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True to its reputation, Paul Verhoeven’s Basic Instinct is graphic and crass and revels in stereotypes about women and men alike. Those qualities, though, don’t distinguish the film from other erotic thrillers. What separates Basic Instinct from the pack is its audacious shamelessness, which skims the knife’s edge of self-parody. Basic Instinct doesn’t hide behind sops to morality. It doesn’t even necessarily want to turn you on, but rather rile you up.

The film’s elevator pitch could be described as “Vertigo if we got to see what Jimmy Stewart and Kim Novak got up to behind those closed doors.” Verhoeven blows his load in the first scene, in which the camera eases into the lush and cavernous bedroom lair of a middle-aged rock star and a gorgeous woman, whose face is obscured by her blond hair. An ornate mirror in the ceiling illuminates them having frenzied sex.

After a couple of iffy choices earlier in the decade, Michael Caine made the surprisingly sweet and enjoyable comedy, Sweet Liberty in 1986. We take a look back…

Michael Caine showed no sign of slowing down as he entered his third decade as a leading man. The 1980s would see him win his first Academy Award (Hannah and Her Sisters), tackle new genres such as horror (The Hand) and shark-based revenge movie (Jaws: The Revenge) whilst continuing to work with interesting new auteurs like Brian De Palma (Dressed to Kill) as well as old friends from classic Hollywood such as John Huston (Escape to Victory).

Film by film, I’ll be taking a look at Caine’s 1980s filmography to see what hidden gems I can unearth alongside the more familiar classics…

Spoilers for Sweet Liberty lie ahead…

Directed by: Alan Alda

Tagline: Alan Alda’s hit comedy about life, liberties and the pursuit of happiness.

Horror fans, get ready—indie genre titans Black Forest Films and Black Mandala have unveiled a thrilling slate of upcoming projects, headlined by the audacious new feature Grand Finale: A New York Odyssey. The film, described as Dressed to Kill meets Maniac, stars drag sensation Love Connie in a bold, genre-defying performance that promises to blend horror, surrealism, and New York City grit.

Touted as a “fever dream of horror, performance, and mayhem,” Grand Finale explores the darker undercurrents of the city that never sleeps through the lens of a provocative and unpredictable narrative. Production is set to begin this November.

Joining the cast is an ensemble of cult-favorite talent, including Ezra Buzzington, Peter Stickles, Debbie Rochon, Nora Burns, and Galen Howard.

With its mix of horror royalty, underground icons, and boundary-pushing style, Grand Finale: A New York Odyssey is already shaping up to be a must-watch for fans of transgressive cinema.

Kiss are celebrating the 50th anniversary of their seminal album Dressed to Kill with an audio walking tour through the streets of New York City.

The innovative walking tour launches on March 22nd in partnership with Pophouse. Fans will be able access the audio on their mobile devices via Kiss’ website, and can start the trek on West 23rd and 8th Avenue in Chelsea, where an iconic photo of the band (seen above) was taken.

From there, you will hit numerous NYC venues vital to the Dressed to Kill story, with the accompanying audio featuring interviews with Paul Stanley, Gene Simmons, and photographer Bob Gruen. For those unable to make to NYC in person, the audio can be streamed via the aforementioned website link.

Dressed to Kill was released in 1975 as the band’s third studio album. Notably, the LP closes with arguably Kiss’ most well-known song, the Stanley-Simmons penned “Rock and Roll All Nite,...

Of all the "movie brat" directors that came out of the New Hollywood era, Brian De Palma has to be the most underrated. While audiences always remember his most popular films, like Scarface, The Untouchables and Carlito's Way, they tend to overlook some of his most compelling work. Before spending the latter part of his career making gangster movies and crime dramas, De Palma was the "movie brat" most associated with horror and thrillers. Aside from being the first director to adapt a Stephen King book, his love and passion for the history of horror in cinema went on to inspire him to tell those kinds of stories throughout the first decade of his career.

De Palma's first movie to attract audiences was the 1972 thriller Sisters, which highlighted his grasp of edgy material inspired by thrillers of the past. De Palma would make multiple thrillers and horror films in the '70s,...

After William Friedkin’s Cruising spent the better part of the aughts as the subject of earnest, if guarded, revisionist critique, how does the film hold up in our current era of representational politics and trigger warnings? And why does it feel like how you answer that question will determine which side pocket you keep your handkerchief in?

The gay side of Film Twitter had previously treated Friedkin’s 1980 ode to fisting, frottage, and flash cuts with a level of curiosity nearly equal to the fury of the disco era’s gay community. What currency could an undercover police officer’s punk-disco battle with the monsters in his closet possibly have when held against the ironic sense that an avowed sexual assaulter with a fondness for golden showers will soon be the one to usher in a rollback of LGBT gains at every level? But in its day, Cruising was...

We hear all the time that a movie starts on the page, and while this is true in an overarching sense, for practical purposes, the process of making a motion picture intended to screen in theaters or stream into living rooms starts when you've raised enough money to hire the actors and crew and so on required to get that page-bound vision before a camera. It's at this point that you begin fretting about getting a return on your investment and, just maybe, turning a profit. In this sense, all filmmaking is risk-taking.

This is the movie business, and it didn't used to be of widespread public interest. Once in a blue moon, people would be aware that a film like Joseph L. Mankiewicz's "Cleopatra" cost a studio-devouring amount of money; meanwhile, they could tell "The Exorcist," "Jaws" and "Star Wars" were making scads of money because they could...

Lifetime, purveyor of guilty pleasures and melodramatic mysteries, delivers a fresh dose of intrigue with “Dressed to Kill.” This time, the runway of high fashion becomes a crime scene, and the stiletto heel could very well be the murder weapon. Brianna Cohen stars as Amy, a fashion assistant whose life takes a sharp turn when […]

Dressed To Kill Lifetime Movie Network Premiere, Friday, January 3...

Arrow Video’s March 2025 releases promise a treasure trove of cult cinema, featuring everything from gory giallo to shark-infested waters and a Japanese gem making its international debut. With restored classics, genre-defining hits, and packed collector’s editions, this line-up is a must for film fans.

The headline release is Lucio Fulci’s Don’t Torture a Duckling, arriving on 24 March in a pristine 4K restoration. Considered Fulci’s masterpiece, this 1972 giallo blends mystery and horror with biting social commentary. Following a series of child murders in a superstitious village, journalist Andrea (Tomas Milian) and socialite Patrizia (Barbara Bouchet) uncover shocking secrets. With its brutal violence and critique of the Catholic Church, Don’t Torture a Duckling is both provocative and essential viewing. Arrow’s edition includes a collector’s booklet and reversible sleeve, perfect for fans of Italian cinema.

On 3 March, Brian De Palma’s Dressed to Kill arrives in a Limited Edition 4K Uhd.

As Kate Miller’s (Angie Dickinson) guilt turns into trepidation after encountering the stranger at the elevator’s entrance in “Dressed to Kill”, the background score converts from a pensive longing to a soul-tearing screech. We’re alerted to a horrid possibility even before the stranger’s razor has risen or Kate’s wailing and pleas fall on our ears.

Apart from the musical cues, this tragedy has already been foreboded to us by Brian De Palma, who gives us a glimpse of the shadowy figure stalking Kate at least twice before in this tense sequence. These prompts are effective signals that keep the viewers on the edge of their seats, reimposing the dread they would’ve anticipated after coming across its grim title and promotions onto an atypical slasher start: it is a story of marital discord and extramarital agony till Kate’s tragic run-in.

This murder sequence from “Dressed to Kill,...

Police dramas were flourishing in the 1970s (and later parodied in the 1980s) thanks to "Dragnet" when television writer Robert L. Collins hit upon what counted as a genius notion at the tail end of the Richard M. Nixon administration: what if instead of "policeman," "policewoman?" NBC said "Show us," and Collins responded with the buzzy "Police Woman" starring Angie Dickinson as Sergeant Suzanne "Pepper" Anderson.

"Police Woman" was about as progressive as you could expect from an hour-long network drama in the '70s when it was rare for a drama of any genre to be headed up by a woman. Once a week, Dickinson struck a quasi-feminist figure as an ultra-capable officer of the law with a penchant for dressing in tight-fitting shirts in pants. At least once she went undercover in a swimsuit. And as she complained to the press years later, the writers liked to have...

Our odyssey through the work of Michael Caine reaches a grim nadir: the 1984 comedy Blame It On Rio. Brace yourselves, readers.

Michael Caine showed no sign of slowing down as he entered his third decade as a leading man. The 1980s would see him win his first Academy Award (Hannah and Her Sisters), tackle new genres such as horror (The Hand) and shark-based revenge movie (Jaws: The Revenge) whilst continuing to work with interesting new auteurs like Brian De Palma (Dressed to Kill) as well as old friends from classic Hollywood such as John Huston (Escape to Victory).

Film by film, I’ll be taking a look at Caine’s 1980s filmography to see what hidden gems I can unearth alongside the more familiar classics…

Spoilers for Blame it on Rio lay ahead…

Directed by:

Stanley Donen

Tagline:

This had multiple taglines, starting innocuous enough but I became increasingly uneasy as they went on…...

Next week’s hyper-contentious election and its face-off between virulently opposed camps has cast a fearful pall over our culture, creating an atmosphere where political terrors are outdoing the movie versions. Why hasn’t someone made a slasher pic about volunteers canvassing door-to-door at dusk?

This uneasy vibe has foregrounded an uncomfortable truth about horror films: how they often come with subtle political messages that are not always subtle enough to obscure which way they might vote in November. (To be clear, films cannot cast votes in a presidential election.) For example, you could easily argue that one of the most blatantly Republican horror movies was The Exorcist, along with the entire satanic-possession genre. In William Friedkin’s 1972 original, science and modern medicine are completely powerless to dent the demon who has possessed the innocent victim, leaving it up to the patriarchal Catholic Church to take on Pazuzu (and forge...

British TV's best-loved crime procedural is returning very soon. After debuting in 1997, Midsomer Murders has become a television institution across the pond, with John Nettles' Dci Tom Barnaby replaced in 2011 by the current chief inspector and Tom's younger cousin, John (Neil Dudgeon). Not only is the series a British icon, but Midsomer Murders has also been broadcast internationally in over 200 countries and territories, proving its widespread appeal. Now, after quite a wait since the start of Season 23, Radio Times has confirmed that the finale of the landmark season will be arriving on ITV on Sunday, November 10. However, this is set to be a special one-off episode to mark the end of the season, titled "Dressed to Kill". An official synopsis for the episode reads:...

On The Penguin Season 1 Episode 6, Gotham turns into a beer-versus-wine kind of world — or at least that’s the idea Oz tries to sell to the city’s crime lords.

His whole “haves and have-nots” speech felt like an attempt by the writers to inject some social commentary, but it didn’t quite fit, even if it aimed to show Oz at his manipulative best.

The message came off as forced, an attempt at depth that didn’t really land in the gritty world of high-stakes crime. After all, these are crime lords, not low-level street thugs.

(Photograph by Macall Polay/HBO)

Sure, Oz loves to play the mastermind, but do any of these crime lords actually think his plan will work?

If they do, they’re in for a rude awakening because the only thing guaranteed is a bloodbath.

The only one I see making it out unscathed is the head of the Triads.

Amazon Prime fans can now rent or buy one of the most daringly sensual and erotic horror films of recent decades, Dressed to Kill, a 1980 psycho-killer thriller written and directed by Brian De Palma. De Palma made no secret of borrowing from, and intending an homage to, Alfred Hitchcocks landmark Psycho, the first slasher movie. The shocking murder of the leading lady early in the film, sexually conflicted characters, suspenseful twists and reversals, nude shower scenes, and even some famously familiar shots are all things both films share. De Palma had the advantage of better special effects and a looser censorship atmosphere than Hitchcock did in making his film even more gruesome over twenty years later, with no shortage of blood and gore. As a result, the MPAA originally gave the film an X rating.

Movie buffs everywhere look forward to Tarantino‘s upcoming season of his film podcast with his past collaborator Roger Avary. Earlier in August, The Video Archives podcast would post on their social media, inviting fans to send in questions in an analog fashion — by postcard. Their post read, “You may have heard rumor that we’re gearing up for Season Two. On instagram, Gala outlined the perfect way to get your question answered: a postcard! Want to send one?” Then, the post provided the address to get your questions to Tarantino and Avary.

Just in time for Halloween, The Video Archives podcast announced the return for season 2 on October 29. Additionally, they have announced that you can find full, ad-free episodes and aftershows on their Patreon. Their post reads, “The store is officially open starting October 29th. Find us over on @Patreon for full, ad-free episodes and The Aftershows. https://patreon.

It seems appropriate to read about some of our greatest filmmakers during the fall. (Festival season! Prestige pics! Megalopolis mania!) Plus, a guide to cinema for kiddos from A24, a look at one of Schwarzenegger’s most fun flicks, and lots of noteworthy novels. And watch for one more roundup before the end of 2024.

The De Palma Decade: Redefining Cinema with Doubles, Voyeurs, and Psychic Teens by Laurent Bouzereau (Running Press)

Documentary filmmaker and occasional author Laurent Bouzereau has found a novel way to approach the work of Brian De Palma. In The De Palma Decade, he focuses specifically on seven films that made the director one of filmdom’s most famous and infamous figures: Sisters, Phantom of the Paradise, Obsession, Carrie, The Fury, Dressed to Kill, and Blow Out. It was a remarkable run, and Bouzereau adroitly analyzes what makes them so powerful. The book also features interviews with...

What do you get when you cross a glossy all-star business drama with a kinky Italian horror flick, a German crime procedural, and “Fiddler on the Roof?” That insane mix may sound too good to be true, but it’s not — it’s a movie that actually exists. It’s called “Bloodline,” it was released by Paramount in 1979, and after years of intermittent accessibility on home video, it’s now available in a beautiful Blu-ray edition from the boutique label Vinegar Syndrome.

At the time of its release, “Bloodline” wasn’t a success by any criteria, but it was a major release thanks to an international cast consisting of Audrey Hepburn, Ben Gazzara, James Mason, Romy Schneider, Omar Sharif, Beatrice Straight (just a few years after her Oscar-winning turn in “Network”), Irene Papas and others. The fact that it was based on a novel by bestselling author Sidney Sheldon — who...

“Never Let Go” is finally here.

And the new supernatural thriller from French filmmaker Alexandre Aja is built around an ingenious concept: a woman (Halle Berry) and her two children (Percy Daggs IV and Anthony B. Jenkins) live alone in a cabin deep in the woods. According to her, a malevolent presence haunts the woods and society has fallen as a result of it. She makes a series of rules for their survival, like being tethered to the house by a rope at all times.

But is she nuts? Or are these really these things out there?

That is something that is played with for much of the movie’s runtime. And it leads to one of the more shocking moments of the film. TheWrap spoke to director Aja about this moment.

Major spoiler warning. Seriously. Turn back now and return to this article after you’ve watched (you don...

Carolyn Bracken, who plays the blind protagonist of Damian McCarthy’s recent chiller “Oddity,” and veteran character actress Caroline Goodall are set to star in Italian director Andrea Corsini’s psychological horror film “Beasts of Prey.”

Cameras recently started rolling in Italy’s northern regions of Lombardy and Piedmont on the English-language “Beasts of Prey,” which is being described as a “complex and thrilling story about the never-ending struggle between the rational and the animal side of human nature” in promotional materials.

“Beasts of Prey,” which is Corsini’s first feature, expands on the director’s short by the same title — about a strange woman who lives in an abandoned villa on the edge of a wild forest — that launched from the 2019 Venice Film Festival’s Critics’ Week.

“The life of a rich art collector is shattered by a tragic event. Destroyed by this unbearable pain, an instinctive and primordial...

The following article contains discussions of suicide and murder. Reader discretion is advised.

Anneka Di Lorenzo was a prominent model and exploitation film star whose tragic and mysterious death remains unsolved. Born on September 6, 1952, in St. Paul, Minnesota, Marjorie Lee Thoreson ran away to Los Angeles after her parents' divorce (via Yahoo). There she worked as a topless dancer, cocktail waitress, and receptionist, often under pseudonyms. In 1973, she appeared in Penthouse, under the name Anneka Di Lorenzo, thanks to the assistance of publisher Bob Guccione.

Guccione helped cast Di Lorenzo in the controversial Caligula, an erotic history film that Roger Ebert famously walked out of. Di Lorenzo continued acting in exploitation films like Mama's Dirty Girls, Act of Vengeance, and Messalina, Messalina!, all of which came out before Caligula due to the film's production problems. Her final role came in the Michael Caine psychological horror thriller, Dressed to Kill. Then tragically,...

While his films have ranged from the sublime to the atrocious, there’s no denying the impact Brian De Palma has had on cinema. Let’s take a look back at 20 of his greatest films, ranked worst to best.

De Palma began his filmmaking career directing underground features shot on a shoestring, many of which starred a young Robert De Niro. He came into his own with the Hitchcock-inspired thriller “Sisters” (1973), starring Margot Kidder as a pair of killer Siamese twins. The Master of Suspense would serve as a muse to De Palma throughout his career, influencing such films as “Obsession” (1976), “Dressed to Kill” (1980), “Blow Out” (1980) and “Body Double” (1984) both in style and substance.

He enjoyed his first box office success with “Carrie” (1976), an adaptation of Stephen King’s chilling novel about a shy teenager (Sissy Spacek) with telekinesis. The film brought Oscar nominations to Spacek and Piper Laurie...

Venice has got its sexy back. Erotica of all varieties — gay, straight, kinky and theoretical — is on glorious display at this year’s Venice Film Festival, with plenty of sizzling action onscreen and little of it gratuitous.

Two of the, em, hottest festival titles this year — Halina Reijn’s Babygirl and the TV series Disclaimer from Alfonso Cuarón — open with orgasms. Babygirl also climaxes to a close, with star Nicole Kidman, playing a tech manager who discovers a taste for Bdsm, in a state of near or total undress throughout much of the movie.

Queer, an adaptation of William S. Burroughs’ autobiographical novel, and the latest from Challengers and Call Me by Your Name filmmaker Luca Guadagnino — a director apparently on a one-man mission to bring back sexy cinema — stars Daniel Craig as a drug-addicted American expat in Mexico, circa 1950, who begins to obsess over, and pursue, a younger, bi-curious navy sailor,...

Quick Links Movies Coming to Prime Video Movies Coming to Peacock Movies Coming to Hulu Movies Coming to Shudder Movies Coming to Max Movies Coming to Netflix Movies Coming to Paramount+

Cinephiles love nothing more than a great movie, with each genre offering a distinct sense of excitement, whether it's a spine-chilling horror or a mind-blowing thriller. Furthermore, seeing them on the big screen provides an entirely different experience compared to viewing them on a mobile device or laptop. However, if you want to forgo the theater this month, you can watch new films on the abundance of streaming services that release a slew of new movies each month. To help you keep track, we've compiled a directory of every movie available on major streaming services in September 2024, including Netflix, Prime Video, Hulu, Disney+, and more.

Movies Coming to Prime Video

Columbia Pictures/Republic Pictures/Studio Canal

Here's every movie...

After a busy August with the Season 2 premiere of “The Lord of the Rings: The Rings of Power,” which continues throughout September with new episodes through Oct. 3, “Batman: Caped Crusader,” and more, Amazon streaming services Prime Video and Freevee will have a comparably quiet September.

Most of the action for the month will come from Prime Video’s sports options. After the Sept. 5 Kickoff Game at Arrowhead Stadium with the defending Super Bowl Champion Kansas City Chiefs going up against the Baltimore Ravens, Prime Video’s third season of Thursday Night Football begins with AFC East champs Buffalo Bills taking on the Miami Dolphins in Miami. The WNBA and Nwsl also continue their seasons on Prime Video, with matches all month long from New York Liberty, Phoenix Mercury, Angel City Fc, and more top teams.

But Prime Video will welcome a few new series this month, including the highly publicized...

It may be quite some time until we learn what Quentin Tarantino’s 10th and final film will be now that The Movie Critic has been removed from the slate, but we do at least have another Qt project to look forward to: season two of The Video Archives Podcast which, he co-hosts with Pulp Fiction co-writer Roger Avary.

While we don’t know the release date, a post on The Video Archives Podcast X page teased that the sophomore season is in fact coming: “You may have heard rumor that we’re gearing up for Season Two. On instagram, Gala outlined the perfect way to get your question answered: a postcard! Want to send one?” Then, the post provided the address to get your questions to Tarantino and Avary. This is actually one of the cooler elements to the Video Archives Podcast; sticking with the analog theme to the series,...

When you look at the true legacy of a scream queen there are a lot of options out there to choose from. When looking at the top of the heap though? I’d argue that there really is only one option. Jamie Lee Curtis has been making horror movies in 6 different decades now and while a lot of them are directly tied to her most famous franchise with 7 of her horror films being in the Halloween series, there’s so much more. In fact, her run from 1978 to 1981 includes the likes of Halloween 1 and 2, The Fog, Terror Train, and Prom Night. All of those movies have now been remade and are considered classics but there is one in there that doesn’t get talked about enough, was a bomb when it came out, but keeps getting better with age. While Halloween II came out and stole the spotlight in 1981, Road Games...

There are various suggestions as to when the slasher movie sub-genre began, but it's safe to say it's been with us for at least 60 years. And in those 60 years, there's been a lot of dreck. That's not a bad thing, mind you — dreck can be fun! The slasher film, with its propensity for graphic kills and unstoppable killers taking center stage, is prone to sleaze and cheese, and that can be mighty enjoyable. It's a matter of taste — can you stomach what's being churned out? Or will you head to the toilet and lose your lunch? And then ... will you come back for more?

A new month is upon us, which means it's time for me to yet again highlight some streaming horror titles. And this month is all about slashers! Before we get to it, some ground rules. I tried not to be too obvious here. There are a...

Our journey through Michael Caine’s 80s work reaches one of his best: Educating Rita, co-starring a powerhouse Julie Walters in the title role.

Michael Caine showed no sign of slowing down as he entered his third decade as a leading man. The 1980s would see him win his first Academy Award (Hannah And Her Sisters), tackle new genres such as horror (The Hand) and shark-based revenge movie (Jaws The Revenge) while continuing to work with interesting new auteurs like Brian De Palma (Dressed to Kill) as well as old friends from classic Hollywood such as John Huston (Escape To Victory).

Film by film, I’ll be taking a look at Caine’s 1980s filmography to see what hidden gems I can unearth alongside the more familiar classics…

Spoilers for Educating Rita ahead…

Directed by: Lewis Gilbert

Tagline: Frank Bryant is a professor of literature. And Rita is his newest student.

1978's The Swarm was called the worst movie ever. This was the case in spite of the fact that it starred MIchael Caine, Henry Fonda, and seven other Oscar nominees. The movie's 9% Rotten Tomatoes score belies its quality, though it still has entertainment value.

The 1978 movie The Swarm, which features a star-studded cast that includes Henry Fonda, Michael Caine, and many other Oscar winners and major celebrities, has been called "the worst movie ever." This is an astonishing fact considering the track record of its cavalcade of major performers. Critical reception for movies featuring these stars has generally been high. In fact, on Rotten Tomatoes, only 10 of Fonda's 41 pre-1978 movies later received Rotten scores.

Michael Caine had also only had 10 Rotten movies before The Swarm. While the iconic star's career has varied wildly between beloved classics and outright flops, he is best known for well-received movies as varied as the...

This Saturday night from 9:00 pm, CBS presents a double feature of “48 Hours,” offering back-to-back encore episodes. First up is “Murder by Clown, “on May 26, 1990, Marlene Warren answered the door of her Florida home to a chilling sight: a clown offering balloons and flowers. In a shocking twist, she was shot, with […]

48 Hours: Crime Time Double Feature: Dressed to Kill...

Mia Goth in MaXXXinePhoto: A24

Spoiler Space offers thoughts on, and a place to discuss, the plot points we can’t disclose in our official review. Fair warning: This article explains the ending of the movie MaXXXine.

Spanning most of the 20th century, Ti West and Mia Goth’s chameleonic...

With The Case of the Bloody Iris, director Giuliano Carnimeo and writer Ernesto Gastaldi constructed one of the quintessential giallo films from that genre’s peak period in the early 1970s. Though it may lack the operatic excesses of Dario Argento’s “Animal” trilogy, the 1972 film is meticulously assembled with a keen eye to visual stimulation, and conveys its commentary about matters of race and gender at an almost subliminal level. What’s more, the filmmakers knowingly tinker with some of the iconic tropes of the giallo.

The Case of the Bloody Iris’s narrative centers around a 20-story Genovese apartment complex of Brutalist architectural design. Most of the action takes place in three neighboring flats. These settings emphasize the alienation of modern urban existence, as well as the kind of creeping paranoia that stems from living packed in tiny cubes on top of each other. The opening set piece...

Even the best filmmakers in history take big, ambitious swings and completely miss the mark at times. In the case of Brian De Palma – the supremely talented New Hollywood director behind such all-time great classics as Carrie, Dressed to Kill, Blow Out, Scarface, The Untouchables, Carlito’s Way, and more – many consider his most glaring cinematic blemish to be tone deaf adaptation of The Bonfire of the Vanities in 1990. However, if general moviegoers and De Palma fans knew about the crushing production woes relating to the ending of his uneven 1998 crime thriller Snake Eyes, perhaps they’d reassess their opinion.

Indeed, the original ending of Snake Eyes is so drastically different than what transpires at the end of the theatrical cut that it’s nearly impossible to judge the movie’s intentional merits versus the final product. Of course, the grand irony about the brutally botched ending of Snake Eyes is...

Say what you will about Max, Paramount+, Hulu, and the like, but when it comes to horror films (and television series), there's one definitive streaming service: Shudder. And, for those who like to feverishly eat popcorn in anticipation of the next scare in June as much as they do in October, don't worry because another new month means another new selection of content for the spooky streamer.

Just as April had a mixture of (relatively) old favorites such as Drag Me to Hell and Shudder exclusives such as Late Night with the Devil, so too does June. And, don't forget, in May, Shudder added B-movie classics like The Toxic Avenger, Gorgo, The Giant Gila Monster, Graduation Day (1981), and Mother's Day (1980). In other words, June's additions make for some particularly red icing on what horror fans are sure to call a delicious cake.

Funeral Home (1980) Streaming June 1 Your browser does not support the video tag.

Samm-Art Williams, whose Tony-nominated 1979 play Home is being revived on Broadway this year and whose TV producing credits include Fresh Prince of Bel-Air, Martin and Hangin’ with Mr. Cooper, died peacefully today in Burgaw, North Carolina. He was 78.

His death was announced by family.

Born Samuel Arthur Williams on January 20, 1946, in Philadelphia, Williams was a prolific playwright, screenwriter, actor, and producer.

Performing as Samm Williams, he got his start on the New York stage in the early 1970s, appearing in notable plays such as Black Jesus and, with the New York’s Negro Ensemble Company, Nowhere to Run, Nowhere to Hide and Liberty Calland. By the mid-’70s he began performing in other Off Broadway shows under the name Samm-Art Williams.

By the end of the decade, Williams had made his mark as a stage writer, and is today best known for Home, a drama originally staged by the Negro...

JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.

JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.

JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.

We're big fans of the horror genre here at /Film. In my humble opinion, it's the best of the film genres — one that can be molded, sculpted, and altered to fit into different-sized packages. Horror can be therapeutic. It can elicit emotions in us that remind us we're still alive and kicking. Like Nicole Kidman in that annoying AMC ad, we come to this place for magic. We come to horror movies to love, to cry, to care. Because we need that, all of us. With that in mind, we're unleashing a new monthly feature where we highlight the best horror movies to stream this month. So let's get ready to scream/stream.

Read more: The 15 Best Horror Movie Directors Of All Time

Late Night With The Devil

Streaming on Shudder April 19.

A horror mockumentary that plays its cards just right, "Late Night With the Devil" is one of the...

JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.

JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.

JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way.

For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.

I’ve always felt that the 1979 horror film Tourist Trap (watch it Here) deserves a lot more respect and attention than it gets – and that star Chuck Connors (best known for The Rifleman) deserved the “genre icon” career he was aiming for when he signed on for the movie. Barbara Crampton is someone who did achieve a genre icon career, and she clearly believes there was something great going on with Tourist Trap, because our friends at Bloody Disgusting have learned that she is producing a remake of the film!

Crampton is the Vice President of Production & Development at Alliance Media Partners, and the company has just acquired the rights to make a new version of Tourist Trap. Crampton will be producing the film alongside Bob Portal, who is Amp’s Managing Director & Head of Production.

Produced by Full Moon founder Charles Band, the original Tourist Trap stars Connors as Mr.

JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way.

For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.

JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...

World-renowned director Steven Spielberg was at the height of his career when he made the Oscar-winning film "Schindler's List," but he wasn't the only filmmaker who was interested in adapting the novel of the same name for the silver screen. The acclaimed director Billy Wilder, an auteur of classic Hollywood cinema who penned and directed such renowned films as "The Apartment" and "Sunset Boulevard," was also vying for the rights to turn this story into a movie. However, by the time Thomas Keneally's evocative historical novel was published in 1993, Wilder's career was already winding down.

For a long time, Wilder enjoyed one of the most prosperous careers in Hollywood. His Oscar-nominated 1944 film "Double Indemnity" is considered the signal film of noir cinema and the model of the femme fatale trope. After Wilder's smashing success "Sunset Boulevard" earned three Oscars in 1951, he quickly went on to release several star vehicles...

JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...

JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...