Ein außerirdisches Waisenkind wird von seinem sterbenden Planeten zur Erde geschickt, wo es aufwächst und zum ersten und größten Superhelden seiner Adoptiv-Heimat wird.Ein außerirdisches Waisenkind wird von seinem sterbenden Planeten zur Erde geschickt, wo es aufwächst und zum ersten und größten Superhelden seiner Adoptiv-Heimat wird.Ein außerirdisches Waisenkind wird von seinem sterbenden Planeten zur Erde geschickt, wo es aufwächst und zum ersten und größten Superhelden seiner Adoptiv-Heimat wird.
- Für 3 Oscars nominiert
- 19 Gewinne & 23 Nominierungen insgesamt
Zusammenfassung
Reviewers say 'Superman' (1978) is celebrated for Christopher Reeve's iconic dual role, groundbreaking special effects, and John Williams' epic score. Richard Donner's direction is highly praised. However, criticisms include slow pacing in the first act, lengthy runtime, and campy portrayal of villains like Lex Luthor. The special effects, though innovative, are noted to have aged. Despite these issues, the film is widely regarded as a classic and a major influence on the superhero genre.
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The Superman movies were favourites of my childhood, but I don't remember them as well as many others. I was never that into superheroes.
Therefore I came to "Superman" with some reluctance, which turned out to be unnecessary. "Superman" still stands up as a pretty fantastic movie, and could probably still be used as a template for the modern superhero movie... not that I've really seen any of those.
It's got decent characters, a decent story, and the effects are still impressive enough. What really sets it apart, though, is the actual chemistry between Reeve and Kidder, and the wit in the screenplay.
Therefore I came to "Superman" with some reluctance, which turned out to be unnecessary. "Superman" still stands up as a pretty fantastic movie, and could probably still be used as a template for the modern superhero movie... not that I've really seen any of those.
It's got decent characters, a decent story, and the effects are still impressive enough. What really sets it apart, though, is the actual chemistry between Reeve and Kidder, and the wit in the screenplay.
This is, for me, the best of all the Superman films. It takes into account the mythos of the most famous superhero ever. The beginning is so incredible. I already knew the story (by the way, I'm not a fan boy, just encountered it along the way). I think that the Superman oeuvre is the best plotted out of all these heroes' stories. We get to see the struggles of the father, Jor-el, dealing with the short-sightedness of the civic leaders. We get set up for a future with the three malcontents who are out there somewhere. We get the storied life of Clark Kent/Superman as a kid and the struggles he faced. We get an explanation for the Fortress of Solitude. And finally, there is an introduction to Lex Luther, the mastermind, who will make Superman's life a continuous battle. Clark has left home and seems to have some real insights. He is prepared. Now the story and future stories will move along. Oh, we will miss the kind and accomplished Christopher Reeve for this and other roles.
It all begins as planet Krypton's world unwinds, as you're packed inside a vessel and assigned, to a place where you'll excel, where folk will come under your spell, the populations of this place are called mankind. You're discovered by a couple and taken in, while growing up, concealing talents that could win, a loss leads you to the arctic, an experience cathartic, but it's Metropolis, where you firmly stick your pin. The Daily Planet is the place you'll ply one trade, Clark Kent assisting Lois on her crusades, your first encounter with Lex Luthor, a somewhat challenging manoeuvre, as you defy Jor-El's mandate, to save the day.
We all have unique reasons for loving a film. That's what makes cinema so magical. It's personal. You can love the meat of the movie, or you can love the trimmings.
There's a bunch of good stuff here. Most people my age will refer to "Superman" as THE definitive superhero film. None will ever take it's place. A position no doubt dictated by the age we were when first viewing it. As with films like "Star Wars" and "Raiders of the Lost Ark", WHEN you experience them is just as important as HOW you experience them.
As we age, youth's eyes fade. Cynicism creeps in. Experience leads us to see the many injustices this life offers and we become more critical... less likely to accept that which we would rather believe. After all, an adult who clings to the youthful ideals of wonder is simply naive... right?
To this day, the opening title sequence for "Superman" fills me with the same magical joy it did over twenty years ago. Never was a score so perfectly crafted around a film. John Williams and Richard Donner created such an indelible experience that over 25 yrs later, Bryan Synger will use the same music and theme to bring the magic to a new generation of wondrous eyes.
As for me though, this will always remain the best.
There's a bunch of good stuff here. Most people my age will refer to "Superman" as THE definitive superhero film. None will ever take it's place. A position no doubt dictated by the age we were when first viewing it. As with films like "Star Wars" and "Raiders of the Lost Ark", WHEN you experience them is just as important as HOW you experience them.
As we age, youth's eyes fade. Cynicism creeps in. Experience leads us to see the many injustices this life offers and we become more critical... less likely to accept that which we would rather believe. After all, an adult who clings to the youthful ideals of wonder is simply naive... right?
To this day, the opening title sequence for "Superman" fills me with the same magical joy it did over twenty years ago. Never was a score so perfectly crafted around a film. John Williams and Richard Donner created such an indelible experience that over 25 yrs later, Bryan Synger will use the same music and theme to bring the magic to a new generation of wondrous eyes.
As for me though, this will always remain the best.
I thought I would pay tribute to one of Christopher's Reeve's best role ever; and that role is Superman. As many comic book fans follow, the film tells the story of Clark Kent who was born on Krypton and was transported into Earth after the planet exploded and loses his real family. As a new family finds him in the field going home, the couple take Clark as their own son and raise him. What the couple know about Clark is that he has a gift to do things twice as fast than any other ordinary human being; but as time goes by, Clark loses his father of a stroke and decides to take a life of his own as he works for the Metropoltian Newspaper, he meets Lois Lane (Margot Kidder) and he has a crush on her, even saving the woman from being killed. Just like any comic book movie, there is always a villain; with Gene Hackman as Lex Luthor in a campy role along with Ned Beatty as Otis, the sycophant with no sense, these two plan to destroy the world with nuclear weapons. Christopher Reeve doesn't get into the Superman Costume until 45 minutes into the film in which he saves Lois in one scene, busts bad guys and becomes and icon to the public. Superman is the finest comic book movie, and I only wish Christopher Reeve's family the best.
WUSSTEST DU SCHON:
- WissenswertesOn his first day on the set, Marlon Brando suggested to Richard Donner that the cameras roll during rehearsal. Brando reportedly said, "Who knows? We might get lucky." According to Donner, that very first take was the one that was used in the finished film. Brando was notoriously lazy and was constantly pulling little stunts like this to lessen his workload. Christopher Reeve even complained about it in interviews, saying Brando was "phoning it in and it shows!"
- PatzerWhen Jor-El introduces himself in the Fortress of Solitude, he explains that by this time, he will have been dead for thousands of Earth years. Yet during his teaching during Kal-El's journey to Earth from Krypton, Jor-El refers to Einstein's theory of relativity, which wasn't formulated until long after the destruction of Krypton.
- Crazy CreditsFor the first few opening credits, the graphics 'soar' towards the viewer. Following the appearance of the 'S' symbol, they change direction and from the film's title onwards, recede into the distance.
- Alternative VersionenThe current DVD, in addition to containing the 2000 restored director's cut, has 2 deleted scenes (both of Lex' babies, and seen in the TV edits in their original context), and alternate audio scoring for 8 sequences (including an unreleased alternate pop version of Margot Kidder's "Can You Read My Mind"). The DVD has the 2000 restoration with the following additions / expansions (all of which were seen in previous expanded television versions):
- Some added dialogue when Jor-El is talking with the council.
- The council calls an "Executioner" to hunt and kill Jor-El to keep the rocket from launching.
- Noel Neill and Kirk Alyn's speaking cameos on the train.
- Little girl sees Clark running faster than train, parents call her Lois Lane.
- In the kitchen Martha Kent takes out a box of Cheerios.
- After rescuing Air Force One Superman returns to Fortress of Solitude and has a conversation with his father.
- In Metropolis when the news of Superman comes out, Clark is a spectator. A stranger (played by an uncredited Richard Donner) comments "that'll be the day when a man can fly"; Clark grins.
- While trying to get Luthor's lair Superman goes through machine guns, flame throwers, ice machines with Luthor taunting on loudspeaker.
- The sequence with the Girl Scouts.
- VerbindungenEdited into Superman II: Allein gegen alle (1980)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Superman: la película
- Drehorte
- Range Road 264, Blackie, Calgary, Alberta, Kanada(The Kents' farm, coordinates: 50.675111, -113.558333)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 55.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 134.478.449 $
- Eröffnungswochenende in den USA und in Kanada
- 7.465.343 $
- 17. Dez. 1978
- Weltweiter Bruttoertrag
- 300.478.449 $
- Laufzeit2 Stunden 23 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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