With a crazy over-the-top title like "We're Going to Eat You!", you should already know not to expect a cannibal film with nail-biting suspense and/or disturbing shock sequences, but more of a deranged black comedy with absurd situations and a light-headed ambiance. It all depends on your personal sense of humor, of course, but I thought this was a truly relaxing and imaginative Hong Kong cult film! There's not much of a storyline, but the gazillion Kung-Fu fighting sequences are masterfully choreographed and indescribably spectacular. On more than one occasion during these grotesque fights, I wondered how the hell it was possible for certain people to be so ingeniously pliant! The story's hero is Special Agent 999 who, in his quest to arrest the wanted criminal Rolex (I guess he steals watches) travels to an island inhabited by a strange community of cannibalistic weirdos. Agent 999 teams up with an eccentric loner and the only vegetarian girl in town to battle his way off the island again. The script limits itself to showing how 999 & C° get captured by the cannibals and how they subsequently fight their way out of the bubbling cauldrons again, so you really shouldn't consider watching this HK-splatter flick for its intelligent dialogs or slowly oozing suspense. The fights are funny and creative, with the roller-skating sequence as the absolute highlight, and also quite gory, since many of 999's opponents meet their death on sharp cooking objects like meat cleavers and butcher knives. The acting skills of the performers are modest, but they're artists of a different breed! Norman Chu, Eddy Ko and Melvin Wong know copious amounts of exhilarating Kung Fu moves and these definitely compensate for the lack of competent plotting. "We're Going To Eat You" is honestly one of the most entertaining & unpretentious horror-comedy hybrids I ever had the pleasure of seeing. Warmly recommended to watch with a bunch of friends on a lazy Saturday evening.
16 Reviews
Wild mix of humour, horror, and kung fu
Leofwine_draca3 December 2016
Warning: Spoilers
The second horror film from Chinese director Tsui Hark (after 1979's BUTTERFLY MURDERS) is a crazed, madcap variation on the old Texas CHAIN SAW MASSACRE theme, with a gang of insane masked cannibals wielding meat cleavers making life difficult for our hero, the oddly-named 999. 999 is a kung fu fighting hero (is there no other?) who is searching for the equally bizarrely-monikored Rolex (just who chose the names in this movie?), a missing criminal who has vanished into a remote island off the coast of China. What follows is like one live-screen cartoon as 999 and his various friends repeatedly fight off attacks from dozens of hungry cannibals, who themselves are starved of food due to the rule of their nasty leader, the power-mad Eddy Ko (from John Woo's HEROES SHED NO TEARS).
This bizarre, one-of-a-kind movie has plenty of diverse ingredients to recommend it. Unusually for what is primarily an action movie, there is plenty of characterisation and throwaway lines for both the good guys and the villains, and the acting is of a strong standard throughout with plenty of amusing performances. Hark mixes plenty of well-choreographed martial arts into the film's formula, as 999 fends off a dozen cleavers and battles it out with the leader of the village. The film has a distinctive visual style, with the emphasis on the bizarre and unnatural, and plenty of music is ripped off SUSPIRIA which makes for a weird experience. Not only are there a gang of gargoyle-like baddies on the loose, but there's also a sex-mad transvestite and twisted, contorted appearances a plenty. The film is fairly violent but with the emphasis on the humour in the violent scenes, with bubbling stews of human entrails and limbs being torn off. But in the end the wild mix of humour, horror, and kung fu comedy is what makes this concoction work.
This bizarre, one-of-a-kind movie has plenty of diverse ingredients to recommend it. Unusually for what is primarily an action movie, there is plenty of characterisation and throwaway lines for both the good guys and the villains, and the acting is of a strong standard throughout with plenty of amusing performances. Hark mixes plenty of well-choreographed martial arts into the film's formula, as 999 fends off a dozen cleavers and battles it out with the leader of the village. The film has a distinctive visual style, with the emphasis on the bizarre and unnatural, and plenty of music is ripped off SUSPIRIA which makes for a weird experience. Not only are there a gang of gargoyle-like baddies on the loose, but there's also a sex-mad transvestite and twisted, contorted appearances a plenty. The film is fairly violent but with the emphasis on the humour in the violent scenes, with bubbling stews of human entrails and limbs being torn off. But in the end the wild mix of humour, horror, and kung fu comedy is what makes this concoction work.
Once in Hell, there's no door out!
Hey_Sweden5 March 2019
The second directorial effort for the celebrated Hark Tsui, "We're Going to Eat You" is a gloriously insane combination of martial arts mayhem, slapstick comedy, and the splatter genre. Norman Chu stars as Agent 999, an operative for the "Central Surveillance Agency", who ventures deep into the jungle to find and apprehend a bandit known as - ha, ha - "Rolex" (Melvin Wong). He does find his quarry, but he also finds an entire village full of bloodthirsty - and energetic - cannibals.
Often extremely amusing and never boring, this film seems determined to never let you catch your breath for long. It reaches a fever pitch early on and actually maintains it, generating a lot of appreciative guffaws from the viewer. Truth be told, it does come off as maybe TOO much at times, but at least one never has to wait long for more choice moments. The performances are, by and large, VERY hammy, and dialogue is delivered in a priceless sing-song style. The characters are over-the-top from beginning to end. Tsui populates the cast with some very distinctive and unhandsome faces. The comedy is uproarious, and the filmmakers never skimp on the gore. Effective pacing results in a reasonably tight run time of just under an hour and a half.
"We're Going to Eat You" is certain to delight lovers of cinematic nuttiness. If you've always enjoyed Italian jungle / cannibal exploitation cinema, but thought that it could use more comedy and action, then THIS is the movie for you.
Highly recommended.
Seven out of 10.
Often extremely amusing and never boring, this film seems determined to never let you catch your breath for long. It reaches a fever pitch early on and actually maintains it, generating a lot of appreciative guffaws from the viewer. Truth be told, it does come off as maybe TOO much at times, but at least one never has to wait long for more choice moments. The performances are, by and large, VERY hammy, and dialogue is delivered in a priceless sing-song style. The characters are over-the-top from beginning to end. Tsui populates the cast with some very distinctive and unhandsome faces. The comedy is uproarious, and the filmmakers never skimp on the gore. Effective pacing results in a reasonably tight run time of just under an hour and a half.
"We're Going to Eat You" is certain to delight lovers of cinematic nuttiness. If you've always enjoyed Italian jungle / cannibal exploitation cinema, but thought that it could use more comedy and action, then THIS is the movie for you.
Highly recommended.
Seven out of 10.
lip smacking good
Azzy29 May 2001
two men walk in the forest on an island. they are briefly separated, when the fatter of the two is attacked by four men with cleavers, wearing aprons and leatherface masks. after he is hacked to death, the other one is cornered and brought back to a village, he pleads "can't we all get along" and then he is put on a table and sawed in half.. no none of this is half as gory as is sounds. in fact it is oddly funny. After all these four are just feeding a large community who don't have enough meat. unfortunely, there favorate meat is called traveler (the other white meat). the leader of the the group (eddy ko ,LEATHAL WEAPON 4, HEROS SHED NO TEARS), who dresses like he just robbed a third world dictator, is giving most of the meat to the 'security forces (leatherface look alikes) and the population is getting restless. he manages to placate them a bit, by sending them to a funeral, but all is not well in this glorious canabal paradise (yes there are serious overtones of comunism in this film). now enters security agent 999, hot on the trail of a bandit who now lives in the village. he comes to town, amidst much applause (he looks mighty tasty), and manages to fight off every hungry attacker, all of whom he thinks are sent by the bandit. and then things start getting bloody . . .
this whole movie has the feel of an extended sick joke, but it stays funny throughout, thanks to inventive kung-fu deaths (involving messy means) throughout lots of inventive fight scenes. their are dozens of intricate sight and situation gags, even in the middle of combat scenes. my personal favorate is when agent 999 rolls a cigarete on the face of an attacker before beating the crap out of him. the violence is gorier than a kung-fu flick, but tame compared to most horror films. i managed to catch a screening of one of the two last remaining prints, but i think it is available on vcd and tape. it is a great late night party films, especially with buckets of popcorn on hand to throw at the screen
this whole movie has the feel of an extended sick joke, but it stays funny throughout, thanks to inventive kung-fu deaths (involving messy means) throughout lots of inventive fight scenes. their are dozens of intricate sight and situation gags, even in the middle of combat scenes. my personal favorate is when agent 999 rolls a cigarete on the face of an attacker before beating the crap out of him. the violence is gorier than a kung-fu flick, but tame compared to most horror films. i managed to catch a screening of one of the two last remaining prints, but i think it is available on vcd and tape. it is a great late night party films, especially with buckets of popcorn on hand to throw at the screen
Comedy horror martial arts mixed grill
gorytus-2067222 August 2021
Aug 21
One of director Tsui Harks early films and a very good one too.
Its a really mix of comedy and martial arts with some pretty gory scenes thrown in and the story does involves cannibalism. This is quite different and well worth checking out.
On the whole i do still prefer Tsui Harks earlier film "The Butterfly Murders".
7.5 out of 10.
One of director Tsui Harks early films and a very good one too.
Its a really mix of comedy and martial arts with some pretty gory scenes thrown in and the story does involves cannibalism. This is quite different and well worth checking out.
On the whole i do still prefer Tsui Harks earlier film "The Butterfly Murders".
7.5 out of 10.
Eating Disorder
juliankennedy2311 December 2006
Warning: Spoilers
We're Going to Eat You: 7 out of 10: Monty Python had a wonderful sergeant character that would come out during a skit and claim that the skit was getting to silly. He would have worked overtime on this film.
Part Cannibal movie, part Kung-Fu flick and part slapstick comedy We're Going to Eat You has all the makings of a complete disaster. It's actually a fresh fun movie. Oh and it's definitely very silly.
It actually starts out with both some serious gore scenes and some very competent kung-fu. But by the time the over-sized transvestite starts threatening our characters with a fate worse than being eaten the film devolves into a rare kind of slapstick. One that is consistently funny.
The film breaks all the rules. Film characters with names like Agent 999 and Rolex should appear only in the absolute dumbest of comedies, a dainty woman eating a still beating human heart should be shocking not funny, and neither Abe Lincoln in blackface nor roller derby should ever be used during kung-fu fight scenes.
Yet We're Going to Eat you has all these elements and more and still I found myself with a big broad smile on my face. This is one silly cannibalistic, kung-fu, action adventure film. Not that I necessarily want to see a serious one now I think about it.
Part Cannibal movie, part Kung-Fu flick and part slapstick comedy We're Going to Eat You has all the makings of a complete disaster. It's actually a fresh fun movie. Oh and it's definitely very silly.
It actually starts out with both some serious gore scenes and some very competent kung-fu. But by the time the over-sized transvestite starts threatening our characters with a fate worse than being eaten the film devolves into a rare kind of slapstick. One that is consistently funny.
The film breaks all the rules. Film characters with names like Agent 999 and Rolex should appear only in the absolute dumbest of comedies, a dainty woman eating a still beating human heart should be shocking not funny, and neither Abe Lincoln in blackface nor roller derby should ever be used during kung-fu fight scenes.
Yet We're Going to Eat you has all these elements and more and still I found myself with a big broad smile on my face. This is one silly cannibalistic, kung-fu, action adventure film. Not that I necessarily want to see a serious one now I think about it.
We're Going to Eat You!! A film by Tsui Hark.
Captain_Couth5 September 2005
Warning: Spoilers
We're Going to Eat You (1980) is a horror-action-comedy from the legendary film maker Tsui Hark. After debuting with his equally bizarre BUTTERFLY MURDERS, Mr. Tsui returns with this homage to the Italian Zombie films and kung-fu flicks of the seventies. Filled with blood, gore and sound clips from the Italian Prog-Rock band Goblin, this movie is a must see for any survival horror film fans. This one was also heavily influenced by the films of Ruggero Deodato, Umberto Lenzi and Tobe Hopper. Not your ordinary kung-fu film!
Several people have disappeared on a remote island near Hong Kong. The people of this island are all insane and crave the taste of human flesh. They feed on unsuspecting visitors and escaping fugitives. One day a government agent named 999 (Norman Tsui) is in the area looking for a long time federal fugitive named Rolex (Melvin Wong). After being robbed by a fellow traveler and left to die in a trap, Agent 999 comes across the mad residents of the island's city. No one wants to co-operate. So after beating up a few locals, the chief of police (Eddy Ko) grants him an audience and points him in the direction of a nearby slaughterhouse. Foolishly, he heads off to the house and nearly winds up on the residents' plate.
Despite all of the evidence presented to him and meeting the fugitive Rolex, he refuses to believe that the islanders are cannibals. The chief is fed up with Agent 999's snooping and decides to get rid of him. The runaway thief is also hiding out in town and he witnesses' first hand the barbaric cannibalism and tries to warn the police chief. He winds up being chased by the police who are in cahoots with the cannibals. Desperate to escape the pot, the thief uses the chimney technique to flee the hungry cops. He even uses a cat as a weapon. But all to no avail, the thief is captured and thrown in a cell waiting to be eaten.
Rolex is sick of the cannibals and tries to help Agent 999. The chief suspect's Rolex's treachery and kills him dead. Still in denial, Agent 999 skins off Rolex's tattoo and leaves the village. He doesn't get far and is captured. In despair and praying for help from anyone, Agent 999 is about to be sliced and diced before the thief (who escaped earlier thanks to a friendly local) frees Agent 999 and helps the kid and the agent kill the captors and look for the kid's sister. Agent 999 has no luck because he's captured again. The chief is taking no chances and wants to slice him up in public. Before he can, the thief and the kid fight off the cannibals using a couple of pairs of roller skates and a case of firecrackers.
The desperate trio rescue the girl and leave for the beach. They find a hidden raft and take it to safety. A crazed lone cannibal jumps on the raft and attacks the three dudes. Agent 999 goes psycho and kills the man with his bare hands. Saitified, the agent swims out the rescue the thief and the kid. When they return, they scream in horror as the sister has ripped the dead man's heart out and holds it out for all to see. She's very hungry.
A pretty down beat ending for a crazy movie. This was made during Tsui Hark's "dark period". He made three depressing films BUTTERFLY MURDERS, WE'RE GOING TO EAT YOU and the very rare DON"T PLAY WITH FIRE. Filled with a lot of gore, toilet humor and some wild stunts and fight scenes.
Highly recommended.
Several people have disappeared on a remote island near Hong Kong. The people of this island are all insane and crave the taste of human flesh. They feed on unsuspecting visitors and escaping fugitives. One day a government agent named 999 (Norman Tsui) is in the area looking for a long time federal fugitive named Rolex (Melvin Wong). After being robbed by a fellow traveler and left to die in a trap, Agent 999 comes across the mad residents of the island's city. No one wants to co-operate. So after beating up a few locals, the chief of police (Eddy Ko) grants him an audience and points him in the direction of a nearby slaughterhouse. Foolishly, he heads off to the house and nearly winds up on the residents' plate.
Despite all of the evidence presented to him and meeting the fugitive Rolex, he refuses to believe that the islanders are cannibals. The chief is fed up with Agent 999's snooping and decides to get rid of him. The runaway thief is also hiding out in town and he witnesses' first hand the barbaric cannibalism and tries to warn the police chief. He winds up being chased by the police who are in cahoots with the cannibals. Desperate to escape the pot, the thief uses the chimney technique to flee the hungry cops. He even uses a cat as a weapon. But all to no avail, the thief is captured and thrown in a cell waiting to be eaten.
Rolex is sick of the cannibals and tries to help Agent 999. The chief suspect's Rolex's treachery and kills him dead. Still in denial, Agent 999 skins off Rolex's tattoo and leaves the village. He doesn't get far and is captured. In despair and praying for help from anyone, Agent 999 is about to be sliced and diced before the thief (who escaped earlier thanks to a friendly local) frees Agent 999 and helps the kid and the agent kill the captors and look for the kid's sister. Agent 999 has no luck because he's captured again. The chief is taking no chances and wants to slice him up in public. Before he can, the thief and the kid fight off the cannibals using a couple of pairs of roller skates and a case of firecrackers.
The desperate trio rescue the girl and leave for the beach. They find a hidden raft and take it to safety. A crazed lone cannibal jumps on the raft and attacks the three dudes. Agent 999 goes psycho and kills the man with his bare hands. Saitified, the agent swims out the rescue the thief and the kid. When they return, they scream in horror as the sister has ripped the dead man's heart out and holds it out for all to see. She's very hungry.
A pretty down beat ending for a crazy movie. This was made during Tsui Hark's "dark period". He made three depressing films BUTTERFLY MURDERS, WE'RE GOING TO EAT YOU and the very rare DON"T PLAY WITH FIRE. Filled with a lot of gore, toilet humor and some wild stunts and fight scenes.
Highly recommended.
A great start with fast and gory action
christopher-underwood21 October 2005
I know this film has it's fans and is possible I was just not in the mood, but I don't think so. A great start with fast and gory action that includes all manner of weapons two deaths and a guy cut in half with a saw whilst he is strapped to a table. All within the first five minutes. There is also a gory and well shot ending, but in between
fighting
.slapstick comedy
oh and a 'cool' guy with a hat and a cigarette. I am never very good with Chinese humour, just a little broad for me and the endless below par kung-fu fighting
aagh! It looks OK, in fact it looks as if quite a lot was spent on it and there is a very large cast, but oh dear, no not for me.
Crazy Kung-Fu/Gore/Cannibal/Comedy Hybrid...
EVOL66620 February 2006
WE'RE GOING TO EAT YOU is definitely one of the stranger films I've seen in a while...and honestly one of the more enjoyable. It's a very strange hybrid of kung-fu action, cannibal horror, and comedy - with some really off the wall scenes, and some decent gore.
This one has a special government agent (known as agent 999) who goes to a remote island village to track down and arrest a notorious thief. Turns out the villagers are all cannibals who dine on unsuspecting visitors. Gore and hilarity ensue early on as our hero has numerous misadventures with the local townspeople which include various freaks, crazed mask-wearing butchers, a giant transvestite, and the towns chief - a greedy dick who hordes all the "meat" for himself and his security team, leaving almost nothing for the townspeople to live on.
This could have been a really dark film considering the subject matter, but WE'RE GOING TO EAT YOU is intentionally handled as a comedy with all sorts of goofiness to lighten the film - including the insatiable transvestite that doesn't take "no" for an answer, and a hilarious kung-fu segment involving roller-skates and fire-crackers. Many cross-genre films don't really work - but WE'RE GOING TO EAT YOU pulls it off. A great Sunday afternoon diversion - especially with a few drinks in ya...8/10
This one has a special government agent (known as agent 999) who goes to a remote island village to track down and arrest a notorious thief. Turns out the villagers are all cannibals who dine on unsuspecting visitors. Gore and hilarity ensue early on as our hero has numerous misadventures with the local townspeople which include various freaks, crazed mask-wearing butchers, a giant transvestite, and the towns chief - a greedy dick who hordes all the "meat" for himself and his security team, leaving almost nothing for the townspeople to live on.
This could have been a really dark film considering the subject matter, but WE'RE GOING TO EAT YOU is intentionally handled as a comedy with all sorts of goofiness to lighten the film - including the insatiable transvestite that doesn't take "no" for an answer, and a hilarious kung-fu segment involving roller-skates and fire-crackers. Many cross-genre films don't really work - but WE'RE GOING TO EAT YOU pulls it off. A great Sunday afternoon diversion - especially with a few drinks in ya...8/10
Chaotic, repetitive and confusing
fertilecelluloid28 November 2005
Of the Hong Kong directors who have been most highly regarded by critics and punters, I find Tsui Hark to be the most overrated. Even "Chinese Ghost Story", which has often been credited to Hark and is a very effective and surreal horror pic, was not directed by Hark, but was directed by "Naked Weapon's" Ching Siu-Tung.
"We Are Going To Eat You" has all the flaws of (most) subsequent and previous Hark movies. It is chaotic, repetitive and confusing. The characters are all exaggerated to the point of irritation and the so-called comedy is forced and shrill. There is a gratuitous overuse of wide, low angle compositions and much of the music is inappropriately loud -- one of the main cues, from Argento's "Suspiria" (by Goblin), is an often repeated offender.
Hark leaves his audience no time to breathe or take in the atmosphere in this odd piece of "horror fu" which is a pity because the island location that hero Norman Tsui (Agent 999) lands on to search for a legendary thief, is suitably creepy and hostile.
Unfortunately, every scene is attacked with a sledgehammer and every actor overreacts to everything. What you end up with is a film with no shading and no contrast, a loud blob of sound and picture serving no purpose but to assault the senses like an infant screaming into your face for ninety minutes.
For gore hounds there is a bit of limb-lopping and copious blood is spilled, but there is zero suspense and endless martial arts fights that come across like low rent Jackie Chan. And speaking of Chan, many viewers will recognize the familiar "Project A" sets on display.
Hark's debut feature "The Butterfly Murders" bored me silly and his follow-up "Dangerous Encounters" (aka "Don't Play With Fire") didn't impress either with its confused politics and sledgehammer style. His "The Lovers", however, made almost two decades later, is his finest achievement so far, a simple romantic drama directed with admirable restraint and style.
This film's mix of cannibalism, broad physical comedy and kung fu comes across as misdirected and awkward. I'd only recommend this to die-hard Hark or cannibal cinema completists. The rest should look elsewhere for their entertainment.
"We Are Going To Eat You" has all the flaws of (most) subsequent and previous Hark movies. It is chaotic, repetitive and confusing. The characters are all exaggerated to the point of irritation and the so-called comedy is forced and shrill. There is a gratuitous overuse of wide, low angle compositions and much of the music is inappropriately loud -- one of the main cues, from Argento's "Suspiria" (by Goblin), is an often repeated offender.
Hark leaves his audience no time to breathe or take in the atmosphere in this odd piece of "horror fu" which is a pity because the island location that hero Norman Tsui (Agent 999) lands on to search for a legendary thief, is suitably creepy and hostile.
Unfortunately, every scene is attacked with a sledgehammer and every actor overreacts to everything. What you end up with is a film with no shading and no contrast, a loud blob of sound and picture serving no purpose but to assault the senses like an infant screaming into your face for ninety minutes.
For gore hounds there is a bit of limb-lopping and copious blood is spilled, but there is zero suspense and endless martial arts fights that come across like low rent Jackie Chan. And speaking of Chan, many viewers will recognize the familiar "Project A" sets on display.
Hark's debut feature "The Butterfly Murders" bored me silly and his follow-up "Dangerous Encounters" (aka "Don't Play With Fire") didn't impress either with its confused politics and sledgehammer style. His "The Lovers", however, made almost two decades later, is his finest achievement so far, a simple romantic drama directed with admirable restraint and style.
This film's mix of cannibalism, broad physical comedy and kung fu comes across as misdirected and awkward. I'd only recommend this to die-hard Hark or cannibal cinema completists. The rest should look elsewhere for their entertainment.
"I told you to fix him, not to kill him!"
cornjob-28 December 2002
Warning: Spoilers
Now this is a really fun black comedy. Super secret Agent 999 and an unnamed thief/tourist (we think his name might be Harry, but we also may have misread the subtitle 'Hurry', since the subs were pretty small) stumble upon a village of cannibals in the backwaters of a Chinese jungle. 999 is on the trail of (Violent) Rodent/Rat/Ratface/Rolex (his name seems to change throughout the film), a big-time international criminal of indeterminable evil that is supposedly hiding out in the area.
Of course, we find out this township is filled with cannibals long before "Harry" and especially 999 do. Both are treated as major attractions when they walk into town separately (999 got caught in a trap, so "Harry" robbed him) and are assaulted...though in different manners. "Harry" finds himself on the wrong end of some amorous advances by a huge ugly woman (seriously, she's at least a foot taller than anybody else in the film) with syphilis. 999 is attacked by whooping cannibal butchers wearing odd green masks.
Anyhow, the film follows a fairly logical progression up until the climactic battle between 999 and the Chief (of police), the dictatorial ruler of the village who refuses to give out fair shares of meat. As another reviewer has mentioned here, there is quiet a bit of communist thought in this movie (critcising its abuses and, SPOILER******showing it going off the best when the system is returned to the people******SPOILER) and some philosophic though ("If you don't eat people, they'll eat you" is symbolic), but you can also just enjoy it. This is a wonderful black comedy, with a lot of physical comedy routines mixed in with the martial arts, as well as some verbal jokes. This is a very enjoyable experience if you can see it. If you enjoyed Dead Alive, Story of Ricky, or Seventh Curse, and don't mind trying to make out the smallest subtitles ever, this movie is for you.
This is the second movie that the legendary Tsui Hark directed. You may remember his work from the Zu movies, A Chinese Ghost Story, Once Upon a Time in China, and Time and Tide. There's also Norman Choi (AKA Norman Tsui Siu-Keung) appearing as 999, two years before his role as Hashimoto in the monumental Duel to the Death. Eddy Ko, who was the Chief in this movie, was also in Duel to the Death as Kenji, Rumble in the Bronx, and Lethal Weapon 4 (!) as Hong. This is interesting to see where some of the people ended up. It seems this was the only movie half of the cast/crew was in, but the other half went on to great things. If you're just a completist, this is certainly a must-have curiosity. If you just want some fun with the occaisonal gore, this should also be up your alley.
I just wish I knew who did choreography. When watching this movie with friends, they were slack-jawed, though it often wasn't amazing by comparison to other films I've seen. Not to say it was bad--no, the martial arts were at the very least on the level and probably on the upside, though wouldn't distinguish this film from any other myriad kung-fu flicks out there on its own (unless you count the comedy in the fights). If you're a conneseur, it won't be excellent, but it'll be competent. If you're not used to the intricacies of martial art movie fights, you should be impressed.
Now to stop ranting. You shall purchase this, now!
Of course, we find out this township is filled with cannibals long before "Harry" and especially 999 do. Both are treated as major attractions when they walk into town separately (999 got caught in a trap, so "Harry" robbed him) and are assaulted...though in different manners. "Harry" finds himself on the wrong end of some amorous advances by a huge ugly woman (seriously, she's at least a foot taller than anybody else in the film) with syphilis. 999 is attacked by whooping cannibal butchers wearing odd green masks.
Anyhow, the film follows a fairly logical progression up until the climactic battle between 999 and the Chief (of police), the dictatorial ruler of the village who refuses to give out fair shares of meat. As another reviewer has mentioned here, there is quiet a bit of communist thought in this movie (critcising its abuses and, SPOILER******showing it going off the best when the system is returned to the people******SPOILER) and some philosophic though ("If you don't eat people, they'll eat you" is symbolic), but you can also just enjoy it. This is a wonderful black comedy, with a lot of physical comedy routines mixed in with the martial arts, as well as some verbal jokes. This is a very enjoyable experience if you can see it. If you enjoyed Dead Alive, Story of Ricky, or Seventh Curse, and don't mind trying to make out the smallest subtitles ever, this movie is for you.
This is the second movie that the legendary Tsui Hark directed. You may remember his work from the Zu movies, A Chinese Ghost Story, Once Upon a Time in China, and Time and Tide. There's also Norman Choi (AKA Norman Tsui Siu-Keung) appearing as 999, two years before his role as Hashimoto in the monumental Duel to the Death. Eddy Ko, who was the Chief in this movie, was also in Duel to the Death as Kenji, Rumble in the Bronx, and Lethal Weapon 4 (!) as Hong. This is interesting to see where some of the people ended up. It seems this was the only movie half of the cast/crew was in, but the other half went on to great things. If you're just a completist, this is certainly a must-have curiosity. If you just want some fun with the occaisonal gore, this should also be up your alley.
I just wish I knew who did choreography. When watching this movie with friends, they were slack-jawed, though it often wasn't amazing by comparison to other films I've seen. Not to say it was bad--no, the martial arts were at the very least on the level and probably on the upside, though wouldn't distinguish this film from any other myriad kung-fu flicks out there on its own (unless you count the comedy in the fights). If you're a conneseur, it won't be excellent, but it'll be competent. If you're not used to the intricacies of martial art movie fights, you should be impressed.
Now to stop ranting. You shall purchase this, now!
Entertaining gore kung fu comedy from Tsui Hark.
BA_Harrison15 June 2006
Switching from gross-out gore, to slapstick comedy, to entertaining martial arts mayhem in the blink of an eye, 'We're Going To Eat You' grabs your attention from the word go and doesn't let go until the credits roll.
Tsui Hark's second movie as a director sees Norman Chu as Agent 999 who, whilst tracking down the notorious bandit Rolex (Eddy Ko) on a remote island, stumbles upon a town inhabited by cannibals. Agent 999 spends the majority of the movie avoiding being filleted and served as a main course, only to be captured when he arrives back on the mainland. But with the help of some unlikely allies, some firecrackers and a couple of handy pairs of roller-skates, the good guys fight back and kick major cannibal ass!! This totally mad movie feels as though Tsui Hark made things up as he went along, but this only adds to the brilliance of the filmall semblance of logic quickly goes out of the window and it soon becomes apparent that anything might happen, and probably will.
Even with the occasional lull in the action, the loads of blood and guts, nicely choreographed fights courtesy of Corey Yuen, and truly unforgettable characters (including a sex mad giant of a woman and some of the ugliest actors ever committed to celluloid), ensure that We're Going To Eat You is solid trashy entertainment from start to finish.
Tsui Hark's second movie as a director sees Norman Chu as Agent 999 who, whilst tracking down the notorious bandit Rolex (Eddy Ko) on a remote island, stumbles upon a town inhabited by cannibals. Agent 999 spends the majority of the movie avoiding being filleted and served as a main course, only to be captured when he arrives back on the mainland. But with the help of some unlikely allies, some firecrackers and a couple of handy pairs of roller-skates, the good guys fight back and kick major cannibal ass!! This totally mad movie feels as though Tsui Hark made things up as he went along, but this only adds to the brilliance of the filmall semblance of logic quickly goes out of the window and it soon becomes apparent that anything might happen, and probably will.
Even with the occasional lull in the action, the loads of blood and guts, nicely choreographed fights courtesy of Corey Yuen, and truly unforgettable characters (including a sex mad giant of a woman and some of the ugliest actors ever committed to celluloid), ensure that We're Going To Eat You is solid trashy entertainment from start to finish.
what a waste of time and money
alucifer5 September 2005
i don't know how anybody could like this boring movie.but judging from some other reviews on IMDb there are other people who like this .i guess they must have been drunk.despite the title not one person is seen getting eaten.most of the gore is off screen and that is a rip off.the fight scenes are really bad and boring.i bought this on vcd for only 3 dollars and what a waste of 3 dollars that is.and to make matters worse the subtitles were at the very bottom of the sen so i could only read part of them.hardly any gore and some of the worst fights i have ever seen.these guys can barely kick higher than their waist.stay far away from this garbage.
Inspired lunacy
Woodyanders23 February 2015
Warning: Spoilers
Secret agent 999 (a solid and likable performance by Norman Chu) gets sent to a remote Chinese island to arrest thief Rolex. Things go horribly awry when said island turns out to be almost entirely populated by crazed bloodthirsty cannibals. Director Hark Tsui, who also co-wrote the loopy script with Roy Szeto, keeps the entertainingly off-the-wall story moving along at a breathless brisk clip, milks plenty of laughs from the amusingly twisted sense of spot-on silly and sidesplitting black humor, maintains a cheerfully deranged tone throughout, delivers a plethora of over-the-top violent and gory carnage, and stages the copious exciting and energetic martial arts fights with rip-roaring brio. The villages are a colorful assortment of complete kooks, with a homely and lecherous lady giant rating as the most delightfully daffy of the berserk bunch. Kwok Choi Hon easily steals the whole screwy show with his winningly wacky portrayal of a wily and elusive pickpocket while the lovely Mo-lin Cheung makes a favorable impression as the sweet Lin. The familiar music cues from Goblin's score for "Suspiria" further add to this picture's considerable infectiously insane appeal. Hung-Chuen Lau's vibrant widescreen cinematography boasts plenty of crazy camera angles. A seriously nutty riot.
Odd...
BandSAboutMovies17 October 2022
Warning: Spoilers
Did Italian horror cinema have an influence on director Tsui Hark? Well, between the title of this movie - which comes from the tagline for Zombie - and the fact that it stole its soundtrack from Suspiria, I would say yes. There's also a fair bit taken from Sacrifice! And Cannibal Holocaust as well as The Texas Chainsaw Massacre.
Also called Hell Has No Gates, No Door to Hell and Kung Fu Cannibal, this is about Agent 999 (Norman Chu) who is after Rolex (Melvin Wong), a thief, all the way to a cannibal village. Yet Rolex ends up saving him from the cannibals just in time for he himself to get chowed down on.
This is like a film noir detective against flesh eating ghouls mixed with comedy and ill-advised transvestite comedy. It doesn't work as much as you'd hope, but Hark would move on from this and The Butterfly Murders to Dangerous Encounters of the First Kind and Zu: Warriors from the Magic Mountain.
Also called Hell Has No Gates, No Door to Hell and Kung Fu Cannibal, this is about Agent 999 (Norman Chu) who is after Rolex (Melvin Wong), a thief, all the way to a cannibal village. Yet Rolex ends up saving him from the cannibals just in time for he himself to get chowed down on.
This is like a film noir detective against flesh eating ghouls mixed with comedy and ill-advised transvestite comedy. It doesn't work as much as you'd hope, but Hark would move on from this and The Butterfly Murders to Dangerous Encounters of the First Kind and Zu: Warriors from the Magic Mountain.
Fun and crazy Hong Kong martial arts/cannibal comedy
kannibalcorpsegrinder20 August 2021
After tracking his target to a remote island, a government agent looking for a reputed criminal finds the island under the control of a crazed leader that has turned the populace into murderous cannibals like him and forces the agent to use his skills to get away from the island alive.
Overall, the film features quite a lot to like. Among the most enjoyable aspects present is the deranged atmosphere that allows for the various elements to exist together rather easily. As this combines slapstick comedy, martial arts, and brutal horror film within the same space here with an island full of murderous cannibals who attack and kill without discretion but are treated with a sense of mockery at times that produces genuine laughs. The idea of this taking place within the confines of an investigation into a criminal hiding out on the island and the search to find him getting interrupted by the cannibals bringing about the threat of capture and butchery. This carries over into the finale where it constantly features him about to be killed and eaten by the villagers to prevent his escape which has a lot to like about it. Still, the main thing here is the mixing of martial arts and comedy. The overall presentation of this one is a martial arts film, with all sorts of confrontations here that are impressively choreographed and visually exciting. Focusing on crowd attacks for the most part with multiple thugs ganging up on a victim only to have to fight off the gang. There's a lot to like with the ability to incorporate hand-to-hand striking, knife-play, and other weaponry in these battles to enhance the action, and to do this in conjunction with the typical Hong Kong flair for comedy in their battles is a real treat to watch. With scenes involving inadvertent strikes on friends rather than foes, clanging into objects around them in the field of battle, or using an unexpected boost to escape a confrontation, the comedy manages to be quite hilarious while mixed together with the action. That it still remains serious enough that there's a legitimate concern for him in the fights when he's on the losing side is a real testament to the film which has a ton to enjoy. While there isn't much in the film to dislike, there are a few issues. The main problem is that there's an unnecessary and wholly unfunny bit here involving a transvestite character that interferes in the action for no reason. The whole scene is presented as a comic chase around their apartment as she tries to put amorous advances on an unconsenting male that goes on way too long as well, it presents some horribly outdated and at times outright offensive stereotypes that have no place in today's society. As a result, this sequence stops the film cold and feels highly problematic in today's society. Furthermore, the film's wildly changing tone can be an issue as it wildly switches between campy comedy, martial arts spectacular, and tense horror film, oftentimes within the same sequence and can feel highly disjointing and distracting than if it had stuck to one or two storylines instead. However, this isn't that bad and doesn't hold this one down that much.
Rated Unrated/R: Graphic Violence, Language and Brief Nudity.
Overall, the film features quite a lot to like. Among the most enjoyable aspects present is the deranged atmosphere that allows for the various elements to exist together rather easily. As this combines slapstick comedy, martial arts, and brutal horror film within the same space here with an island full of murderous cannibals who attack and kill without discretion but are treated with a sense of mockery at times that produces genuine laughs. The idea of this taking place within the confines of an investigation into a criminal hiding out on the island and the search to find him getting interrupted by the cannibals bringing about the threat of capture and butchery. This carries over into the finale where it constantly features him about to be killed and eaten by the villagers to prevent his escape which has a lot to like about it. Still, the main thing here is the mixing of martial arts and comedy. The overall presentation of this one is a martial arts film, with all sorts of confrontations here that are impressively choreographed and visually exciting. Focusing on crowd attacks for the most part with multiple thugs ganging up on a victim only to have to fight off the gang. There's a lot to like with the ability to incorporate hand-to-hand striking, knife-play, and other weaponry in these battles to enhance the action, and to do this in conjunction with the typical Hong Kong flair for comedy in their battles is a real treat to watch. With scenes involving inadvertent strikes on friends rather than foes, clanging into objects around them in the field of battle, or using an unexpected boost to escape a confrontation, the comedy manages to be quite hilarious while mixed together with the action. That it still remains serious enough that there's a legitimate concern for him in the fights when he's on the losing side is a real testament to the film which has a ton to enjoy. While there isn't much in the film to dislike, there are a few issues. The main problem is that there's an unnecessary and wholly unfunny bit here involving a transvestite character that interferes in the action for no reason. The whole scene is presented as a comic chase around their apartment as she tries to put amorous advances on an unconsenting male that goes on way too long as well, it presents some horribly outdated and at times outright offensive stereotypes that have no place in today's society. As a result, this sequence stops the film cold and feels highly problematic in today's society. Furthermore, the film's wildly changing tone can be an issue as it wildly switches between campy comedy, martial arts spectacular, and tense horror film, oftentimes within the same sequence and can feel highly disjointing and distracting than if it had stuck to one or two storylines instead. However, this isn't that bad and doesn't hold this one down that much.
Rated Unrated/R: Graphic Violence, Language and Brief Nudity.
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