Plot

A concentration camp survivor rekindles her sadomasochistic relationship with an ex-SS officer working as a night porter at a Vienna hotel, but his former associates begin stalking them.

Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dirk Bogarde), currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic relationship.—Ed Sutton <esutton@mindspring.com>

1957. Max works as a night porter at the Hotel zur Oper in Vienna. During the war, he was an SS officer based in a concentration camp, where to his captors he posed as a doctor conducting research allowing him even more intrusive access. He has maintained connections with some of his Nazi colleagues, who have gone through the process of conducting mock trials one by one to expose weaknesses in their defense and when evidence, especially documents, which may incriminate them should and will be destroyed. Max's trial is the next one to be conducted. Upon simultaneously seeing each other, Max and a hotel guest, Lucia Atherton, the wife of an orchestra conductor for an opera company she who is following her husband on an opera tour, instantly recognize each other from the war years, when she was a prisoner at the same concentration camp. Although they try to avoid each other at all cost, they eventually do purposefully meet in their emotional need taking over, that need being their form of love for each other as they were in a sadomasochistic relationship at the time. The problem for them becomes Max's colleagues who would see Lucia as one of those threats to expose their past, such a threat which would need to be eliminated.—Huggo

The dark and melancholy story of a former teenage Nazi concentration camp inmate, Lucia (Charlotte Rampling), and the S.S. officer who was her torturer and lover, Max (Sir Dirk Bogarde), who accidentally meet again in a Vienna hotel in 1957, where Max works as the night porter. They resume their sadomasochistic relationship, although Max's former S.S. comrades have something different in mind for them. The story unfolds like a gruesome dance of death.—Tim Kallinis <bt404@torfree.net>

During World War II, Maximilian Theo Aldorfer (Dirk Bogarde), a former Nazi SS officer who had posed as a doctor to take sensational photographs in concentration camps, and Lucia Atherton (Charlotte Rampling), a Holocaust survivor, had an ambiguous sadomasochistic relationship. Flashbacks show Max tormenting Lucia, but also acting as her protector.

In present day 1957, Lucia, now married to an American orchestra conductor, meets Max again by chance. He is now a night porter at a hotel in Vienna, Austria and a reluctant member of a group of former SS comrades who have been carefully covering up their pasts by destroying documents and eliminating witnesses to their wartime activities. Max has an upcoming mock trial at the hands of the group for his war crimes. The group's leader, Hans Folger (Gabriele Ferzetti), accuses Max of wanting to live 'hidden away like a church mouse'. Max wishes to remain hidden, but he voices support for the group's activities. Memories of the past punctuate Max and Lucia's present with urgent frequency, suggesting that Lucia survived through her relationship with Max. In one such flashback, Lucia sings a Marlene Dietrich song, "Wenn ich mir was wünschen dürfte" ("If I could make a wish"), to the camp guards while wearing pieces of an SS uniform, and Max 'rewards' her with the severed head of a male inmate who had been bullying her, a reference to Salome.

Because she could testify against him, Lucia's existence is a threat to Max. He goes to see a former Nazi collaborator, Mario (Ugo Cardea), who knows Lucia is still alive; Max murders him to protect his secret. After Lucia's husband leaves town on business, Max and Lucia renew their past lovemaking in Max's apartment. Max confesses to Countess Stein, another guest at his hotel, that he has found his "little girl" again. The Countess tells him that he is insane; Max replies that they are both 'in the same boat'. Meanwhile, Folger has Max spied on by a teenage bellboy who works at the hotel.

Max is interviewed by the police about Mario's murder. He spends days with Lucia in his apartment, chaining her to the wall so that "they can't take her away" and sleeps little. Folger, who wants Lucia to testify against Max in the mock trial-though he harbors more ambiguous long-term intentions toward her-visits and informs her that Max is ill. He suggests that Lucia must also be ill to allow herself to be in this position, but Lucia sends him away, claiming to be with Max of her own free will.

The SS officers are infuriated at Max for hiding a key witness. Max refuses to go through with the trial, calling it 'a farce', and admits that he works as a night porter due to his sense of shame in daytime. He returns to Lucia, telling her that the police questioned him and others at the hotel about her disappearance, and that no suspicion fell on him.

Eventually, Max quits his job, devoting all of his time to Lucia. The SS officers cut off the couple's supply of food from a nearby grocery store. Max barricades the door to the apartment, and he and Lucia begin rationing. Max seeks help by phoning one of his old hotel friends, who refuses, and imploring his neighbor, but she is prevented from providing aid by Adolph, the youth who had spied on Max earlier. Max retreats again to the apartment, where Lucia is almost unconscious from malnutrition. After one of the SS cuts off the electricity in Max's apartment, Max and Lucia, respectively dressed in his Nazi uniform and a negligee resembling the one she had worn in the concentration camp, leave the building and drive away; they are soon followed by a car driven by Max's former colleagues. Max parks his car on a bridge, where he and Lucia walk along the sidewalk as dawn breaks. Two gunshots ring out, and the doomed lovers fall dead.