A man who has been in a coma since infancy is awakened.A man who has been in a coma since infancy is awakened.A man who has been in a coma since infancy is awakened.
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Pamela Moiseiwitsch
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The Tone of the Movie is about the same as the Tone of the Response from Movie Critics and Audiences. Tepid, mildly Engaging, with a Detached but Detailed Observation. The Film Relies on a Documentary Style and approach where Things are Observed, Unfettered, and Matter of Fact.
Occasionally, it does Manage to Draw Interest when the Boring and Predictable become more Lively and Intriguing. The Wakening of a Man from a 30 Year Coma (since birth) and the Clinical Nurturing and "Upbringing" asks the Scientific and Sociological Questions one would Expect, and the Answers are what one would Expect from a Textbook.
The Film does have a Serious Sense of Purpose and some Fine Performances with Leads Terence Stamp and Robert Vaughn Excellent. But in the End it is all about Entertainment and the Movie, going Against Conventional Wisdom and Trends, Delivers a Docu-Drama with the Emphasis on "Doc".
It Anticipates Reality TV's Cold and Truthful Camera without Today's "Spontaneous" "Slight of Hand" that Keeps it from Being Really "Reality". You can only get that from a Hidden Camera. The Film is Worth a Watch for the Good Acting and Sleek Production, but the Decision to go "Low Key" did leave Audiences a bit Disappointed.
But it's just Off-Beat enough to allow a Recommendation. It took a Chance and it almost Succeeds, but Not Quite and was a Noble Effort.
Occasionally, it does Manage to Draw Interest when the Boring and Predictable become more Lively and Intriguing. The Wakening of a Man from a 30 Year Coma (since birth) and the Clinical Nurturing and "Upbringing" asks the Scientific and Sociological Questions one would Expect, and the Answers are what one would Expect from a Textbook.
The Film does have a Serious Sense of Purpose and some Fine Performances with Leads Terence Stamp and Robert Vaughn Excellent. But in the End it is all about Entertainment and the Movie, going Against Conventional Wisdom and Trends, Delivers a Docu-Drama with the Emphasis on "Doc".
It Anticipates Reality TV's Cold and Truthful Camera without Today's "Spontaneous" "Slight of Hand" that Keeps it from Being Really "Reality". You can only get that from a Hidden Camera. The Film is Worth a Watch for the Good Acting and Sleek Production, but the Decision to go "Low Key" did leave Audiences a bit Disappointed.
But it's just Off-Beat enough to allow a Recommendation. It took a Chance and it almost Succeeds, but Not Quite and was a Noble Effort.
I would like to see this movie shot today and see what differences an other director would make of the subject. Excellent production values give notice that the effort to make a unique movie for the late 60's was undertaken. Stamp gives a strong performance and the movie is not boring. Robert Vaughn and Nigel Davenport serve as capable teachers to the brain injured man and give fine supporting roles in this less than successful movie. What holds this movie together is the fine close ups of Stamp as he discovers a world of wonderment and allows the viewer an opportunity to see if the human condition is retarded by 30 years of laying in a bed in a vegetative state. Finding out that question is what makes this movie fun.
"The Mind of Mr. Soames" is a very unusual film and about the only movie that I can think of that is similar is Truffaut's "The Wild Child". Both are about someone who basically goes from zero socialization to being forced to interact with the world...whether they want to or not.
When the film begins, you learn that a Mr. Soames (Terrence Stamp) has been in a coma since birth...30 years ago! However, a group of doctors think they can operate on him and bring him out of it. So suddenly they have what is, in essence, a 30 year-old baby. A person who looks like a man but needs to be given an accelerated childhood in order to bring him up to speed for lost time. The problem is that instead of treating him with love and compassion, he's more like a science project and no one wants to listen to Dr. Bergen (Robert Vaughn) who urges them to reconsider their methods.
Not surprisingly, Soames is depressed and angry. After all, folks won't give him clear answers and he's living in an emotionally deprived world. So he escapes from the hospital and goes on an adventure. But not knowing any of the rules of society, he is about as lost as King Kong in New York or the Frankenstein monster! You really have to feel sorry for the guy and you have a strong feeling that nothing good will come of it.
Overall, this is a good film with a bit of a flaw. Terrence Stamp is wonderful as Soames. But I also had a hard time believing that all but one of the doctors could be THAT clueless in how to properly care for this patient...it did seem a tiny bit far- fetched...although treating him like a science experiment, I could believe as this has happened before with feral children brought back to civilization (the famous case of Genie is a sad example). Still, despite this, the film is thought provoking and interesting...and worth seeing.
When the film begins, you learn that a Mr. Soames (Terrence Stamp) has been in a coma since birth...30 years ago! However, a group of doctors think they can operate on him and bring him out of it. So suddenly they have what is, in essence, a 30 year-old baby. A person who looks like a man but needs to be given an accelerated childhood in order to bring him up to speed for lost time. The problem is that instead of treating him with love and compassion, he's more like a science project and no one wants to listen to Dr. Bergen (Robert Vaughn) who urges them to reconsider their methods.
Not surprisingly, Soames is depressed and angry. After all, folks won't give him clear answers and he's living in an emotionally deprived world. So he escapes from the hospital and goes on an adventure. But not knowing any of the rules of society, he is about as lost as King Kong in New York or the Frankenstein monster! You really have to feel sorry for the guy and you have a strong feeling that nothing good will come of it.
Overall, this is a good film with a bit of a flaw. Terrence Stamp is wonderful as Soames. But I also had a hard time believing that all but one of the doctors could be THAT clueless in how to properly care for this patient...it did seem a tiny bit far- fetched...although treating him like a science experiment, I could believe as this has happened before with feral children brought back to civilization (the famous case of Genie is a sad example). Still, despite this, the film is thought provoking and interesting...and worth seeing.
An underrated, pretty much forgotten movie that deserves to be better known. The premise - a 30 year-old man in a coma since birth suddenly awakened - had me hooked from the start. Terence Stamp gives an excellent performance as a baby in a man's body. How do you treat such a patient? Scientist Vaughn believes Stamp deserves a proper childhood, including play and affection. Scientist Davenport thinks that it's important that that Stamp be given an intense regular schedule of learning to catch up. It turns out both men are right (AND wrong). What happens in the second half of the movie will be foreseen by many viewers, but it's handled with intelligence and believability. Some viewers today may not be pleased with the ending, which is not cut-and-dried and sweetly happy. But it's not without hope, and it feels more real than any artificial ending that would probably be tacked on if the movie was made today.
A new take on the Frankenstein myth. Terence Stamp is the man in a coma since birth but kept alive in a kind of oxygen tank, who is awakened after 30 years. Alan Cooke's "The Mind of Mr. Soames" is an unusually intelligent piece of sci-fi which, like Mary Shelley's novel, is really about the relationship between the doctor who 'awakens' him and his 'creature' , the unfortunate Mr Soames who might have been better off had he been left in his tank. In these roles Robert Vaughan, (the doctor), and in particular Stamp, (Soames), are excellent. If the plot proceeds along a somewhat predictable path, the superb handling and good performances all round, more than redeem it. Not really a success when it came out, it is now destined for cult status.
Storyline
Did you know
- TriviaCharles Eric Maine, pen name for David McIlwain, was an English science fiction and detective thriller writer. Born in Liverpool in 1921, he published a science fiction magazine. During World War 2, he served in the Royal Air Force in northern Africa. After the war, he worked in TV engineering and was an editor on radio and television. He sold a radio play to the BBC in 1952 which later turned into a movie Spaceways (1953). He died in 1981 in London England.
- GoofsThis movie loves screeching brakes. When the car hits Mr Soames, it screeches to a halt even though it is on a thick dirt road. Later, a police car pulls up to a building and it screeches to a halt while traveling only a few miles per hour.
- ConnectionsFeatured in The Omen (1976)
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- Release date
- Countries of origin
- Language
- Also known as
- Das zweite Leben des Mr. Soames
- Filming locations
- Pyrford Court, Ripley, Surrey, England, UK(Hospital exteriors and grounds.)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 38 minutes
- Aspect ratio
- 1.85 : 1
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By what name was The Mind of Mr. Soames (1970) officially released in India in English?
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