A Vietnam vet moves into an apartment and peers through other people's windows across the street, meets one of the women, and discovers Black theater.
Vietnam vet John Rubin returns to New York and rents a rundown flat in Greenwich Village, in which he begin to film, Peeping-Tom style the people in the apartment across the street. His obsession with making films leads him to fall in with a radical 'Black Power' group, which in turn leads him to carry out a bizarre act of urban terrorism.—Grant Hamilton <n9431210@scholar.nepean.uws.edu.au>