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There's not much to recommend about this Video Nasty except for the storyline, the premise of which should have resulted in a much better movie, and the acting, though they are wasted in this travesty.

This is the story of a secret society sick with the depravity on the streets of their neighbourhood so they hire a Vietnam Veteran to help clean up their streets... the trouble is he's suffering from shell-shock and starts to any and everyone.

This in itself could have given the audience a bloodfest to remember. However, the director, Peter Maris, opts for a slow pace. Which might have worked well to build tension if there had been a torture scene, which there isn't (another missed opportunity), but hinders the film since it's used throughout its runtime. The slowness of the film is made up of boring and pointless scenes that, though, well acted (compared to everything else), are badly directed. There needed to be more action sequences especially concerning the Vet's breakdown.

There're too many flashbacks to Vietnam. The director is so lazy he just cut in loads of stock footage; this adds to the lackadaisical feel of the direction and hinders the film and frustrates the viewer.

I would only recommend this to anyone who is watching the video nasty list to see why some of the listed films were banned (this one was banned because they thought some people may be prone to copy the actions of the Vet). However, be prepared to keep hitting the rewind button every time you wake up because this film has the power to induce sleep.

"Delirium" is a strange hybrid of slasher flick,political conspiracy,right-wing revenge film,cop thriller and post-Vietnam trauma.There is a serial killer on the loose named Charlie.He stabs to death or drowns attractive young women until he's surprised in a house by a returning husband and is shot by the wife.His Vietnam flashbacks ala "Combat Shock" are gloriously cheap.There is also an underground right-wing group who employ old army guys as vigilantes to kill various rapists and murderers."Delirium" was classified as an infamous video nasty in UK.There is a bit of sleaze and violence,but the film is relatively tame and bloodless.If you liked "Maniac" or "Lady Stay Dead" give it a try.6 out of 10.

Man, you gotta love the swinging 70's! The villain of this movie goes to a "job interview" and manages (despite being very creepy-looking and apparently mute) to pick up a secretary, who takes him back to her place for sex, but after he proves impotent he stabs her to death. He then steals a car and picks up a leggy, hot-pants clad female hitch-hiker, but even after he nearly kills them both driving like a maniac, they still end up going skinny-dipping together and he strangles her in the surf. He next meets a young farm girl, but even though he is trespassing on her property, she is more interested in flirting with him than calling the police, and she gets a pitchfork in the neck for her troubles. Then he actually goes into a house where a woman is taking a bath, and he probably would have done great with her too, but he kind of blows it by taking a butcher knife to her delivery boy. The investigating officer meanwhile seems far more interested in making dates with the pretty roommate of the first victim than he is in solving the case. Fortunately, the girl whose case he IS trying to crack is still working as a secretary at the office where the killer had his "interview" and she stumbles upon a connection between this out-of-control "psycho puppet", her boss, and shadowy organization of Vietnam vet vigilantes who may be behind the mysterious "suicides" of a number of criminals who had gotten off on technicalities--at which point this movies turns from a cheap "Halloween" knock-off to something that anticipates the later (and much better) Michael Douglas film "The Star Chamber".

This is one of the movies that was banned in Britain in the 1980's as a "video nasty", but was so unremarkable in its native America that it is virtually forgotten today (and not even available on DVD). I'm not sure exactly sure what about this upset the Brits. There's some gore effects, but they're not that impressive. There is a lot of nudity, and the mixture of nudity and violence often got the hackles of the British censors up. This movie is also kind of misogynistic in that ALL the women are pretty much brain-dead and about as sexually discriminating as rabid alley cats in heat. (I especially like the first victim who is "going to tell everybody" that a guy she just met hours earlier and doesn't know from Adam "can't get it up"). But frankly its notoriety on the other side of the pond really gives this movie a lot more credit than it probably deserves.

More than the earlier "Halloween" or the later "The Star Chamber" this really reminded me of another late 70's film called "Killer's Delight" (aka "The Dark Ride"). That, however, is a much better movie, and it IS available on DVD, so if you're thinking about watching this, see that one instead. This is kind of "nasty" I guess, but mostly it's pretty forgettable.

This is one of the strangest and definitely one of the most atypical titles to be found in the whole list of infamous Video Nasties. Judging by the stills on the back of the VHS-cover and based on the narrative during the first half of the film, I would unhesitatingly describe "Delirium" as a crude and misogynistic slasher reminiscent of "Maniac" and "Don't Go in the House". You know; the type of sick film that doesn't bother keeping the identity of the killer secret but depicts the violence against female victims extra vile and repellent. There's a maniac at large who slaughters his women relentlessly and grotesque. One of the poor girls even has a pitchfork stuck in her throat! Whilst the roommate of his first victim teams up with the incompetent police force, the maniac – Charlie – gets killed after a failed attempt to make another victim. Then suddenly and completely unexpected, "Delirium" becomes a post-Vietnam war drama. It is revealed that Charlie was a member of a secret network of vigilantes that exists entirely out of bloodthirsty Vietnam veterans and they are hired by a board of eminent & businessmen in order to keep the streets crime-free. Charlie just went a little berserk and started killing women randomly, that's all! The "leader" of the vigilantes is a fairly short-sized yet menacing guy with a shiny bald head that would make even Telly Savalas jealous and, during the climax of the film, he goes totally bonkers as well. The concept of "Delirium" undoubtedly shows potential, but the elaboration is overly confusion and dull and reverts all too easily to dreadful clichés (like Vietnam flashbacks and power mad army officers). The first slasher half is rather exciting, with a couple of truly nasty murder sequences and the most laughably inept police investigation ever, but the second half is painfully tedious and derivative of much better films. I can't really bring myself to recommend "Delirium" to anyone, but I suppose it holds some interest if you're a cult movie freak.

This just didn't do anything for me. The print I watched was crap so that didn't help, but, its mostly just scenes of police talking, with some fairly brutal murders thrown in between. It takes a turn at about the hour mark, but, by then I was so zoned out I didn't give a crap. There's also some attempts at nudity, but, it's not gratuitous in any way. Just goes to show you why in many ways the whole UK video nasties scare was ridiculous.

Cops vs ex-military vigilantes who enlist the services of a Viet Nam vet who runs amok. Very pedestrian all around. Minimal blood, and the violent encounters are filmed as clumsily and distactingly unconvincing as anything I've seen in such cheapos. Least nasty of the infamous Video Nasties I've seen. That it ended up banned in Britain is a testament to overwrought censorship run amok.

For many, many years I had a certain fascination with this movie. I saw its video cover reproduced in a magazine called 'Halls of Horror' way back in the early 80's. The artwork showed a bald man in sun glasses firing a pistol, a woman screaming and a disembodied hand clutching a bloodied hatchet; the tag-line said 'they shall have murder wherever they go…'. I don't know, it may not sound like much now but at the time this strange and slightly lurid poster fascinated me. When I soon after discovered that this film had made it on to the notorious video nasty list my interest just grew even stronger. Looking back on it now and having finally seen Delirium I think I can better understand the pull of that video cover and it's actually reflected in the film itself. The poster is really somewhat odd in that it mixes genre iconography – its part horror, part action-thriller. And in essence that's what the movie itself is too. It combines genres in a somewhat unusual way. It's kind of a slasher mixed in with a vigilante flick, with a dash of post-Vietnam exploitation thrown in for good measure. This crazy mish-mash of styles is one of the things that makes Delirium interesting.

The story revolves around a secret group of Vietnam vets who are hired by businessmen to administer extreme justice to criminals who escape the law. One of the group goes on a serial killing rampage murdering a series of young women.

It isn't really very surprising that this one made the video nasty list. It's not exactly overly graphically violent but it has a pretty clear streak of misogyny running through it. The killer essentially goes around killing young hot women in some scenes that are pretty lurid. It does have to be said though that the psychopath is killed off a little too early, seeing as he is probably the most interesting part of the story. The vigilante side of the narrative makes up the rest of the movie. The head honcho turns out to be that bald man from the video cover I saw all those years ago. Quite bizarrely, the most disturbing moment from the scenes involving this underground group is scored by the soundtrack to the quiz show Mastermind. You can't help but expect Magnus Magnusson to pop around the corner and say 'your specialist subject is vigilante justice and misogynistic violence'. But of course he does not and it remains a deeply strange viewing experience for audiences from the UK to witness.

This isn't a movie with a very good reputation. Admittedly it's technically raw and clunky. But it's also kind of unusual and agreeably sleazy. It's pretty entertaining all things considered.

PSYCHO PUPPET is certainly trying to be something though just what that is remains unclear. Today the film is best known for something other than any of its attributes -- It was infamously included on the list of "Video Nasty" films banned in the UK in the early 1980s. Looking at it now one wonders what all the fuss was about, or if the people who issued the verdict against it even watched the damn movie.

The premise is not without interest: Vietnam vets pre-programmed to kill are recruited as part of a Star Chamber like urban vigilante squad passing judgment on the criminals slipping through the cracks of the criminal justice system. The murdered criminals are passed off as suicides with nobody any the wiser, until one of the vets flips out and goes on a general killing spree.

Its here that the Brits found their problem as the Psycho Puppet of question takes off after exclusively buxom blond bombshells who obediently strip right down for the camera. The film is sleazy, voyeuristic, tacky, cheaply made, with dialog that makes a Sears catalog sound smooth. The sexualized nature of the killing scenes is completely out of proportion to anything else in the film, and exist only to provide a lurid thrill. There is nothing to be learned from the story and no profound thought is advanced by its telling.

And yet there is something compelling about this inept, nasty little movie. Mostly offbeat locations & some bizarre casting choices, showing us an underside of St. Louis that is highly unflattering. The film exists in an uneasy juxtaposition between a tacky disco culture and a run down dilapidated post-industrial urban ruin that has no aspiration to glamor or sophistication. Its late 1970s polyesterized look makes the film look unhealthy, like it needs to get some sunlight & start eating more fresh vegetables. It looks scuzzy.

Standout role is the weird bald guy, a twisted Vietnam vet with a mad hatter's view of American justice. He's a great villain while the film allows him to be one but sadly everything falls apart in the last fifteen minutes leading to a protracted gunfight that undoes any originality that came before it. The film I kept thinking about while watching it was the first Dirty Harry sequel MAGNUM FORCE, which also featured a post-industrial urban wasteland in its climax with nihilistic violence mixed with lurid exploitation.

The main difference being that PSYCHO PUPPET wasn't made with any artfulness or sense of craft and exists only as a bleak reminder of how stupid people can be when they get into positions of power. Whoever banned this movie from Britain obviously never saw it since there's very little to get worked up about in it. Those seeking it out for a joyride of vicarious thrills will be disappointed and anyone looking for a message will come up empty. It's a curious, cold, cruel little movie, existing as a footnote. Which may sound pretty dismal, but its a pretty dismal movie and at least it'll remembered for something.

5/10

If only you all could see me smile so wide during those PTSD flashback set pieces for this movie's damaged/tortured Weirdo killer who sees Vietnam fresh as day where all one can see in the movie is that variety of Vietnam locale that looks an awful lot like it was shot in the producer's backyard/alley off by the toolshed. It's that delight in seeing semi-professional filmmakers playing like they're kids making their first movie(s). Delirium is held together by the battered and ugly Scotch tape that is its killing scenes, which director Peter Marais stages with vigor and intensity. The movie needs those set pieces to work because you otherwise have this strange narrative about this clandestine group of messeded-up ex Vietnam vets who have been using one or two damaged people to be vigilantes (and of course as bad luck would have it one has just decided to go off and kill anyone in his path, mostly women who take their tops off and at one point all nude in a lake). Why are they doing this? Dastardly reasons I guess? It's a good joint to throw on late at night to just unwind with actors you probably haven't heard of engaging in nasty business on the streets and local areas of St Louis.

I recently watched Delirium (1979) on Tubi. The storyline follows a man who goes on a killing spree and then randomly commits suicide. As the police dig into the crime they discover he isn't the only man who has killed this way, and soon they discover he won't be the last. Can the police uncover who is truly behind the killings and why there's a strange pattern to the murders?

This picture is directed by Peter Maris (Land of the Doom) and stars Debi Chaney, Turk Cekovsky (The Ax Master), Barron Winchester (A Pleasure Doing Business) and Terry TenBroek (Bad Grandmas).

This almost feels like a giallo mixed with military veterans subplot. The killers are really entertaining and the premise is unique and fun to watch unfold. The kills and gore are a ton of fun and the corpses are well crafted. There is an elite pitchfork scenes that's a lot of fun. The villain is perfect and the final showdown was a 10/10 and truly entertaining. The background music fit the picture perfectly and sets the tone for the era. Theres also some gorgeous ladies and plenty of nudity. The ending is awesome.

In conclusion, Delirium is an underrated, creative 70s giallo style picture. I would score this an 8/10 and strongly recommend it.

A troubled Vietnam vet is senselessly murdering young women in St. Louis where two detectives are on the case (Turk Cekovsky and Terry TenBroek), working closely with the roommate of one of the victims (Debi Chaney).

"Delirium" (1979) starts out like "The Centerfold Girls" and "The Toolbox Murders," but takes an interesting turn after the first act. The less you know, the better. Unfortunately, the back cover text of every video format gives away the plot after the opening paragraph. I'll just say that the flick comes across as a 'B' version of a 70's Harry Callahan flick, like "Magnum Force" and "The Enforcer," just set in St. Louis rather than San Francisco. There's even a small scene ripped straight off from "The Enforcer."

Speaking of that scene, it involves blonde Letty Garris as the hitchhiker and it's actually superior to the sequence in "The Enforcer" with Jocelyn Jones.

Sure, this lacks the top-notch cast and all-around pizzazz of the Dirty Harry films, but it's not far off either, if you don't mind 'B' productions. The cast members do a good job for one-shot actors and you feel like you get to know the key characters over the course of the story. Moreover, the final act doesn't fail to pull out all the stops for a thrilling climax in the old industrial side of the city with its rundown factories and such.

The movie runs 1 hours, 28 minutes, and was shot in St. Louis, Missouri, as well as nearby Clayton, which is a 20-minutes drive due west of downtown.

GRADE: B/B-

A secret society of vigilante businessmen hire ex-military man Eric Stem (Barron Winchester) to bring justice to criminals who have been set free thanks to loopholes in the law. When one of Stern's men, an impotent Vietnam veteran suffering from post-traumatic stress, flips out and begins to murder innocent people (primarily attractive, semi-naked or completely naked young women), the group's illicit activities attract the unwanted attention of the police.

Boasting a volatile combination of vigilantism and misogynistic violence, it's not surprising that director Peter Maris's Delirium (AKA Psycho Puppet) was given a hard time during the Video Nasty era; in these more tolerant, less Draconian days, however, the film's insalubrious content—some graphic gore and gratuitous female nudity—is unlikely to be an issue with any but the most joyless of fascist zealots, people who thankfully no longer wield the social clout that they used to.

If anything, the one element that is most likely to raise an eyebrow (in the UK, at least) is the film's strange use of BBC's 'Mastermind' theme music during its most dramatic moments; it's hard to take matters seriously when it sounds as though Magnus Magnusson might pop up at any moment to put the film's characters through a gruelling two minutes of quick-fire questions on their specialist subject.

5.5 out of 10, rounded up to 6 for the brief but impressive spear through the chest, all the unnecessary but very welcome nekkidness, and the juicy war wounds in the Vietnam flashbacks.

A disturbed former soldier named Charlie is used as a tool to take care of corruption and he snaps and ends up killing anyone in sight, especially pretty women who threaten him.

Even with a shorter runtime, it's hard to recommend Delirium to anyone besides those with a morbid curiosity for bad movies. Everything about it feels amateur which could be forgiven if the script were any better, but there's no one to pull for and the attack/kill scenes are more unpleasant than scary or suspenseful.

Delirium starts off with an impotent Vietnam veteran called Charlie going on a murder spree, killing mainly young women. Just to keep the viewer interested two victims happen to be naked. But then the plot goes from horror/slasher to a thriller about a secret group of businessmen who carry out vigilante murders. Charlie had been part of this group but has gone off the rails. The police investigation takes up much of the running time and it does slow the movie down quite a lot, not helped by having a cast of mainly bad actors. The movie features a number of Vietnam flashbacks, they are ether obviously not filmed in Asia or stock footage is used. Combat Shock (1984) meets a gone wrong The Exterminator (1980). The body count is sufficient, some of the kills are fairly brutal but none are exceptionally gory. Delirium found itself banned in the UK as a Video Nasty, thankfully it is now available uncut and on Blu-ray. I would have rated it 5/10 but have scored it an extra point due to the inclusion of a track called Approaching Menace on the soundtrack, viewers in the UK should instantly recognise it as the theme tune to BBC's quiz show "Mastermind". I found this rather amusing. Shot on 16mm but blown up to 35mm Delirium is a low budget trash movie, if that's your thing or if you are interested in Video Nasties then I would recommend it, otherwise give it a miss.

Painfully slow-moving police procedural in which a couple of tired-looking detectives search for a Vietnam veteran who's slaughtering the women with whom he randomly comes into contact. A parallel plot involves a secret vigilante society of business leaders who enlist a macho ex-serviceman to rid the streets of sleaze. A few gory murders, topless ladies and a tonne of tedious procedural dialogue equals a laborious patchwork of a film that's seriously hard work to endure.

The cast of unknowns stumble through the heavy dialogue, with Barron Winchester playing Stern (a pumped-up little bald guy who avoids sunlight) the retired army captain, eager to summarily execute those found guilty in the kangaroo court over which he presides. At the more casual end of the character spectrum, there's a laid-back Lee Majors type detective (TenBroek) who's chasing the tail of the key witness (Chaney) which turns out to be fortuitous when she becomes a target of the syndicate for complicated and largely non-sensical reasons.

Convoluted and disjointed (on account of being footage merged from two separate film projects), whilst it's coherent on a very superficial level, four mild/moderate slasher scenes and a shootout don't really justify 'video nasty' status and if you arrived here because of that notoriety, you might leave disappointed. It would make more sense if this 'Delirium' had been confused with Renato Polselli's 'Delirium' made in 1972, a better candidate for such notoriety (and a much better film). Video Nasty list or not, there's little to recommend.

Know how so many films either crumbled into dust, or exploded in the warehouse as their stock broke down? We can only wish that would happen to every print of this repulsive, trashy, badly written, directed, acted trash. Using one of the worst and overused tropes of all cinema; that of the shell-shocked, battle fatigue or PTSD, whichever you choose, Viet Nam vet, which does a grave disservice to those who fought in that unnecessary, brought about by a fear of communism war, this film is nearly unwatchable. If I didn't know better, i would have thought this was another bad Italian film from the 1970's. I wish I didn't have to write six hundred words, because that's getting tougher. And Why doesn't IMDB have a ZERO rating? Everywhere someone can review should have that.