn't nearly as awful as its made out to be. Who knows. Had the director actually taken his time with the material and had a better screenplay, it had the elements for something better.
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2/10
Another slice of horror exploitation from the makers of SURVIVE!
virek21318 August 2001
From the Mexican film crew that gave us the infamous 1976 exploitation flick SURVIVE! comes the equally disgusting GUYANA: CULT OF THE DAMNED, loosely (and I do mean LOOSELY) based on the events leading up to the Rev. Jim Jones leading more than 900 of his cult followers to a cyanide-laced death in the Guyana rainforest. Only this time, however, the filmmakers managed to bribe a lot of big names to play real people whose names have been changed to protect the innocent and the guilty. Gene Barry, John Ireland, Stuart Whitman, Yvonne DeCarlo, and a whole host of others can hardly call this either one's shining hour.

But just as SURVIVE! necessitated the making of ALIVE, CULT OF THE DAMNED would be followed (inevitably, and much sooner) by the superb 2-part TV film GUYANA TRAGEDY: THE STORY OF JIM JONES. This film is simply nothing more than gruesome horror exploitation that even slasher film exploiters in the American market would have had a hard time stomaching.
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6/10
CURSE OF THE DAMNED!
BandSAboutMovies16 January 2019
Warning: Spoilers
René Cardona Jr. didn't stop with making a softcore porn shark movie with Tintorera...Tiger Shark or the utterly baffling Bermuda Triangle. Now, he's back to shock you senseless with the kind of true retelling of the Jonestown Massacre, Guyana: Cult of the Damned. He's no stranger to strangeness - after all, his father made Santa Claus vs. The Devil.

Reverend James Johnson - just pretend they say Jim Jones - the fanatic and paranoid leader of the Johnson Temple - again, let's just say People's Temple - is about to move his 1,000 followers from San Francisco to Johnstown - Jonestown - in the jungle of Guyana, all so he can create a utopia that's far away from the sins of the rest of th world.

If you know anything of the real tale, Johnson soons gets out of control, inflicting brutal punishment on anyone that dares go against him. He becomes convinced that a conspiracy - the same one that killed both Kennedys, Martin Luther King Jr. and Malcolm X - is ready to take him out.

That's when Congressman Lee O'Brien - Leo Ryan - goes on a fact finding mission and discovers that it's more like a slave colony than heaven on Earth. And if they don't get the people out now, they'll soon go to Russia. By the end of the film, Johnson has unleashed hit squads on the Congressman, the reporters he's brought along and the defectors they're saving from Johnson. And that's when everyone starts drinking the Kool-Aid (for the sake of fact, it may have either been that brand or the generic Flavor Aid, which they camp also had in its supplies; the flavor was grape, in case you're wondering).

This movie is rife with historical fallacies, but what can you expect from a Mexican grindhouse movie that was released 14 months after the actual incident? You may notice that most of Johnstown was white in this film, while the reality is that most of the People's Temple members were black. Also, Susan Ames - Susan Amos - is murdered in this movie by a man with a knife, but the truth is that she killed her two youngest children and then herself with a butcher knife and asked her daugher Liane to kill her, then kill herself.

There are two cuts of this, with the Mexican cut adding 8 more minutes of torture and gore, if you're looking for that kind of thing. I mean, if you're reading this far, you probably are.

Stuart Whitman (the boxing priest from Demonoid) owns this movie as the Reverend. He's just chewing the screen up, as he totally should, giving huge speeches and being a maniac. This is like a dream scum movie role and Whitman grips it and wrings all he can out of it. It's pretty much as perfect casting as you can get.

Gene Barry plays the Congressman, Bradford Dillman (Piranha) plays the doctor of Johnstown, Yvonne De Carlo plays Susan and you even get a special guest appearance by Joesph Cotten! And look out for Hugo Stiglitz from Nightmare City and Nadiuska, who played Conan the Barbarian's mom!

There was a later TV movie, Guyana Tragedy: The Story of Jim Jones, which won Powers Boothe the 1980 Emmy for Outstanding Lead Actor in a Limited Series or a Special. But for my money, I always go with the grindhouse version of things. This is a sordid, grim affair and that's pretty much why you're going to watch it.
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1/10
This movie tells everything but the truth
skangas15 March 2005
I have to admit that ever since I first heard about this cult I've been terribly interested in knowing just what the tag line of the movie implies that this movie tells you: The Truth Behind the most shocking crime of the century. This movie did everything but fulfill its' promise.

We get introduced to the cult in an opening scene with Reverend James Johnson, the leader of the cult, preaching in a church. He explains that they have gotten a piece of land by the "friendly socialists" in Guyana where they will establish a religious community. This is a key sentence, because the connection between Johnson and socialism becomes established over and over again. For example, in the "Johnsontown agricultural project", they listen to a woman that is trying to teach them Russian while they are working. Later in the movie, the U.S. Ambassador calls Johnson a socialist.

I think that the movie was made too soon after the incident to have any perspective. I was bewildered by the ignorance of the director that actually believed he could get any real insight in the event when not even a year had passed since! He tried and failed miserably, as far as I'm concerned. This movie is not even trying to tell the truth. The director is making almost desperate efforts to draw parallels between "suicide cults" and "socialists" using the infamous "guilt by association" method. I think that this is a very interesting movie if you watch it from that perspective - and bear in mind the echoes of the cold war. If you're trying to get to know what happened - look elsewhere.
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6/10
The other Jim Jones biopic
Chase_Witherspoon30 September 2012
Rene Cardona Jnr's attempt to cash-in on the contemporary Jim Jones cult that resulted in the mass suicide of almost a thousand followers. Stuart Whitman plays the megalomaniacal cult leader, deviant, zealot and polygamist who leads his flock into self-inflicted hardship becoming isolated then paranoid to the point of total delusion and eventual self-destruction.

Frequent Whitman collaborator Bradford Dillman plays Jones' doctor-in-residence who administers the fatal dose, Gene Barry is the doomed American senator trying to investigate the secretive community, and a host of former Hollywood heavyweights (Cotten, DeCarlo, Ireland) and welterweights (Young, Chanel, Noriega, Lucero) fill out the expansive acting ranks. Good to see Cardona's preferred local talent Hugo Stiglitz on board along with beauties Jennifer Ashley and Erika Carlsson playing Jones' long-suffering wife (the trio reunited from "Tintorera"). Whilst not to trivialise the subject, you know you're watching an exploitation movie when those guys are prominent.

Fatally overlong, the long-awaited climax is agonising to watch and not necessarily worth the wait although knowing the conclusion doesn't help the pacing, nor is there much attempt at suspense.

Although there's an apparent ambition to present a serious docu-drama, it's firmly exploitation fodder made for a particular audience. If you want to see the more deferential treatment, then the "Guyana Tragedy" (1980) is probably your go-to picture. Whilst sordid and overlong, I'm faithful to the Rene Cardona factory and appreciate his trademark excess, so it's a thumbs up from my perspective.
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1/10
Acapulco gathering of old stars
EdgarST7 July 2011
A real mess coproduced by México, Spain, Panamá and the U.S., done by the Cardonas with the same sensationalism of other 1970s "films", as "El triángulo de las Bermudas", "¡Tintorera!" and a few others that father and son signed together or separatedly. Everybody spoke their lines in their native languages, many tried to speak English for the "international market"... and were indeed recorded, but finally dubbed for the American version. It is awful in any version. Little was left (I can only guess) of the real facts that made headlines on newspapers. All I can remember now is Stuart Whitman in a blood-red shirt, playing the head of the cult, and all those old familiar faces, probably making fun of what they were doing in Acapulco for a few dollars...
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6/10
Late 70s Hollywood mercenary low budget
darren251418 February 2022
Stuart Whitman got the part of Reverend James Johnson/Jim Jones the first choice for this type of film Richard Burton who in 1978-79 was regularly doing tax haven made films may have been offered the role of the reverend or maybe one of the US Justice officials looking to bring the reverend to justice but most likely turned it down or the producer couldn't afford him (Richard Burton was along with Sean Connery, Roger Moore and Michael Caine in the late 1970s were the big 4 bankable British actors who would sell cinema tickets all over the world so producers around the world would be sending scripts to their managers/agents for them to look at) this was a Tax Haven funded project shot in the US, Mexico and the West Indies financed in Spain with American stars doing this film to pay off their tax bills.
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4/10
Surprisingly tame
preppy-329 September 2021
This is a review of the 115 minute directors cur not the 90 minute American cut.

This is a (supposedly) accurate version of the Jonestown tragedy of 1978 where Jim Jones got his followers all to drink Kool Aid spiked with cyanide and commit a mass suicide. This movie changed the names--JIm Jones is now Jim Johnson--who starts his own congregation in the US. He is deeply distrustful of the US and the CIA in particular and moves everybody to Guyana to start a utopian paradise. Unfortunately he treats his followers like slaves and subjects them to mental and physical torture and prevents them from leaving. The US government hears of this and goes to investigate. It all ends tragically.

Despite its reputation for being graphic and gory this film is really tame. How this got an R rating is beyond me--it's PG-13 all the way. No blood, gore or nudity. That doesn't make it a great movie though. Stuart Whitman plays Johnson and he's pretty good. They also got some respected actors--Gene Barry, John Ireland, Joseph Cotten, Yvonne De Carlo, Bradford Dillman--in major roles and they're all pretty good. It's kind of slow and the DVD transfer is crappy with bad sound and faded color. Still it is respectful and scary story of a tragedy that should never have happened.
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9/10
One of the better true-crime stories ever made
Casey-5226 March 2000
I keep getting this movie confused with "Guyana Tragedy", the TV movie based on the Jim Jones incident. But this is a fantastic film, truly bone-chilling and bizarre! I just saw it on TV (on FOX, of all places!) and could not believe how well-made it was. Having heard mostly negative reviews of the film, I am glad to say that they were all wrong. For the most part, "Cult of the Damned" is a lot more accurate than the TV movie and being a theatrical feature, can actually show more of the massacre than a TV movie's restricted budget and audience. Try to find this on TV sometime or even better, search for it on video! It's long out of print, but well worth the time to look around!
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Based on a true story of the Jonestown massacre.
Serpent-510 October 1999
Universal released and re-edited this Mexican film starring an all-star cast! I saw both prints and it's intresting how Universal added a voice over of a survivor, and made the film more fast pace. I hate to give this film any credit, but some of it more accurate than the TV film GUYANA TRAGEDY. And Stuart Whitman as Jim Johnson (jones) gives a pretty good performance. The rest of the cast looks like they did this film for the money as they look very tried. This film was hated by most critic (especially Siskel & Ebert) and is very offensive at times. If you have to see it, I strongly recommend you see the short version for it more professional put together. But I doubt Universal will ever put this film on tape.
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Pompous windbag guides mindless dolts to Guyana and offers them tasty fruit punch
Dr. Gore25 May 2003
Warning: Spoilers
*SPOILER ALERT* *SPOILER ALERT*

Reverend James Johnson leads his followers to Johnsontown. Not Jonestown. Johnsontown. They build a camp in the jungles of Guyana. It's supposed to be a paradise away from the corrupting influence of the United States. Of course it's all a lie. The cult members do hard labor and are rewarded with rice. This all leads to a visit from a congressman and a buffet line of poisoned fruit punch.

Of course this little exploitation movie is based on the real Jonestown massacre. The names have been changed to protect the innocent, (Whatever!). So you know going into this movie that you will see a mass suicide. This is the ghoulish highlight. We get to watch babies being force fed poison and other scenes of poisoned drinks being shoved down people's throats. I wondered why the cult members kept lining up for drinks when they could see their fellow Johnsontown residents howling in agony in front of them. Ah, cult members. How wacky.

Most of the movie is spent listening to the pompous Rev. Johnson preach to his mindless flock. He gathers them together several times to tell them why he's great and the rest of the world stinks. SNORE! You'll just have to bear through these scenes to make it to the slaughter scene. There are a few scenes of discipline and torture to keep things interesting on the way to the fruit punch exodus. Is the trip worth the destination? Hard to say. I've always wondered what a bunch of brain washed dolts killing themselves looked like. Now I know. Thanks, "Guyana, Crime of the Century"!
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Illegal Pretenders to the Papal Chair
mahatma_phanishwar30 July 2005
In 1978, A Mexican film crew (Mismovision) struck a deal with Mexico City Broadcasting (MCB): In the years that followed, they could use their characters in any way they saw fit. MCB producer Memo Vasqueze, who was responsible for bringing many great cult leader shows to TV throughout the 70s, decided to do a Jim Jones series, and wanted the story to remain as faithful to the Marvel comic as possible, but MCB's sponsor Bambino Machino wanted to sell more toys, so there was a major story rewrite, and they had to push a giant robot into the story! MCB's producers thought Bambino Machino was crazy! Nonetheless, this was to be the first time in a cult leader series in which a cult leader figure (as opposed to a regular pilot, such as in the Japanese METZENGINGER Z) operated a giant robot!

The MCB/Bambino Machino project entitled GUYANA: Crimen del siglo a Mexinization of Jim Jones himself (the project was going to be called GUYANA: Robusteza del Mal), but Bambino Machino got more control than Vasqueze, for whom this show was the last straw. When he left evil cult shows (and worked on soap operas at MCB), it was completely Bambino Machino's show from there on. The next Cult Hero Series, Siempre listo en las tinieblas (1980) and ¡Así es mi tierra! (1981) had MCB in the opening credits! Go figure!

Here we have Bambino Machino's GUYANA: Crimen del siglo, which, despite its shortcomings, should supposedly be a treat for fans of that type of thing! I will say that it was better than the short-lived American series starring Powers Booth (which wasn't TOO bad). Before the excellent new GUYANA film starring Stewart Whitman, this is definitely the least historically faithful GUYANA ever portrayed on film! The attitude was right, the poses and stunts were incredible! But the faithfulness ends with portrayal of Cult Leader Jimmy (Jim-Jam) Jones himself. . .

The STORY is what bugs me! The Mexinization is much more extreme than the aforementioned Marvel Comic from the same year, and here, Jim-Jam's regular foes are nowhere to be seen. Also, his origins have been changed completely! He's from outer space, he has a racing car (Messiah-Machine GP-12000) and rides a giant ship called the Marveller (hmmmm . . . Where DID they get that name . . . ), which transforms into the giant robot Assuptionizer! OK, now this is TOTALLY out of place for IL' Captain Koolaid, even more absurd than any of Ralph Bakshi's "drug-trip" Hobbit adventures (from the last two seasons of the classic animated series)! But that's not all! Bambino Machino ran out of money to do the FX prior to the post-production, and Assuptionizer was replaced by a goofy-looking bozo-clown named Senior Bungles, as it was rumored that some nasty fanatic stole the robot costume! So its appearance was limited to stock footage of the robot, with new footage of Senior Bungles' balloon animal antics spliced in!

But now, let'slook at a few the show's minuses: As, moreover, we are forced to endure more Guyana Cult Tragedy action! In fact, the show is VERY violent! incorporating in certain instances real footage of human brain surgery!

I'll be as brief on the plot as I can: In space, Professor Jehovah, leader of the Angelican Army (his cronies include right hand woman Oblate Sisters of the Assumption, a similar two Caucasian women, and dove-like henchmen) are in pursuit of the space craft Marveller, which comes to Earth and crashes on a mountain in Guyana, freeing an old hermit named Padre Sebastián, who was from the planet Spider (which the big Prof. plundered and destroyed long ago). After a race show, motorcycle stuntman Bert Powers (Ricardo Carrión) (who lives with his sister and little brother, and has a fashion model girlfriend, who's unaware that her boss is actually an Oblate Sisters of the Assumption in disguise! Wow, and you thought the Branch Davidians of the infamous Waco Massacre were out there!) is fatally wounded by Oblate Sisters of the Assumption and the dove-henchmen, who attempt to remove his brain but are thwarted by Padre Sebastián, the old hermit, who injects "grape koolaid" into Bert's jugular artery before turning back into a starfish!

He also receives a metallic bracelet, which stores his cult leader suit (PLUS!!!), shoots holy fire, and is also a communicator for the Messiah-Machine GP-12000 and Marveller, which he can ride and transform into Assuptionizer, which kills 917 "true believers", as we all know, on that ill-fated day (it hurls its punch bowls at it's prey, as opposed to to merely lacing it with stychnide and leaving it there by the wayside for the followers to imbibe at their leisure)!

**SPOILERS** I will say that, ultimately, though incredibly rushed (especially after its slow first half), has its fair share of sick sick scenes, in particular, those depicting the heaps of stagnant dead bodies rotting in the sun, and accompanied by the buzzing of flies on the soundtrack!

Anyhow, after the Assuptionizer kills the congregation off, Jim Jones comes face to face with Professor Jehovah, who, after a little scuffle with our cult leader, grows to giant size, pounds his chest like King Kong, and exerts "The Angelican Army is immortal!!!" Jim Jones does the usual Marveller/Assuptionizer thing and kills the evil Professor the same way he killed everyone else, but this time, with a bit of fire & brimstone thrown in between for dramatic effect (supposedly taken from real life transcripts of real-life sermons but echoing here via the employment of some audio trickery and thus difficult to understand)

My final take: Bambino Machino's GUYANA: Century of the Crime a fun roller-coaster ride with tons of unnecessary (but not unwelcome) sermonizing, and a must-see for Jesus freaks. I say, don't let the minuses get to you, and just sit back and enjoy the plusses!

Not Recommended.
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