During a hazy pre-credits sequence, Peter Wohlers (Rolf Zigan) dreams of having sex scene with Biggi Stenzhorn. Biggi enthusiasts will be sorry to hear that this encounter is very short and truncated. While both Peter and the audience are still wondering if her appearance was real or merely a fantasy on his part, we learn by way of a all-knowing narrator that Peter works at a bank. He is a very shy with the long haired creatures known as women (according to the same narrator). His boss (Horst Sieger) has noticed his recent distractions and orders him to take a week off. Peter decides to visit his friend Frank whom he thinks might help him loose his cherry. But Frank, who's sideburns are part of his enormous mustache, is more interested in having sex with Ginny (Ginny Noack) in another room, leaving Peter to fend on his own.
That night, while Frank is away, Ginny has been instructed to instruct Peter in the ways of love, starting off with a little 69. And although Mr. P proves himself to be a pornographic pro, he fails to reach a climax. Still, the next day the romantic fool still buys Ginny some flowers, only to find her busy in bed again (presumably with Frank, but this is not 100 % certain). Befuddled and confused, Peter ends up in a bar and is immediately picked up by Elsa (Marion Brandmeier). He tries to act butch and claims to be unable to be faithful, but Elsa one-ups him by revealing she is married. He goes home with her and after a night of passion, splits when he finds out she has a young child in the next room. Again he buys her flowers but this time he hears her arguing with her husband and decides not to leave them on her doorstep after all.
Still feeling the urge to experience an orgasm, our hero tries calling various sex adds he finds in the paper and ends up in a brothel run by a madam (Christa Abel) who should never be allowed to wear lingerie in public. Peter immediately reverts to his shy persona but, by this point in the film, it is really hard to muster up any sympathy for his 'shy and inexperienced' shtick after seeing him take part in every previous sexual encounter but one. Obiously by now he knows how to handle himself. And indeed, he manages to tire out both of the available prostitutes (played by Dorle Buchner and an unidentified actress) and again leaves with his head hung low, feeling unsatisfied. The man should really have been proud of being able to go all night and satisfying all those women, but noooooooo.
For a third time, Unser Peter visits the flower shop and finally realizes that the shop attendant (Margitta Hofer) is the girl of his dreams. Naturally the feeling is mutual, and she immediately skips work. They go for a walk before she takes him home for a cup of coffee or two. If you're still reading this you may have noticed that for Seventies Europorn this film actually suffers from an abundance of plot. Most sex scene are preceded by a long and boring set-ups, such as the dance and bathing sequences between Peter and Elsa and then an equally long winded courtship with the flower-shop girl. Also, the attempts at humor (Peter grabbing a ladies fur coat instead of his own) fail to inspire any laughter. But the biggest mistake director Jürgen Enz ever made was to make the first and last sex scene in the picture (with Dream girl Brigitte Stenzhorn and flower girl Margitta Hofer) the shorter and most rushed encounters (this could also be editor Jörg Enz's fault). Anyway, (final spoiler) Peter and Die Floristin both finally climax and live happily ever after. He should have hooked up with Biggi in the end. At least that would have been poetic justice.
6 out of 10
That night, while Frank is away, Ginny has been instructed to instruct Peter in the ways of love, starting off with a little 69. And although Mr. P proves himself to be a pornographic pro, he fails to reach a climax. Still, the next day the romantic fool still buys Ginny some flowers, only to find her busy in bed again (presumably with Frank, but this is not 100 % certain). Befuddled and confused, Peter ends up in a bar and is immediately picked up by Elsa (Marion Brandmeier). He tries to act butch and claims to be unable to be faithful, but Elsa one-ups him by revealing she is married. He goes home with her and after a night of passion, splits when he finds out she has a young child in the next room. Again he buys her flowers but this time he hears her arguing with her husband and decides not to leave them on her doorstep after all.
Still feeling the urge to experience an orgasm, our hero tries calling various sex adds he finds in the paper and ends up in a brothel run by a madam (Christa Abel) who should never be allowed to wear lingerie in public. Peter immediately reverts to his shy persona but, by this point in the film, it is really hard to muster up any sympathy for his 'shy and inexperienced' shtick after seeing him take part in every previous sexual encounter but one. Obiously by now he knows how to handle himself. And indeed, he manages to tire out both of the available prostitutes (played by Dorle Buchner and an unidentified actress) and again leaves with his head hung low, feeling unsatisfied. The man should really have been proud of being able to go all night and satisfying all those women, but noooooooo.
For a third time, Unser Peter visits the flower shop and finally realizes that the shop attendant (Margitta Hofer) is the girl of his dreams. Naturally the feeling is mutual, and she immediately skips work. They go for a walk before she takes him home for a cup of coffee or two. If you're still reading this you may have noticed that for Seventies Europorn this film actually suffers from an abundance of plot. Most sex scene are preceded by a long and boring set-ups, such as the dance and bathing sequences between Peter and Elsa and then an equally long winded courtship with the flower-shop girl. Also, the attempts at humor (Peter grabbing a ladies fur coat instead of his own) fail to inspire any laughter. But the biggest mistake director Jürgen Enz ever made was to make the first and last sex scene in the picture (with Dream girl Brigitte Stenzhorn and flower girl Margitta Hofer) the shorter and most rushed encounters (this could also be editor Jörg Enz's fault). Anyway, (final spoiler) Peter and Die Floristin both finally climax and live happily ever after. He should have hooked up with Biggi in the end. At least that would have been poetic justice.
6 out of 10