Directed by
| Phillip Noyce | ||
Writing Credits
| Phillip Noyce | ... | (screenplay) |
| Bob Ellis | ... | (based on an original screenplay by) |
| David Elfick | ... | (from a concept by) |
| Anne Brooksbank | ... | (uncredited) |
| Philippe Mora | ... | (uncredited) |
| Howard Rubie | ... | (uncredited) |
Cast (in credits order) complete, awaiting verification
Produced by
| Richard Brennan | ... | associate producer |
| David Elfick | ... | producer |
Music by
| William Motzing | ||
Cinematography by
| Vincent Monton | ||
Editing by
| John Scott | ||
Production Design by
| Lissa Coote | ||
Art Direction by
| Laurence Eastwood | ||
Set Decoration by
| Sally Campbell | ||
Costume Design by
| Norma Moriceau | ||
Makeup Department
| Sally Gordon | ... | makeup artist |
| Irene Walls | ... | hair stylist |
Production Management
| Richard Brennan | ... | production manager |
Second Unit Director or Assistant Director
| Steve E. Andrews | ... | third assistant director |
| Chris Maudson | ... | second assistant director |
| Errol Sullivan | ... | first assistant director |
Art Department
| Sally Campbell | ... | set dresser |
| Peter Glencross | ... | stand-by props |
| Lee Whitmore | ... | graphic design |
Sound Department
| Greg Bell | ... | sound editor |
| Julian Ellingworth | ... | sound mixer |
| Peter Fenton | ... | sound mixer |
| Jack Friedman | ... | boom operator |
| Tim Lloyd | ... | sound recordist |
| Jo Lynes | ... | assistant sound editor |
| Berry van Bronkhorst | ... | sound mixer |
| Phil Judd | ... | sound effects recordist (uncredited) |
Special Effects by
| Kim Hilder | ... | special effects |
Visual Effects by
| Roger Cowland | ... | visual effects |
| Tom Meares | ... | restoration colorist |
Stunts
| Max Aspin | ... | stunt coordinator |
Camera and Electrical Department
| Brian Bansgrove | ... | gaffer |
| David Brostoff | ... | focus puller |
| Ray Brown | ... | key grip |
| Steve Dobson | ... | clapper loader |
| Paul Gantner | ... | best boy |
| Mike Giddens | ... | still photographer |
| Stuart Green | ... | second grip |
| Frank Hammond | ... | second unit photography |
| Louis Irving | ... | camera operator |
| Peter Moss | ... | second unit photography |
| Peter Moyes | ... | electrician |
Costume and Wardrobe Department
| Susan Bowden | ... | wardrobe assistant |
Editorial Department
| Arthur Cambridge | ... | color grading |
| Margaret Cardin | ... | negative cutting |
| Bill Gooley | ... | lab liaison |
| Al Hansen | ... | digital colorist: restoration |
| Sue Scott | ... | second assistant editor |
| Frans Vandenburg | ... | archive film research / assistant editor |
Location Management
| Bob Hill | ... | location assistant (uncredited) |
Music Department
| Robert John | ... | musician |
| Gerry Nixon | ... | music recordist |
Script and Continuity Department
| Adrienne Read | ... | script assistant |
Additional Crew
| Sandy Beach | ... | production assistant |
| Penny Carl | ... | production accountant |
| Lynn Gailey | ... | production secretary |
| Daniela Torsh | ... | production assistant |
