Directed by
Peter Yates |
Writing Credits
Stanley Shapiro | ... | (written by) and |
Maurice Richlin | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
Martin Erlichman | ... | producer |
Phil Feldman | ... | executive producer |
Stanley Shapiro | ... | producer |
Music by
Artie Butler |
Cinematography by
László Kovács | ... | director of photography |
Editing by
Frank P. Keller |
Casting By
Marion Dougherty |
Production Design by
Gene Callahan |
Set Decoration by
James L. Berkey |
Costume Design by
Frank L. Thompson | ... | (as Frank Thompson) |
Makeup Department
Don L. Cash | ... | makeup artist (as Don Cash) |
Jon Peters | ... | hair designer: Barbra Streisand |
Kaye Pownall | ... | hair stylist |
Production Management
Jim Di Gangi | ... | production manager |
Second Unit Director or Assistant Director
Harry Caplan | ... | assistant director |
Stuart Fleming | ... | second assistant director (as Stu Fleming) |
Art Department
Mentor Huebner | ... | production illustrator |
Richard M. Rubin | ... | properties |
Stephen Myles Berger | ... | assistant art director (uncredited) |
Fred Collins | ... | construction coordinator (uncredited) |
Basil Lombardo | ... | painter (uncredited) |
George Luxemberg | ... | second props (uncredited) |
Sound Department
Jim Cook | ... | re-recording mixer (as James R. Cook) |
Don Parker | ... | sound |
Lou Williams | ... | boom operator (uncredited) |
Paul Wolfe | ... | cable man (uncredited) |
Special Effects by
Ira Anderson Jr. | ... | special effects |
Stunts
Denny Arnold | ... | stunts (uncredited) |
John Ashby | ... | stunts (uncredited) |
Camera and Electrical Department
Richmond L. Aguilar | ... | gaffer |
Holly Bower | ... | still photographer |
Bobby Byrne | ... | camera operator (as Robert Byrne) |
Paul Caven | ... | best boy |
Gary Muller | ... | second assistant camera: New York |
Ralph Carter | ... | second grip (uncredited) |
Ray De La Motte | ... | first assistant camera (uncredited) |
Romeo De Santis Jr. | ... | extra electrician (uncredited) |
Leonard Lookabaugh | ... | key grip (uncredited) |
Brian T. Maeda | ... | second assistant camera (uncredited) |
Bill Record | ... | dolly grip (uncredited) |
Frank Shugrue | ... | still photographer (uncredited) |
Casting Department
Jennifer Shull | ... | additional casting |
Costume and Wardrobe Department
Seth Banks | ... | wardrobe: men |
Shirlee Strahm | ... | wardrobe: ladies |
Editorial Department
Cliffe Oland | ... | assistant film editor |
Location Management
Hal Fisher | ... | location coordinator (uncredited) |
Howard 'Dutch' Horton | ... | location manager (uncredited) |
Vince Martinez | ... | location auditor (uncredited) |
Music Department
Milton Lustig | ... | music editor |
Script and Continuity Department
Betty Crosby | ... | script supervisor |
Transportation Department
Buddy White | ... | transportation co-captain (uncredited) |
Additional Crew
Lew Burke | ... | dog trainer |
Robert Davenport | ... | bull trainer (as Bobby J. Davenport) |
Sandy Dvore | ... | title designer |
Stephen A. Glanzrock | ... | production assistant: New York |
Daniel Grodnik | ... | assistant to producer |
David Horowitz | ... | unit publicist |
Corky Randall | ... | livestock handler |
Paul Coons | ... | auditor (uncredited) |
Ben Douglas | ... | craft service (uncredited) |
Hal Fisher | ... | travel coordinator (uncredited) |
Monroe Friedman | ... | publicist (uncredited) |
Cal Morse | ... | operations (uncredited) |
Forrest Painter | ... | first aid (uncredited) |
Connie Roth | ... | screening coordinator (uncredited) |
Natalie C. Welton | ... | production secretary (uncredited) |