The Day the Earth Moved (1974 TV Movie) User Reviews

Gets worse with age (but still better than many modern disaster flicks)

[connelly-shawn · 6/10 · 5 June 2013]

If IMDb existed when I was eight years old and the first time I watched this made for TV movie of the week, I would have rated it a 9 or a 10.

This story HAD such a profound affect on me, I remembered it and for the past few years, I searched for it on VHS, Usenet, Bittorrents, etc... without success. A week ago I brought this story up in a conversation and it dawned on me to see if Youtube had a trailer or clip available. What did I find? The *entire* movie! I was thrilled! So, thirty years later, I finally watch it again on Youtube.

Unfortunately, it failed to captivate me in the same way as it did when I was eight years old. I found the dialog was simplistic and the acting was rather wooden. I was disappointed to find a little bit of racism (intentional or not?) in the script.

On a positive note, as a sci-fi'ish disaster story, The Day the Earth Moved, is actually much better than many of the more modern disaster flicks. At least, this story doesn't insult one's intelligence.

A pair of struggling aerial photographers discover something strange about their film

[davebaker123 · 5/10 · 19 December 2012]

A sleeper film that was ignored unfairly, "The Day the Earth Moved" has some good entertainment value. Jackie Cooper stars as the pilot of an aerial photography plane who--along with his photographer--discovers an amazing characteristic about their film. When they realize what they have, they are forced to take drastic measures to save some folks in a small town from harm. The film is definitely television fare, but it does possess an underlying charm which makes it tolerable, and even exciting at some point. Jackie Cooper has been an underrated actor in Hollywood. He has always performed his roles well, and he invariably creates the aura of a jovial personality for his characters.

Kind of dull...

[planktonrules · 4/10 · 4 November 2016]

When the film begins, Steve and Harley (Jackie Cooper and Cleavon Little) are up in an airplane photographing in rural California. They have some weird and totally untested theories about earthquake prediction...but more about that later. Soon after they land, Steve is arrested in a crappy, tiny speed trap town and jailed for a few days. But a kid feels sorry for him and helps him escape. Later, when Steve looks through his photos he is confident (HOW?!?!) that an earthquake is about to strike that same town! Wow....what a coincidence.

The plot just meandered too much and the film never kept my interest. In many ways, it was disappointing and slow. I would say more but the film just never held my interest and there wasn't much to say about this installment of "The ABC Movie of the Week".

Another Disaster of the Week

[Sargebri · 1 October 2003]

Even though this could be seen as a typical movie of the week. It was a pretty interesting one, especially for a combination disaster/science fiction pic. I especially loved the humor that Cleavon Little inserted in what could have been just another disaster pic. This definitely is a decent if not good movie of the week.

Mediocre Film At Best

[Rainey-Dawn · 4/10 · 4 December 2016]

Well, it took about 40 minutes to get to them figuring out there something odd with the film that was developed... before that it's about the scientist that flew the plane who was caught speeding in his car in a tiny, tiny town and only had 2 tens on him for the fine so he was arrested and made to do community service to pay off the fine (that was about 1/2 of the movie). The last 15 to 20 minutes is the 2 in plane (photographer and scientist pilot) going back to the tiny, tiny town to rescue the people who already knew the area was prone to earthquake but had no idea that a large earthquake was going to hit them. They didn't argue with the 2 from the plane long before the earth started quaking. Then the people ran around trying to gather stupid things to bring with them before it gets to bad - minus the little girl trying to get the dog.

That about sums up this film. It's OK enough for a one time watch.

4/10

A night at Bates Motel would be preferable to living in this dot on a map called Bates.

[mark.waltz · 2/10 · 29 October 2021]

Veteran actresses Beverly Garland and Lucille Benson should have complained immediately about the hairstyles they were forced to wear in this ridiculously boring TV movie. Garland, a sophisticated looking blond, comes out with a Pippi Longstocking doo that is an absolute don't, and the feisty Benson has the farmer's wife severe part down the middle that makes her look about 50 pounds heavier and 25 years older. The story surrounds predictions of an earthquake in this town that is somewhat near to Las Vegas but one that nobody has driven through in years. Nobody in the small town believes that they are about to be struck by an earthquake, but of course, they are proven quickly wrong.

Coming out during the big movie disaster phase, it certainly is no rival to the big screen sensurround "Earthquake" that had come out the year before. The film stars Jackie Cooper, Cleavon Little and Stella Stevens, and everybody seems truly embarrassed to be there. Cooper, married to Steven, is delayed in Bates because of a traffic violation and can't get out. You get to meet the weird townsfolk and it is understandable as to why nobody wants to go there. Suffering through 75 minutes of this made living through two major L. A. earthquakes much more preferable.

Sleepy Town Sleepy Viewer

[garito-1 · 1/10 · 1 December 2018]

What an absolutely, totally boring film. Basically, two aerial photographers spot changes in the ground from the photos they have taken. This leads them to believe that there is going to be an earthquake in a sleepy town that the pilot knows.

Far too much time is spent on non-events, so the action is thin on the ground (and up in the air!) They went up three times to take those photos and it felt like we saw every single moment of all three flights.

The viewer is always one step ahead of the plot; not that there is much to be one step ahead of.

Don't watch it. Look at some aerial photographs from Google Earth. They will be more intersting than this film.

define "stye"

[drystyx · 7/10 · 24 February 2012]

"Style" is what this mini disaster film has going for it.

The plot is standard procedure. No one will listen to a few nobodies who warn of impending doom, in this case an Earthquake.

The movie plays more like a pilot episode for a decent TV show of down and out types. The difference here is that the characters are people you can care about.

And that's just part of what make this work. A few dorks will only care about special effects and budget, which aren't a trademark here. However, this is entertainment for the rest of us.

The "style" is in some of the out of the ordinary things that happen. Our hero is virtually kidnapped legally, to help out a down and out town. It is a great piece of writing.

The writing of the characters, and the interesting desert scenery make this very interesting. There isn't anything "fantastic" about this, although a few eyebrow raising events.

This is what "style" can do for a film.

Disaster flick, ABC movie-of-the-week Style!

[Coventry · 7/10 · 8 February 2017]

Now, this seemed to me like an interesting and worthwhile viewing experiment! Giant, preposterous and heavily flamboyant disaster movies are a guilty pleasure of mine. They are not always the most qualitative or intelligent movies but they surely provide great entertainment and several "wow-did-you-see-that?" moments. My favorite disaster epics naturally emerged in the 1970s, like the "Airport"-series, "The Towering Inferno", "Earthquake", "Avalanche", "Rollercoaster" and many, many others. At the same time, however, I'm also a great admirer of made-for-TV drama/thriller movies from that same 70s decade – and more specifically the ABC Movie of the Week collection – just because they are completely opposite to disaster movies. The shoestring budget didn't allow for hi-tech special effects, spectacular stunts or exotic locations and thus TV- movies must rely on their solid screenplays, atmosphere, sense of realism and performances. Like the title implies, "The Day the Earth Moved" is an amalgam of both extremes: a disaster movie on a shoestring TV-budget! How do you possibly stage something as devastating as an earthquake when there isn't a lot of money to build scale models or sets? You find this answer in this tame but nevertheless slick and often ingenious overlooked little film. 95% of the film is talking and seemingly irrelevant information about a cast of characters you don't really feel connected with, and then when the earth does finally start moving, they just land at an already half-demolished ghost town and destroy whatever ramshackle cabin was still standing.

I have to admit, however, that the plot of "The Day the Earth Moved" is original, creative and oddly compelling; - even though it requires quite a large portion of suspension of disbelief. Two struggling aerial photographers coincidentally discover that a defective match of their film material accurately predicts where earthquakes will occur within a time frame of 24 hours. It takes a while for them to figure that out and don't expect a proper explanation, but they have to take action as their photos indicate that the small and nearly forsaken town of Bates – in the middle of Nevada – is going to get struck. Particularly pilot Steve is desperate to rescue Bates, since he spent a few days of community service there and became fond of a young local girl. "The Day the Earth Moved" benefices most from the character development and the curious story behind the little town of Bates. Similar to the fictional Perfection in "Tremors", Bates is a town with only a handful of residents that remained stuck in isolation. The town used to be visited by people heading in or out of Las Vegas and lived off a local tourist attraction called "Santa's Summer Village", but since the construction of a new and modern highway there haven't been any tourists for several years. This would be an uninteresting side aspect if this was a major studio disaster blockbuster, but seeing it's a TV-movie it gives the film more depth and character. Of course the few remaining residents still don't believe the alarming news about the earthquake and are reluctant to leave, so when the ground starts trembling there are still a few intense and adrenaline-rushing moments to enjoy. Don't go into "The Day the Earth Moved" expecting a wild and exhilarating action movie, otherwise you'll be sorely disappointed. If you watch the film with an open mind, though, there's a fair chance you'll be increasingly charmed by the odd plot, the absorbing atmosphere, the likable characters and the grand finale.

Pilots accidentally discover predictor of earthquakes

[rstewart-23 · 8/10 · 24 October 2006]

Jackie Cooper and Cleavon Little are pilots engaged in aerial photography, who accidentally discover a method of predicting earthquakes. High stresses in the Earth's crust give off a heat which shows up on specially treated photographic paper. Looking at some recently exposed film, Cooper and his ex-wife Stella Stevens realize that the small desert town of Bates, where he recently spent time, is at the centre of a high stress area and will likely be destroyed.

I hadn't seen this 'made for TV' movie since I was a kid, until I recently purchased it on videotape. There was a bit of nostalgia associated with this film, as my older brother and I used to watch it on TV during the 1970's as an afternoon matinée. It was a perfect rainy day film. As kids we were naturally fascinated by the idea of predicting an event as complex as an earthquake... made more interesting because the photographic film stock was a fluke, never to be repeated nor could any more be obtained. From this standpoint alone, it makes for an absorbing storyline. Stella Stevens was well known from her role in Jerry Lewis's The Nutty Professor a decade earlier, and Jackie Cooper was still to take on the role of Perry White in the movie Superman. The special effects showing the various earthquake scenes were remarkably decent considering this was a made for TV movie with a limited budget. As a whole, the film's also an interesting snap-shot of 1970's era film-making. Sometimes it's hard to believe those actors are no longer young. Well worth taking a look if you can locate a tape. Please feel free to email with any inquiries.

Not great but...

[tunetrackersystems · 6/10 · 21 March 2021]

I can't tell exactly why but I kinda liked it. I half wonder if the movie Cars might have gotten a little inspiration from the storyline. Without giving anything away, I think those who who have seen both will know what I mean.

That's just about ALL it does. No ground-shaking excitement here.

[uds3 · 19 November 2001]

Doubtless the producers of this unenthralling twaddle believed they were on to a good thing with ANY flick with a name starting "THE DAY THE EARTH........?" (whatever!) trading off the slipstream of the other two classics THE DAY THE EARTH CAUGHT FIRE and THE DAY THE EARTH STOOD STILL

So with Jackie Cooper (TV flavor of the month during the 70's) and his wife Kate (Stella Stevens) and some amateur seismologists in tow, taking some aerial pics in the desert, they deduce the Big "E" is due. Just like DANTES PEAK, no-one of course wants to listen to their warnings.

When the quake comes, make sure you're out having a tea-break!

A disaster movie focusing on a person

[JimmyL5555 · 6/10 · 1 February 2020]

While the special effects and "the Big One" is saved until the end, what works so well is THE STORY. THE STORY is the star, not the actors nor Special Effects, but the STORY! it's a human drama about the character of two people (surpringly, they're the characters portrayed by two actors who previously appeared in episodes of THE TWILIGHT ZONE (1959-1964), Jackie Cooper & William Windom), one who cares about total strangers who kept him unjustly and exploited him, and the owner of a town who is obsessed and committed to restoring a town that is past restoring and the loyal last remnants of that town who stand by him. The William Windom character reminds me of Lee J. Cobb character in 12 ANGRY MEN (1957), and in TWILIGHT ZONE, Jack Klugman in "Death Ship" & Lee Marvin in "Steel" who are unyielding to acknowledge truth, doubt, and futility. In all of this, I only have one question: why didn't they offer one phone call after they brought Jackie Cooper to remain a prisoner of the town and why didn't Jackie Cooper ASK to be allowed one phone call? Didn't they think his family, coworkers and friends would be worried about his sudden disappearance?? Maybe that's what happens when a tiny community is isolated from civilization: they lose their humanity and all the rules that go with it. In short: THE DAY THE EARTH MOVED is basically a morality play.