Un giovane contadino si propone di reclutare mercenari per difendere il suo pacifico pianeta, minacciato dall'invasione del malvagio tiranno Sador e della sua armata di aggressori.Un giovane contadino si propone di reclutare mercenari per difendere il suo pacifico pianeta, minacciato dall'invasione del malvagio tiranno Sador e della sua armata di aggressori.Un giovane contadino si propone di reclutare mercenari per difendere il suo pacifico pianeta, minacciato dall'invasione del malvagio tiranno Sador e della sua armata di aggressori.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
- Nestor 2
- (as John Gowens)
- Kelvin
- (as Larry Meyers)
- Nell
- (voce)
Recensioni in evidenza
The script for Battle Beyond The Stars had a lot of things going for it, from the aliens to the quirky characters. I found the race of Nestor to be the most interesting concept of all. Just the thought of a race of beings that can hear/feel/think together as one conscious entity could be a great movie plot in itself.
The excellent casting of actors and actresses was another strong point in Battle Beyond The Stars. John Saxon, George Peppard, and Sybil Danning especially shine through in their acting performances in my opinion.
Battle Beyond The Stars is, quite simply, one of those movies that's so cheesy that's it's something special. It's a fun movie that never takes itself too seriously, and I don't either. I guess that's why I still enjoy it after all of these years.
Let me break from my usual critique style to go over some of the plot - Sador (John Saxon) feels the need to conquer, and he's so powerful that he decides to conquer an essentially helpless (not to mention useless) civilization. But instead of conquering, he courteously shows up to conveniently schedule his conquest a week from now in case they want to mount some sort of defense. (Where's Arnold when you need him? 'I'll be back!')
In response, Shad takes a road trip (space trip?) in Nell the only ship on the planet to round up some misfits (mercenaries--same thing) who happen to be in the neighborhood. Everyone is interestingly (clichély) unique and has their own reasons for wanting to fight, not to mention the actors have a wide range of performances ranging from sliced ham to frighteningly Shakespearian seriousness. And, ah to hell with it, you get the idea. Point is, I have every reason to really hate the plot, hate the characters (Good God, I've hated characters for much much less), hate this movie . . . but I dunno, I don't really mind it.
Through all its narrative faults, Battle Beyond the Stars happens to hit the right goofball mixture of elements from a surprisingly good score by young 'Jamie Horner' to notably weird spaceships and decent effects (for an early 80s low-budget flick) to wacky and tame characters that somehow summons a funky B-movie charm. For the life of me, I can't hate this movie despite the plot that begs me to bash it to oblivion with the Stellar Converter.
The spaceship, Nell, proved to be the highpoint of the film . . . not because of the ship's design, rather because of its personality (no really.)
I've always wanted to see a spaceship with an attitude (the Star Trek equivalent of Kit from Knight Rider?) A perfect counterpoint to the naivety of Shad, flawlessly delivered by Richard Thomas. If I weren't constantly laughing at the characters cluelessness, I'd want to slap that kid around, and I'd sure as hell wouldn't want to charge him with saving my planet. I'd like to die with my dignity, thank you.
Battle Beyond the Stars has a number of positive attributes (especially considering the budget and experience of most people involved on the film at the time), it has a number of reasons to be proud, and it most definitely has a number of charms that surpass its truckload of flaws. I consider Battle Beyond the Stars the spending benchmark for all sci-fi flicks. I mean, if Corman can entertain me with Hollywood pocket change, Lucas, the Wachowskis, and the other heavy spenders better blow my socks off with their ungodly sized budgets . . .
As a kid, that was me. I heard about this movie through my friends, when I was about 9 or 10. To us, this was another great space epic, along the lines of Star Wars. It had good effects, plenty of laser blasts and bad guy with a massive ship that could destroy planets. Awesome!
Many years later, I bought this on DVD and, to my pleasant surprise, found that it hadn't aged too badly. The low budget is very apparent but the movie is slickly edited such that it perhaps feels richer that it should. This is however it's biggest drawback because the character development is poor in places and the stars play second-fiddle to the ships and the costumes they inhabit. Gelt and Space Cowboy are perhaps the most fleshed-out of the pack, the remainder either being weak or there to make up the numbers.
The true star of the show is James Horner. It's a great score and all the best moments of Star Trek 2 are audible here first.
It's an inventive film, even if the invention is mainly facsimile, and an entertaining one. In the archives of sci-fi, there's no contest between this and its obvious "raison d'être" influence, as to which film is the better, but it's a noteworthy addition from the same era, what I consider to be the golden-age of special effects.
Lo sapevi?
- QuizA young Bill Paxton worked on the sets as a carpenter and painter in between jobs on the recommendation of good friend, art director and future collaborator James Cameron.
- BlooperDuring Saint Exmin's final battle against Sador a crewmember can be seen on the left-side of the screen (over Sybil Danning's right shoulder). The crewman is visible during the 2nd, 3rd, and 4th cut to her during the battle. The crew person appears to be sitting just behind the wall immediately behind Sybil.
- Citazioni
Saint-Exmin: I am Saint Exmin of the Valkyrie. It's been a very enjoyable fight.
[She explodes her ship]
Shad: [quoting Saint-Exmin, mesmerized by her action] "Live fast, fight well, and have a beautiful ending."
- Versioni alternativeIn the original ending a faction of pacifists leave Akir, feeling that their society has now become part of the violent universe. The sequence was scrapped after the fx shop delivered poor shots of their spaceships departing from the planet.
- ConnessioniEdited into Il pianeta del terrore (1981)
I più visti
Dettagli
Botteghino
- Budget
- 2.000.000 USD (previsto)
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