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5/10
A Mid-Grade Lewis Film
gavin69427 November 2016
An accident victim (Tony McCabe) makes a deal with a particularly hideous witch (Elizabeth Lee), in which he receives extraordinary ESP powers. He uses these powers to help the police solve crimes.

Just to be clear, the film features a paranormal plot involving LSD drug use, a psychic, a hideous witch who morphs into a sexy young woman, a séance, a kung-fu chopping socialite, ghosts, psychopaths and federal agents. If you can imagine all of this mixed together and fit into 80 minutes, you might have a vague idea of what sort of nonsense is going on here.

One thing that appealed to be was the focus on a maniac who is committing murders in the small town of Jefferson, Wisconsin. I suspect Lewis neither knew nor cared, but Jefferson is very much a real small town. And any shout-out to Wisconsin makes me happy.
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5/10
Goreless Lewis is weird alright - compellingly weird!
Bloomer27 September 2006
Lewis's direction is as drab as usual here (cue long scenes of people executing actions from go to woe, free of editing in slow master shots) and there's no gore so don't expect any, yet I actually think that this appropriately named weird tale of ESP, a witch's pact and the mystery of a serial murderer is the best Lewis film I've seen by the standards of conventional film-making. The story has enough developments, payoffs and odd surprises that you may find yourself beguiled even without the typically sensational Lewis content in evidence. Fear not, though; the schlock quota is more than met by the ugly witch's bizarrely crap performance and by many classy moments of stilted dialogue and acting. The pushy jazz score is completely Wild and Crazy, and there's also a prolonged and silly chase on foot ala Blood Feast. The threads of this film don't logically feed each other at all, yet I think that the whole thing makes for a pretty good story, and as usual, the cheapness of budget means you can see and hear all the details of life in the year in which the film was shot.
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4/10
Something Stupid would have been a better title
The_Void28 April 2008
I would consider myself a fan of Two Thousand Maniacs, I enjoyed The Gore Gore Girls and thought Blood Feast was OK; but in general, I don't consider myself a fan of Herschell Gordon Lewis and, in fact, every time I see another of his films; I generally become less of a fan. I'm not a cinema snob by any means and while I prefer to watch 'serious' horror films than trashy inept ones; I can appreciate this sort of stuff some of the time. However, Lewis' films are so inept that they often bypass the 'so bad it's good' mark and go all the way back to simply being bad; and that is certainly the case here. The plot moulds together several different ideas, all of them ridiculous. We focus on Cronin Mitchell; a good looking guy who becomes disfigured after an accident with a power line. There is some good news, however, as he also gets extra sensory powers. It's not long before an ugly witch comes to him for a psychic reading and offers him the chance to regain his good looks if he becomes her lover. He does, and then pair gets involved with a murder case.

The film features the usual Herschell Gordon Lewis level of class; obviously, none. The film is another excellent example of how not to make a movie, as the direction, acting, editing etc are all terrible. Perhaps the most horrible thing about the film is the old witch's make-up, and certainly not for the right reasons as it looks extremely cheap and obvious, and this is not helped by the performance from Mudite Arums, who gives it far too much and just comes off looking silly. The plot seems like it was written by a three year old and the way it flows makes absolutely no sense at all and the whole murder plot feels like it was thrown on the end as an afterthought (and it probably was). This film might appeal to those whole enjoy campy pieces of crap; but if you're not one of those people, I really can't think of much to recommend this for. Aside from being rubbish, I also found this film to be an insult to my intelligence and it almost feels like it was made for children. Overall, this is bad even for 'The Godfather of Gore' and everyone but his hardcore fans would do well to miss it!
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4/10
Something tepid this way comes
dfranzen706 June 2019
I'd say this was more offbeat than outright weird. This one guy is involved in a horrific electricity accident, which burns his face badly, and a witch says she'll fix his face in exchange for his (physical) love. Oh, and the guy now has ESP, so naturally the local cops lean on him to help solve a slew of murders. And, to help him to be super effective, they give him LSD to help enhance the ESP. It's all mildly interesting, badly acted, and relatively benign. There's blood (it's Herschell Gordon Lewis, and that's kind of his wheelhouse), but to be frank it looks a heck of a lot like Hunt's ketchup. Not Heinz; the more watery Hunt's. Anyway, this isn't a movie anyone should rush out and see, even if they can find it. And remember, kids: electrocution gives you mind powers, and tripping on LSD will help you see all kinds of cool things. Something Weird is definitely a product of its times.
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2/10
Something Awful
Jalow5475 December 2016
I am a fan of many kinds of movies and often enjoy cheesy, low-budget films from the drive-in era of the sixties and seventies. I love the company Something Weird Video—which took its name from this film and which distributes countless films from the aforementioned genre on DVD—so I decided to give this movie a shot. I was actually pretty excited to watch it.

I ended up being pretty disappointed. Often, when certain movies are considered bad by most, I am still able to find something redeeming or enjoyable about them, even if it is just the old "so bad it's good" quality. I enjoyed Tommy Wiseau's 2003 masterpiece "The Room", which has been called one of the worse films of all time, but which is enjoyable to watch because it is unintentionally funny. Despite its flaws—or because of them—it is enjoyable. But Something Weird lacks even that. It was not so bad it was good. It was so bad it was terrible.

The film is a rambling mess. It's out of focus. It's not cheesy in a funny or charming way. It's quite the opposite. The characters are sickening. The plot goes from one incoherent scene to the next and introduces incongruous subplots. I don't know what this movie is about. There's a witch and a guy with superpowers, but we never find out how the two are connected and we get the idea that maybe it doesn't really matter.

Every scene feels pointless and extraneous. I was waiting for it all to come together and make at least a little bit of sense, but at some point I realized that that moment would never come and I gave up hope. It felt like the filmmakers were not following any sort of screenplay and basing the scenes on whatever locations they had available. That's fine, when it's done well as it was in Easy Rider, but here I felt like the filmmakers didn't even care. They knew their film would be terrible and they let it happen. They never even tried to make it good. The filmmakers didn't care, so why should we? The characters' motivations are unclear and make little sense. The acting is bad. The witch could have been well done, but the actress did a terrible job. Even despite a lack of acting skill, I felt she could have at least tried to have fun with the role, but she did not. And her makeup could have been done a lot better.

I watched the movie one Saturday afternoon after waking up with a hangover. I sat down with a greasy burger and plenty of juice and coffee and popped in the DVD. I think this movie made my hangover last longer and countered the effect of the food and drink. My headache just got worse. I probably would turned off the movie and gone and done something else with my day, but my hangover kept me from getting off the couch.

Even after the film was over, I found myself depressed by it. It was strangely disconcerting. It's a powerful film, in a way. I know I won't forget it. It truly is something weird. I found that it changed the way I thought about the world around me, because before watching it I had no idea that anything so strange existed. It gave me a very bad feeling that I've never felt before and never want to feel again.

Herschell Gordon Lewis, who directed this film, once said: "I see filmmaking as a business and pity anyone who regards it as an art form." I disagree, as I see great artistic potential in film and consider many to be true works of art. But I realize that, based on his personal beliefs about art and film, he was likely never able to make a truly good one. It was not good on any level. There was nothing good about it. It was unpleasant to watch and it ruined my day.
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5/10
Incredibly Funny!!!
Pumpkin_Man9 April 2010
Warning: Spoilers
I received this as a Christmas present two years ago and I finally watched it last night. This movie is so awful, that it's actually funny. It's like a crazy acid trip. I would have to say that my favorite character was the witch, because she was very melodramatic. A man named Cronin Mitchell becomes horribly disfigured, and gains psychic powers. He soon meets a witch who will make him handsome if he becomes her lover. Everybody else in the world sees the witch as a pretty woman named Ellen. Mitchell is asked by the police to help stop a killer in the streets. If you love Herschell Gordon Lewis films, crazy witches, and killer bed sheets, you'll love SOMETHING WEIRD!!!
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7/10
Campy, kooky fun
InzyWimzy8 May 2004
Something Weird is aptly named. The story is unusual and a strange vibe is present throughout; either that or the psychedelic soundtrack. Don't expect top notch acting, but the main characters are good enough. I can't get the image of the hag's cackling laugh and her tongue sticking out. Poor Mitchell, this guy was so desperate to get his wish granted, but it shows how bitter Mitchell was with his condition. Ah, and the LSD scene was the high point for me. In that state, you would find a phone conversation as easy to handle with as quantum space mechanics.

However, I watched this and did want to see how it turned out. The ending seems abrupt and out of the blue, but it's a weird, kooky romp. Where else can you see a blanket attack?
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Something Weird
Drago_Head_Tilt27 May 2011
Warning: Spoilers
Tony McCabe stars as Mitch, who develops psychic powers after he is electrocuted and has his face disfigured by a loose electric cable. He tries to rape a nurse while he's in hospital who says "a freak lie you should have died". While working as a forune teller, an ugly witch offers to give him back his looks if he'll become her lover. The cackling, horny hag tricks him by transforming into a beautiful blonde and he finally gives in, looking very pleased and smarmy with his new face ("my proud peacock"). The witch also has big lips tattooed on her knee. Meanwhile, a schizophrenic ("a part-time madman") is strangling and burning women and even becomes a sniper. A sleazy government agent/doctor wants to use McCabe to help the local police find the murderer. He gives him L.S.D. to heighten his psychic powers, but the L.S.D. scene is a bit of a letdown (McCabe just falls asleep and has a red tinted dream). Dr. Jordan tries hitting on the witch (who's visible to everyone but McCabe as the lovely Elizabeth Hale) while McCabe plays around with other women who seem to find him irresistible. McCabe also leviatates at a party and communicates with a ghost in a church. This surprising gem also has a character assaulted by a bedsheet, very bad acting, weird gunshot sound FX, bad karate, Lewis regular Jeffrey Allen and a lot more crammed into it's short (less than 80 mins.) running time. One of Lewis(who also photographed)'s best, and the effective music by Edward J. Paten became Something Weird Video's signature tune. Hurley Directed THE PSYCHIC the following year.

Movie reviews at: spinegrinderweb.com
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4/10
Something Incredibly Incoherent
Coventry26 August 2007
I definitely won't question the accuracy of this movie's title. It's weird, all right. I daresay extremely weird even for the usual standards of director Herschell Gordon Lewis, but it's also an unbelievably incoherent film that jumps from one incompetently plotted storyline onto the other and blends themes that simply don't belong together, like witches and serial killers…or E.S.P, karate-fighting and virulently attacking blankets (that's right!). As weird as it may sound, some of the basic story ideas featuring in "Something Weird" definitely have some potential, they're just elaborated poorly and unimaginatively. The main character is Cronin Mitchell. Since he got electrocuted at his job, he developed an impressive sixth sense, the so-called Extra Sensory Perception. His face also was severely mutilated in the accident and he hides it behind a veil whilst he receives customers to predict their futures. One day he's visited by an old witch who offers to restore his handsome manly face in exchange for unconditional love. Mitchell accepts, mainly because the witch takes on the face and body of a ravishing blond goddess most of the time. Meanwhile, the police are hunting a relentless serial killer who already murdered seven women and they call for Mitchell's psychic powers to help. Karate-fighting, womanizing and LSD-using doctor Alex Jordan has to test how powerful Mitchell's E.S.P is, but he quickly falls in love with the ravishing blond goddess … who actually is a hideous witch. Anyone still paying attention to the plot? Didn't think so… The idea of processing aspects like E.S.P into his film is very ambitious for a H.G. Lewis exploit-production, but he simply lacks the talent to use it properly. Personally, I'm a huge admirer of Lewis' repertoire, but that's mainly because his most famous titles are the pioneers of splatter and gore flicks! Films like "Two Thousand Maniacs" and "Blood Feast" didn't necessarily require solid screenplays, because the copious amounts of gore and bloodshed were always able to distract you. "Something Weird" doesn't feature any gore and therefore it's so much easier to point out the weaknesses and – without the delicious gore – it's also much harder to overlook them. The acting performances are atrocious, the editing seems to be done by a 5-year-old and the use of monotonous jazzy sounds rapidly gets very upsetting. The make-up on Mudite Arums (the hag) is hilariously unconvincing, particularly because only her face looks old whilst the legs are still quite foxy. The aforementioned blanket-attack and the infamous LSD-trip scene are two prime examples of why this movie is called "Something Weird". However, the title was inventive enough to become the name and logo of one of the coolest video distributing companies ever, so at least Lewis minor misfire spawned at least something positive as well.
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7/10
Something Weird
Scarecrow-8813 May 2009
Warning: Spoilers
Well, if you wanted something weird, director Herschell Gordon Lewis delivers in spades. Adopting the "kitchen sink theory"(..that's where if you have no plot, just toss everything at the viewer including the kitchen sink), HGL stuffs an odd variety of ideas(..topics)into his film and the result is simply bizarre. An electrical worker's face is hit by a downed wire which hideously burns him(..so deep into his flesh, no amount of surgery could save his face). But, included in this awful incident, Mitchell(Tony McCabe)receives extra sensory powers which make him an extraordinary psychic. A ghastly cackling witch(..obviously inspired by The Wicked Witch of the West)is enamored with Mitch and offers him a chance to get rid of the facial scar that has caused such agony..belong to her unconditionally. The witch disguises her horrifying ugliness as the lovely Ellen Parker(Elizabeth Lee), accompanying Mitch as he is commissioned to help a police force find a serial killer who is preying on women. Meanwhile, a psychologist, Alex Jordan(William Brooker), with the FBI in Washington, is also called in to prove one way or another whether Mitch is a phony or not..and in doing so falls head-over-heels with Ellen.

You get a little bit of everything from the use of LSD(..inducing a really oddball nightmare sequence, tinted in orange with some unusual off-focus camera work to heighten the surreal nature of Mitch's discovery of who the killer is and his future fate as well), karate(..an opening scene shows Jordan learning martial arts techniques from his master, later using such maneuvers to defeat a pair of disgruntled locals who blame him and Mitch for the trouble plaguing their city), the ghostly apparition of an undead bride haunting a church(..Mitch's encounter with it "heals" the place of worship), levitation(..Mitch provides a performance for a group of political types and their wives at a party held by Police Chief Vinton, played by Lawrence J Aberwood), and a supernatural attack on Jordan by his bed blanket(..this has to be seen to be believed!). I thought to myself that HGL must've been experimenting with LSD when he made this movie! I agree with the majority of others who mention his lack of skill as a filmmaker, such as the rather mediocre camera set ups, odd pacing(..some scenes are tight while others stretch to tedious lengths), jarring editing( particularly how HGL incorporates the image of the witch within certain scenes as Ellen is sitting amongst others with only Mitch able to see her as she truly is), and the inability to achieve a good performance from anyone in his cast..but, these problems, in some really deranged way, add a certain appeal to SOMETHING WEIRD. I'm not sure if all this isn't intentional; I have often wondered if HGL is actually winking at us through all the lunacy. I will freely admit that I rented this movie because I was in the mood for something off-the-wall and loony, and that's exactly what I received. I have to admit that the direction the film takes in regards to Jordan's obsession with Ellen threw me for a loop and the fate of this relationship brought a grin to my face. HGL, you ole devil you.
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1/10
Wow...did this really REALLY suck!
planktonrules30 October 2009
Even for a Hershell Gordon Lewis film SOMETHING WEIRD really sucked. I am not just talking bad--I am talking colossally inept, ridiculous and completely stupid bad! There was almost nothing about the film that I liked, except perhaps to look at the pretty lady playing the witch--she was awfully cute. The acting, direction, script and especially the cinematography were abominable--so horrible that I would consider this film even worse than some of Lewis' other grade-z movies. BLOOD FREAK and THIS'LL KILL YA looked more intelligently made than this film--and they, too, really sucked as well.

The fact that the director was inept wasn't a big surprise, but the biggest problem was actually not Lewis' direction but the cinematography. The camera often darted about, moved jerkily, the camera jiggled and the shots were often poorly centered. And who can we blame for this aspect of the film? If you check the credits, you'll see that it's credited to none other than Hershell Gordon Lewis himself! Okay, it's inept. So let's at least talk about the plot--which is probably the best thing about the film (other than the cute and sexy witch who cannot act to save her life). The first few scenes really have nothing to do with the film. Why he showed guys doing martial arts and some of the other early scenes was beyond me. Anyway, after a while the real film begins. A guy is hit by a live wire and it nearly kills him. In the process, however, it fries the left side of his face AND leaves him with psychic powers (kids: DON'T TRY THIS AT HOME). You'd think he'd be happy about this, but the guy is a whiny jerk. His life only starts working after he meets a witch (who I must point out again was really good looking....and a horrid actress). She can give him even more psychic powers AND restore his face to normal. At first, this arrangement works out great...but, as with all deals with Satan, it naturally comes to bite the guy in the butt by the end of the film.

Overall, this film is a mess only bad film buffs like myself can enjoy. It's every bit as stupid as PLAN 9 FROM OUTER SPACE and a total waste of the $583 they spent to make the film (including film developing and catering costs).

Dumb, inept and silly from start to finish.
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10/10
Answers many existential questions...
jread-58 January 2008
Warning: Spoilers
You will need to watch this movie at least eighteen times before its existential impact will sink in. The movie proves that entropy does indeed increase relentlessly with time. The more you get into the movie, the more you realize that the universe is utterly uncaring and that there is no good nor bad nor is there an intelligence directing anything. Fellini or Wood? What difference does it make? Some high points:

1. You must see the Attack of the Killer Blanky. It proves that evil comes in Orlon as well as brimstone;

2. There is a scene where something happens with a blowtorch. What was it? Was someone injured? Who can say? This scene shows much homage to Antonioni's L'avventura.

3. The movie opens with a long scene of two guys doing kung-fu moves. This sets the tone for the rest of the film, since it bears no relation to anything that happens later. Sartre would have loved it!

4. The characters are completely interchangeable. Since you quickly lose track of who is who and what they are up to, you realize after a while that it does not matter.

I could go on and on, but I am saving the best for my Doctoral dissertation.
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7/10
"I have a drug here. L.S.D. Perhaps you've heard of it."
Hey_Sweden6 November 2016
Crackpot, frequently amusing combination of parapsychology and psychedelia in this typically twisted Herschell Gordon Lewis schlock production. It's not quite as much fun as his celebrated splatter movies, but it's still pretty entertaining.

Tony McCabe plays Cronin "Mitch" Mitchell, a young engineer who is facially scarred by a severe electrical accident. This also gives him strong psychic abilities, so he hangs out a shingle as a medium. In this capacity, he meets a hideous old crone (Mudite Arums) who promises to restore his face to its handsome glory IF he will be her lover. So she becomes his entourage as he becomes a celebrity of sorts. Soon he is hired by a police force in Wisconsin to help catch a serial killer.

When you watch something by the late, great Mr. Lewis, you know you won't get something very slick technically, and you certainly won't get something very well acted. But that NEVER means that the "acting" in these epics doesn't entertain in its own fumbling way. McCabe is a hilariously obnoxious, insufferable prick, and Elizabeth Lee is delightful as the *other* incarnation of the old crone, the young hottie whom the rest of the world sees. William Brooker is a hoot as a karate student / playboy / doctor who's sent to possibly debunk Mitchs' abilities, and recruit him for the government should he turn out to be the real deal. Jeffrey Allen of "Two Thousand Maniacs!" pops up in a small role as a doctor, but what is truly a gas is seeing Lawrence J. Aberwood as the police chief (he's the infamous "All you kids make me sick..." guy from HGLs' roughie "Scum of the Earth").

Highlighted by a nicely strange L.S.D. trip sequence, and the "attack by blanket" scene, "Something Weird" is given a jazzy score by Edward J. Petan. Written and produced by James F. Hurley, it gets down to business quickly (with a murder playing out behind the opening credits) and offers up a delicious resolution and comeuppance.

Seven out of 10.
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5/10
Testament
kosmasp29 April 2020
Sometimes it may be important to know or recognize when a movie was made or how much of a budget it had. Or even what an impact it may have had either in the industry or socially. Or as in this case, where many years later we got a distribution that gave us the something weird label, releasing movies not just from HGL but other people too.

Quite an interesting movie or at least story overall. There are flaws of course and it takes it sweet time. But it has nice effects and is overall at least decent in its storytelling. May not be your cup of tea, but it's also not really bad
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Weird Is Exactly Right
Michael_Elliott28 September 2016
Something Weird (1967)

** 1/2 (out of 4)

This Herschell Gordon Lewis film certainly lives up to its title. Cronin Mitchell (Tony McCabe) gets electrocuted, which badly burns his face but the upside is that it gives him ESP. Soon afterwards a witch offers to fix his face if he becomes her lover. Then, a FBI agent learns of his skills so he wants to team up with Mitchell to track down killers.

SOMETHING WEIRD is exactly what this movie is and I'd argue that it's one of the director's better non-horror films. Technically speaking this is a bit better than what you normally see from Gordon as it appears he was really wanting to make a "good" movie and the screenplay itself has enough weird stuff going on to where you can't help but be entertained. This here is one of those movies where a little bit of everything is thrown in with hopes that something works.

I think the best moments happen early on and deals with the witch trying to put her moves on the young man. The scenes with the witch are mocking the Margaret Hamilton/THE WIZARD OF OZ and it doesn't even try to hide it. This here adds some fun as does the early scenes dealing with the ESP stuff. The later stuff with the FBI agent has the film lose some steam but there's still enough here that makes SOMETHING WEIRD worth watching.
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3/10
Something Not Without Interest
wilburscott6 May 2006
Fans of goremeister Herschell Gordon Lewis should look elsewhere if they are picking up this film for his usual buckets of blood being sloshed about, for there is precious little in the way of bloodletting in this film. Instead, Lewis decides to try and tell the bizarre story, relying on bargain-basement special effects on a budget which could have probably been doubled if the cast had turned out their pockets for change one day. Oddly enough, while cheap and very poorly acted (especially by McCabe as Mitchell), the total outlandishness of the plot keeps attention throughout. Imagine what this film could have been like with a decent budget! Overall, it strains for champagne tastes on a beer budget.
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2/10
Something Bad!
petersdc-311 August 2000
I have seen about a thousand horror films. (my favorite type) This film is among the worst. For me, an idea drives a movie. So, even a poorly acted, cheaply made movie can be good. Something Weird is definitely cheaply made. However, it has little to say. I still don't understand what the karate scene in the beginning has to do with the film. Something Weird has little to offer. Save yourself the pain!
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2/10
exploitive, as usual
shawshank8615 March 2007
Warning: Spoilers
hg is normally exploitive, and it's never really bothered me before--i loved "bloodfeast 2", but i really don't like pseudo sciences or playing on heuristics. the whole movie is based on a man with esp caused by an electrical accident and a witch. i'm not opposed to witches, and i liked "carrie" (the novel and the movie) but this one bothered me. i think it's because of the main character developing esp from an electric line. also the university professor wasting his time studying esp cases. i wasn't alive in the 60s to know first hand whether or not esp was a common fallacy then, but i assume that any theory of such nature would simply be discredited. what really bothered me was the way the police were describing schizophrenics as ruthless, unpredictable villains who can seem like normal people 99% of the time and then just snap. nothing could be further from the truth. i detest such concepts because they add to public idiocy. many people still think that schizophrenia is dissociative identity disorder. whoever wrote this script didn't know much about psychology.

there were some decent concepts to the movie. i liked the way the witch used men; it was a nice change. i liked how she could make herself attractive, but didn't when she was around her forced lovers. i found it interesting how her second lover also burned his face. had the script been touched up for a few weeks before production and not focused solely on making its audience dumber, this may have been a decent movie.
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6/10
H.G. Lewis Meets Bill Gaines EC Comics In Tale of Witchcraft
zardoz-135 July 2009
Warning: Spoilers
Herschel Gordon Lewis has many claims to fame. Film historians credit him with creating the 'splatter' horror film. H.G. Lewis worked in the fringe and produced what most people derogate as 'exploitation' films. He acquired his reputation for "Blood Feast" (1963) and replicated the formula with two more gore features "Two Thousand Maniacs!" (1964) and "Color Me Blood Red" (1965).

Despite his critical cinematic recognition, H.G. Lewis has directed some potboilers. Budgeted at $35-thousand dollars, "Something Weird" looks amateurish with uneven acting and occasionally out of focus photography. These defects detract the marginal credibility it musters from its conventional, uninspired James F. Hurley screenplay that combines fairy tales with the modern day scourge of Communism. Basically, "Something Weird" makes you want to laugh rather than cringe when its melodramatics turn to antics. For example, the fairy tale witch subplot falls apart due to childish, Halloween make-up. Clocking in at 80 minutes, "Something Weird" is mercifully brief and tosses in the legitimate use of the narcotic LSD in a plot about an individual who is so severely burned in an accident that he acquires a supernatural psychic ability.

"Something Weird" opens with a crime sequence. A man whose identity is hidden strangles a beautiful young woman to death in what appears to be an alley. This serial killer of sorts will figure prominently later on in the story. Afterward, the scene shifts to a martial arts studio where an instructor comments about his student's improper exhibition of karate when breaking a board. Dr. Alex Jordan (William Brooker) has the instructor, Kim, show him the proper way.

The scene shifts to an exterior where an electrician plunges from a telephone pole to the ground with a severed power cable hanging near him. His body flops involuntarily from the electrical charge and several other men surround him. One man, Cronin Mitchell (Tony McCabe), pulls the cable away from the prostrate body, but Mitchell suffers injury when the cable gives him a jolt of electricity and knocks him down and out. An ambulance arrives and a medical crew hauls Mitchell's body off on a stretcher to the hospital.

H.G. Lewis pauses the narrative at this point to linger on a long shot of a cloudy sky and the following narration is heard. "Science knows that people contact the world around them by their five senses: sight, sound, smell, taste, and touch. But many times a person reports an awareness of a happening when none of these channels could possibly be involved. This then is the sixth sense, the extra sensory perception, commonly known as ESP. The Russians for the past decade have intensified their experimentation in extra sensory perception research. They are working and experimenting on a crash program whose goal is to surpass America in the field of parapsychology. Dr. Alex Jordan, a renowned parapsychologist, is employed by a branch of the federal government for the top secret work in ESP and its relationship to American defense. This organization is determined that the United States will be the first to communicate with other planets, the first to advance in the field of ESP, and the last to perish in an all out nuclear war." With this narration, Lewis has added a modicum of significance to "Something Weird" and turned it into a Cold War thriller.

The next scene finds Mitch in a low-lighted hospital bed, suffering from the memory of the accident. Lewis then cuts to a professor's office at a nearby university where Mitchell's doctor, Dr. White, has gone to consult about Mitch's psychic ability. The professor is impressed with Mitchell. "Not doubt about it, Dr. White, Cronin Mitchells Now, it may be that his accident was the cause, I don't know. Or it may be the electrical current he was subjected to. We have several theories." Nevertheless, the skeptical Dr. White doesn't share the professor's opinion. He thinks Mitchell is a fake. "I have tested literally thousands of these psychics and he ran through my deck of ESP cards like it was child's play."

Later, Mitch proves his ability with a nurse as he guesses correctly each card she selects from a deck. She asks him about her future and then he makes a pass at her. She admonishes him for his inappropriate behavior and switches on the lights. The brightly lighted room propels him into the bathroom where he gazes at his scarred face in the mirror. "You're disgusting. No one can look at you, not even yourself" the nurse shrinks in revulsion. "A freak like you should have died!"

Eventually, Mitch makes a living where he reveals the future for $2 dollars a reading. He sports sunglasses and a dark veil so nobody can see his disfigured face. After work one day, he is surprised when the Bible of Witchcraft has materialized in his hands. Suddenly, a long gray haired crone in a yellow dress appears out of nowhere. Mitchell's scarred face disturbs him so deeply that he listens to a Faustian proposition that this witch, Ellen (Elizabeth Lee), makes that he cannot refuse. "Become my lover then you shall have your pretty face." Naturally, Mitchell agrees. The complication is Ellen looks gorgeous to everybody else except Mitchell since he can see what she really looks like—a hag. The vain Cronin Mitchell becomes a celebrated psychic. Dramatic events occur when Cronin tries to identify the schizophrenic killer in the small town of Jefferson, Wisconsin, with his psychic abilities. The government dispatches Dr. Jordan to assist the police. Jordan gives Mitchell LSD as a part of a question and answer session that he plans to have with him. Complications arise when Jordan grows enamored with the witch and deliberately lets the killer gun down Mitchell.

"Something Weird" isn't top-notch H.G. Lewis. Indeed, it may strike most people who know nothing about his prestige as unintentional, half-baked, quasi-sci-fi/horror hokum.
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4/10
See a well-trained man engage in thrilling mortal combat against that most sinister of foes... the blanket!
gingaeru23 August 2023
I don't write film reviews, but nobody else seemed to be mentioning the similarities between this film and Twin Peaks (1990). It had to have influenced Lynch (or someone else involved with the series) in some way, even if only subconsciously. After having watched this, I can't help but feel that Dale Cooper is a fusion of Mitchell (the "sensitive") and Jordan (the government man). (Lynch's own character, Gordon Cole, is reminiscent of Jordan, played by William Brooker.) Twin Peaks now strikes me as partially derivative of this film, not only in its characters but in the overall feel of it.

This film's writer's name was James Hurley. A main character in Twin Peaks shares that name. Seeing "the hag" scrunched up over the couch with her dirty grey hair, beckoning Mitch, I couldn't help but think of Bob. (Those odd red lips painted on her right knee are also very Lynchian-esque.) Immediately after Mitch makes contact with the ghost girl, his hand remains held up in what could very easily pass for a thumbs-up gesture (a prominent and iconic trait of Dale Cooper). There are many other little parallels that are hard to put into words, but the resemblance is unmistakable.

As to the film itself, it starts out like a montage of seemingly random scenes, but it does eventually transition into a more proper narrative. And you'll soon realize those scenes weren't random, after all. The acting is pretty bad, especially that of Mudite Arums ("the hag"). It's unintentionally humorous, but not in a laugh-out-loud sort of way.
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10/10
HG at his Worst...er...Meaning his Best
BrotherGeorge18 October 2018
Warning: Spoilers
10/10...As much as I love Blood Feast, et al...HG really nails it with this one. I couldn't look away...everything is so off-kilter. The performances are without peer. The Headroom is so there! The edits, seldom as they are, happen at just the wrong time. Wow. The spoiler is how awesome this move is!
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6/10
Something for Every HGL Fan
Vornoff-323 April 2011
In some ways, this is H.G. Lewis's "Citizen Kane." He let himself truly express himself in this one, unrestrained by conventions of logic or continuity. It actually has more special effects than most of his movies – and less of them are gore than in most of the non-adult movies as well. The levitation scene is amazing – low budget filmmakers had been levitating people more effectively than that since Melies – but then he tops everything with the "blanket attack" sequence. Lewis must have been reading Leary, because he allows that LSD could be used for a peaceful purpose, although of course he also gives us a typical 60s "freakout" on top of it (acid can be used for good, but it has to hurt, I guess). This is a movie for a very special audience, which thankfully has found it.
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7/10
I love this movie!
BandSAboutMovies31 October 2021
Warning: Spoilers
You know, if Herschell Gordon Lewis only made his nudie movies or just the gore, he'd be celebrated still, but for my money, the real good Lewis movies are the ones that almost frighten you by their incoherence or ability to fully create a world that is unlike any we will ever live in, like how She-Devils on Wheels gives us a reality - in 1968 - where female bikers are the alpha predator of all creation. Or the nihilistic mind blast that's Just for the Hell of It which ends with a character saying, "Who cares man" when everyone he knows is dead.

Then there's Something Weird.

Everything starts when Cronin Mitchell tries to help a man who has fallen from an electrical pole and gets rewarded with a face full of electricity which burns his face off. He wants to die - and why wouldn't he - but he's also gained ESP thanks to all that pure energy blasting him right in the brain.

At this point, most people would step back, see that their work is good and then finish the movie. But Lewis is a trickster god who felt the need for more, more, more.

Mitchell has become a bandaged hermit who gives psychic readings when the Bible of the Witches ends up in his hands, followed by a literal witch who promises that he can have his face back if he agrees to be her lover. Now he's handsome again, but a slave to the sorceress.

She becomes his assistant Ellen and now Mitchell is hunting serial killers along with a karate chopping government agent who is in love with Ellen because he has no idea that she really looks like the cartoonist witch but hey, maybe love is blind. To find this elusive killer, it's going to take some LSD.

But before that, Mitchell levitates for an audience and then finds a ghost inside a church. These side stories just pad the 80 minutes of running time but honestly, I'd pay whatever money is needed for more adventures of Mitchell being weird.

Anyways, Jordan can't deal with the fact that he can't have Ellen, so he goes nutzoid and attacks her. She escapes and demands that her psychic slave murder the government agent, so Mitchell psychically attacks him with several blue blankets which somehow the misogynistic loverboy escapes and what is this movie?

Then this whole thing goes proto-giallo as Mitchell takes the LSD and discovers that the cop that's been leading them through the case is the killer, but the trip he's on leads directly into a bullet between the eyes and our hero is dead.

The movie keeps going.

So now Jordan can be with Ellen and sees her, but at that moment he sees the witch and runs into traffic and burns his face off, which she heals but...

Time is a flat circle.

This is a movie that obsesses me. Like I can't stop thinking about it. Who was it for? Why was it made? Yeah, Lewis was in it to make money, but who would pay to see this (me)?

All these Film Twitter kids writing about how movies stick in their head for life and how things are fever dreams and they've never had the moment where you randomly put on this movie and are not ready for its power. About as perfect a movie that's filled with imperfections can be.
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Typically bad H.G. Lewis, with all his usual low-budget charm
tomgillespie20029 June 2011
Well, it was bound to happen to one of us eventually. I've recently been unable to play any form of disc/DVD, which has made me look elsewhere to find some filmic pleasure. Fortunately, youtube.com has given me the gift of a wide selection of middle-rate/utterly bad films (although surprisingly, they have some quite extraordinary cinematic classics such as Benjamin Christensen's Haxan: Witchcraft Through the Ages (1922), and F. W. Murnau's Faust (1926). Like an excited child in a video shop, I looked for the selection within the genre of horror. After all, this is the best place to look, when you want some bad-yet-possibly-interesting- cinema. I fell upon this release by the infamous 'Godfather of gore', Herschell Gordon Lewis.

This is not one of Gordons' gore-filled movies. It is an attempt at a story of psychic abilities. Cronin Mitchell (Tony McCabe) is in a freak electrical accident that leaves half his face disfigured. Whilst Mitchell (Mitch, as he likes to be called by the 'ladies') is angry at the fate of his 'beautiful face', he has developed incredible powers of ESP (extra-sensory perception - the sixth sense). After leaving the hospital with no apparent possibility of plastic surgery to re-instate the 'normal' face, Mitch begins a business of psychic readings. This is where he encounters The Hag (Mudite Arums).

The Hag proposes to Mitch a bargain, that if he loves her, she will restore his face. After refusing, Cronin's face is restored anyway. So begins his fate. For he is completely controlled by The Hag, who now disguises herself as a beautiful 'assistant' (Ellen Parker) to his travelling psychic. Whilst he has his extraordinary powers of ESP, the government want him and the local police desire his assistance in a murder case, where seven woman have been brutally slaughtered.

Mitch is inaugurated into the societal traps of the 'connected' police detective. He has an almost celebrity status. This is pure post-Psycho filmmaking. Mitch is quite obviously investigating murder that he himself has done, but is unable to remember. The Hag has utter control over his memory and his actions. She moves on to her next victim even as Mitch is stumbling through his nightmare. We enter psycho-babble through analytical trappings of 'split-personality' etc. Therefore, he is utterly controlled by his unconscious-self.

Whilst the seeming twist might give this cheap affair some form of narrative gravitas, the film surely doesn't. After all, it is an H G Lewis picture. Yes, everything about a Lewis film is inept. The acting, cinematography, editing, writing are all so terrible. But for some reason, I am utterly drawn into this garish Eastman colourised world. This doesn't have the blood-red charms of Blood Feast (1963) and Two- Thousand Maniacs (1964); it doesn't even hold the absurdly laconic pace of these dull-yet-entertaining films. It is a incredible bore to watch. Perhaps if you created an anthology movie of Lewis-like vignettes, then there may be a two-hour movie there (the sordid lives of distracted Americans perhaps), but to hold out a 20 minute premise in an 80 minute feature, is not the best way to spend that time. I have to say, I still adore the cinema of Herschell Gordon Lewis - up there with the sexploitation magnetism of (the better filmmaker) Russ Meyer.

www.the-wrath-of-blog.blogspot.com
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